I'm looking for weird or obscure music that few folks have given a listen. To keep things interesting, I'll try and post stuff I've stumbled upon and liked rather than cruising newly uploaded stuff. The 20K plays limit is a soft limit and is not cumulative, so just check the numbers one platform like Spotify, YouTube Music or whatever. If it's obscure on one platform, it's probably, though not necessarily, obscure elsewhere too. I'll just be using YT Music numbers.

• Depois do Escuro - Kalouv at 377 views. Brazilian post-rock band. Not well known at least in my music circles. This song just slaps hard. It deserves more attention.

• The Search - Dougie MacLean at 8.9K views. Scottish folk artist. Some of his stuff is much better known: one of his tracks for the inspiration for the Last of the Mohicans theme). This whole album was made the Loch Ness Monster Exhibition and is much better than it has any right to be for a tourist attraction.

• Sólin Mun Skína - Rökkurró at 9.3K views. Icelandic pop and rock band. I like the lead vocal artist a lot. Edit: Their VEVO channel puts this one at 41K views, so it breaks my rules a bit. Oh well.

• Modulus - Marcus Fjellström at 733 views. Swedish composer and artist who did mostly moody and surreal dreamscapes and ambient music. Sadly he passed away in 2017 after composing the score for the tv show The Terror (one of the few excellent survival horror shows). Not really "easy listening" but I'm really impressed with his work and wanted to share it.

• Misery Needs Company - Lovedrug at 2.1K views. Indie/alt band. Great song. Simple as that.

• The Lunar Effect - Kebu at 19K views. Kebu, a Finnish keyboardist and composer, does lots of old-school synth and electronic work like you'd find in the tradition of Jean Michel Jarre. Edit: The live performance of this song has like 300K views... so I really shouldn't include it here.

• Summoning Lesser Demons - Ivar Tryti at 10.1K views. Ivar is a regular on the synthesizer discord which is how I found his stuff. He's a wizard with Elektron synths/samplers and gear so I keep up with his releases.

If you're having trouble finding stuff <20K (I know I did when searching my history!) then increase the threshold to say 100K. If anybody has a good way to find rarer stuff, ideas are welcome. :)

My band are releasing a new single on the 5th August, another later in the year, and a third early next year. We've released a few tracks already, but we never seem to get much traction when trying to promote them. The band has agreed that a different approach is probably needed, and so we're open to a bit of experimentation. So, musos of Tildes: how do you go about promoting the music you release?

Obviously taste is subjective and people are complicated, but at least on the surface, I'm sure most avid listeners can pick an artist or band that they really enjoy, but don't seem to have the popularity or recognition to match. I'd love to hear your picks - preferably, post a link where something can be streamed for free and purchased easily, like Bandcamp. Give us a little synopsis, or at the very least, genre or similar artist, as well.

Hi everyone!

I have a Y2K playlist for this (Britney Spears, LFO, Destiny's Child, etc.) and another playlist with more recent music (Doja Cat, Dua Lipa, Rina Sawayama, Ariana Grande, etc.).

Sample songs from these playlists:
Rina Sawayama - XS
Doja Cat - Like That
Dua Lipa - Levitating
Britney Spears - Gimme More
LFO - Summer Girls
Destiny's Child - Independent Women

Hoping to get recommendations for songs/musicians with similar vibes. Or perhaps links to existing Tildes threads for this; I've already tried searching 90s pop / Y2K pop / Doja Cat.

I use these playlists to help me get into a more energetic mood, usually for getting ready or for working out. I listen to almost all kinds of music so I'm also open to recommendations from other genres; the above's just been my mood lately.

Thank you!

I really enjoy music that blurs traditional genre lines and draws on multiple different influences to make something unique and distinctive. I'm sure I'm not alone in that, so I'd love to hear of any groups that have caught your attention for the same reason!

I'll start out with one of my own recs, as an example - I absolutely love the band Hollenthon. They're probably most closely described as black/death metal, except that they include full orchestras + choirs as part of their instrumentation, and draw on a bunch of diverse inspiration across classical music, modern movie music, and even traditional ethnic/folk melodies. The result is an incredibly interesting and distinctive sound that I haven't heard paralleled in any other band I know of. Example song - Y Draig Goch

Hi everyone - newly minted Tildes user and Reddit refugee.

I want to know how many of my fellow DIY amateur (or absolute pro) musicians are around, and where your recent jams are posted.

What kind of music do you like making - what's your workflow?

I was told by the overlords that this was the way to ask permission to hear you! I wanna share, discover, and enjoy your personal music. I’ll add myself and some other projects to the bottom of this post, but I truly only want to hear you.

https://jlawson.bandcamp.com/album/visions

https://jeakams.bandcamp.com/

https://on.soundcloud.com/VkPckGcot1Xt9mjA7

Much love,
Jeakams

The original version of this thread was going to be a list of songs sung by Elvis, along with versions that were released by other people before him. For example:

Burning Love

Arthur Alexander 1971 YouTube

Elvis Presley 1972
YouTube

Nice and simple. Not to say "this is great, this is terrible", or "look, he stole it", but just because it's interesting to compare versions.

But then I looked at Hound Dog and wow there are a lot of covers. I got most of these from the Wikipedia article, which is pretty in-depth about this song: https://en.wikipedia.org/wiki/Hound_Dog_(song)

So, here's a short list. I'd be interested to know what you think - I love Big Mama Thornton's version, I love Elvis's version, but I'm not that keen on any of the others here.

Hound Dog

Big Mama Thornton 1952 YouTube

Freddie Bell and the Bellboys (date uncertain) []YouTube](https://www.youtube.com/watch?v=fJQ-fDb4M4s)

Elvis Presley 1956 YouTube

And here's a bunch more before Elvis did his version:

Little Esther 1953 https://www.youtube.com/watch?v=DVUQ_lmoyJ4

Jack Turner and his Granger County Gang 1953 https://www.youtube.com/watch?v=2AbAotf6ac0

Billy Star 195X https://www.youtube.com/watch?v=ZuDuuPWVL0s

Betsy Gay 1953 https://www.youtube.com/watch?v=dNG-0L-mldc

Eddie Hazlewood 1954 https://www.youtube.com/watch?v=QN23peWBe3g

A few photos from last night's Cure concert in Montreal.

The set list

Growing up, live concerts wasn't really an option for me. Even if I hadn't lived in the middle of nowhere, I couldn't have afforded it.

This show was everything my teen goth heart could have wanted - a set list that combined their most popular songs with some newer tracks, and some deep cuts that don't usually make it to their live shows. The stage set up was basic but effective, with multiple screens divided by lights that were very effectively used to convey mood and tone. The merch was great too, each city has its own poster design. Montreal's was this adorable cat design.

The audience ranged from small kids with their parents, all the way up to the grey haired set, with everything in between. And for the most part, people weren't stuck to their phones filming - there were moments of snapping pics and taking short clips, but no one spent the entire show filming with their phones. I took maybe a dozen photos and 3 short clips of video, which is about standard from what I could tell.

The band also made the choice to price tickets fairly, disabled the bullshit "dynamic" and "platinum" ticketmaster mechanics, didn't allow reselling for more than face value, and restricted the tickets to mobile only so there was no resellers' market. I wish every band did this looking at you, Depeche Mode. Tickets in Montreal started at $31 Canadian, which meant it was accessible to just about anyone. My floor show seats were $175, well worth it to see one of my "bucket list" bands up close and in person.

Robert Smith made this show for me. He kept up some light-hearted banter in between songs, did some silly dancing while playing, and just seemed to be enjoying himself. At 64 years old, he's put on a little weight and has grey hair, but who hasn't by that age? He (and his bandmates, including Simon Gallup on bass!) performed an entire 2.5 hour set with only a few brief moments between encores, and his voice sounds as good as it ever has.

If you have a chance to get tickets and are wondering if you should, do it!

This is an appreciation post for Luke Vibert, Aphex Twin's best friend, classmate, and roommate, aka Wagon Christ, Amen Andrews, Kerrier District... etc.

To put it simply, I'd account a good little chunk of Aphex Twin's style to Luke. I had a chat with Luke at one of his shows, and he claimed that Aphex Twin would have never released his stuff at all if he weren't strongly encouraged. Thanks Luke!

This track is the best evidence I have for my claim. It's from 1990, and is an amalgamation of Breakbeat, Dub, Acid, and Ambient.. kind of unheard of for the time, and the quintessential Aphex sound. Those ambient pads sound familiar? The bells? The breaks? I found it on Luke's discogs page. This was definitely shown to Aphex Twin. I've got a prize for whoever can find an earlier and similarly styled track.

This alone is fairly significant I'd say.. I don't mean to discredit Aphex Twin. Even giants are on the shoulders' of giants.

Luke's individual accomplishments are insane though. It's a shame he doesn't get much credit.

Reading this dude's comments referencing break samples that have rarely been sampled, and detailing old underground raves when people used to trade physical records of independent Jungle tracks.. He lives and bleeds electronic music. He's 50, and grew up through the Electro/Hip Hop late 80s scene, and rode through the Jungle, Hardcore, House scenes and more. I really don't think there's anyone else who was so centered to what electronic music became.

His pseudonyms are all case studies on electronic music..

This is a phenomenal case study on UK Garage, titled UK Garave. A liiittle dry for me, but his code switching is nuts. He gets it lol.

This is a study in Jungle, under the pseudonym Amen Andrews. Time warping, snare rolls.. the hallmarks, and spot on.

This is Disco House... Listen to the versatility in sampling, production techniques, and drum patterns--very distinct.

This is Acid Electro.. a blend that's not easy to pull off. Futuristic and clean.

I could go on--his breadth is ridiculous.

Would love to chat about icons. Someone else do a little write-up on electronic music history and @ me!

I know the topic is very generic, but post any resources that helped you to learn making music, be it learning playing instruments or mixing.

For me, justinguitar.com helped in learning guitar from scratch. Lessons are spread out pretty well to not make very big jumps in complexity, and I love Justin's presenting.

Calling all Deadheads on Tildes!

I've listened to the Grateful Dead sporadically throughout the years but never really took a deep dive. The incredible goldmine that is https://archive.org/details/GratefulDead is just waiting, mysterious and silently beckoning... but I have no map of the landscape so the question is, where to begin?

What are your favorite recordings?

Edit: Thank you all for your suggestions. I'm so eager to listen them all through!