From speakers to earphones, how do y’all enjoy your music? I wanna find out what kind of sick rigs that we have on here but also wanna know how many of us aren’t into audio equipment but are super into music.

MIYNT- Baby One More Time
This is is a strange one because it completely changes the mood and not even in an unexpected way. Well, it is unexpected. But given the lyrics (unaltered), it feels much more tone appropriate.

Side note- Max Martin Wrote and co-produced this song and many of britneys stuff, and taylor swift, and many other #1/top10 spots. Mad.

All About That [upright]bass
Who doesn't love upright base?

Redbone | Childish Gambino
I actually heard this one before the orig so this might be a bias for me. But when I finally got around to listening to the orig, it felt empty. Turns out i love those trailing high notes and it wasn't entirely the same feeling without it

That's all I've got for now but I bet a one or two sprung to mind for you

A number of years ago at a family reunion, I remember a rather raucous aunt of mine who sat at the table gloating that she reads “so many books.” After she thoroughly disparaged society for its preference of films, television, and video games, etc., it was revealed that the entire corpus of what she reads is harlequin romance novels.

Being the shy and tepid fellow that I was, I didn’t call her out on her somewhat vapid achievement. But, the thought that crossed my mind was, “Two hours spent watching ‘A Clockwork Orange’ or ‘Lawrence of Arabia’ would be a much more rewarding and mentally invigorating experience than spending six hours filling my head with the risqué adventures of Fabio.”

To which, this (kind of) opens up a question about the worth of the medium that we use for storytelling. Is there intrinsic value in written stories versus audio/visual ones? Often enough, a film will be adapted from a book. The sentiment that frequently seems to follow is, “the book is better than the movie.” Is this because we value books as a format more? Is it the greater degree of detail? Perhaps our “mind’s eye” creates a more appealing interpretation than a film director ever could? Or maybe it just makes us feel good to say that we like to read.

I’m just using the books and movies dynamic as an example. The truth is that we can have this debate about all forms of artistic medium, whether it is live theater, television series, poems, music, radio plays; the list goes on. Marshall McLuhan famously coined the phrase, “The medium is the message.” How true is this, and how does it affect how we value each different kind of medium? What are your thoughts?

We've been having a smattering of art, poetry, and photo participation posts, such as this, and this, and this, and this.

We seem to have enough ~tilders to have a schedule of sorts, but not enough to have each activity every week. How about we rotate weekly activities for a while and see how it goes? I'm thinking we have enough interest for a series of visual/craft based threads and a series of writing based threads. For example:

July 3-9th Photography (subject exploration or technique)
July 10-16th What are you making now?/Speedart
July 17-23rd Photography (topic or equipment)
July 24-30th What are you making now?/Media challenge

July 3-9th Freestyle Writing (up to a thousand words)
July 10-16th Themed Drabbles
July 17-23rd Poetry format challenge
July 24-30th It was a dark and stormy night

Please note that these are suggestions and not an arbitrary bid to codify content or become TEH LEADER. I just think it would be fun to have an activity to look forward to every week. We could even just sign up for hosting a week's topic, and whoever is in charge of the week picks the activity.

What does everyone think?

Masala chai (commonly and somewhat falsley abbreviated to just “chai”) literally means “spice mix tea” – and this is what this review is about. I got myself a selection of Vahdam’s masala chais and kept notes of each one I tried. Some came in the Chai Tea Sampler and others I either already bought before or were a free sample that came with some other order.

Classical CTC BOP

CTC BOP is usually cheaper than more delicately processed whole leaves. Although the common perception is that it is of lower quality than e.g. FTGFOP or even just FOP or OP for that matter, the fact is that they simply a different method with a different outcome. You can get away with breaking cheaper leaves, though, than whole.

Also bare in mind that while BOP is the most common broken leaf grade, there are several more.

It makes for a stronger brew and a more robust flavour– ideal for breakfast teas. The down-side is that it can coat your tongue. But if you want to recycle it, the second steep will be much lighter.

Original Chai Spiced Black Tea Masala Chai

The quintessential masala chai – the strength of the CTC BOP, paired with the classic mix of spices. A great daily driver and a true classic, but for my personal taste a tiny bit too light on the spice.

Ingredients: CTC BOP black tea, cardamom, clove, cinnamon, black pepper

Double Spice Masala Chai Spiced Black Tea

Same as India’s Original Masala Chai above, but with a bigger amount of spice. Of the two I definitely prefer this one.

Ingredients: CTC BOP black tea, cardamom, clove, cinnamon, black pepper

Fennel Spice Masala Chai Spiced Black Tea

Due to the fennel, the overall taste reminds me a lot of Slovenian cinnamon-honey cookies[^medenjaki], which we traditionally bake for Christmas. The odd bit is the cookies do not include the fennel at all, but most of the other spices in a classic masala chai (minus pepper). I suppose the fennel sways it a bit to the sweet honey-like side.

In short, I really liked the fennel variation – could become firm winter favourite of mine.

Ingredients: CTC BOP black tea, fennel, cardamom, clove, cinnamon, black pepper

[^medenjaki]: The Slovenian name is “medenjaki” and the closest thing the English cuisine has to offer is probably gingerbread.

Saffron Premium Masala Chai Spiced Black Tea

When I saw the package I thought that saffron was more of a marketing gimmick and I would only find a strand or two in the whole 10g package. But no! The saffron’s pungence punches you in the face – in a good way. It felt somewhat weird to put sugar and milk into it, so strong is the aroma.

Personally, I really like it and it does present an interesting savoury twist. It is a taste that some might love and others might hate though.

Ingredients: CTC BOP black tea, cardamom, cinnamon, clove, saffron, almonds

Earl Grey Masala Chai Spiced Black Tea

I am (almost) always game for a nice spin on an Earl Grey. In this case, the standard masala complements the bergamot surprisingly well and in a way where none of the two particularly stand out too much.

The combination works so well that it would feel wrong to call it a spiced-up Earl Grey or a earl-grey’d masala chai. It is a pleasantly lightly spiced, somewhat citrusy and fresh blend that goes well with or without milk.

Ingredients: CTC BOP black tea, bergamot, cardamom, cinnamon, clove, black pepper

Cardamom Chai Masala Chai Spiced Black Tea

Now, this one is interesting because it only has two ingredients – black tea and cardamom. While not as complex in aroma as most others, it is interesting how much freshness and sweetness a quality cardamom pod can carry.

I found it equally enjoyable with milk and sugar or without any of the two.

Ingredients: CTC BOP Assam black tea, cardamom

Sweet Cinnamon Massala Chai Black Tea

Similar to their Cardamom Chai, it is a masala chai with very few ingredients. The cinnamon and cardamom get allong very well and while it lacks the complexity of a full masala/spice mix, it is a very enjoyable blend.

Recommended especially if you like your masala chai not too spicy, but sweet.

Ingredients: CTC BOP Assam black tea, cardamom, cinnamon

Ortodox black

What is described with “orthodox” usually means a whole leaf grade, starting with OP. These are much weaker than CTC, but therefore bring out the more delicate flavours. It is a bigger challenge therefore to make sure spices do not push the flavour of the tea too much into the back-seat.

Because the leaves are whole, as a rule you can get more steeps out of them than of broken leaves.

Assam Spice Masala Chai Spiced Black Tea

The more refined spin on the classic masala chai – with whole leaves of a quality Assam, it brings a smoothness and mellowness that the CTC cannot achieve. Because of that the spices are a bit more pronounced, which in my opinion is not bad at all. The quality of the leaf also results in a much better second steep compared to the CTC.

Most definitely a favourite for me.

Ingredients: FTGFOP1 Assam black tea, cardamom, cinnamon, clove, black pepper

Tulsi Basil Organic Masala Chai Spiced Black Tea

I have not had the pleasure of trying tulsi[^basil] and regarding masala chais, this is a very peculiar blend. The taste of the Assam is quite well hidden behind the huge bunch of herbs. In fact, for some reason it reminds me more of the Slovenian Mountain Tea than of of a masala chai.

In the end, the combination is quite pleasant and uplifting.

What I found fascinating is that it tastes very similar both with milk and sugar, and without any of the two.

Ingredients: organic Assam black tea, tulsi basil, cinnamon, ginger, clove, cardamom, black pepper, long pepper, bay leaves, nutmeg

[^basil]: For more about tulsi – or holy basil, as they call it in some places – see its Wikipedia entry.

Darjeeling Spice Masala Chai Spiced Black Tea

As expected, the Darjeeling version is much lighter and works well also without milk, or even sugar. Still, a tiny cloud of milk does give it that extra smoothness and mellowness. It is not over-spiced, and the balance is quite well. The taste of cloves (and perhaps pepper) are just slightly more pronounced, but as a change that is quite fun. It goes very well with the muscatel of the Darjeeling.

Ingredients: SFTGFOP1 Darjeeling black tea, cardamom, cinnamon, clove, black pepper

Oolong

Maharani Chai Spiced Oolong Tea

Despite the fancy abbreviation, IMHO the oolong tea itself in this blend is not one you would pay high prices as a stand-alone tea. Still, I found the combination interesting. If nothing else, it is interesting to have a masala chai that can be drank just as well without milk and sugar as with them.

Personally, I found the spice a bit to strong in this blend for the subtle tea it was combined with. I actually found the second steep much more enjoyable.

Ingredients: SFTGFOP1 Oolong tea, cardamom, cinnamon, clove, black pepper

Green

Kashmiri Kahwa Masala Chai Spiced Green Tea

A very enjoyable and refreshing blend, which I enjoyed without milk or sugar. The saffron is not as heavy as in the Saffron Premium Masala Chai, but goes really well with the almonds and the rest of the spices.

When I first heard of Kashmiri Kahwa, I saw a recipe that included rose buds, so in the future I might try adding a few.

Ingredients: FTGFOP1 green tea, cardamom, cinnamon, saffron, almonds

Green Tea Chai

As is to be expected, the green variety of the Darjeeling masala chai is even lighter than its black Darjeeling counterpart. The spice is well-balanced, with cinnamon and cloves perhaps being just a bit more accentuated. This effect is increased when adding milk.

It goes pretty well without milk or sugar and can be steeped multiple times. Adding either or both works fine as well though.

Quite an enjoyable tea, but personally, in this direction, I prefer either the Kashmiri Kahwa or the “normal” Darjeeling Spice masala chais.

Ingredients: FTGFOP1 darjeeling green tea, cardamom, cinnamon, clove, black pepper

Glossary:

• BOP]: Broken Orange Pekoe
• FOP: Flowery Orange Pekoe
• OP: Orange Pekoe
• CTC: Crush, Tear, Curl
• FTGFOP: Finest Tippy Golder Flowery Orange Pekoe
• FTGFOP1: Finest Tippy Golder Flowery Orange Pekoe (1st grade)
• SFTGFOP1: Superior Finest Tippy Golder Flowery Orange Pekoe (1st grade)

(Obligatory disclaimer: Yes, I know the difference between a "theory" and a "hypothesis". I'm using the colloquial usage of the term. I'm not submitting a formal paper here.)

I figured a post like this now and then might be a little fun. I wanted to discuss a little theory of mine about the Mario universe. As the title suggests, the short version is that Mario is a dictator.

This theory hinges on one important point: There are inconsistencies within the stories that are told about Mario's adventures that suggest that his exploits are fabricated.

Let's begin with the most central theme in Mario's adventures: The repeated kidnappings of Peach. Consider for a moment that in every kidnapping event, Peach has had less-than-stellar security detail--typically none at all--despite the number of kidnapping events that have occurred over the years. If arguably the most high-profile member of a kingdom is being kidnapped on a regular basis, you would expect their security detail to be significantly greater than it's consistently shown to be, so why is it always so lax? The three most logical explanations are either a) the security detail is actually much tighter than is shown and Bowser is just that much stronger, b) the security detail is thinned out before every kidnapping event due to a coordination between Bowser and an insider in the mushroom kingdom, or c) there are no kidnappings at all and they're merely being portrayed as such.

We can eliminate option (a) fairly easily: Are we really expected to believe that an ordinary plumber can single-handedly take out an entire kingdom that an entire other kingdom was unable to stand against while their princess was captured? This plumber has no military training whatsoever, and we're expected to believe that he can stand against an entire army by himself? Unlikely.

That leaves us with two logical explanations: Either the kidnappings are coordinated on the inside, or the kidnappings are completely fabricated. Deciding which of the two is the most likely requires further considerations.

With that in mind, you may be wondering if there's any support for either of those accusations, so let's first discuss Bowser himself. Specifically, let's discuss his physical traits. He's a scary-looking dude, no doubt. But Bowser is clearly not a creature that evolved for aggressive behavior. If we examine his build from an evolutionary perspective, we can see that he has a large and bulky shell; his claw strikes are powerful, but slow; his fire generally lacks range or (in the case of earlier Mario games where range was better) sustained use, and its speed is generally terrible; and he can't move quickly at all, except in short bursts. All of these traits suggest a creature that isn't built for aggressive, offensive action, but for self-defense. A creature like Bowser is unlikely to attack another kingdom at all, unless he's acting in self-defense or given some other form of incentive.

Now, between the remaining two options, we again have either an inside job or a fabrication. Without deciding yet which it is, let's at least consider this: If it really is an inside job, there are only two ways in which someone could stand to benefit:

1. Mario would stand to benefit due to receiving and perpetuating his status as a hero, so he would have to have some kind of way to incentivize Bowser to coordinate with him, otherwise Bowser wouldn't have any need to work with him. If Mario really is a plumber, however, then there is absolutely no way he would have the wealth or political leverage for Bowser to benefit in that relationship. It's possible that he was a plumber at first, but ended up becoming a puppet to Bowser, but in no situation does Mario remain a plumber if we're to assume that he's continually coordinating with Bowser, otherwise he would have no way to deal with the increased security detail.
2. Peach isn't actually being kidnapped, but is attempting to escape the kingdom with Bowser's help. If Mario is actually an independent dictator rather than a puppet, then it would stand to reason that prior royalty would want to escape in order to avoid harm. In this case, it's easy for a coordinated escape with another kingdom to be portrayed as a kidnapping.

So, to quickly recap, we have inconsistencies in the security detail, in the antagonist, and in the protagonist. These already suggest that the stories of Mario's exploits may not be at all what they're portrayed as.

With the above in mind, let's take a look at one more damning detail about Mario himself: The mushroom peoples are said to have transformed into bricks, yet Mario has no qualms with destroying them throughout his adventures.

With everything above in mind, we can see the following narrative fall into place:

1. The mushroom people were never turned into bricks. It's a false story used as a dehumanization tactic in order to justify Mario's murder of innocent people. It's pretty easy to justify killing your own people, after all, if you convince people that a brick wall was erected and had to be destroyed so you could save the princess, so the loss of those transformed people was necessary.
2. Mario isn't really a plumber. It's possible that he was at one point, but he definitely can't be anymore.
3. Mario's exploits are either staged, or he's continually re-kidnapping a fleeing princess seeking refuge in another kingdom and the kidnapping is being portrayed as a rescue.

Now, a final important point: Over time, we've seen the narrative shift in Bowser's reasons for kidnapping Peach. The most recent case was an attempted marriage in Odyssey. It stands to reason that, as a dictator, Mario has to continue controlling the narrative as news leaks out regarding foreign events, e.g. a marriage between a "kidnapped" princess and a foreign ruler. The continuous stream of foreign news and gossip could install doubt about your prior narratives--"Why is our princess marrying someone from another kingdom? Was she even really kidnapped or did she run away?"--and force you to adopt a new one--"The princess is being forced into an unwanted marriage by her kidnapper!". This is a far different narrative than those cases where Bowser was said to want to destroy the mushroom kingdom.

We can therefore establish that Mario's image is absolutely essential. Any crack in his portrayal as a hero could cause the mushroom people to revolt, so he needs to assert control in any way possible. Thus, he will create any narrative necessary to paint himself as a hero and to make himself more relatable, and to make his adversaries as monstrous as possible. It's also particularly unlikely that he's Bowser's puppet, otherwise we wouldn't expect Bowser to allow himself to be thwarted so frequently, something that would make him appear weak to his own people and threaten his place. It's far more likely that Mario is acting independently and losing his grip on his narrative.

So the story that seems to have the least inconsistent narrative is as follows:
Mario is a dictator who wants to appeal to the working class by being viewed as a plumber, so the citizens of the Mushroom kingdom will think "he's a true blue collar worker, he's one of us!". Peach isn't actually being kidnapped, but is attempting to flee from Mario's dictatorship and seek refuge in the Koopa Kingdom. Mario continually assaults the Koopa Kingdom in order to re-kidnap Peach. In the process, he ends up murdering countless sympathizers who try to aid in her escape, or even uses the opportunity to destroy his opposition in a way that's easy to brush off. During all of this, he continually pumps out propaganda about Peach being kidnapped when she's really seeking asylum and about his heroic rescues when he's really taking his own army with him, paints Bowser as a villain, and dehumanizes his victims and normalizes their murder. In addition, because of his clear readiness to dehumanize his own people, it's likely that Bowser and the rest of the Koopa Kingdom are also being dehumanized and portrayed as monsters in order to justify the slaughtering of countless foreign people and to help instill fear and anger among the mushroom people. Peach and Bowser have also likely fallen in love and attempted to marry, but Mario continues to lay siege on Koopa Kingdom in order to kidnap Peach, and Mario's propaganda network paints this marriage as a forced one between an unwilling Mushroom Kingdom princess and a terrifying and ruthless Bowser.

In short: Mario is dictator using a propaganda network in order to paint himself favorably while painting his adversaries as monsters or objects in order to justify mass murder and prevent a fleeing princess from seeking asylum in a foreign kingdom.

What are your thoughts? Have I made any critical errors? Is there more evidence that I missed that supports this theory? Do you have an alternative theory you'd like to share?

(If you notice any typos or repeated sections, please let me know. This took a while to write up, so it's possible that I missed something.)

I try (and fail) to play regularly on lichess under the username dear_sirs. I also have an account under the same name on chess.com.

Feel free to drop usernames in the comments below, or send me a challenge for a correspondence game--I would love to play you!

I'm a pretty big DC fan, and they are notorious for killing and bringing back characters, such as Superman, Jason Todd (Batman's second Robin), Bruce Wayne, and more.

Warning: Jason Todd spoiler ahead...

I didn't like Jason as Robin (who he died as), but love him as the Red Hood (who he became after his resurrection). I didn't vote, but I would've in favour of killing him. So I'm pretty torn on his resurrection. His death is one of the single most impactful storylines in the Batman universe (another being Barbara's spine, which might be worth its own discussion...). It changed Batman, how other heros viewed Batman, generally changed the feel of the safety of pretty core characters for the reader. And I wanted to keep all that. I liked that Batman that has to take responsibility for putting a child in danger and getting him killed. I liked that shadow that Jason's death cast on the Bat family and the way it haunts them.

However, I really enjoyed Under the Red Hood, and it remains one of my favourite arcs. And in the new 52, the mending of Jason's relationship with Bruce, and the other Robins. He's the black sheep that works great to contrast Batman (Bruce and Dick's).

Though I enjoyed the stories that are only possible through resurrection (or rebooting), I can't help but feel it takes too much away from the original story, and in many ways disrespects the original work and its reception. And what use to be a devastating turn in plot, is just an almost ridiculous trope.

How do you feel about resurrections in general? How does it change when the stories are supernatural? Any other Red Hood fans?

Buffy the Vampire Slayer series is one of my favourite series. And over the years, I can't help but notice Buffy inspirations in other TV shows, sometimes in characters, relationships, plot, and so on.

For example, (and my sister actually pointed this out to me), Supernatural seems to follow the conflict escalation patterns from Buffy. Both series kind of rollercoaster through the "monster of the week" to "self vs. external" (escalating big bads) to "self vs self" (e.g., addictions).

Note: I'm not saying people are copying Buffy, just that there are certain storytelling tools that are obviously very useful and effective that Buffy shares with other works.

What other shows/movies remain you of Buffy? What does Buffy remind you of?