Hi, I'm not sure if this has already been proposed, but I think it could help solidify the labeling system somewhat if there were options in your profile to sort your comments by labels. Right now you can sort by newest or most upvoted, which is fine (although adding an option for oldest wouldn't hurt), but there's no particular way to see which comments of yours have received "exemplary" status etc. without scrolling through the entire list.

Since labels are not really directly correlated with upvotes, lacking such sorting options means that they are still considered a secondary/unimportant feedback process on Tildes. I personally think that one of the best ways that Tildes can distinguish itself from other content aggregators like Reddit is this slightly more complex feedback system, so it should probably be emphasized a little more on profiles as well.

With the ever-growing stream of acquisitions and mergers, it got me thinking: Why do we permit companies to do this?

What would the harm be in banning this practice? If a company is becomes insolvent, release all of it's IP to the public domain, dissolve all patents/trademarks, and sell off physical assets to pay debtors (first of which should be former employees IMO, but that's a separate discussion).

Edit: I think my original intention of the post to kick off some interesting discussion has worked. Thank you to all current and future posters!

I'm not watching baseball as much this season but it's still pretty awesome that someone on my team got this. It's the second no-hitter of the season I believe.

Some fun facts related to this:

• Both Chicago teams have a no-hitter in the same season for the first time in MLB history
• Both no-hitters at Miller Park have been thrown by Cubs pitchers, although the first was a neutral-site game against the Astros in 2008

edit: Can I get the title changed to "The Cubs' Alec Mills no-hits the Milwaukee Brewers"? I think it fits better now that the day it happened has passed.

As part of a weekly series, these topics are a place for users to casually discuss the things they did — or didn't do — during their week. Did you accomplish any goals? Suffer a failure? Do nothing at all? Tell us about it!

This thread is posted weekly, and is intended as a place for more-casual discussion of the coronavirus and questions/updates that may not warrant their own dedicated topics. Tell us about what the situation is like where you live!

Note: if this topic is better served in ~music than ~tech feel free to move it!

If I wanted to buy Linkin Park's A Thousand Suns, I have the following options:

From Amazon

• 256 kbps VBR MP3 ($11.49)

From 7digital

• 320 kbps MP3 + 256 kbps MP3 ($12.99) (I'm assuming it's 320 CBR/256 VBR)
• 16-bit/44.1kHz FLAC ($16.49)

From HDTracks

• 24-bit/48kHz FLAC ($19.98)

From Qobuz, which appears to be a different mastering of the album:

• "CD Quality" FLAC ($14.49)
• 24-bit/48kHz FLAC ($16.49)
• 24-bit/48kHz FLAC ($10.99 with subscription to their $250/year service)

Does paying more for the higher fidelity actually matter? I suspect that this is just a form of price discrimination preying on my want to have an "objectively" better product, because I'm assuming there's a ceiling for audio quality that I can actually notice and the lowest encoding available here probably hits that. I also don't have any special listening hardware.

I understand the value of FLAC as a lossless archival encoding (I used to rip all my CDs to FLAC for this purpose, and I've been downloading my Bandcamp purchases in FLAC all the same), but for albums I can't get through that service it appears that the format has a high premium put on it. Bandcamp lets me pay the same price no matter the format, but every other store seems to stratify out their offerings based on encoding alone. A Thousand Suns costs nearly double on HDTracks what it does on Amazon's MP3 store, for example, despite the fact that I'm getting the exact same music, just compressed in a different way.

As such, is paying more for FLAC unnecessary? Is high-fidelity FLAC in particular (the 24-bit/48kHz options) snake oil?

Furthermore, Qobuz seems to offer a different mastering of the album, which seems like it actually could be significant, but it's hard to know. Is this (and the various other "remasters" out there) a valid thing, or is it just a way to try to get me to pay more unnecessarily?

(Note: I'm using this specific album simply because it was a good example I could find with lots of different stratified options -- I'm not interested in the particulars of this album specifically but more in the general idea of audio compression across all music).

What have you been watching and reading this week? You don't need to give us a whole essay if you don't want to, but please write something! Feel free to talk about something you saw that was cool, something that was bad, ask for recommendations, or anything else you can think of.

If you want to, feel free to find the thing you're talking about and link to its pages on Anilist, MAL, or any other database you use!

I watched it tonight and it is so much better than it has any right to be. I think they really captured what made the originals good: the humor between Bill and Ted, the way that they genuinely care about each other and the other people they pick up along the way, and the bit of over-the-top-ness in what they play and how they play that appealed to me as a 16-year-old metalhead when I first watched them.

This thread is posted weekly - please try to post relevant content in here, such as news, updates, opinion articles, etc. Especially significant updates may warrant a separate topic, but most should be posted here.