I've noticed in the last few days that buttons to post a new topic or comment seem to have disappeared from the site. I have to add /new_topic manually to open a post form and press Ctrl+Enter to post it.

Is it just me?

EDIT: If anyone having the same problem with Firefox, it's probably some rogue uBlock Origin filter. What helped me:

• Go to the uBO settings.
• Go to the "Filter lists" tab.
• Push "Purge all caches" and then "Update now".
• Wait for it to update.
• Delete all caches and reload the page.

Either that, or simply disable cosmetic filtering for the site.

I've seen the occasional poetry thread, but I thought I would post some more traditional writing. This short story is background lore for my ongoing web serial, Codex, which takes place a thousand years after these events.

The research team looked like ants in the scry-screen, crawling around the laboratory as they completed the ritual’s final steps. When the spell was powered on, it let out a brief flash of brilliant orange light that made Tarrel wince and shade his eyes. The ants milled about as if their hill had just been kicked over, swarming this way and that, huddling over the piece of enchanted metal.

Tarrel stood up and left the viewing room. Renna looked up as he entered the laboratory and waved him over, a broad smile on her face. She held out her hand, offering him a bracelet made from some shiny metal; it looked like two flat chains had been woven together into a thin, knotted band. “Is that the eternium?” Tarrel asked. “Why a bracelet, and not a sword or spear?”

Renna stepped away from the five other people as an argument developed over one of the experimental readings. “It’s a gift.” She gave him an impish grin. “You’re allowed to enjoy the fruits of your labor, you know.”

The eternium was slick against his skin, as if it had been greased, and it had a mirror-perfect reflective surface that threw the bright overhead lights back into his eyes. He angled it away from him and stared at the gleaming metal, trying to dredge up the appropriate emotion, as if he could summon it into being by sheer willpower.

Logically, it should have been easy -- he had all the pieces: a beautiful girlfriend (if occasionally annoying), a prestigious research position, and a talent for magic that made most other wizards look like fumbling idiots. And of course, he was a Raal, entitled to all the benefits that came with higher civilization: immortality (or a very long life anyway), near-absolute freedom to do as he pleased (as long as that didn’t impinge on others’ freedoms), safety (from physical harm). Any non-Raal would kill to be where he was, and it was a safe bet that most Raal who knew him were at least a little envious of his status. But happiness, like an improperly drawn ritual, refused to manifest… and all Tarrel could feel was a bleak sense of anticlimactic fatigue as he looked into the shiny mirrored surface.

Renna moved closer and touched his arm. “Hey. What is it?”

He forced a smile onto his face and slid the bracelet onto his wrist. “Nothing.” The rest of the team was gathered around an Aether screen. Part of Tarrel wanted to join them, plunge back into the soothing distraction of work, but all at once he couldn’t stand the thought of doing so. He turned back to Renna, forcing the words through numb lips. “Let’s go out together.”

They could have taken a teleportation circle or a flier, but Tarrel wanted to walk so they strolled the floating streets of Ur-Dormoth together. It was nighttime, but the walkways were all lit with bright white mage-bulbs. Aircraft hummed overhead, like gigantic wingless insects, disappearing into the night as they left the city.

“Ever been to a mite city?” Tarrel asked as they walked.

“No.”

“I have,” Tarrel said. He brooded for a moment, staring out at Ur-Dormoth, sprawled across the clouds like a tangled pile of glittering lace. “They’re cramped, and squalid, and they stink of death. It’s like being in a corpse.”

Renna shrugged, seemingly unconcerned by the fate of however many millions of less fortunate people lived on the land below them. “Why do you bring it up?”

“I don’t know,” Tarrel said. “Have you ever wanted something and really worked for it, only to find that once you had it, you didn’t want it anymore?”

“I’m not sure I understand,” Renna said. “Why would you work for something you don’t want?”

Tarrel sighed. “Never mind.”

They went to the Eyrie, where Tarrel tried to look interested in the menu before giving up and ordering at random. The food arrived a few minutes later, looking decadent and delicious: creamy soup, flower-shaped pastries, a platter of fried onions. Tarrel ate mechanically, doing his best to appear as if he was enjoying it, but all he could think about was the emptiness he felt inside.

“How’s the food?” Renna asked.

Tarrel glanced at the pale white soup he was eating and tried to decide what to say. “It’s good.”

Renna leaned back in her chair. “I knew you would like it.”

“How long do you think it’ll be before we can start mass-producing the eternium?”

Renna blinked, caught off guard by the sudden change in topic. “A few more weeks? Once we do, the applications are immense.” Her eyes were practically glowing with excitement. “What would it be like to live in a tower taller than the highest mountain?”

Tarrel stirred his soup, wishing he could share her energetic happiness. “That’s a long way to fall.”

Renna chuckled, a delicate sound like tinkling crystal chimes, and tossed her sleek white hair over her shoulder. “I’m sure they’ll have protective enchantments. It would be quite the scandal, to be the architect responsible for the first death in centuries.”

“They don’t let you Merge,” Tarrel said, only half paying attention to the conversation.

“What?”

“Murder. If it’s deliberate, your thread is cut. No children.” Tarrel made a snipping motion with his free hand. “But if they think you meant to kill, then it’s a life for a life.”

Renna stared at him. “How do you even know that?”

Tarrel shrugged, already losing interest in the topic. “Memory spell.”

“I’ve never heard of such a thing.”

“It’s too difficult to cast for most people,” Tarrel said. Though that would change, if he ever got the framework functioning.

“What’s the framework?” Renna asked.

Tarrel realized he had spoken out loud. “Just a project I’ve been working on. You speak a command, and the framework casts the appropriate spell for you. All the power of a ritual, none of the difficulty.”

“That seems pretty useful. How’s it going?”

Tarrel blinked, not sure if he had heard her correctly. “Useful?” His lips twisted. “Nobody else seems to think it would be.”

“Are you serious? The applications for research alone would be immense. Imagine never having to cast another scrying spell.”

“They said it would be too inconvenient, or that the magic would lack power, or any of a hundred other excuses.”

Renna reached across the table and put her hand on his. “It sounds amazing to me.” Tarrel met her eyes, searching for any hint of insincerity, but all he found was honest admiration. “Can I see it?”

Tarrel shifted in his seat and looked away. “I, uh, sort of abandoned it. Nobody seemed to want it and I ran into some thorny problems, so it seemed like I was just wasting my time.”

“Well take it out of storage! Don’t worry about them, once they see what it can do they’ll all change their mind. Your legacy would be etched in the stone of history, right up there with Elmar the Great and the Risen Kings.”

Renna frowned and held up a hand to forestall his reply. “One moment. Someone’s trying to talk to me on the Way.”

Tarrel watched, but Renna’s expression gave away little. Half a minute passed before she finished. “What was it?” Tarrel asked.

“The research lab.” Renna’s face twisted in disgust. “Apparently they decided to run another batch of eternium, but someone messed up one of the protective spells.”

“Oh,” Tarrel said. He knew he ought to say something more, but somehow he couldn’t bring himself to care about the fate of the researchers. If they couldn’t even cast a simple set of wards, they deserved what they got.

“They’ll be fine,” Renna said, apparently mistaking his silence for concern. “At least as long as nobody screws up their healing magic too.” She hesitated, then stood up. “I’m sorry to cut this short, but I really ought to be there.”

“It’s fine,” Tarrel said. “I’ll head back to my house. Maybe work on the framework some.”

Renna smiled. “I still want to see it.”

She walked over to the teleportation circle in the corner and activated it, vanishing with a soft pop. Tarrel was left in the deserted restaurant -- or not quite deserted. There was a man, washing the tables with a cloth. Tarrel watched him as he worked his way across the room, until he was near enough to talk to.

“Why do you do that?” Tarrel asked.

The man looked up. He had a rough, honest face. “Why not?”

“You could let the golems do it. Or, if you wanted to make sure it was done properly, you could use magic. Why do it by hand?”

“Sure. The golems would probably do it better than me, and a spell could do it faster and better. But that’s not the point. Haven’t you ever found pleasure in work?”

Tarrel was on the point of saying no when he reconsidered, remembering all the times he had thrown himself head-on into inventing a new ritual or improving an old. “I suppose so. But my work isn’t something a golem can do and, when I’m done, I have something at the end.”

The man chuckled. “And when I’m done wiping a table, I have a clean table.”

“Only until someone comes in here and dirties it again,” Tarrel pointed out. He paused, struck by a sudden thought. Was that the problem, the reason for the hollowness all his achievements seemed to have? Even as one of the brightest researchers of the century, his name would inevitably be forgotten, in a hundred years, or a thousand, or ten thousand. But if he was able to create a new paradigm for magic… then he would be remembered.

“If I’m still around, I’ll get to enjoy cleaning it again. If I’m not, well, like you said: the golems can do it better anyways.”

Tarrel blinked, startled by the man’s voice. “Uh, right,” he said. He stood up. “I need to go.”

He took the teleporter back to his house and went down to his private laboratory. White mage-bulbs flared on as he entered the spacious room, illuminating the Aether screen set into one wall and the stone floor, still etched with an old circle. He cleared it, resetting the solid granite slab to its original, perfectly smooth, state.

Tarrel spent the rest of the night hunched over the Aether’s display, tweaking and changing the framework. Every so often, he would stand up and etch it into the granite floor with an eye-searing burst of brilliant orange light. Each time, the spell failed in a new, unexpected way, and Tarrel was sent back to the Aether to try to find the source of the problem.

The days merged into weeks, which flowed into months. Tarrel enchanted himself with restorative spells so he didn’t have to eat or sleep. Such behavior was considered unhealthy by most people, but it wasn’t the first time Tarrel had lost himself to the grip of work, and he no longer cared if his friends whispered behind his back or shook his head when he wasn’t looking. Like Renna had said, they would change their mind soon enough.

Renna knew enough to recognize the signs of Tarrel’s obsession, but she didn’t stop coming over to visit him. The door chimed regularly at noon every third day. They sat on one of Tarrel’s couches for ten or twenty minutes, talking until Tarrel could no longer keep himself away from the laboratory and made his excuses. For him, the time seemed one long hazy blur, interspersed only by slight, inching progress as obstacle after obstacle rose up to meet him and was defeated.

Eight months later, Tarrel stood before the granite slab and powered up the latest spell. “Fire,” he said, envisioning the unlit torch in the corner igniting. He didn’t really expect anything to happen and was thus shocked when it erupted into orange flame. His hands trembled with excitement as he stood up and approached the crackling brand. Magic! By talking! At last, it was working.

“Freeze,” Tarrel said. A chill swept over him as the torch’s flames guttered out. Water condensed on the blackened stump, then froze solid into a glittering sheen. A smile spread across his face and something warm and… happy rose inside him, like winter ice cracking and melting as summer approached. Renna’s words came back to him: Your legacy would be etched in the stone of history and he threw his head back, laughing.

Further experimentation revealed that the framework had exceeded his wildest expectations. He refined the spell, reducing the energy it consumed and increasing its potency until at last, it was fit for use in a globalization ritual. Everyone in the world, if they had the basic training necessary to use magic at all, could now access the framework.

Tarrel reached into the Way, calling for Renna. She responded at once, as if she had been waiting for him. What is it?

Come to my house, Tarrel sent back. I have something to show you.

He severed the telepathic link and stood up, unable to stop grinning. The eternium bracelet gleamed in the corner of the laboratory where he had tossed it and he went over and picked it up, turning it over in his hands. General Yenja had been excited about the eternium project. What would she think of the framework? But that was a matter for another time -- right now, he wanted to see Renna’s face when she saw what he had built. Tarrel slipped the bracelet onto his wrist and hurried up the stairs. Behind him, the mage-bulbs blinked out and the laboratory plunged into darkness.

Renna knocked on the door several minutes later. Tarrel glanced at it. “Open the door,” he said.

It swung aside, revealing a harried-looking Renna. “What is it?” she asked as she came inside.

Tarrel grinned and pointed at a glass of water sitting on the table. “Watch this,” he said. “Freeze the water in that cup.”

The surface of the water turned frosty and opaque, spreading downwards with a deep cracking sound. All at once, the glass shattered, spraying shards and chips everywhere. Tarrel jerked, surprised, then broke out into a laugh. “Sorry,” he said. “I should have been more specific in my wording.”

Renna touched the solid cylinder of ice, setting it off into a lazy spin. It twirled across the table until Tarrel caught it with one hand. “How do you like it?” he said.

“Impressive. Can I try?”

“Sure. I put it in the Way, so you should be able to access it just by thinking about it.”

Renna gestured at the ice in Tarrel’s hand. “Melt.”

Nothing happened and Tarrel chuckled. “It takes some getting used to. Try starting to cast the spell normally, then use the framework.”

“Melt.”

This time, the frozen water turned warm and started to dissolve, gushing all over Tarrel’s hands. He tossed it back onto the table before it could soak his clothes. “Freeze.”

Nothing happened and he gave Renna a rueful smile. “My mana cache is empty. I didn't even notice but I've been using the same one for all my research.”

“Here.” Renna withdrew a fat diamond pendant from beneath her shirt and held it out to him. “Take mine.”

“No,” Tarrel said. “I have a better idea.”

He reached out with his mind, drawing on the inert mana present all around and concentrating a small amount of it, refining it into the potent stuff that was normally used for spells. Only a drop, just enough to kickstart the spell he had in mind. “Refine one nex’s worth of mana. Put it into my cache, then cast two copies of this spell, using mana from the cache.”

It was the longest framework-boosted spell he had cast, but it went off without so much as a tug of mental effort. A thin trickle of mana pulsed through him, then died off as the spell became self-sustaining.

“Did you just -- ”

“That’s right,” Tarrel said. “I just revolutionized the mana collection industry.”

Renna frowned. “Maybe you ought to slow down.”

“Slow down? Why? I feel great.”

“That’s because you’re using those invigoration spells.” Renna looked around. “Do you feel that?”

It was an tingle, like an electric wind brushing over Tarrel’s skin. He reached into his pocket and pulled out the diamond cache, shielding his eyes as it began to glow an intense white. “Behold,” he said. “The future of the Raal.”

Renna stared at the diamond. “That doesn’t look right. Your new spell -- ”

“Not a new spell -- a new paradigm. For centuries, we have cast magic in essentially the same way. Spells have gotten better, thanks in large part to the tireless efforts of researchers like you, but it’s time for something different. Instead of engaging in a mental wrestling match, we shall simply give an order as if the magic is a servant.”

“Your refinement spell has a -- ”

Tarrel slammed his fist on the table. “Shut up!” The framework turned his order from wish into reality and he felt a sudden spike of shame. Using magic on a fellow Raal? What was he doing? But she wouldn’t see. He continued in a calmer voice. “It’s people like you who delayed this project by almost fifteen years. All that time, wasted.”

He felt the pulse of magic as Renna broke through the framework’s silencing spell. “Listen to me,” she said. The urgency in her tone gave Tarrel pause. “That diamond is about to overload. It’s the same mistake you made with the ice.”

Tarrel glanced at the incandescent diamond cube, mentally going over the wording he had used with the super-refinement spell. The same mistake he had made with the ice? The air around him felt… thin and weak, while the space around the cube seemed to shimmer and warp. What was going on? And then he got it.

He stared at Renna, horrified. “Quick. Give me your cache.”

He began the transfer spell, reverting to the more familiar mental casting in the moment of crisis. It was still incomplete when the cube exploded with a chiming sound that reverberated through his bones. Pain stabbed up Tarrel’s hand and he screamed, flailing around and spraying blood from his two missing fingers. Threads of orange refined mana flickered all around him like a hazy fog and the room dissolved into panic as the magic ran wild.

Renna’s hair stood straight up. She had time for a single terrified scream before lightning discharged from her body. Bolts radiated out in every direction, crackling and splitting the air apart, disintegrating her body into hot black flakes. Some of them landed on Tarrel’s face and he stumbled back, staring at the black scorch marks on the floor.

Tarrel’s weight vanished all at once and he floated off the ground, crashing into the ceiling before gravity reasserted itself and threw him back to the floor. The awful ringing of the broken cube continued to echo through the room, growing in strength instead of fading. It tore through his head as he wrapped his ruined hand in his shirt and sprinted for the door -- only to have the space in front of him warp and elongate. The door receded away, until it was like he was looking down a long corridor.

The first rips began to appear, fuelled by the still-continuing refinement spell as it pumped refined mana into the shards of the diamond cube. It was as if reality was a sheet of glass, fracturing and splitting. Black cracks shot through the room as the chiming hammered through Tarrel’s body. They began to glow, dim white at first, then growing in strength. They pulsed. Flickered. And as Tarrel’s hand reached for the door handle, they exploded.

Pure, white light surged out into the city, spilling from the research laboratory where Tarrel had conducted his fatal experiments. People screamed and fled. Some tried to cast spells, only to have their magic go awry in a wash of strange effects. Teleportation spells transported heads without their bodies. Flight enchantments sent their users hurtling into buildings. Wards imploded, crushing that which they were meant to protect.

Ur-Dormoth was just one city out of hundreds, but the Way, a global telepathic link which united all Raal, was irreversibly tainted. Less than a year passed before Tarrel’s name was forgotten, but in the end he got his wish: an eternal, undying legacy -- in the form of a vast, magical wasteland sprawling across a quarter of the continent.

I just joined this website today and I like it quite a bit already. Several of the design choices seem to be really well thought out and the community seems pretty open to discussion, etc. While reading the initial email you receive when signing up, the creator talks about how this place isn't going to be a bastion of free speech and certain types of content (hate speech, etc) won't be tolerated and I understand where he is coming from.

I'm sure many people are aware of Voat and how it was a response to Reddit censoring several subreddits (/r/the_donald, /r/fatpeoplehate, etc) and if you go there now, it's pretty much exactly the type of demographic you would expect to occupy those subreddits originally.

But while I can see where the creator is coming from with his approach, I guess I'm just curious where you guys would draw the line? Because making a place that caters to people that you could say are on the opposite side of the Voat spectrum seems like a great breeding ground for another echo chamber. And I guess I've become a bit disillusioned with the idea that I can get "balanced" opinions on controversial topics on content-aggregate websites. Maybe that's not even possible with this format. Either way, I'm wondering if anyone feels the same.

don't know exactly what to title this so that'll do. this is maybe a topic that could fit in ~talk but since it's something i came up with i'll put it here for now. move if necessary. i also don't know if it will "work" in the sense that it'll generate a discussion, but we'll see. never know until you try.

anyways, i am a writer at heart and to put a long story short one of the more interesting concepts i have going on is the social/political ideology of "homaitism", an ideology which at is core opposes property entirely and seeks to establish shared ownership of everything in a society. in a more Wikipedian serse, i think this best describes the ideas at play here:

[Homaitism is] the general term applied to a collection of far-left political philosophies and ideologies which, broadly speaking, reject the ideas of property ownership and sometimes small government. Many Homaitist schools of thought advocate the establishment of a large social net, the socialization of the most important services in a society (such as those of fire, police, healthcare, and so on), and the formation of a government which serves most if not all of the needs of its people. Others resolve that this is incompatible with a Homaitist society and suggest a more communal organization to society, in which groups are formed voluntarily on the basis of need rather than through the establishment of a state authority.

i think it goes without saying that there are some significant flaws in this idea, which is primarily what i want to explore. my main questions here that i'd be interested to hear people's responses to about this, if there's anything to be said (which maybe there's not? dunno):

1. what impression you get from that as an idea. far too utopian? far too many holes to be viable? impractical but not impossible? possible on a certain level? things like that.

2. are there reservations or flaws you see beyond the obvious questions of whether this is utopian or in any way viable?

other comments about the general idea here are also welcome (especially if you think some of these ideas are dumb and contradictory and/or would not work together at all). if people don't think this is enough to go off of i'll try to post some of the more detailed writings/sketches i have which elaborate on it more.

Adjustment Day is a parody, at least I hope it is, of a United States dystopia. The concept is rather ambitious, but the author rises to the task. The prime conspiracy theory behind the book is that throughout history, civilization has periodically weeded out young men of 18-24 through war and whatever other means available to keep society from returning to the dark ages. Who does this in the U.S? Why, your government, of course.

In this version of the conspiracy, the young men turn the tables. Most of the book is about what happens after Adjustment Day. I've only read Fight Club and Choke by Palahniuk before this. All I can say is the cynicism and nihilism of those two books seems increased tenfold in Adjustment Day. Do you have a conservative conspiracy theory that you think about from time to time? They're all in here. I'd even bet that the author comes up with some you've never heard before.

In a satire that is as biting as The Sellout, Palahniuk presents several characters who live through the aftermath of the event, including the originator of it. But instead of nobody talking about it, (like in Fight Club) everybody is talking about this new bizarre movement/social-political revolution. As you go down this rabbit hole of irrational rationalization, it's easy to lose sight of what is going on. Scenes and characters are switched at the beginning of random paragraphs, causing me to back up every few pages.

A good example of Palahniuk's treatment of infrastructure is given by a new form of money that comes out of the movement:

Officially, the order called them Talbotts, but everyone knew them as skins. Rumor was the first batches were refined from, somehow crafted from the stretched and bleached skin taken from targeted persons. People seemed to take a hysterical joy from the idea.
Instead of being backed by gold or the full faith of government or some such, this money was backed by death. The suggestion was always that failure to accept the new currency and honor its face value might result in the rejecter being targeted. Never was this stated, not overtly, but the message was always on television and billboards: Please Report Anyone Failing to Honor the Talbott. The bills held their face value for as long as a season, but faded faster in strong light and fastest in sunlight. A faded bill held less value as the markers along the edges became illegible.

Because the money had a shelf life, people had to work all the time. At the top of the hierarchy were the young men who had put their lives on the line during the Adjustment Day revolution. They would get the money from some source and give it away to their workers and people they knew, spending it all as fast as they could.

If that sounds ridiculous, you haven't even scratched the surface of this world. Chief among the topics are racism and prejudice toward everyone you can imagine. All in all I found the book a little tedious. Palahniuk puts the crazy theories in the mouths of people who voice them so convincingly that it becomes surreal. If you're a fan of the author you might like it. But practically every paragraph seems engineered to be offensive in some way, to someone.

Let's just hope Chuck is making all this stuff up.

I've been noticing that people aren't really looking at the group name that a post is sent to. Most notably there's a weekly ~anime post asking what everyone has been watching or reading. Just about every time there's people that post responses that are off topic (not anime or manga).

Here's an example. At the moment half of the posts are not related to anime or manga. It shows that it is something that needs to be considered.

Maybe have a uniquely colored border on the top and sides with the group name in bold perhaps? Also having the same color as the background on posts on the home page?

Over the past year I have done a lot to shore up my digital privacy and security. One of the last tasks I have to tackle is locking down the many personal files I have on my computer that have potentially compromising information in them (e.g. bank statements). Right now they are simply sitting on my hard drive, unencrypted. Theft of my device or a breach in access through the network would allow a frightening level of access to many of my records.

As such, what are my options for keeping certain files behind an encryption "shield"? Also, what are the potential tradeoffs for doing so? In researching the topic online I've read plenty of horror stories about people losing archives or whole drives due to encryption-related errors/mistakes. How can I protect against this scenario? Losing the files would be almost as bad as having them compromised!

I'm running Linux, but I'm far from tech-savvy, so I would either need a solution to be straightforward or I'd have to learn a lot to make sense of a more complicated solution. I'm willing to learn mainly because it's not an option for me to continue with my current, insecure setup. I do use a cloud-based password manager that allows for uploading of files, and I trust it enough with my passwords that I would trust it with my files, though I would like to avoid that situation if possible.

With all this in mind, what's a good solution for me to protect my personal files?

This all started about 5 minutes ago because I added a link to the EFF story on the post of the Gizmodo article submission about Facebook sharing phone numbers used for 2FA with advertisers, but the more I thought about it in the past 5 minutes since that comment I think it could be more.

There's more information out there and available than ever before. The barrier for for entry on content creation is lower than ever. However this has led to the easy-spread of misinformation. It's not that the right info isn't out there, it's that finding it is harder now.

The idea is to have a site that is essentially a link aggregator. But what makes it different is that if you find a site that talks about the same thing you can tack on the article to the post. Ergo making posts about events, not articles. Bringing sources together and making cross referencing easy.

So I've spent nearly the entire weekend watching Humans and I wanted to share what I think of it and maybe get some discussion going.

For those who are not familiar with it, the basic premise is an alternate reality present day where "synths" - robots that replaced humans in most menial tasks - are part of everyday life to the point of being a common household item. Within the first episode we learn that there are a handful of synths that are sentient - thinking, feeling individuals. The show explores the implications of that - how previously-servile machines becoming sentient would impact society. There are many parallels to contemporary issues around racism, xenophobia, fear, and I think the show does good job of handling the topic. It is a smart, well-written sci-fi drama.

So, did anyone else here watch it? What do you think of it?

PS: While the post itself doesn't have any spoilers, the comments do.

Could we have a feature where similar posts can be linked/tagged and showup somewhere obvious, so you can access both posts from each other, linking the two. Something anyone visiting the topic can do.

So there is a link from post A to B but also B to A. You then kind of get a chain of relevant posts, like a further reading list. Maybe only showing topics that are two-three links deep, idk that's just details.

I really like the way r/AskHistorians does it where because of the moderation it's always very easy to find the comment that links previous discussion, but again that solution is not reversible, from the linked topics I can't get to the current topic.

It encourages people to look over previous posts and engage in those discussions, and to participate in a larger discussion across the site. Potentially with one topic link you can get 4-5 other topics.

It should help with answering frequent questions or concerns as it's easy to connect relevant discussion. But also pretty much any other discussion, say nuclear energy is discussed extensively here, and follow the links to the other places people have discussed it, give readers the site context for a topic, and a convenient way to look for further discussion.

I mostly see it being used by a poster who has already answered a question in a previous post and will link the reply in a comment, but this way it's far more accessible to anyone viewing the topic and not lost in the comments. Or maybe someone was interested enough to look further themselves and I've got to believe they would feel generous enough to bother linking the two topics they spent time looking for. Making it just more convenient for everyone.

Take for example this foss topic, I posted basically a follow-up topic about specific foss software.

So a comment can be posted linking the relevant topic but that can easily get lost in the fray and does nothing to link the original topic to the new one. Yeah if someone was really interested they could search the foss tag and easily find it but it's much more convenient with it linked and only one person needs to go through the process of searching.

I kind of like the idea but can see how it's very similar to the tag system and groups. In practice though I just use tags and groups to filter out stuff I don't want to see and sometimes to help with searching.
This would be a feature that focuses to continuing the discussion, and making it more convenient to do so.

I've noticed that some people are adding topic tags to identify the domain of an article. For example, if it's from the New York Times, they'll add a "nyt" tag, or if it's from The Guardian, they'll add a "the guardian" tag.

Why? What's the purpose of these tags? Do people really filter in or out topics based on what website they come from? "Show me all articles from the New York Times." "Show me all articles except if they're from The Guardian."

Is this really a thing that people do?

I notice that the formatting of my "voted" status on topics has changed. It used to be that, when I had voted on a topic, its vote count displayed with a solid purple block (I'm using Solarized Light). This distinguished it from topics I had not voted on, which displayed a blue box around the vote count.

This morning, the vote counts for topics I have voted on are displayed with just a single purple line to their left, while the unvoted topics still display the blue box.

This change means that my "voted on" and "not voted on" topics aren't easily distinguishable again, like before the change to the big purple box. Again, it's confusing to work out whether or not I have voted on a topic.

Since activity is the default view when looking at tildes, it seems like bumping a topic all the way to the top after each new comment can get a little abusive after the topic has existed for quite a while.

I'm thinking there should be some sort of restriction that after a topic has been inactive for a certain amount of time, it does one of four things:

1. It closes. New comments cannot be added, but votes can still be added.
2. A warning appears upon clicking the reply or add new comment button, warning the user that this will bump the topic, maybe giving the option of a silent reply. (no bumping)
3. As topics progress in age (think more than a week), new comments bump less and less on the list as the topic becomes less relevant.
4. As a plugin to the trust system, only users with high enough trust can bump topics after a certain date.

Tildes already replaces some of the functionality of downvoting with its tags (troll, flame, off-topic). What if we replaced voting with "positive" tags: helpful, interesting, etc.? This would play off of people's indecision when faced with multiple options. A binary decision is very easy - upvoting vs. downvoting. But if you just want to vote on something because it backs up your political opinion you might pause to think for a second if you need to declare the comment "interesting".

The number of positive tags could still be aggregated into a score. Perhaps we could list the positive tags at the bottom of the comment e.g.: "10 x helpful, 5 x interesting".

welcome back, class!

i'm actually kinda having fun with this project lmao. dive into the comments and let me know what you lot are thinking! this is the second installation in, what i believe will be, a four part series. enjoy!

in the last chapter, we learned a little about how rap in the 90's began to get a bit more introspective, self-reflective, and focus on some generally harsher, more grating topics. while all eras definitely have their hype music (see: "Nuthin' But a G Thang" x Dr. Dre and Snoop Dogg or "Slob on my Knob" x Three 6 Mafia, we slowly began to see songs like "Slippin'" x DMX or "Rock Bottom" x Eminem which slowly began the trend of rappers using their music to really peel back the curtains of their lives, using their music as an escape into catharsis from their daily struggles.

however, emo rap does seem to have something else happening inside of it. it's not just simply sad or emotionally-charged rap music, that's been around for quite a long time! what's that extra layer that gives us the gritty, rough, and often-whiney nature to modern emo rap? for that, we turn to the name of the genre itself.

not only did the 90's prove as a time of great growth and evolution in rap, but it saw the expolsion of a new genre of rock music as well. with roots set in the 80's, emo rock first gained major commercial popularity with bands like Green Day and The Offspring quickly moving albums to the tops of the charts with songs like, respectively, "She" and "Self Esteem". as the genre fell face-first into the zeitgeist, we quickly saw a rise of early emo rock groups like Lifetime, Jimmy Eat World, and one of the most influential early emo groups - Texas is the Reason. throughout the decade, the prophecy foretold by the Rolling Stones in their track "Paint it Black" quickly began to unfold. teenagers were wearing black, goth kids slowly started to emerge from the depths of the underworld, and hot topic was finally starting to make money. the foundations and roots of emo have been set, ready and waiting to lead us into the 21st century.

the year is 2000, and pretty much everything is fucking awesome. we see the launch of the indestructible classic Nokia 3310. we get video games like Tony Hawk's Pro Skater 2, The Legend of Zelda: Majora's Mask, and of course, Pokemon Gold and Silver. the billboard charts are full names that make us go "oh yeah!" like Destiny's Child, Aaliyah, Erykah Badu, Montell Jordan, 3 Doors Down, Backstreet Boys, Creed, Madonna, and the list goes on and on and on.

the 2000s saw an absolute unit of a revival of the newly restructured emo genre, quickly launching off massively influential tracks like "All the Small Things" x Blink 182, and we even see the creation of the first emo-centric record labels across the late-nineties and early naughts. this means that a lot of the emo bands of the time had not only better representation and access to the innerworkings of the industry, but better access to resources which would help them promote and distribute themselves as well - this is what allowed a lot of bands to leap and bound right into the hot topic t-shirt wall.

one of the bigger labels we came to see was Vagrant records, moving to quickly sign groups like The Get Up Kids, Hot Rod Circuit, Dashboard Confessional, and Saves the Day. with the internet in their toolbox, some major corporate sponsorships funding the whole gig, and a huge amount of confidence in the future of emo, Vagrant set out on what's considered to be one of the most influential projects in the (still) early days of emo when they launched a nationwide tour with every band in their label in tow.

shortly thereafter, Jimmy Eat World launches the biggest single of their career "The Middle", Dashboard Confessional break heavy into the mainstream, and Madison Square Garden goes absolutely wild for Saves The Day, Blink-182, Green Day, and Weezer.

emo is starting to get big, and people are starting to realize that there's money to be made here.

this brings us now to the mid-ish 2000s. everyone's on myspace, everyone's got a motorola razr, everyone's getting into skating or bmx, and every chick with jetblack black hair or fishnets is going absolutely fucking crazy over Brendon Urie from Panic! At The Disco. this is the part where the big money steps in and major record labels start signing a lot of emo bands left and right. this massive cash injection into the industry saw the rise of a lot of bands which would go on to not only define the industry, but to define the middle school and high school lives of a great number of their listeners. as the emo singularity entered the phase of it's big bang, we saw the rise of a number of stars like Taking Back Sunday, Simple Plan, My Chemical Romance, Fall Out Boy, and many many many deep breath many others.

fueled by industry investments, teen angst, and a desire to be different, this led to an explosive rise in popularity for the genre, with many songs quickly moving to RIAA gold/platinum status and Billboard chart success like "Misery Business" x Paramore, "Miss Murder" x AFI, or "Check Yes Juliet" x We The Kings. this massive influx of success inspired some of the best parties, most genuine moments, and most cringiest photographs of our many young lives. very frequently this music was used as an escape for those who felt that their problems were going otherwise unrecognized or misunderstood, who felt that they were sad or alone, who hated the seeming lack of control that they had in their own lives - constantly living under the legislature of parents, school systems, or cops that always seemed to hate us edgy confrontational teenagers.

however, like Sam Smith would come to say, "too much of a good thing won't be good for long." what happens when a star shines too bright? what happens after a supernova?

things go dark.

it's now that we begin to enter the part of this whole movement that we've all repressed - and it starts with bracelets.

sigh.

it's 2010-ish.

vuvuzelas are hilarious, "TiK ToK" x Ke$ha is topping charts, and highschools everywhere are full of Silly Bandz and sex bracelets. we've reached a point of absolute pop culture saturation with the emo vogue. while songs of the previous era like "Welcome to the Black Parade" (linked earlier) or "Dirty Little Secret" x The All-American Rejects still hold an anthemic position in the musical zeitgeist, by and large, emo simply was no longer enough. the all-black motif was drab and dark. the music didn't cut deep enough, the lyrics didn't hit hard enough, the vocals weren't powerful enough. we needed something stronger, something more powerful.

this desire for harder hitting music led to an underground rise of hardcore bands like La Dispute and Pianos Become the Teeth. these bands were very much hitting in the right direction, blending the angst and yearning of modern emo music with the strength of metal instrumentals and vocals hit home with a good number of people still looking to hold onto the last bastions of the emo movement.

and, as we've seen before, as this demographic loves to live fast and hard, the remodeled emo genre quickly skyrocketed into popularity with bands like Asking Alexandria, Bring Me The Horizon, and A Day to Remember rushing to the forefront of the movement. the rough, gritty nature of the instrumentals paired with the phenomenally screamed vocals seemed to add several more layers of separation between what we were listening to, and the "traditional" music we had been brought up listening to. this was new, this was edgy, but more importantly, this was ours. this was music that we knew the lyrics to, music that we could sing along with because we'd teach ourselves how to scream-sing when we had the house to ourselves, and music that, most importantly, we were pretty damn sure our parents weren't going to get into. they started using myspace, we left for facebook - abandoning the customized purple, black, and sparkly profile pages of yore.

however, there was something missing here. this was music we could connect to, sure. we were glad to have the songs we did to relate with! even still, we got greedy. connecting to it wasn't enough. we needed music we could fuck to. we needed eyecandy. we needed music that was brutal, strong, and beyond comprehension. we got gluttonous.

now we begin to enter the scene age. flashy colors and attitudes replace the black nature of the previous era. ostentatiously hardocre and brutal instrumentals (or alternatively, very pop-y, electronically inspired instrumentals) back vocals sang by artists who's image was crafted under nature and umbrella of being unconventionally attractive to this new audience. this led to projects such as "You Aint No Family" x iwrestledabearonce, "Sex Ed Rocks!" x SMOSH & ISETMYFRIENDSONFIRE, and (oh god,) "Bree Bree" x Brokencyde.

i know my language here is pretty overtly negative, not to make it seem like i hate every band from this era. i actaully like iwrestledabearonce, and a lot of these bands hold a great amount of nostalgia in my life. tracks like "Knives and Pens" x Black Veil Brides were anthemic of this late-stage emo-rock era, checking a good number of the boxes above, and drawing attention to the struggles of people of this era. for example, it can be said that the way emo-rap heavily goes about drawing attention to drug use/abuse is very analogous to the way that a lot of this late-stage emo rock draws attention to self-expression and self-harm.

this era was loud while it was here, and saw the popularity of a lot of projects like the following before it quickly died out around 2014/2015:

We Butter The Bread With Butter

"Wake Up" x Suicide Silence

Pierce The Veil

Sleeping With Sirens

and, often, scene music held no semblance of it's metal roots at all! you may remember hits of the era like "DON'T TRUST ME" x 3OH3!, "Shake It!" x Metro Station, "Good Girls Go Bad" x Cobra Starship, or "Sexting" x Blood on the Dance Floor.

palette cleanser: "Dirty Diana" x Michael Jackson (The Weeknd Cover)

so here we've arrived. the year is 2014, and the billboard is topped with pharrell, meghan trainor's debut single, "Shake It Off" x Taylor Swift, and the debut tracks from the likes of Lorde and Sam Smith.

...and some guy named Young Thug?

Wait, who's this Bobby Shmurda guy?

2 Chainz?

YG?

something's a-changing... where's the industry headed?

find out next time on the emo rap deep dive - chapter three: dirty sprite.

Everything I said was heavily downvoted, even though I was making valid points and 90% of the replies were mockery or useless dribble. The few people that attempted to engage in discussion with me were either just has heavily downvoted as me (even though their views were opposing mine) or were unable to do it in a logical or civil manor. It wasn't even a really controversial topic, my opinion is just something that is in contrast of the greater "hivemind".

I know we are not where I think most of us would like to be just yet, but I had not been back on Reddit for a while and I feel like I made a good decision by distancing myself from the Reddit community. I really enjoy the community we are building here.

Anyway, I kinda just felt like I needed to post this. I know it's not really high quality content (and I honestly had no clue where to post it), but I wanted you guys to know I appreciate all of you.

❤

I was testing topic tag filtering and it didn't seem to work as I expected.

I was trying to filter out a topic with a main.sub style tag, but without a main tag.

I set the filter to main expecting everything nested undeneath that to be hidden, but it did not.

Is that just not implemented yet, or am I just not understanding the feature correctly?

howdy there folks!

there's been a new breed of rap/hip-hop coursing through the industry in recent years. some songs riding the wave up to the crest in the industry, and gaining some popularity, some artists intermingled in major controversy, and most relevantly, a lot of really sad late-millenial-early-gen-z kids getting together to cry in the dark, hug each other, dance until their bodies hurt, and get absolutely fucked up.

this wave, as you can tell by the title of the post and my ceaseless, shitty, un-asked-for poetry, is that of

#emo rap.

(edit: as i was writing this i realized that i started to write for a really long time, so i'm just going to leave this at chapter one for now. if you want me to keep going, or if you saw any big ol' lies in here, feel free to let me know in the comments downstairs!)

chapter one - sprite. the crisp history of emo rap.

the modern evolution of emo rap is a lovechild of two unexpected homes - the montagues and the capulets. (sorry.)

the first origin source is from exactly what the name of the genre suggests - emotional rap. in the 90s, the world of rap was vastly different than it is today. rock music was very much still the cultural zeitgeist, most kids daydreamed of being rockstars, and rap lyrics could be seen bouncing between the usual subjects: struggles of racism/classism, or bragging rights over the monetary, the loud, and the beautiful. the quality of life in the inner cities or housing projects, who had the best shooters, gang representation (east side / west side), or just how damn good weed is.

it goes without saying that, since the birth of the genre, rap has had the capacity to be very introspective and reflective on the lifestyle and living conditions of the artist who'd penned the track. however - it, to my knowledge, was not all that common to see artists focusing on internal struggles, the pressures they faced to succeed financially for the sake of themselves and their families, the pressures they faced to perform well under their labels.

very early examples of these more self-reflective types of songs come from the big dogs themselves.

"Trapped" x Tupac Shakur speaks very much on the idea of being "trapped" inside of his neighborhood. this very politically charged song gets right into the perspective of Pac himself, and more importantly, the raw emotion flowing through his head as he looks around his day to day.

"Suicidal Thoughts" x Notorious B.I.G Biggie himself coming out with one of his most vulnerable tracks he'd ever produced. this relatively short song proves to be very dense and curt, with the man himself talking about how he doesn't believe he's fit to get into heaven, how he believes his mom would have rather aborted him, and contemplating the effects that his death would have on those around him.

tracks like these set the stage for the next wave of introspective rappers to take the stand, and interestingly enough, our three biggest culprits all seemed to be involved in some form or fashion in the music of the others.

jumping from the nineties to the naughts, we see our next field of rappers entering stage right - kanye west, kid cudi, and drake.

one of the first major albums to set the stage for the emo rap that we very well could see carrying the rap torch into the next decade, was none other than kanye west's "808s and Heartbreak". with features from kid cudi, we see kanye exploring a lot of heartbreak, loss, and loneliness on this record. for example, we've got tracks like "Bad News" where it seems like ye recants moments of his finding infidelity in the girl of his dreams, with lyrics like

Didn't you know
I was waiting on you
Waiting on a dream
That'll never come true

...

Oh you just gonna
Keep another love for you
Oh you just gonna
Keep it like you never knew

over the next two years after 808s' release, we see cudi come out with a series of small records under his "man on the moon" project, featuring absolute earworms like "Day N' Night" and some of his deepest work like "Soundtrack 2 My Life". over the course of the project we hear cudi very often speaking on topics like depression, the death of his dad, and lots of drugs that were used as a means of escape from his own head.

and in the next year, drake drops what (i would) consider to be his big-break record "Take Care". after his debut album saw a good deal of commercial success, and got drake a good amount of fame for himself, "Take Care" as an album serves as a bit of cathartic introspection for a young drizzy - often touching on topics like failed relationships, materialism, and loneliness. (mostly though, a lot of heartbreak. i think this is the album that gained drake a lot of negative attention in the rap community for being "soft", and "a bitch". i disagree, but hey, toxic masculinity, what ya gonna do.)

the most notable songs off of take care came to be "Marvin's Room" with lines like

Guess she don't have the time to kick it no more
Flights in the morning
What you doing that's so important?
I've been drinking so much
That I'ma call you anyway and say
Fuck that nigga that you love so bad

and of course, the title song of the album "Take Care" featuring topics of trust, heartbreak, and this yearning for someone's heart, at the expense of your own emotional wellbeing.

'Cause that truth hurts, and those lies heal
And you can't sleep thinking that he lies still
So you cry still, tears all in the pillow case
Big girls all get a little taste
Pushing me away so I give her space
Dealing with a heart that I didn't break

and with these tracks leading us well into 2012, it's officially been made socially acceptable for rap to reach this level of introspection. yes, you will still catch shit for being "soft" (though less-so nowadays i find), but with absolute industry influencers like ye, cudi, and drizzy, it would be hard to argue that there's no place for this kind of music or these kinds of lyrics in the modern rap scene.

the tone has been set, and we look onward to the next six years of rap music. what's to come of it? will there be more heavy r&b influence like we saw in Take Care? will electronic beats like we saw in 808s, or futuristic production styles like we had in Man in the Moon take charge? will these trendsetters who have now allowed rap to get interpersonal, raw, and introspective in a new field be paired with some new, unexpected style and add a brand new face to the game?

join us next time for chapter two: dirt.

bishop.

Look at this beauty

I've been wanting a cool pen that I could carry around and for the price I've read that these ones are the best to acquire (Zebra F-701 was a strong contender but I saw so many people "modding" them that it looked like it would require some extra effort).

For all the shit that goes in this world and all the toxicity on the internet, I'm fascinated by how easy it is to find a forum dedicated only to pens. It's just marvelous. Like I know it sounds stupid, but it's almost fucking magic. I remember growing up my only source of esoteric information like "what is the best pen for me" was Gabe, the guy in the paper store next to my parents' apartment, who spent the day reading magazines about modeling, arts and crafts, etc.

That is also why I am so excited about tildes. If we manage to minimize toxic behavior while increasing in content, this could be like having specialized Gabes about different topics, like going to your local store and seeing that friendly face that tells you "what's up boss" and just gives you info about the best socks you'll ever see, or the most obscure way to buy great glasses for cheap. I was just reading the thread on non-tech workers. Imagine if we could share our knowledge without putting our egos in the middle, how much power we could attain if we just stop clashing against each other. Like for example I just learned a bit about the world of pulp novels thanks to @koan and they are like "oh yeah I write maybe a novel a month no big deal" wtf!!!! And they are freaking humble about it!! I'm sorry I'm melting down a bit here but sometimes it feels like everyone takes this stuff for granted and then proceeds to behave like assholes (especially when I browse reddit or facebook feeds) and it makes me so angry and sad.

/rant

But for real, stop and think about the internet sometimes, it's like stopping and looking at the stars and realizing how vast the universe is.

Do you sometimes find yourself typing up a joke reply typical of Reddit but then remember this is Tildes and stop? I do it quite often (less and less the more time I spend on the site, however).

I'm even doing it less and less on Reddit itself. Like, yeah, the puns is one of the things I used to love about Reddit the most when I first joined. But that's sort of the problem.

There's always new people joining and finding the beaten-to-death jokes hilarious and so they upvote them. Which means, after one year or two 90% of Reddit jokes are old to you and have been repeated ad nauseam.

Not only that, but since they're a quick and sure way to gain others' approval (via karma) people often try to force them anywhere. No matter how inappropriate they are at that time, how forced and out of place they look. To the point that they're often the first child comment of serious comments asking serious questions.

Which means that if you're interested in reading the serious answer to that question you have scroll down past the joke, and that's even provided there's an actual answer. And I'm pretty sure many questions are left unanswered because whoever has a relevant serious answer won't feel like wasting their time typing up a reply no one will see because it will be buried under the joke reply.

With that said, what do you think of “silly” or “witty” jokes on Tildes? Do you think they should be encouraged? Discouraged? That nothing should be done about them? What about the ones that get repeated ad nauseam, are they even controllable?

I also just remembered there was talk about introducing a “joke” tag that would allow users to not see them if they don't want to or to see only jokes if they so wish. What do you think of this tag proposal? I think it could be very, very useful.

Disclaimer:

There is a chance that some users will interpret this post as some form of rant or an attempt at policing the site even further. I just want to state that my objective with this post is to spark a general and open discussion about this topic, to gauge the opinions of other users and get a feel for what the general community thinks about them (if there's an overwhelming majority that shares an opinion, or if the community is highly fragmented with regards to the topic and if so, in what proportions... etc), to see if there's anything that we can do about it or if there's anything that should be done at all, for example. I am not trying to spark controversy or drama and I mean my post to be one that's constructive, friendly, in good faith and respectful and not on that's toxic or negative or disrespectful.

Article: https://www.electronicsweekly.com/news/business/japan-starts-space-elevator-experiments-2018-08/

HN thread: https://news.ycombinator.com/item?id=17898152

I know some people here have strong opinions about space travel, which came up during the Elon Musk topics on Tildes. I wonder if, based on the limited information we have, people think Japan is taking the right approach with the space elevator; whether the cost estimate ($9 billion) sounds reasonable; and if you think they can succeed?

Proposal:
Create a new page where all users can view all moderation actions. This would make transparency a core part of the platform, hopefully avoiding any misunderstandings about mod actions.

A new page, maybe called tildes.net/moderation, is available to all registered users. I am not sure where the link to should appear on the site, maybe on the user's profile sidebar?

This page contains a table of all possible moderation actions. The actions may include: deleted topics, deleted comments, tag modification, moved topics, edited topic titles, banned user, locked topics. (this begs the question, what are the possible mod actions, and that they must be codified.)

Very roughly, the table columns might include: Date, User(being mod'ed), Mod Action(a list of possible mod actions), Mod Action Reason (either a text field, or a list of possible reasons for this action), Link (null if action is a deleted topic.)

I think that the user who did the moderating should not be publicly listed for now, to avoid drama?

Could we have a stickied list of all bans with reasons included?

Daily Tildes discussion - our first ban

^{Please vote for the comment which best reflects your position on this proposal.
As a bonus question, please make a top-level comment if you have general comment about my format of voting on comments. Would you prefer a straw poll on a 3rd party platform? Is there a cleaner way to do this?}

^{Edit: added "banned user" to actions list, I probably missed others, let me know. Also added the obvious locked topics.}

What are you reading currently? Fiction or non-fiction, any genre, any language! Tell us what you're reading, and talk a bit about.

Edit: I have two "votes" currently, including mine, for the questions below. Currently I have 2 votes for bi-weekly, two for on Fridays, and the other voter has agreed that I keep making these posts. So, I've scheduled the next "What are you reading this week?" discussion for the 14th Sep Fri.

P.S.: This is the first instance of what I want to make a weekly recurring topic. I've asked here yesterday whether would people like it, and because that suggestion was supported w/ upvotes and comments, I decided to go ahead and start doing this. Because this is the first such topic, I'd be glad if you could answer these questions too: (1) weekly, biweekly or monthly; (2) on fridays or on mondays; (3) who should post these topics, me, or someone else? Any suggestions and objections are welcome!

My intention is that I post this topic every Friday from now on, with these contents (w/o the postcriptum here), and usually start it out with a comment on what I'm reading. IDK if the discussion on moderators is concluded and what sort of a decision has been made, but in any way if you think someone other than me would be a better fit for doing this, please tell me.

Edit: Or, preferably, just a "What are you reading this week/month?" sort-of topic, per the suggestion of the commenters.

I've just stumpled upon this topic where people shared some "obscure" books they've read. I think that that sort of topic would be nice as a recurring feature. Do you share my view? If yes, how would we go about actually doing it?

Are we using "eu" or "europe" for topics about Europe? I think we need to pick one or the other.

I prefer "europe".

EDIT

The people have spoken, and the vast majority is in favour of "europe" (not "eu") for topics related to continental Europe. Topics related to the European Union itself can be tagged "europe.eu" (as per @nothis' excellent suggestion.

One of my favorite topics in Psychology is personality and there happens to be a very good Five Factor test that is free to the public domain with all 3,000+ items available for download. Some notes about the IPIP NEO-PI:

Purpose of this On-Line Inventory

• The primary purpose of this on line inventory is to educate the public about the five factor model of personality.
• More specifically, the report explains the likely consequences of one's standing on five broad personality domains.
• These broad domains cover normal differences in personality that should be obvious to people who know you well.
• Secondarily, this inventory estimates your standing on the 5 broad domains and 30 subdomains of personality.
• The inventory does not reveal hidden, secret information about you nor does it assess serious psychological disorders.
• The report is designed to be objective, not pleasing or flattering.
• Measurement error, misunderstandings, carelessness, and mischievous responding can invalidate the report.
• If knowledgeable acquaintances disagree with the test results, then the results are wrong.

Link to the questionnaire:
https://www.personal.psu.edu/~j5j/IPIP/

More about the International Personality Item Pool:

https://ipip.ori.org/

We now have the opportunity to continue our 100-word writing prompt fun :)

@Kat, the initiator of this writing club, nominated me as her successor as this round's topic keeper (or if we allow some fantasy, the "queen of stories", as in the Decameron). I'm very happy, honoured, nervous ... and so eager to read your contributions!

As a reminder of the rules, let us make the written piece exactly 100 words. Next weekend, I'll pass the garland to one of the writers, and they'll become the monarch of stories, bring to us a new topic.

This week's prompt is in the title:

I can see [them], but [they] cannot see me.

Here the pronoun they, in the brackets, is a generic one. It can be anyone, anything, or ... let us know :)

I spend far too much time looking for a reply button before I realise I have to scroll to the bottom.
Also, it'd be a lot less work in big threads, where you might be scrolling for a while to get to the reply box.
Yes, I'm that lazy.
I noticed that sometimes I don't engage if it's a big thread because of this, if the topic being discussed is only of passing interest for example.

There's been some discussion around tags since users were given tag-editing privileges, such as Tag Use and Article Tags

I've noticed a few things about tags and rather than make a topic for each one I thought I'd make a few top level comments instead, hopefully with others doing the same for anything tag related they'd like to see discussed.

I considered sending this only as a PM to Deimos, but since it actually involves the community and Deimos has no real control over it, I think it's better suited as a public post.

Users are always quick to point to the "paradox of tolerance" clause in the Tildes vision:

Tildes will not be a victim of the paradox of tolerance; my philosophy is closer to "if your website's full of assholes, it's your fault".

But I believe there's an even more important clause, right in the actual Tildes Docs:

If people treat each other in good faith and apply charitable interpretations, everyone's experience improves. (emphasis mine)

A lot of users here, including some well-known power users, are quick to call "Hate!" where there is no actual hate. Controversial statements are quickly interpreted to their most extreme. Yes, there have been some hateful incidents here and I won't deny that, but a lot of well-meaning discussions are lumped into the mix and shut down because they might lead to hate or because they are associated with hate.

Honest discussions, political or otherwise, can't be had in a climate like this. Echo chamber, hivemind, circlejerk... call it whatever, but that's where things are heading.

For the record, I absolutely agree with this part of the Tildes vision, as written by Deimos:

I believe that it's possible to support the ability to freely discuss important and controversial topics without also being obligated to allow threats, harassment, and hate speech.

Threats, harassment, and hate speech have no place anywhere. But sadly, instead of supporting controversial topics as written, it seems certain topics will have no place here because they are controversial. Tildes right now is not the Tildes we were promised, and seems to be veering further away by the day.

If this is the Tildes everyone wants, that's fine of course. But to me, it's no better than Reddit.

I often stumble in to threads with entire comment chains deleted. I assume most people here have faced the same situation as well, either here or on reddit.

I'd like to see a move to locking comments rather than deleting them by default. That would mean no further replies to the comment or any other comment in that chain, no one being able to delete or edit their comments, no one being able to add or remove votes to a comment, etc.

I understand for particularly egregious comments removal is completely necessary (especially when it goes hand-in-hand with banning users), but a lot of times comments are deleted as a means to prevent long argumentative back-and-forth chains that spam and derail topics, as well as antagonize users.

In a lot of cases I feel like deleting the comment only further serves to hide what is unacceptable behaviour (even if that behaviour should be obvious), rather than setting an example for the userbase.

I just watched an interesting This Week in Startups interview with the CEO of a nascent but successful new "news" organization from the Netherlands called De Correspondent. They are launching a new US-based company called The Correspondent, which has some high profile supporters. This list includes Nate Silver, William Julius Wilson, Rosanne Cash, and some others.

Their business model allows them to attract high-quality journalists by optimizing for journalistic integrity and independence. They have around 60,000 members paying around $70 per year in the Netherlands. They do no advertising business and are a for-profit corp with a dividend cap of 5% to make themselves unattractive to VC-type investors. The CEO claims they "ignore the news," meaning that they try to avoid the sound-bite quips that can be very distracting. They do not report on individual's scandals, instead focusing on systemic issues.

Journalists are required to share their stories with the members as they are developing. Stories are not guarded secrets while in development unlike traditional news organizations. This allows members to contribute to the stories via a form of curated crowdsourcing. For example, they reached out to members when doing a story on Shell, and found a few members who had access to the company which led to discovery of Shell's own internal Inconvenient Truth type video which was made in 1991.

The CEO also mentioned that he always includes a developer or designer in story discussions so that the latest investigation and presentation tools can be used on a story from day one.

Please take a look at the links and let me know what you think of this model, and its chances in the US market. I am pretty excited for anyone trying anything new in this space. What do you think? Would you pay for something like this?

^{Edit: I'm not sure if there is a better ~group for this topic, please move it if there is. Also, formatting, phrasing, and clarity.}

Here is a direct link to the CEO's Medium account with more information.

Voting has closed for this week's topic.

The prompt is...

The Road Trip

Some questions to help you get started:

Who is the traveler?
Why are they traveling?
Where are they going? Are they going anywhere?

The questions are only meant to help you get started. Make it happy or sad, adventure or horror, romance or tragedy. Go where your imagination takes you. Don't feel constrained by what may seem to be the obvious response to the prompt.

Please keep your submissions between 1000-2000 words (for reference, this topic section is about 200 words), make sure to properly format to Tildes when submitting to the submission thread.

Submission thread will be created on Wednesday, Aug 29, EST.

Please feel free to use this thread to brainstorm or share ideas or post any other comments you have about the writing prompt group.

Have fun everyone! I can't want to see what you create!

Things I may change:

I may do away with topic voting if/until the group gets big enough, and I'll just post a weekly prompt.

Depending on the number of submissions, I may increase the max length.

Sometimes I comment and I'm low effort and jokey or a thread develops that ends up unnecessary... And now we have a whole in joke (sorry Kat, I started it & you earned it!).

Anyway, perhaps it would be nice to add an option to set your own posts to default collapsed? We might also want an option to hide all collapsed in topic? Or do these features just encourage low effort fluff and I should just learn better self control?

Edit> OK This obviously isn't clear:
I was suggesting an option to set one of your comments & it's chain to collapsed for all other users by default.

I have been looking for some software where I can brain dump all the things I need to remember on a constant basis so I can easily find it again in the future. A personal wiki basically. I am wondering what any of you tilderians are using?

The things I am looking for:

Absolute requirements:

• Open Source: I want to be in control of the data myself, and I want to be able to hack on it myself as the need arises.
• Self Hostable: Goes hand-in-hand with with open sourceness, I want the data to live on the server in my apartment, under my own control.
• An API of some sort so I can programmatically add/read/modify data.

Nice to haves:

• Revision history of some sort.
• Common/simple data format for easy backup and longevity.
• Web interface, with mobile compatibility.
• Lightweight as possible, so I can run it on a low powered server.

Does anything know anything like that?

Options I have heard of:

• TiddlyWiki
• DokuWiki
• MediaWiki
• ZIM
• Emacs with Org Mode

Here is a previous discussion on the topic @ Lobste.rs

This post is meant to provoke a discussion and possibly find a resolution or at least set an expectation as far as where to post esports content.

I don't really have an opinion either way but would like to discuss the topic, because it seems like not setting an expectation might lead to similar content being posted to one or the other of the two communities when all the content would be prefered in one community to make finding things easier.

Let's talk about what tags we should be using and how they should be used. For those of you who haven't yet read it here is the doc page on tags.

Here's what I'm looking at so far:

Talk: I removed the talk, discussion, and conversation tags from the topics in ~talk in accordance with "Don't add a tag that's the same or very similar to the group that you're posting in." If you're in ~talk of course you're having a discussion or conversation. (There are exceptions that are about conversation such as "How do you discuss open minded topics with close minded people?"). I tagged some "How was your weekend" type topics with casual conversation.

What do you think about talk and/or discussion tags in other groups?

Question: As I understand it, question should be ask Update: done

Meta: I would define meta as topics about the site or ~ the topic is posted in. Since ~tildes is entirely meta, meta is redundant here. Most of the meta topics elsewhere are about the ~ they are in. As an example of something I think is mistagged, I wouldn't tag the ~lgbt introduction topic meta since it isn't about the ~ . Update: removed meta from ~tildes topics.

I wanted to get some feedback before I continue so I don't make a mistake unilaterally retagging something that I shouldn't.

What are your thoughts on these tags? What other tags do we need to talk about? What strategies are you using for tagging and retagging?

As mentioned here @Kat has made a wiki for our communities to be able to have some resources, and something to point at.

There's the ~tech bit to it, that I've started working on a tiiiiny bit. I was curious what sorts of topics you'd like to have there. Not just things that you know a lot about (by all means, if you have knowledge throw it in there!), but also if you need more info or something, or would like more resources! Maybe we can help each other out a bit in this thread, and codify things into the wiki if there's some resolution?

They say downvotes don't mean anything. But I disagree. To me, it feels like a stranger coming up to you on the street, slapping you in the face and walking off. All the while you don't even know why and just stare in confusion.

Like, I'd get it if the person was being rude, or impolite, or aggressive, or insulting, or racist, or misogynistic... Hell, even a very bad joke. But simple, innocent comments just casually sharing an opinion or a personal experience just get so aggressively downvoted. Why?

The particular sub that inspired me to make this post is r/android. Very simple comments without presenting judgement or making claims... just sharing their personal experience on a smaller topic about a certain phone will get a downvote. Why? As if to tell this person that their experience is wrong? That this didn't happen? I don't get it.

And this extends to the whole community, or at least most of it. It's just so toxic, immature and petty. Like, if you hate what someone said so much, why not at least tell them, so maybe they won't do it again or at least so they know why they're getting spat on the face.

But the lack of explanation and the mere booing from a faceless crowd is just so hearbreaking. Like, this is how crowds behave. That's why lynchings and mass rapes in war times are a thing. And it's just such a shameful aspect of the human character.

On Tildes, if you don't agree with someone, you cannot just downvote them to shut them up and hide their comment for others to see. No, rather, you have to tell them how it is you think they're wrong. And, while this has the potential of leading to nasty arguments, it also has the potential of leading to productive discussions.

How many of those comments that you often see downvoted are just innocent remarks that were completely misinterpreted by a first person and then the Hivemind just took it from there?

I mean, even if someone is saying something that is downright not true, but their tone doesn't come off as aggressive or rude, why downvote them instead of telling them? A downvote won't send them a notification. So they're likely to move on with life without knowing that that thing they think is true isn't. If you tell them, however, you can help this person learn something and combat misinformation.

By replying to this person, you're giving them a chance to better explain themselves. It's a lot less hostile, while being more productive and positive.

Plus, if upsetting and trolling people is what they want (like those few “professional reddit trolls” who just try to amass downvotes instead of upvotes) then they're out of luck in here. If their comment is obvious trolling, they'll just get ignored. Or well, maybe they do upset someone and get a heated discussion, but without the fishing for downvotes.

People cannot just downvote you to prove you wrong and go about their day feeling all superior and righteous. They have to tell you how they think you're wrong (or how they think your comment is irrelevant or how they don't like it) and in doing so expose their views up for external judgement.

The lack is probably the main reason that attracted me to Tildes.

By the way, I'm mostly referring to discussions way down in the thread between two people. I mean, how petty and aggressive do you have to be to downvote someone on an inactive thread just two minutes after they added their comment and just before you reply to them? I mean that way you're making it clear that it was you who downvoted them. So you're intentionally setting up a hostile atmosphere before the discussion even starts. That's just so toxic and emotionally draining.

How do you feel about downvotes on Reddit and their lack on Tildes?