Finished this last night. It's been so long since I read any Bradbury for the first time. His style shows some age, but he's a really poetic and visionary writer.

Published in 1953, this tale is a battle between visual media and books, but taking the form of the fleeting versus the permanent, the here and now versus history, pop culture versus capital C Culture.

In a way, its datedness is a strength, because of so much of Bradbury's prophetic vision and because of the way his 1950's idea of dystopia contrasts with the more numerous recent ideas.

If there was ever an object lesson about filter bubbles, Farenheit 451 is it: recent enough to be relatable and distant enough to be outside our current filters. Readers should take note of this when relating and evaluating fiction and any work that lies outside their personal space. A valuable lesson in itself.

So often we're totally unaware of the walls we create for ourselves, our comfort zone. It's precisely because they provide comfort that we tend to stay within them.

And of course, Bradbury's whole novel is both about this issue and again a reference object for it.

Ursula K. Le Guin was my favourite SciFi & Fantasy writer. Her passing earlier in the year was a great loss.

I'm reading her scifi-fantasy book Always Coming Home (1985), a compilation of "in-universe" codices and oral traditions as seen by an anthropologist. Her works were usually put in the "soft scifi" bin, as opposed to the "harder" genre. What caught my attention was a passage from the book, as appeared in an oral narrative (p. 161):

There are records of the red brick people in the Memory of the Exchange, of course, but I don't think many people have ever looked at them. They would be hard to make sense of. The City mind [a vast autonomous network of computers] thinks that sense has been made if a writing is read, if a message is transmitted, but we don't think that way.

Here we're called to notice the information vs. meaning distinction, for which a lot has been said and will be said. It was striking to me how the definition of "sense" according to the "City mind" closely paralleled the concept of information in Claude E. Shannon's seminal paper, A Mathematical Theory of Communication (PDF link). There, "information" simply meant what was transmitted between a sender and a receiver. It gave rise to a consistent definition of the amount of information based on the Shannon entropy.

However, we implicitly feel that this concept of information isn't encompassing enough to include meaning -- a vague term, but one we feel to be important. It seems that meaning enters information only as we (or someone) interpret it. In the words of computer scientist Melanie A. Mitchell, "meaning" seems to have an evolutionary value (Complexity: a Guided Tour, 2009). I feel that we could as well say, meaning may be bonded to the bodily and messy reality where flesh and blood living is at stake.

Returning to the passage in the novel, for me it was read as a rare spark of "hard" science in Le Guin's scifi works. Was it possible that she actually read into the information theory for inspiration? I don't know. But it appears to have captured the tension in the "ever-thorny issue" of meaning vs. information. For the computers, "sense" follows the information-theory concept of information; but for the human people in the story, it "would be hard to make sense of" the information in that way.

Do you have similar "aha" moments, where you find a insightful moment of grasping an important "hard-science" idea while immersed in a "soft" scifi/fantasy work?

Or, we can talk about anything vaguely connected to this post :) Let me know.

while its not the best star wars movie, it isn't the abomination that people make it out to be. its legitimately fun to watch and comfy with all its bad CGI.

Favorite star wars movies in order: IV, V, Solo, VII, I, VIII, VI, Rogue One, III, II

Today NASA launched the Parker Solar Probe which will dive closer to the sun than any other man made object in history.

In celebration of this event I watched Sunshine, a really well cast sci fi thriller. It was pretty darn good. I would highly recommend a watch if you are into this sort of thing, I had entirely missed it somehow. Casting is great, visuals are great, story is good, pacing is excellent. Don't be put off by the age of the movie, I don't think vfx would be any better today.

50 years into the future, the Sun begins to die, and Earth is dying as a result. A team of astronauts is sent to revive the Sun - but the mission fails. Seven years later, a new team is sent to finish the mission as mankind's last hope.

It may not be on US Netflix but it is on Amazon.

Trailer

Link to Google doc: https://docs.google.com/spreadsheets/d/1Hc-Ti6Pff_qUZLAfzzL7WjhFNh2m_XPvMkdYBL6mLzI/edit?usp=sharing

I created this document a while back and update it every couple months. There's an Introduction tab with guidance on how to browse the spreadsheets, which I've copied below for reference:

(1) This document outlines various TV shows and is broken up into 3 tabs: Watched, Watching, and Want to Watch.

Watched: Shows I've completed through series finale or given up on. Some of these were canceled early.

Watching: Shows I'm actively watching day-to-day or shows in between seasons that will air new episodes in the future.

Want to Watch: Shows I haven't started and want to watch. Many of them are recommendations I jotted down to avoid forgetting, so this list will sometimes be unalphabetized.

(2) Certain columns of information were exported directly from IMDB, and the page for each show is linked in the rating from the IMDB column.

(3) On the Watched and Watching tabs, there are columns for Recommend? and Notes to provide background that will help decide what to watch. Don't let any of my negative comments stop you from watching a show you're interested in.

(4) The Recommended? column is divided into the following categories: Must Watch, Yes, Maybe, No. These are all based on personal opinion with extra discussion/information in the Notes column.

(5) I've shared this with most people using View Only permissions, so download the Excel file (or copy to your Drive account) to filter columns by genre, rating, and personal recommendation.

Disclaimer: not everyone will have the same tastes as me - that's okay. I welcome any disagreement about how I've rated shows and hope to get some discussion going.

• What shows have I missed that I need to watch?

• What shows did I strongly recommend that you didn't like?

• What shows did I give up on too early?

I expect to take some heat for quitting Brooklyn 99 around season 3.

• What shows haven't come out that I should keep an eye out for?

Like Jack Ryan which debuts this month.

• How can I improve the document?

I considered including a column with the show's network or where it can be legally streamed, but this is pretty tedious given the nature of broadcast rights.

Do Jedi study warfare and tactics? I know they study dueling, but do they also look at more large-scale battles? I was thinking about the Clone Wars revival today and I was kinda wondering why the Republic entrusted their military power to what were essentially warrior monks. Was it just a case of “there’s literally no one else”?

From CBS: New details, trailer from "Star Trek: Discovery" Season 2

From Gizmodo: In The First Trailer For Star Trek: Discovery Season 2, The USS Enterprise Boldly Arrives

As someone outside the USA, the videos in those articles didn't work for me, but this one from Netflix UK & Ireland does work for me: Star Trek: Discovery | Season 2 Trailer [HD]

I've read the books up until Cibola Burn, so my impression comes from comparing my experience watching the story to reading it as told in print.

Season 3 was incredibly rushed through and little of any character's motivations or thought are clarified as they still make more or less the same decisions. Two noteworthy characters (Pa, Bull) combined into one character (Drummer) whose actress only does one vocal and facial expression, which I happen to mirror every time she gets air time.

Show Ashford, an arguably much more sensible and intelligent man than Book Ashford, is unreasonably suddenly deemed necessary to reflect Book Ashford without any clear change in motivation.

So many things are done weirdly on the show that didn't need be done. Those are a few examples off the top of my head. What do you think?

Just finished watching Westworld S02 Finale, and while it creates more questions than it answers I found the whole experience exhilarating. It's been an amazing ride all the way from S01E01 and to the post-credits scene in the finale. I'm glad they left room for another season (or 2, or more who knows) because an AI story shouldn't end when all the fun is just beginning.

There are a ton of things and references to explore and I'd love to hear what all of you have to say while waiting for that Alt+Shift+X video to drop to clear everything up.

Westworld Season 2 is in full swing and I love it so far, but would you live in Westworld if you could? A world with no consequences other than its own societal pressures seems pretty enticing...

Solo is not doing so hot in the theaters right now, despite the good reviews. Here's hoping that positive word-of-mouth can save it. But what I've noticed online is a huge amount of people placing most of the blame on the divisiveness of The Last Jedi. While I never claimed that the Last Jedi was a perfect movie and it definitely has some serious flaws, I feel like the hate train for that movie is hugely overblown online compared to what actual people out in the real world think. So I figured I'd check in here and see what the general opinions are on The Last Jedi.

EDIT: shit, anyway I can fix that title?

Dune was not well-reviewed when it premiered, with Roger Ebert calling it the worst movie of the year, though it has since become a cult classic. I recently read the book and had never seen the movie, so I decided to check it out.

I understand the criticism; parts of it feel rushed, and there are many little things from the book that are incorporated into the movie but aren't fleshed out very well. However, having read the book, and therefore being able to piece together the things that were glossed over in the movie, I thought it was pretty great.

The costume design, spaceships, sets, and sand worms were all executed well, though they are obviously dated by today's standards. Those things all contribute to the overall mood of the movie, which I thought matched the book nicely.

They took some liberties with the villain, the Baron Harkonnen, who they gave a skin condition and the ability to float around, which aren't present in the book (or at least were a small enough part that I don't remember them), and I thought were a little too over-the-top.

Overall, I rate the movie 8/10, but I don't expect it would hold up that well if you haven't read the book.

                                                              Book Plot: Spoilers

The book opens by introducing the gunslinger, Roland Deschain, who is on a journey to find the Man in Black. As he ventures across the desert with his mule, he meets a farmer who goes by the name of Brown with his crow, Zoltan. The gunslinger begins to tell of the time he spent in the town of Tull. When Roland first comes to Tull, he missed the Man in Black possibly by a week. It is later revealed to Roland by the barmaid, Alice, that during his stay the Man in Black brought a dead weed eater by the name of Nort back to life. Roland makes Sylvia reveal to him that she is pregnant with the Man in Black's child (more importantly the child of the Crimson King). Roland uses his gun and rips the unborn monstrosity out of Sylvia. Outraged, Sylvia convinces the entire town of Tull that Roland is the spawn of the devil. Roland guns down the entire town of Tull: men, women, children, and even his lover, Alice. The story refocuses on Roland at the dwelling of Brown. Roland goes to sleep and wakes up to Brown telling him that his mule died of heat exhaustion and wonders if he can eat it. Roland leaves on foot to continue his pursuit of the Man in Black.

As his journey continues, Roland happens upon a way station and sees someone there in the distance. Roland believes this to be the Man in Black, but finds out it is a young boy by the name of Jake Chambers. Roland is near death when he arrives at the way station and Jake brings him jerky and water from an atomic slug water pump. Jake tells Roland that the Man in Black passed by a few days before. The way Jake talks reveals that he is not from Roland's world. Roland asks Jake about where he came from, but Jake cannot remember anything. Roland proceeds to hypnotize Jake and learn about where he came from.

Jake reveals to Roland that he is from New York and was on his way to school when a man dressed like a priest snuck up on him and pushed him into the street. Roland believes this man to be the Man in Black. Jake is then hit by a car and dies, but not before the priest approaches him and blesses him.

As they prepare to leave, Roland goes down to the cellar and encounters a demon speaking to him from a hole in the wall. After their palaver, Roland reaches into the hole and pulls out a jawbone. They then depart from the way station, and eventually make their way out of the desert into somewhat more welcoming lands. Roland awakes in the middle of the night to find Jake gone. Roland tracks down Jake and finds him about to be taken by the Oracle of the mountains. Roland uses the jawbone to lure the Oracle away from Jake. He then gives Jake the jawbone to concentrate on while he is gone and couples with the oracle himself in order to learn of his fate and path to the Dark Tower. Once Roland returns, Jake discards the jawbone. Come morning, they continue their trek to the mountains.

Along the trek Roland tells Jake a bit about his past. He tells of Hax, the cook, who was hanged for being an aid to the enemy. Hax was to poison the town of Farson/Taunton. Roland and his friend Cuthbert overhear the plot and alert their fathers of the traitor. Hax is hanged and the boys are allowed to watch with permission from their fathers.

Roland also reveals how he became a gunslinger at the age of 14. As he is walking home, his father's advisor Marten Broadcloak calls Roland to see his mother, Gabrielle, in Marten's bed covering her shame. Angry, Roland charges off to challenge Cort so he may receive his guns. He defeats Cort with the use of his hawk, David.

Roland and Jake soon come to the mountains and enter a series of tunnels under the mountains riding on a mine cart. On their journey, they are attacked by a group of Slow Mutants. Roland battles the Slow Mutants and they move along without the mine cart. They eventually come upon the exit from the tunnels. Jake trips and is left dangling from the tracks. As Roland tries to help him, the Man in Black appears and tells Roland that if he saves the boy then he will never catch him. Roland decides to let Jake fall; Jake knows this and spouts, "Go then. There are other worlds than these." Jake then falls to his death as Roland goes to talk with the Man in Black.

They meet in a golgotha and palaver. The Man in Black reads Roland's fate from Tarot cards. Roland's fate includes The Sailor, The Prisoner, The Lady of Shadows, death, life (which the Man in Black burns), and the Tower at the center of everything. The Man in Black tells Roland he is only a pawn for Roland's true enemy who now controls the Tower itself. The Man in Black tries to convince Roland to give up on his quest by creating a representation of the universe and showing him how insignificant he is. Roland refuses and is forced into sleep. When he awakens, ten years have passed and there is a skeleton next to him, which he believes to be the Man in Black. Roland departs from the Golgotha and sits at the edge of the Western Sea contemplating the next step in his quest for the Dark Tower.

At some unspecified date in the near future, an unknown agent causes the Moon to shatter into seven pieces. As the remnants of the Moon begin to collide with one another, astronomer and science popularizer "Doc" Dubois Harris calculates that the number of collisions will increase exponentially. A large number of moon fragments will begin entering Earth's atmosphere, forming a "white sky" and blanketing the earth within two years with what he calls a "Hard Rain" of bolides; this will cause the atmosphere to heat to incandescence and oceans to boil away, destroying the biosphere and rendering Earth uninhabitable for thousands of years. It is decided to evacuate as many people and resources as possible to a "Cloud Ark" in orbit, including a "swarm" of "arklet" habitats that will be able to avoid the debris from the moon—both to attempt to preserve the human race and to give the remaining doomed inhabitants of Earth something to hope for, to prevent civil disorder from breaking out on Earth before its surface is destroyed. Each nation on Earth is invited to choose by lot a small number of young people to become eligible to join the Cloud Ark.

The Cloud Ark is to be based around the International Space Station (ISS), currently commanded by American astronaut Ivy Xiao. The ISS is already bolted onto an iron Arjuna asteroid called Amalthea, which provides some protection against moon debris. Robots are used to excavate Amalthea to provide more protection in a project run by mining and robotics engineer Dinah MacQuarie. Technicians and specialists, including Doc Dubois, are sent to the ISS in advance of the Hard Rain to prepare it to become the headquarters of the Cloud Ark.

The plan is that the Cloud Ark must be self-sufficient for 5,000 years and capable of repopulating Earth once it is habitable again. A Human Genetic Archive is sent to the Cloud Ark, with the intention that it will be used to rebuild the human population. Approximately 1,500 people are launched into space in the two years before the Hard Rain begins.

Suspecting that some architects of the Cloud Ark are interested only in pacifying Earth's inhabitants with false hope (rather than creating an environment that will actually survive in the long term), a billionaire named Sean Probst realizes that the Cloud Ark will need a ready supply of water in order to provide propellant for the space station and to prevent it from eventually falling into the earth's atmosphere. He embarks on a two-year expedition to extract ice from a comet nicknamed Greg's Skeleton, using a nuclear reactor to provide power to bring it back towards Earth.

The Hard Rain begins approximately two years after the destruction of the moon as predicted; human civilization as well as nearly all life on Earth is obliterated, although some try to take shelter underground (such as Dinah's father) or in the deep ocean (such as Ivy's fiancé). Markus Leuker, appointed leader of the Cloud Ark, declares all nations of Earth to be dissolved, and imposes martial law under the Cloud Ark Constitution. Despite a worldwide agreement that members of government will not be launched into space, the President of the United States, Julia Bliss Flaherty, manages to get herself sent to the Cloud Ark at the last minute. Shortly afterwards the main cache of the physical Human Genetic Archive attached to the ISS is ruined by the thrusters of an arklet passing too closely, leaving only samples that had been distributed amongst the arks.

There is disagreement on the Cloud Ark about the best way to organize its society and avoid the debris of the moon. Some "Arkies" favor converting the Cloud Ark into a decentralized swarm of small space vessels at a higher orbit out of range of debris, rather than maintaining the central authority of the ISS. Doc Dubois wants to shelter in the "Cleft", a crevasse on the now-exposed iron core of the moon. Others want to go to Mars. Julia Flaherty starts to acquire a coterie of followers and encourages the proponents of the decentralized swarm plan.

Sean Probst's expedition has succeeded, and he has brought a comet into an orbit that will soon pass by Earth. His radio has failed and he has built a replacement by hand, and is able to communicate with Dinah MacQuarie by Morse code. However, he and his party die of radiation sickness caused by fallout from their nuclear reactor long before the expedition is complete. Markus Leuker and Dinah travel to the comet with a small crew to take control of it and bring it back to the Cloud Ark, in order to provide sufficient propellant to reach the Cleft on the moon's core. Just before Dinah returns with the ice as the sole survivor of the mission, Julia Flaherty persuades the majority of the population to abandon the ISS and move to higher orbit in a decentralized swarm, and sends a preliminary expedition to Mars. In the course of their sudden, unauthorized departure the ISS sustains catastrophic damage to many sections. The surviving portions of the Human Genetic Archive are carried along with them, but due to the Arkies' ignorance, these surviving portions are discarded or ignored. Only the digital version of the Human Genetic Archive survives aboard the ISS. The ISS and remaining third of the cloud ark combine through reshaping the ice into a support structure, and is rechristened Endurance.

During the three years that it takes for Endurance to reach the Cleft, the majority of its population die of various causes (cancer caused by cosmic radiation, suicide, bolide strikes, etc.); by the time they are within range of the Cleft, only about 30 survivors remain. Julia Bliss Flaherty's Swarm splits into two factions, who fight; Flaherty's faction is defeated. Running out of food, the Swarm resorts to cannibalism, and by the end of three years only 11 survive, including Flaherty and the leader of the opposing faction, Aïda. Aïda requests to reunite the remnant of the Swarm with the Cloud Ark before it reaches the Cleft, but secretly plans a battle for control of Endurance; as a result of that battle the population is diminished even further.

By the time Endurance reaches the relative safety of the Cleft, there are only eight surviving Homo sapiens in space, all of whom are women. One, the sociologist Luisa, has reached menopause, and the remaining seven (Dinah, Ivy, Aïda, Tekla, Camila, Moira, and Julia) come to be known as the Seven Eves. The Human Genetic Archive has been destroyed, but they have sufficient resources to use the surviving genetics laboratory to rebuild the human race by parthenogenesis. They agree that each of the Seven Eves gets to choose how her offspring will be genetically modified or enhanced. Aïda predicts that, hundreds of years from now, this project shall result in seven new races.

The narrative jumps to 5,000 years later. There are now three billion humans living in a ring around the Earth, and they have indeed formed into seven races, each one descended from and named after the Seven Eves who survived the events of Part 2. These races have quite distinct characteristics, including "Moirans" who can undergo "epigenetic shifts", radically changing their bodies in response to new environments. The iron core of the moon has mostly been used to build space habitats, but the Cleft itself has been turned into "Cradle", an exclusive piece of real estate attached to a tether that occasionally "docks" with Earth.

Humanity has divided mostly along racial lines into two states, Red and Blue, which are engaged in a form of Cold War characterized by cultural isolation, espionage and border skirmishes, mediated by treaty agreements more honored in the breach than the observance.

The orbiting races, the Spacers, terraform Earth by crashing ice comets into it to replenish the oceans, and seed the planet with genetically created organisms based upon re-sequenced DNA data saved from the escape to orbit. Once a breathable atmosphere is recreated, and sufficient plant and animal species have been reseeded, some members of the orbiting races ("Sooners") resettle the planet, in violation of treaty agreements.

A "Seven", a group of seven people with one member from each race, is recruited by "Doc" Hu Noah, to investigate mysterious people who have been sighted on Earth. As the story unfolds, they discover that some humans did indeed survive the Hard Rain on the planet by living in deep mines ("Diggers"), while others survived in ocean trenches using submarines ("Pingers"). Although these survivors have also evolved socially and biologically to form two additional races, the survival of root stock humanity separate from the Seven Eves causes turmoil in Spacer high politics. Ground conflict eventually occurs because each of the orbiting camps (Red and Blue) wishes to establish a preferential or exclusive relationship with the Earthbound races: the Diggers, although descendants of Dinah's family, interpret the Blue state's presence on their territory as an act of aggression and develop an alliance with Red, prompting Blue to seek out an alliance with the Pingers on the strength of Ivy's connection with one of their founders. Matters are further complicated because the Diggers claim all of the Earth's land surface as their own, and initially hold the Spacers in disdain (despite their high technology) for having fled the planet eons ago.

In an epilogue it is revealed that a separate, secret underwater ark had been created concurrently with the cloud ark, leading to the development of the Pingers, based on analysis of the "selfies" Ivy's fiance had sent her, using diagrams and sketches in the background as clues. Ty invites the surviving Seven (along with Sonar and Deep, representatives of the Diggers and the Pingers, respectively) back to apartments at his bar in the Cleft with the intent of forming the first "Nine".