When traveling on the German high speed ICE trains, you have access to the ICEportal website with a.o. information on your journey and newspapers. The portal also gives you some stuff to waste time on, which includes games. What I love about it, its a collection of simple classics, such as a bubble shooter, a 2048 style puzzle, an arcade motorbike game, and all without the typical freemium advertising or grinding.
Does anyone know about similar offerings? I really don't mind paying, I do mind the advertising or grinding which seems to have become standard. Or even better, if anyone knows how to have the ICEportal games without being on the wifi of the train? What are your thoughts?

The original title I conceived of for this was “How are you your own hypocrite?” but I didn’t like that it came across as negative and judgmental. Nevertheless, you can use that as a jumping off point for what I’m trying to get at.

I think we all have ideals and beliefs and values that we simultaneously hold but also fail to meet on a regular basis. I also think these can be hard to identify. We all like to think that we’re consistent individuals and, when something is out of alignment, we often find very good reasons or explanations for why that is. Sometimes those can be valid, but sometimes they’re really just motivated reasoning aimed at keeping a sense of internal consistency in ourselves.

I’m interested in people exploring the inconsistent areas of themselves (it’s been something I’ve been thinking a lot about lately), but I think to do that this topic needs to be a space where people can be open, honest, and vulnerable.

Please do not jump on someone for the inconsistencies they share or for their failure to meet certain standards. Please do not use this as an opportunity to get in arguments with others.

The whole point of the thread is to explore difficult areas rather than judge them. If people feel that they will have to be pressured to defend themselves in doing so, they simply won’t comment and the whole thought experiment will be for moot. Think of this as a shared space for thoughtful self-reflection and commiseration rather than a battleground.

We are renting a condo in an area that's experiencing tremendous rent and home price increases, so much so that if we refuse to renew our increased lease, we'd be looking at spending 2-3x on rent for a similar property. This is, somewhat conveniently, almost exactly what the total cost of monthly expenses would be if we purchased the unit at its estimated cost when comparing to similar units in the complex that recently sold. We also really like the location and would rather eat an increase in rent here than relocate in our city, which complicates things a little further.

My wife and I have floated the idea of approaching our property manager and asking if the owner has any willingness to sell, but we are also trying to imagine possible consequences of starting that conversation -- in particular, should they opt to sell but not to us. There are also some things that we'd like to update in our unit that would fall under the landlord's obligation while we are renting (plumbing issues, windows and blinds need repairs, etc.), so we're trying to gauge if we should even have this conversation before we request repairs.

We've thought about a few different options, and I'd be interested to hear from others who have tried anything similar.

1. Just ask to buy it and see what happens.

   • Pro: skirt all the bullshit and just get to the meat of the issue, which is that we want to buy the property.
   • Con: They check the price, decide to sell to someone else and we're back in "rent the same for more but in a worse location" territory. If they decide to sell to us, they might resist performing repairs because they'll just offload it to us eventually.

2. Wait for repairs to be done, then ask.

   • Pro: get our unit fixed, improve QOL immediately.
   • Con: They might be less likely to sell to us if they think we were trying to get stuff fixed so we didn't have to fix it after buying.

3. Offer some kind of plan to cost-share improvements or fixes in exchange for rent adjustments within the initial approach about buying.

   • Pro: Get improvements/fixes to the house quickly, reduce rent expenses regardless of if we are able to buy or not.
   • Con: They essentially get to subsidize improvements to their unit for long-term gain while we only get short-term benefits.

Good morning ~ This is a thread to discuss new album releases that have arrived on our doorstep this week. Feel free to share albums and EPs that have caught your eye and interest!

Discussion Points

What are you looking forward to listen to?
Have you listened to any of these releases?
What are your thoughts?
What have you enjoyed from these artists in the past?

Why Friday?

Most (but not all) new LPs release on a Friday, as labels want to give the release a full week of sales before entering the charts.

~~ Feedback on the format welcome!

So, this is something I discovered last night that is just blowing my mind: for most of the past year, the channel TeenNick is showing only Henry Danger.

I cannot emphasize how literal I am being with that. Usually "a channel is only showing X" is an exaggeration, but for once, no. As far as I can tell, 99% of TeenNick's programming has been Henry Danger or its spin-off, Danger Force, for the past year. At most, there are brief "respites" where it will have a block with another show. For example, from July 27 to 31, it aired Zoey 101 from 11 PM to 1 AM. Two hours late at night, and then back to Henry Danger. Similar story with some new Nickelodeon show called Erin & Aaron: it showed periodically starting on April 22, and was apparently last aired on July 4.

Otherwise? Most days are JUST Henry Danger. Even Wikipedia lists Henry Danger and Danger Force as the only current shows. (Along with Nick News, which apparently only airs once a month.)

This is just honestly stunning to me. For those unfamiliar with TeenNick, it's a sub-channel of Nickelodeon. As far as I can remember, it pretty much never had original programming, but would air reruns of mostly live-action shows from Nickelodeon (either older finished shows or currently airing), some older Nickelodeon cartoons (Hey Arnold and Rugrats), or shows picked up through syndication (namely Degrassi, and more recently America's Funniest Home Videos and Wipeout for some reason...?).

What I'm saying is there is no reason for them to ONLY air this one, single show. It can't be blamed on any production issues, since it primarily airs reruns. TeenNick SHOULD have access to all the other shows from Nickelodeon's library, so it can't be a licensing issue either. As stated earlier, it aired episodes of a show that premiered this year on Nickelodeon. And Henry Danger is fairly recent, ending in 2020, so I don't know if it's a matter of residuals.

The only reason I can think of is that they want to push people to get Paramount+. Except even with that logic, this channel is currently a waste of money. Henry Danger has a total of 128 half-hour episodes (though I think some are part of a one-hour special, so Wikipedia counts 121 episodes...?), so that's basically 5 days' worth of content before airing the same thing again. That's not enough to justify a dedicated channel—not for viewers or advertisers.

From a cursory internet search, they average 66,000 viewers, with a peak of 99,000 on January 1, 2023. I can't imagine that would appeal to advertisers. I feel like the costs of running the channel outweigh any potential profits. This feels like it's just a money sink.

I just... I can't wrap my head around it. What the heck??

Anyone have any thoughts on this? Or just want to join me in boggling over this weirdness? This feels like it could be a symptom of cable's overall degradation (I've seen people comparing it to Cartoon Network's limited programming in recent years), but... It almost feels like this channel is being sabotaged? Deliberately set up for failure and closure? Just, I can't wrap my head around a year-long nonstop "marathon".

Note: Because the post is already going to be long enough, this will only cover the movies from May to July. August still counts as the summer movie season, but there's usually not a lot of big movies released, and this August hasn't been particularly interesting so far (do we really need to wait for Blue Beetle to bomb to talk about DC?).

On paper this should have been a great summer: The last Guardians of the Galaxy movie, another installment in the highly successful Fast and Furious movies, another Disney live-action remake which have been incredibly successful, a movie featuring Michael Keaton back as Batman, Indiana Jones, and a Tom Cruise movie after his highly successful Top Gun sequel.

That was on paper.

So what actually ended up happening?

Well a lot of busts.

First let's go over the saga of Guardians of the Galaxy Vol 3. Early on it was a contender for a billion dollars this summer. Unfortunately for Disney Ant-Man and the Wasp: Quantumania came out with the absolute worst reception of any Marvel movie since Eternals (and honestly even then it was definitely worse received). The Marvel brand was now tainted, at least a little. Pre-sales (that being the sale of tickets that people buy in advance) was looking bad. At one point it looked like it might open below 100 million.

In response to this, and confident in the product they had, Disney decided to drop the review embargo earlier. Resulting in similar positive critical reception that Black Panther: Wakanda Forever received . This finally made pre-sales climb higher, and once people actually started watching the movie positive word of mouth lifted it up to 118 million for the opening weekend. Still, this was much lower than what Guardians 2 opened up to six years ago (145M). It had a similar Cinemascore (the gold standard for audience reception) as Black Panther: Wakanda Forever (A) but if we look at other factors it indeed had better word of mouth. It's because of this glowing word of mouth that it was able to leg it out 358 million. Having the best multiplier of any Marvel movie since... well the first Guardians. It also had more appeal internationally than the previous two Guardians movies (maybe due to the darker tone) and it made nearly 850 million worldwide. Which is phenomenal, especially considering it got off to a shaky start that first weekend.

I should re-iterate: Marvel movies don't perform like this anymore. They usually have big openings and weak-ish legs. Having a softer opening but longer legs is a thing of the past for these types of fan driven movies, they're usually reserved for films aimed at older audiences.

I'm gonna group the next two May releases together. Fast X and The Little Mermaid also had high expectations. Both are coming from predecessors that have made billions of dollars. And actually, both didn't perform too bad overall. Fast X didn't do well domestically (it's basically a dead franchise stateside) but did very well internationally making 700M WW, and The Little Mermaid didn't do well internationally but did pretty well domestically nearly reaching 300M DOM and 550M WW. These are respectable grosses. Just one problem: their budgets. Fast X is sporting a 340 million dollar budget, making it one of the most expensive films ever made, and The Little Mermaid is sporting a 250 million dollar budget. The break-even points for these films are 850M and 625M respectively. They did not reach them. They would have been profitable if Fast X had the same budget as F9 (225M) and The Little Mermaid had the same budget as Cinderella (95M). Those would have been the responsible budgets to make these films with, but alas shit happens. They were both shooting during the pandemic, which raised costs on productions, and Fast X had to switch directors half-way through production.. Still, money losers are money losers.

June starts off with a bang. Spider-Man: Across the Spider-Verse opens to 120 million, more than Guardians 3 and four times more than what it's predecessor opened to. With great reviews and great audience scores, it becomes the first true out and out success since Guardians 3. It also had a much lower budget than all the summer blockbusters thus far. 100-150 million, according to differing reports (we'll know by the next year when Deadline does their most profitable blockbuster list) making profitability much easier. The film basically covered it's production budget in one weekend. It legged out pretty well. Outgrossing Guardians 3 domestically (375M) but not being able to match it internationally making nearly 700 million WW. While it did "fail" to meet the high expectations of 400M DOM, it's still massively successful. And will remain in the top 5 grossing films domestically.

The rest of June is a different story. First up we got Transformers: Rise of the Beasts, which was, at one point, one of the biggest movie franchises around resulting in two billion dollar films. While it beat expectations opening weekend, opening to 61M, it did not leg it out very well. 155M DOM and 420M WW is not a great number, especially not compared to it's 200M budget. It made less than Bumblebee despite having twice the budget. It's basically a dead franchise at this point, and it was not the win Paramount needed after Dungeons and Dragons also flopped.

Then we get a double whammy. The Flash and Elemental open the same weekend. At one point The Flash was projected to open well above 100 million just for the weekend, but pre-sales told another story. Pre-sale trackers on the forum BoxOfficeTheory, saw what industry tracking couldn't: a lack of interest. The sales just weren't there. DC as a franchise is already on the decline. This was a movie about a minor character that debuted in Justice League (which also bombed heavily), with a controversial lead star, and just unappealing trailers, who would be interested? Michael Keaton fans, supposedly. That was what people were clinging onto. The older Keaton fans would come out and help the movie. Apparently there aren't any. Doesn't help that Keaton had his last Batman outing over thirty years ago, meaning no one below the age of 40 even really cares about him as Batman. It opened disastrously to 55 million. dropping throughout the weekend from toxic word of mouth. It didn't even manage to hit the lower end of those initial projections throughout it's entire run. WB dumped so much money into this, just for it to be the biggest bomb in their studio history.

Elemental, on the other hand, ended up fairing a little bit better. Not on opening weekend. God no. It opened to 29M, one of the lowest openings in Pixar's history. But, it was really well received by audiences. And people kept watching it week after week, resulting in some of the best legs Pixar has had in a while. Reaching over 150M DOM, and over 400M (and counting) WW. If it reaches 500M WW, which it still looks like it might, it would break even theatrically. That's not great, as studios would love to make money theatrically, but considering this could have been a massive money loser for Disney, it's quite an impressive run. Thanks to Disney's re-commitment to theatrical, their animation studios are slowly building themselves back up in the eyes of audiences.

To end the month came Indiana Jones and the Dial of Destiny. Supposedly the Top Gun: Maverick of 2023, at least that's what some people had pegged it as at the beginning of the year. Once again, it didn't work out that way. It premiered at Cannes to mixed reviews, and while the funko pop critics were able to get it to fresh on RottenTomatoes, the damage was done. Indiana Jones spent months with a rotten symbol. Even before that, trailer views were weak, the interest just wasn't there. Why? I think perhaps Crystal Skull was supposed to be the last outing for the character (which actually ended up being the second highest grossing film of 2008 and even outgrossed The Dark Knight internationally), and even before that The Last Crusade was supposed to be the last outing of this character. And now we're getting another last outing for the character. Except now he's 80. A fantasy wish-fulfillment character being 80 is probably not a great thing. It's also another situation where no one below 40 really cares about Indiana Jones (me excluded but I don't share the viewing habits of other people my age). So... it was over before it even started. It opened okay all things considering, 60M isn't bad. But it had mediocre drops week to week, no doubt due to mediocre word of mouth. And again, the budget was out of control. Initially reported to be 290M, the actual budget ended up being 320M. It didn't even get close to 400M WW. Making it one of the biggest bombs of all time, and certainly the biggest bomb of the year. This is probably the last straw for Lucasfilm. I can't imagine Disney letting them continue doing things this way.

Next one comes a sad one for me personally, Mission Impossible: Dead Reckoning - Part One the first big movie of July. They decided to release it over a 5-day weekend. And, more importantly, decided to open the weekend before Barbenheimer. Unfortunately, that meant that no one was paying attention to Tom Cruise's latest critically acclaimed action film. It opened below 80 million for the 5-day weekend, below Indiana Jones even. It's only hope was to leg it out well. But again, two big movies would come out a week later. Mission Impossible was yet another victim of Paramount's idiotic release date decisions. Dungeons and Dragons opened a week before Mario, despite positive reviews and audience reception that ended up dropping like a rock too. If Paramount had picked more empty dates both of these movies would have done better. MI is the only blockbuster this summer to be extremely well reviewed, to get positive audience reception (same scores as Fallout) yet not be a success at the box office. The budget didn't help, 290M, it was one of the first productions to restart during the pandemic that's where this audio of Cruise yelling at crew members breaking protocols comes from. They actually set the standard for productions during the pandemic. But, money losers are money losers, and Paramount has been bleeding a lot of money.

One of the more interesting success stories so far this year is Sound of Freedom. Originally produced in 2018, 20th Century Fox held the distribution rights. When Disney bought Fox they shelved the movie. Angel Studios then got the rights to the film. They opened it on the Fourth of July weekend (America!) to rave audience reactions. It opened modestly, to 19 million, but has legged out spectacularly. Outgrossing summer blockbusters like Transformers: Rise of the Beasts and Indiana Jones and the Dial of Destiny. Domestically anyway. It was powered by conservative influencers and the often reliable christian market. It's been debated if this should count. As they had a pay it forward service, meaning people would buy tickets for others to use for free. There were several reports of sold out screenings playing to a largely empty room. Whatever it is. It's money for movie theaters. And it's clearly playing well to an underserved market.

Now we get to the big one: Barbie and Oppenheimer. For over a year these two have been building up hype. Christopher Nolan, who usually has his films distributed by Warner Bros., was incredibly unhappy with how they sacrificed his film Tenet during the 2020 pandemic and even was even less happy when WB announced that their entire 2021 slate would be day and date on HBOMAX. He then takes his next project to Universal, after they agreed to a laundry list of demands. They pick the date July 21st, because that's the date Nolan likes and is "reserved" for him. Warner Bros originally had Coyote vs Acme there, a live-action Looney Tunes film with John Cena. However, they remove Coyote vs Acme from the schedule (it still has no release date) and instead put Barbie there. It originally started off as a "battle." Who would win, who would flop? But as we got closer, it became something else. The stark contrast between the two films, while both being from filmmakers who are lauded by younger people online, led to the creation of Barbenheimer. It wasn't "which one will win" it was "we're excited for both." It also wasn't, as some people think, manufactured by Universal and Warner Bros (why on earth would competing studios work together) it was organic. If it wasn't organic it wouldn't have worked. Barbie opened to over 160M and Oppenheimer to over 80M.

What makes their successes so great for the industry, is that they're in genres that have not been doing well post-pandemic. Even pre-pandemic comedies like Barbie were struggling. The last big comedy to hit 200M DOM was Ted back in 2012. Barbie easily blew past that. It's also a female oriented film in a time where women have been one of the slowest demographics to return to theaters. Adult dramas were also on lifeline. Elvis had been the highest grossing one post-pandemic, but pre-pandemic we would get multiple hits. In 2019: 1917, Little Women, Ford vs Ferrari, and Once Upon a Time in Hollywood all grossed over 100M DOM. In the two years since the pandemic only Elvis managed to hit that mark. But now Oppenheimer, something that on paper is tailor made for the end of the year Oscar season, opens like a blockbuster in the summer. It's the first drama to make over 200M DOM since Joker, and first non-franchise drama to make that much since Bohemian Rhapsody and A Star is Born crossed that threshold back in 2018.

Maybe it's a fluke, maybe it was just because it was these films specifically. But it's hard not to feel optimistic that this will translate to other dramas like Killers of the Flower Moon and Napoleon, and other female-oriented films like Wonka.

Smaller successes and optimism for the future of theatrical:

I covered the big movies. But what about the rest of the slate? Movie theaters can't just survive on 20 or so big movies a year. They need the smaller films to still deliver some money. These past two years, the box office has been incredibly top heavy. We either got films that only made a ton of money or we got movies that made no money.

Let me give you an example of the struggle of this specific market. The Peanut Butter Falcon was the 100th grossing film domestically of 2019. It grossed 20 million. In 2021 it was The Father with 2.1 million, in 2022 it was Cyrano with 3.8 million. You can see the toll the pandemic took here. But you can also see slight recovery.

I believe 2023 is the year we see substantial recovery in his part of the market. Smaller, non-franchise, and art-house films have been making more money than they have been in the past two years.

Let's look at some examples:

Asteroid City has the highest opening PTA (per-theater-average) of any film since the pandemic. Over 100k PTA something that used to be more common before the pandemic. And, once it goes wide, grosses 27 million domestic. Compare that to Wes Anderson's previous film which grossed 16 million domestic.

Past Lives also opens to a healthy PTA of 58k. That's higher than TAR and The Banshees of Inisherin. And that's without any star power and without having a well known Director. It has Oscar buzz, to be fair, but so did the other two and it still managed to outgross both of them when it went wide. So these types of awards films are already doing better than they were even six months prior.

No Hard Feelings not so much a small film, it's not an art-house film, and it's not an awards contender. It's a mid-budget comedy that relied solely on star power as a selling point. It's exactly the type of movie that failed countless times in 2021 and 2022. Yet, it outgrossed star-studded R-rated comedies from last year such as Amsterdam, The Menu, and Babylon pretty easily. Making 50 million domestic. It, perhaps, did not turn a profit theatrically, but it at least made some of its money back. Even a year ago, the thought of this type of movie making anything more than it did would have been unfathomable. Even Ticket to Paradise, which did make more than No Hard Feelings especially internationally, was PG-13 and had two old school stars headlining it instead of one young one.

I think these three movies really do show how much the market continues to improve, even as we faced massive bombs. When something as benign as Theater Camp can open with a PTA on par with Banshees of Inisherin, we're definitely heading in the right direction.

This was quite the summer for Hollywood. With so many high profile bombs, and two surprise hits, this already feels like a transformational year for the industry. Trends are changing. Franchises from the 2010s (mostly from Disney) are no longer the guaranteed money makers they were. The unions are on strike. Studios are looking to cut costs. It's a whirlwind.

Almost 6 months ago Corridor Crew released an AI-drawn anime short (ANIME ROCK, PAPER, SCISSORS) with an accomppanying making-of video ( Did We Just Change Animation Forever?). It got... mixed reception. Some loved the new era of "democratizing animation" (meaning you don't anymore need a team of hundreds of animators which in turn means it's possible for smaller creative teams to make their visions come to life), others really hated it for blatantly just ripping off an existing anime (Vampire Hunter D: Bloodlust, 2000) and general disrespect over animation as a job and art form -- or at least that's how (some) animators felt. Having heard them talking about drawing each frame with such a passion (on Corridor's show!), I can understand the ire.

Now, almost half a year later, comes the sequel (ANIME ROCK, PAPER, SCISSORS 2) also with an accomppanying making-of (Did We Just Change Animation Forever... Again?). Things... have changed. Basically Corridor realized that stealing art is bad, so they hired a real artist to draw a model sheet as a base for the AI to draw from (instead of stealing others' work). They also hired a person to write a theme song and a team of online artists to touch up every frame of the anime (watch the making-of if you're interested in the details, they go through them very well).

Next, some personal opinions of mine, starting with the first anime. I liked it. It was a nice and funny short with an interesting, smooth style that comes with the territory when there are more frames crammed into a second. Overall, it was the goofy concept of rock paper scissors combined with the over-the-top life and death drama that was fun. Visual style on the other hand, nowhere near ready. The warping and "worming" between each frame were really distracting and it wasn't ready for more than a tech demo (or for some relatively out-there story where that stuff ties into the film, not as a distraction). But I was able to look past those problems because it was a pretty good video.

Most of all, I didn't like them using artists' work without permission (and not saying anything about it).

Now to the sequel. It's... basically same? Same problems, less warping but for example king's crown was changing its color like it was having some sort of multistage chemical burn, and the visual style wasn't as strong and at times more clunky than on the first one. Maybe that's due the fact that the AI style guidebook was a lot smaller or that they were only willing to spent X amount of hours and money working on this while aiming for the anime episode lenght -- I don't know. But the story and the writing were still the best parts. Interestingly also I think direction was a bit weaker and they used too many "cool moment" tricks which made it visually messy. It basically got in the way of the story.

(Also I really dislike that Niko still wasn't taking responsibility for stealing art from others, bit of a bummer since most of us knew better six months ago already.)

What they proved with the second anime is that AI is still not close to replacing actual artists and it's a lot of work to make them even this way -- even if the AI part worked smoothly! But most of all what matters is the content, the creativity and how it's translated to the screen. Not the AI. It's a tool, not a revolution.

Edit. For clarity and some additional thoughts.

I used to work in IT but left the field in 2018, so I'm not as up to date as I used to be on things. I'm looking for a new laptop to use for work (primarily word processing and web browsing), ideally something portable with a good sized screen (larger than 13"). I've had a Dell G5 for the last five years because I thought I'd do more gaming on it when I bought it, but it's largely just been a heavy brick in my backpack on travel.

Back in the mid 2010s, I recommended Lenovos to everyone who would listen, but I fell out of love with them toward the end of my IT career when the build quality seemed to be rapidly declining. I haven't really touched them recently, but my dad loves his Lenovo Ideapad Pro.

Honestly, something similar to a Dell Latitude might be what I'm looking for, but I'm open to any recommendations. I need a responsive keyboard and clickable trackpad. Bonus points if there's somehow a laptop out there that has a nub!

ETA: Not looking for a macbook -- will be running Windows!

/// US states so far: California.
/// Countries/regions so far: Germany, Ireland, Myanmar, Hong Kong, Australia.
///

What's happening in your corner of the world recently?

Since the front page is frequently dominated by US news (understandably so with the site is mostly US users) I thought it'd be nice to have a place to highlight news from other countries.

To avoid this thread from becoming just a mirror of the frontpage though, here's something I think we can try, see if it works:

• Start a top-level comment with the country name then post the news as reply (together with your commentary if any). Others can reply to that same top-level comment if they want to share other news, naturally grouping them according to countries.
• English articles are nice but if the news you want to share is available in your language only, that's even better! The value of a thread like this is to highlight the local perspectives, which aren't necessarily well represented in English-speaking news outlets. You can also write a brief summary (in case autotranslate does poorly :p), as well as any context or biases that foreigners might not be aware of.
• For our US friends, you can go one layer down and share state-local news (not all states got representation on the frontpage I'm sure). Same idea, start with the state name then reply with the news. But please keep them all under the "United States" top-level comment so it's easier for others to collapse and find news from other countries.
• Anything you want to talk about other than news sharing can be posted under "Misc".

Curious if there are movements within the governance or research pertaining to the field that act to promote or suppress certain ideas? Was watching the “Infinity explained in 5 different levels” and thought… maybe there are trends for or against interpretations and/or abstractions that get a rise in people…

Good morning ~ This is a thread to discuss new album releases arriving at our doorsteps today (and until next week). Feel free to share albums and EPs that have caught your eye and interest!

Apologies for no thread last week - it was a quiet week and I was on the road. Back to it!

Discussion Points

What are you looking forward to listen to?
Have you listened to any of these releases?
What are your thoughts?
What have you enjoyed from these artists in the past?

Why Friday?

Most (but not all) new LPs release on a Friday, as labels want to give the release a full week of sales before entering the charts.

~~ Feedback on the format welcome!

Simon Hanselmann published a new book this month, Werewolf Jones and Sons Deluxe Summer Fun Annual. I'm curious if anyone has read it or is planning to.

I'm a huge fan of the main entries in the MM&O series, but have been a bit disappointed with the recent spinoffs. Crisis Zone was a lot of fun and captured the mood of the pandemic really well in the first half, but felt like it jumped the shark a bit too much towards the end. Below Ambition is the only book by Hanselmann that I thought was downright not good. There are no interesting stories or redeeming humorous moments, just characters repetitively acting obnoxious. I had to force myself through it.

I've seen a few mixed reviews of Werewolf Jones and Sons on Amazon and Goodreads that raise similar complaints- that it relies too much on shock value without any underlying substance. I like Werewolf Jones, but it seems like he is becoming more and more of a caricature relying on cheap gross-outs (one reviewer called out Flanderization which I thought was apt). I think I might skip this one unless I hear otherwise.

I'm still all in for the next mainline entry in the series. I definitely want to see the resolution to the more dramatic elements that were left hanging (ex. Megg's relationship with her mom, Mogg's insecurities, the return of Owl). I definitely need some plot progression and character development to balance out all of the hedonistic debauchery.

Would love to hear what anyone else thinks about the series.

I sorta think pretty much everything else have been a downward spirel since this millennium was kickstarted with 9/11. Just a random thought! The speed with which trans women moved from being perverted men to moderately tolerated members of society is staggering. Anyone here know why and when it happened?

If we look at Google Ngram for 'trans people' we see an upward curve after 2000 (the internet I guess) but it really took off somewhere after 2010.

I have a roughly 23kg/50lb furball who is approaching 12. She had a CCL rupture 4 years ago, but the vet missed it and thought it was just strained; it wasn't until a year later and she was having leg weakness that I brought her to a different vet who assessed the old CCL injury and that as a result, the knee had developed arthritis. Since then, we have been treating it with pain management, weight loss, and joint supplements. I had asked that vet about surgery but their advice was that it's much more effective immediately and less so once the arthritis is settled in. Her right CCL ruptured later in that year since she'd been overexerting that leg (apparently most dogs who injure one will later injure the other); she immediately had the suture surgery and it went fantastically, with her regaining essentially normal use of that leg.

A few years on and the right leg remains strong but the left leg is weakening, with her starting to show some pain reactions to its use, and I'd like to get some opinions on paths forward. Despite her age she is still in excellent physical shape apart from the leg and I want to be sure her hopefully many years are happy and comfortable. Note this is not in lieu of vet advice (I am writing this from the vet waiting room), but more looking for people's experiences who have tried some of these.

So things I have been considering:

• Surgery of some kind - suture, TPLO, even artificial knee? Pro, fix the knee weakness. Con, with the recovery and risk, I am not confident it would save her more pain and discomfort long term than the procedure would cause. I also have a feeling a full joint replacement might be exorbitantly expensive.
• Physical therapy
• Orthopedic brace
• Accepting that I have an elder pupper and just trying to manage the symptoms :(

I've been participating in my first DnD sessions with a friend, and I'm greatly enjoying it. I've asked permission to DM a single session to get my feet wet, and one place I've always loved (since Planescape Torment) is Sigil. I'd love to have my party wind up there as they sleep, then have them try to learn how to get back home.

I thought it might be fun to have a heist of sorts where they need to get into a brewery to steal some items. I'd like to have some creatures working there that they could fight (if thievery goes wrong), but also some bigger creatures they might be able to avoid in the narrow hallways.

What might be some good options? I've looked at goblins with an ogre moving barrels around, or perhaps some Kua-Toa creatures.

My spouse and I adopted a 9 week old Husky puppy this past weekend who is suffering greatly from separation anxiety and we are at a bit of a loss on how exactly to deal with it. This is not our first puppy or Husky puppy, but the separation anxiety is new territory for us. We have spent a lot of time reading guides on helping a puppy adjust to being on their own and talking with a close friend who is a vet tech, but I wanted to see if there are any things we may have overlooked.

Things we are already doing:

1. Daily walks - we typically take 2x 10-20 minute walks during the day, depending on the weather. We are in the southeastern part of the US and it is unbelievably hot during the day so we go early in the morning and late at night, afternoon is pretty much not an option with temperatures reaching the upper 90's.
2. Lots of play time - tug of war and fetch are the most entertaining for her right now. We also have a neighbor that adopted a German Shephard puppy that is about the same age and they have loved playing together.
3. Crate training - We have a crate in our room which she sleeps in overnight and one in our work area for during the day when she naps.

Things we are starting to implement:

1. Leaving the room for short amounts of time. We are giving her a treat that is only used for this type of training that she really likes in hopes that she associates us leaving as a good thing because she gets a yummy treat.
2. Returning to the room before she gets really anxious so she doesn't associate the crying and destructive behavior with us coming back.
3. She has two Kong toys that I am going to put yummy food in before we leave the room to keep her mind occupied on that instead of the fact that were not there.

I guess I'm looking to see if there are any other tips or tricks we haven't thought of? Any advice or things that worked for your puppies?

I've been diving into Derek Parfit's thought-provoking "Why Anything? Why This?" and exploring Weber's fascinating "Sociology of Religion." It's ignited my curiosity about which research papers or articles have really resonated with you? I'm excited to broaden my reading horizons and discover some impactful reads!

Hi, I have a weird cubic space in my garage wall due to the location of the chimney and stairs to the basement.
The lower edge of that cubic hole is at 41 inches (104 cm) from the floor. Its deep is 40 inches (101 cm). Width 39 inches (99 cm). Height 46 inches (117 cm).
Too deep for static shelves, I cannot reach the end. Too tall for sliding shelves (kind of drawer thing), I am 5'7'' (172 cm). In its current form, it is too much of a space for its practical use.
I thought that a carousel that moves shelves up and down (like in this design for shoes https://storagemotion.com/shoeselect/) but for heavier weights would be practical... I have no idea how to even name the parts to buy them, if they exist.
Also, I will appreciate suggestions for an alternative solution.
Thanks.
PS: located in Massachusetts, US.

This thread can be used for general recommendations for anyone, but I'm specifically looking for a daily sunscreen I can wear on my face and neck.

I'm looking for a holy grail sunscreen that might not even exist (in the US, but I'm willing to import if needed). Here are my preferences:

• Not greasy
• No whitecast
• I'm not allergic to it (this I won't know until I try it -- I'm allergic to "fragrance" which is a relatively useless thing to know -- it just means that any scented product is a roll of the die as to whether or not I react with it because there are thousands of different things that can constitute "fragrance" in a product)

I found what I thought was it: this imported sunscreen. Went on easy, smelled great (green apple!), and legitimately worked.

Unfortunately, I'm allergic to it.

I've since replaced it with this Sun Bum face stick which is similar, but it doesn't go on nearly as easily and the synthetic banana smell is offputting. Nevertheless, I put up with it because 1) it doesn't activate my allergies (yay!) and 2) the banana smell is actually better to me than "regular" sunscreen smell.

Sun Bum actually has a fragrance free mineral sunscreen, but it still smells like sunscreen (which I hate) and it has a really strong whitecast, so it's out.

The Sun Bum I'm using now technically "works" for what I want, but I don't love it. I'm looking to see if there's something out there that I can actually love wearing, especially because I'm going to be doing it daily.

If anyone has any recommendations, please let me know!

I subscribe to a YouTube channel called Motorcoach World, which is run by a guy who iworks for a charter company as both a Director of Operations as well as a driver. He's super passionate about busses and has a lot of videos talking about their history and operations.

He's currently trying to do a cross-country trip on a double-decker all-electric bus. The intro video is here, and he's doing most of his daily updates via live stream here.

I've been loosely following along since it's interesting. He's had a lot of issues with charging. Everything from chargers being unaccessible due to use, being down for maintenance/not working, being de-rated to slower speeds, etc. Obviously his issues will be much worse than typical cars due to the needs for a specific charger type and power rating, but I imagine that electric trucks would run into similar issues?

Anyway, thought it was an interesting. He left California about a week ago and as of yesterday, he's made it to Texas.

Choose one album
that you love
that you think deserves more love

Tell us what it is, and why.

Previous posts in series

Additional Details

So, I had this chat with a friend about verious topics. It made me realize how much I love engaging in discussions, but I also noticed that I struggle to articulate my thoughts logically and effectively frame my arguments. I want to improve my reasoning and argument skills so that I can confidently present my ideas in such conversations. So I'm seeking a book recommendation that can help me develop my logical thinking and persuasive abilities. I'm looking for a book that explains things in a straightforward way, with fun examples to practice with, covering diverse topics to make logical thinking enjoyable. If you have any suggestions, I'd be super grateful

I'm normally the tech guy in my social circles and can make good recommendations but its been a few years since I was a collage student so when one of my associates who is about to start her college journey as a dental student asked me for my recommendation, I wasn't sure exactly what to recommend.

My first thought was an iPad paired with an Apple Pencil and a Logitech portfolio case. This was because she mentioned lots of note taking and drawing. I figured that option gave her the most bang for the buck and versatility to accomplish any tasks necessary while also having longevity to get her threw the next few years. As for what model, I haven't really figured out just yet.

My main drawbacks here are that iPads still don't fully replace a Mac or PC. I don't know what software her college will require and while many schools are modernizing some are still not quite there yet and may require specific software that can't be run on iPads.

Of course the solution to that problem is to purchase a MacBook as well. That should handle most any applications and maybe make longer essays and research papers easier to get through. Ideally that would be option number one, but obviously that's very expensive, and while I do not know what her and her families fiscal background is like, I think its safe to assume that in this economy, even with educational discounts, that's not the most feasible option for most students.

On the other hand just purchasing a MacBook instead of an iPad would work but not be as versatile since apple has yet to produce a 2in1 like the Microsoft Surface. Speaking of 2in1's I thought about the Microsoft Surface and even some Samsung 2in1's with their s-pen equivalent, but longevity has never really been Windows or Chromes OS's strongpoint. Not to mention I really am not a fan of Chrome OS and its many limitations. I know there is a lot of schools that use them, but they also tend to end up unfixable and unsupported.

Again... its been a minute since I was a student, so maybe there are things that I am not thinking about or realizing. I told her I would think about it and come back with some recommendations so I figured I'd ask here for some real life experience while I do some research on the subject.

EDIT

• Her major is dentistry
• She curranty has an iPhone
• I'll ask her to check her schools requirements
• I'll reply to everyone soon, I just wanted to make those things known for everyone.
• Thanks for all the input so far!

This thread may contain spoilers.

I thought it was pretty good! Better than the last episode, we were pleasantly surprised here at house Godzilla. We actually watched the older episode where Kif gets pregnant the night before, so we were very curious to see how Amy would handle everything. Feels were had.

What were your thoughts? Let your voice be heard!

I'm a little over halfway through and I really have to force myself to keep playing it. Some of it is really cool and a lot of it drives me crazy. Sorry to rant a bit but a lot of the discourse online is extremely positive and I just wanted to let this out.

• So many cutscenes. They're pretty good cutscenes. The acting is largely very good, most characters are really enjoyable (although maybe one day FF will realize that antagonists can be multifaceted and not just generic evil badman). But so, so many hours of cutscene -- run over there -- cutscene -- go to the one map location that's unlocked -- cutscene.
• So much time wasting slow running around. Sometimes the maps are designed like a (linear) maze for apparent reason except to make it take longer to get somewhere. I see a quest marker and I just immediately "ugh" at how long it's going to take me to plod over there.
• And as a corollary to the above, exploration sucks. I learned very early on that there's no reason not to beeline to the next goal, so it makes the slow running that much worse. Dungeons are basically right out of FF XIV, which means one straight line and a very clear pattern of trash mob, trash mob, boss, rinse, repeat.
• The gear and stats are a non-entity. You go through the story, it more or less hands you periodic levels and gear. It feels like they thought including these things was obligatory, but for what they put in the game, they could have just not bothered.
• Combat is pretty fun! A little repetitive. A little samey. I wish there were more options for using all the skills you get. I have all these things I could unlock, but the very limited set of slots you get make they basically a non-option once you've picked the ones you like. The system just feels kind of half baked.
• And in that same vein, the big quick-time-event boss battles are neat too. I don't love them, because it feels a lot like I'm not playing a game anymore, but they do look pretty fantastic. Some of the latter ones go on for way too long. Just like, I was done with punching this fantastic looking beast 10 minutes ago.
• Maybe I haven't heard enough of it or listened long enough, but the music is disappointing. Which is sad because I love the tracks in XIV from the same composer. So much here is just ambient or otherwise underwhelming. A bunch of critical moments are just remixes on the classic theme, which is nice, but not really selling me on the new score overall.

I'm probably going to stick through to the end (slowly, with many breaks for Dave the Diver), at the very least because it was so expensive. I just wish it were better.

As a preface, this comes from the perspective of an American looking in on Europe. I'm curious in particular what any Europeans (please include your country of origin/ethnicity if you feel so inclined) feel about this post and the future of the EU.

Europe is a unique region, to put it lightly. The extremely high level of development relative to the rest of the world over this last millennium as well as so many technological innovations in that period of time led to a Europe ready to exert its influence upon the rest of the world. We can comfortably say that, while examples do still exist, colonialism as an institution has largely faded. Europe is a much more varied continent culturally and ethnically despite a space roughly equal to that of the USA. We've all heard the common sayings about 200 miles is long in Europe where 200 years is long in America and generally speaking that does hold true.
That said, Europe in the modern era really does feel like many small countries functioning as one big entity with the European Union. The EU has only gained credibility and legitimacy and it is now the institution I expect to hear from on matters within the EU first, even ahead of any individual nation state.
All of this to say, I think a united Europe is the strongest possible future for Europe. No individual state in Europe is large enough to exert an influence upon the world without the rest of Europe behind them. Globalization, while diminished in recent years, is still happening and I don't see a decentralized Europe as "winning" globalization as dozens of individually tiny states.

I could continue writing, but I think you understand my position. Now I would like to point to the article I found that really made me think about this, here.

I would also like to ask, what do you see Europe and the European Union standing for? Should it continue to centralize or is the current level of control enough? Too much? I didn't mention Ukraine or defense in this post but obviously that has a huge impact on all of these questions and I would love to hear if that has impacted your perspective on this admittedly grandiose idea for a united Europe.

People from all countries welcome to discuss, but please do mention your country if you feel comfortable doing so!

Edit: More reading for anyone interested.

Hey there! I posted this on r/magictcg a while back, but I've seen and received many new ideas for cards and I'd love to see if you have any new ones.

I had my Japanese copy of Sliver Queen in my wallet for years because my friend found it for $2 in a bargain bin, and I thought I could just buy another - not knowing it was Reserve List. Whoops. So I decided to build an Illegal Slivers EDH deck where every card is somehow not quite legitimate, with a few restrictions - no power 9, no OG duals, and if I can help it try to make as much variety between restrictions as possible, all while trying to keep it as a legitimate deck that aims to use Queen as the wincon. But I'm only about a quarter of the way there. Here's what's up:

• Cards from other games with the same or similar names are used; Swamp from Wyvern, Island from Dominion, Ancient Tomb from Pokemon, Xiahou Dun the One-eyed from Wixoss, Karoo from One Piece, Duel Masters copy of Muscle Sliver...

• I'm using relevant illegal MtG prints - World Championship decks, Mystery Booster playtests, an art copy of the Unearth Sliver I keep forgetting the name of, silver borders / acorns, etc. Also Clickslither (from Legions!) instead of Quick Sliver (from Legions!).

• I was looking for a Wheel of Fortune tarot card before I found that lööps sticker and decided to go with that.

• My favorite is that someone originally stole the shipment of Crystalline Sliver promos before they were going to give them out... So if you had a copy of it at one point, it was literally-illegal stolen goods. Eventually they retrieved them and distributed them.

I've got other ideas, and I'm trying to break each rule. Looking for:

• The best single thing from the ban list

• Lutri as companion, or one card used twice

• One ante card

• Planechase and Conspiracy

• The card Unquenchable Fury, to be confused with Unquenchable Fury

• A 30th Anniversary card

• Some oversize cards as regular-size proxies

• An AI generated Sliver as a proxy

• Some configuration of Unfinity Stickers to make a new Sliver card of my own

• A World's Smallest for something like a Night's Whisper

• An Armageddon trading card for Armageddon, a Hearthstone from WoW TCG, a Force of Will from L5R TCG, a whole bevy of cards from LotR card game... I still also need Sliv-Mizzet.

And once this is all done... Find 100 different card sleeves to wrap these in. I'd also love - LOVE - to get the Queen graded and still use it as my Commander.

So, Tildes - how else can I make this deck even worse? Thanks!

My lease is ending within the next two-three months and I have been trying to plan my next steps. My goal has been to buy a house (and hopefully coincide with my lease ending) but the more I have been looking at inventory, the more I have been hesitating about that commitment. I currently am a full time remote worker who can live in any US state at any given point.

I found that I can find a short term rental (60-90 days) in downtown Honolulu and am finding myself increasingly interested in the prospect. I have never visited Hawaii, and while I was recently married, we never actually went on a honeymoon because we are saving for a house. The rental I would choose would be ~$2300 a month, fully furnished and utilities included. I of course would have additional cost to consider, such as needing to put all my furniture in storage and paying rent on the locker. In addition, I would not have my car so I would need to find a decent place that is walking distance to life necessities.

This option would not make me broke, but it would cost me additional money. If I bought a house now, I would probably have to hold off on any big vacations for awhile, and Hawaii was on our list to go to in the next 5 years.

So just curious, what are your thoughts? Would this be a good way to spend my winter or would the burden of not having a car be difficult in Hawaii? Any other things I need to think about?

Good morning ~ This is a thread to discuss new album releases arriving at our doorsteps today (and until next week). Feel free to share albums and EPs that have caught your eye and interest!

A big week this week!

Discussion Points

What are you looking forward to listen to?
Have you listened to any of these releases?
What are your thoughts?
What have you enjoyed from these artists in the past?

Why Friday?

Most (but not all) new LPs release on a Friday, as labels want to give the release a full week of sales before entering the charts.

~~ Feedback on the format welcome!

I've been playing through Remnant 2 and having a great time with it. I think they've hit on a great mix of combat and challenge. Plus I was pleasantly surprised to find that the writing, especially for the lore, was quite engaging (the intro doesn't set a high bar tbh). Still in progress for the game, so no spoilers please, but what do you think?

##NEWS## "A bipartisan group of lawmakers on the House Oversight Committee says a high-profile hearing on UFOs is just the start of their push for answers. And they are threatening to use heavier-handed tactics if the Pentagon and intelligence agencies stand in their way." (The Hill) ##

Since many people are upset about the homepage getting swamped with UFO/UAP news, maybe a dedicated thread to contain all the discussion would help.

Edit: also please keep the conversation civil

Direct links to each sub-thread:

Link posts (newest first)

• "A bipartisan group of lawmakers on the House Oversight Committee says a high-profile...
• "The UFO congressional hearing was 'insulting' to US employees, a top Pentagon official...
• "Congress update: U.S. Senate passes multiple UAP/UFO measures" (D. Dean Johnson...
• This comment on Reddit explained the legislation that this hearing is about, I'll quote...

Text posts (newest first)

• I share sentiments with several others in this post. While the topic of extraterrestrial life is...
• Just my $0.02 since opinions are like assholes, everyone has one... I'm not arrogant enough...
• I want to point something out here as a skeptic and as someone who laughs at these...
• I don't want to drag the conversation down with an extensive write-up of my own thought...
• This comment was deleted by the poster, but there're still some discussions underneath
• Does anyone want to hypothesize why there are congressional hearings about this? Do...

Off-topics (newest first, posts are placed here only after it's noticeably clear that comment labels have taken effect)

• Hypothesizing that aliens might well exist based on the vastness of our universe is not...
• With COVID lab leak article getting traction here, and now this story getting attention, I'm...

I think the population of the site has likely grown to the point where we could get some multiplayer gaming going. While I don't currently have anything in mind, I figure there will come a time when I do so I thought I'd try to get things rolling.

So, what multiplayer games would you like to try but lack the people for? What is your general availability for playing? Is there anything else people need to be aware of? Interest permitting, a recurring thread may be appropriate, though the exact interval would depend on the level of interest.

... and I think I'm going to be very hooked.

Spoilers for being 4ish hours into early access..

And I'm fine with that. I'm trying to lean into the emergent story telling of the game and accept my choice as they roll and as they come.

I want to hear your thoughts on early access. Is it what you thought the game would be? For cRPG veterans, is it going to live up to meet your expectations for what one should be? Care to share your outcomes for the situation I engaged with (spoilered of course for players who want to go in completely fresh)? I've not played 5e, what do you think of the adaptation? And any other thoughts you have in that old noggin?

to clarify the "new-ish to cRPG's", I've played the opening hours to a handful of them including Pillars of Eternity, Pathfinder: Kingmaker, Mechajammer, Disco Elysium and Encased. I liked them all, but I have trouble committing although I did complete Disco Elysium and LOVE and ADORE it. I will return one day including games like that Fallout 1/2, Planescape: Torment, and others on my list.

Love and candy to you all

I’ve been getting back into guitar playing and trying to have more focused practice when I play each day. I wouldn't call myself a "beginner", but I don't think I'm near the "intermediate" stage yet. I know chords and power chords and can transition between them pretty easily. I've been working on figuring out CAGED shapes, but still really struggle with playing scales and "solo-ing"...partly because (1) I have tried exploring music theory and "learning the notes on the fretboard", but it hasn't clicked for me yet, and (2) my fret fingers feel sluggish and don’t seem to move across the fretboard with the ease that I seem to have when switching chords.

That said, I’m feeling pretty discouraged right now. Looking for some “pick me ups”, so to speak. And wanting to learn to play a few songs all the way through so I can feel more confident in my ability to actually play a song. But I don’t really want to get hung up on a difficult “solo” or a bunch of individual fretting stuff yet.

As I thought about making this post, I figured it might be useful to also ask about some "beginner tips" on how to best stay motivated to stick with learning, practicing, and playing the guitar. If I'm going to keep this up, I want to really invest in it and stick with the guitar. Here are some additional questions/thoughts to hopefully trigger a discussion.

Fellow guitarists:

• What has helped you in the past?
• What helped you get over the "discouraging" first steps of guitar playing and keep at it?
• What were some of the first songs you were able to learn to play all the way through?
• How did you learn the notes on the fretboard?
• How did you learn to play different chords all around the neck?
• What would you say to your younger self to help encourage them to continue pushing through the sticking points of guitar?
• What was the "key" to getting guitar playing to "click" in your brain?

Looking forward to seeing what advice fellow players can offer! Everyone's musical journey is different, and I am interested in learning how you learned to get to where you are now!

I have a cavalier king charles spaniel that has had some unfortunate health issues for the past few years. The most pressing one that I haven't been able to nail down and fix is her GI issues. Every now and then, she has an all night bout of diarrhea even though the only food she has eaten is her hydrolyzed protein dog food. I remember reading about FMT years ago for people who had GI issues and I'm wondering what the results have been for dogs (and other animals). It seems counter intuitive to fight shit with more shit, but at this point I am willing to try most non-invasive treatments. While taking her to the dog park and asking other dog owners if my dog can eat their dog's poo would be the cheapest option, instead I found a site that purportedly has capsules available.

https://doggybiome.com/dog-products-for-diarrhea/

However, because it is difficult to find more information about this company and because I don't want imagine how this type of business (if it worked) could scale up as an industrial factory farm, I am skeptical.

Any thoughts on treating IBD in dogs for an allergy prone, and sensitive dog? She is already getting fiber and she sometimes gets probiotic with her food.

The first episode of the new season is out! What do you think of it?

I thought it was pretty okay. It was too self - referential for me. It kept making too many "we're back" jokes but they kind of did that the last time they were cancelled and brought back. They eased off those kind of jokes eventually the last time it happened.

I was worried about how they would handle references to more modern things as "Attack of the killer App" was really painful to watch. But it seems like they handled it pretty decently.

I'm slow, but it took me a while to realise that Scary Mirror as a replacement for Scary Door was a jab at Black Mirror.

I didn't think the episode was very funny, but it wasn't bad either. What was good about it shows promise, so I'm hopeful.

Curious to hear what the people of tildes think.

As we close in on 3 years of use with these newer consoles, what are every one’s thoughts? Has “next gen” been what you thought it’d really be or are you kinda just feeling whelmed?

I have a PS5 and I use it every now and then for pretty much the first party games. PC is my main platform but as I think back, I’ve been pretty happy with my PS5 and the games to come so far. I also really enjoy the UI (although custom backgrounds would be great).

I don’t know how the Xbox side is so I’d love to hear your thoughts to!

Thanks for taking the time to read.

Has anyone been experimenting with that? I recently found some fairly easy tutorials on tiktok. I always thought you need like special coagulates to make tofu, but apparently with many beans you can just boil them or add some acid to make them firm. And yeah, you can make tofu from essentially any beans, peas or lentils.

I tried making some green peas tofu, and so far i'm not too happy with the taste. It has a wierd, a bit caustic, aftertaste. I'm not sure if it's the green pea or my recipe...
I will definitely be trying lentils next!