I'm in the UK so I'm watching the version on the BBC, on iPlayer. Please, no spoilers as I'm only a couple of episodes into series 2.

The concept is great. It's a really good crossover mix between reality TV style of Big Brother (chatting about each other, making alliances), The Crystal Maze (group puzzle solving) and on top of that, it's playing detective.

If you haven't seen it, I can highly recommend it. To anyone that has seen other international versions, are they better than the BBC version and worth a watch? I usually find US versions of things way too OTT. I refer to the styles of things like Kitchen Nightmares.

I think I first came across "The Ones Who Walk Away From Omelas" by Ursula K LeGuin a few years ago. I read something else in conversation with it, but somehow had missed the original. Hugo Award winning and Locus award nominated, I thought folks might be interested in discussing it and its descendants.

LeGuin's original in pdf format

Omelas is a utopia in the middle of a festival. And as the narrator explains the city to you, they understand that you may not believe it is even possible.

Othe authors have written stories in conversation with this,

NK Jemisin's The Ones Who Stay And Fight is directly engaging with it.

The Golden Enclaves by Naomi Novik (the 3rd Scholomance book) engages with this idea too.

So I had read all of the above works and been mulling over the topic of Omelas, and then found this story today

Why Don't We Just Kill the Kid In the Omelas Hole

In which people, uh, start killing the kid in the Omelas hole. Sorry, not a lot of room not to spoil that given the title. I'll let you read the story for where that goes.

Risk of spoilers for the above works from here:
I think there is a lot about our society here. LeGuin herself said the story, "has a long and happy career of being used by teachers to upset students and make them argue fiercely about morality." Because what is the right answer? Novik, via El in the Scholomance series says to burn it down. Jemisin says there is a better way. I don't believe LeGuin is arguing that the ones who walk away are "right" in that they leave having benefited from Omelas and the child still suffers.

But I thought folks who hadn't read one or more of these might enjoy them, and I find they make me think and often won't stop letting me think.

ETA: ST:SNW did an entire episode using Omelas as an inspiration. I haven't seen it so I can't speak to it but wanted to add it here for reference.

Paradise is an exciting action sci fi with a really interesting premise. What if eternal youth, was available to anyone with money... yet it involved literally sucking the life force out of others less fortunate than yourself?



The movie focuses on Max, who after his wife is unexpectedly forced to give up 40 years of her life, he desperately searches for a way to get her youth back.

The movie is filled with the usual plot twists, cool sci fi graphics, true love and the like.



There are two truly interesting elements to this movie. The first is the cynical idea that if the rich could live forever, then they would be much more motivated to think about and solve for the long term health of the planet.

In this movie, only the rich can afford to extend their lives for as long as they choose, so we also see how that would severely impact wealth inequality. 



The second interesting element of this movie is a series of questions very similar to the trolley problem. If you could extend your life, at the cost of someone else's youth, would you, assuming they were somehow reimbursed financially?

What if your youth had been taken from you; or what if youth had been taken from someone you loved. Would you take it back? Would you take it back as ethically as possible, or ethics be damned?

Could you give up your youth to save a loved one from an extremely unkind yet uncertain end, or is it easier to risk your life to save theirs than it is to give up eternal youth once you have it?



At one point in the movie, we learn it is easier to take someones life passively through the forces of economics and medical science, than it is to actively kill someone with a gun to their head. Which is the essence of the trolley problem. But it is also the essence of wealth inequality.

We could easily flip the switch, to improve the quality of life and length of life for many people, at the cost of one rich persons riches, but those with power passively choose to not do so. The movie doesn't philosophize anywhere near as much as I am doing right now, instead focusing on fast action, true love and cool sci fi. But I think perhaps this movie is a very subtle warning to the rich. At a certain point of wealth inequality, some portion of the population will want their fair share of the wealth, ethics be damed.

https://www.netflix.com/title/81288179

First, I headed to ChatGPT to pipe in my top 5 artists (as noted by Spotify). These may not really be my top 5, but I obviously listen to them a lot :).

Me: Spotify lists my top 5 most listened to artists as Greta Van Fleet, Mott The Hoople, Television, Steely Dan, and The Kinks. can you recommend 10 more artists you think I'll like?

ChatGPT: Based on your taste, you might enjoy Led Zeppelin, The Rolling Stones, Cream, The Who, Fleetwood Mac, Lynyrd Skynyrd, Eagles, Jethro Tull, The Doors, and Deep Purple. Give them a listen and see if they resonate with your musical preferences!

Me: Can you recommend some lessor known artists you think I'll enjoy?

ChatGPT: Certainly! Explore the source of The Black Angels, Rival Sons, Ty Segall, Temples, The Sheepdogs, King Gizzard & The Lizard Wizard, Khruangbin, Parquet Courts, Dr. Dog, and Allah-Las. These lesser-known gems might align well with your musical taste.

I've actually never heard or listened to any of these artists! Next, I listened to each artist's most popular songs. Here's my take:

The Black Angels: Listened to Young Men Dead and Black Grease. Both are really good songs. Definitely right up my alley. Added to my playlist.

Rival Sons: Listened to Do Your Worst and Open My Eyes. Really liking this artist and added to my playlist.

Ty Segall: Listened to My Lady's On Fire and My Room. On the fence, there's something here that I like. Continued to listen through to Every 1's a Winner, Feel, Girlfriend, Void, Eggman, and Tall Man Skinny Lady. I think Void and Eggman sealed the deal for me. This is definitely an artist I'll listen to. Really enjoyed some of the interesting, and unexpected, things that happened musically in these songs.

Temples: Listened to Shelter Song and Paraphaernalia. Not feeling it here.

The Sheepdogs: Listened to Feeling Good and I Don't Know - EP Version. On the fence, but it's not bad. Continued to listen to Please Don't Lead Me On and Nobody. Added to the playlist at this point. This artist has a Lynyrd Skynyrd vibe that I like.

King Gizzard & The Lizard Wizard: Listened to Gila Monster. Really enjoyed the musical composition, but the voices just aren't for me. I've never been a fan of this voice style and then the chanting of "Gila Gila" really isn't my thing. I decided to listen to more anyway and was suprised to hear vastly different styles with Work This Time, Sense, Slow Jam 1, and Theia. Still not going on my playlist, but some interesting tunes from this artist.

Khruangbin: Listened to Texas Sun, People Everywhere (Still Alive), Mariella, White Gloves, and B-Side. Love the mix of RnB and funk. Some really good grooves happening here. B-Side had me moving in my seat and this artist will definitely be on the playlist.

Parquet Courts: Listened to Tenderness, skipped Total Football due to the explicit tag and my preferences around that, and then continued listening to Outside, and Careers in Combat. I am a fan of this genre of music, but I am very particular in what I like and what I don't. I love The Dead Milkmen, Ramones, Television, and Dead Kennedys. This artist isn't giving me the feels.

Dr. Dog: Listened to Where'd All the Time Go, Nellie, Heart it Races - Cover Version, and The Breeze. During the first song, I knew this artist was going on the playlist. Got to Nellie and there was absolutely no doubt. Love the voices, the simple melodies, and the entire vibe.

Allah-Las: Listened to Houston, Caramaran, and Raspberry Jam. Really like the organ in this and it takes me back to The Doors, Steppenwolf, and The Animals. Both Houston and Raspberry Jam were instrumentals, and I wanted to hear more vocals, so I listened to Dust as well. This is some good music and is going on the playlist.

Overall, ChatGPT did a great job of recommending music that is now on my playlist. I'm desperately waiting for the day that I can have a conversation with my personal assistant, have it queue up music for me automatically, and then I give it feedback on what I heard. My personal assistant would then continue to shape my playlist based on my feedback. I know this day is coming soon, but it can't get here fast enough for me.

As a bonus, after I conducted this experiment Spotify immediately jumped into another artist I never heard of -- Drug Cabin. The first song played was Steely Dad and this is just a fantastic song.

Basic Household Tool List

(Edited to add suggestions from the comments and the general philosophy of this list)

• Tool bag (at least 15 inches long)
• Hammer (12 or 16 oz)
• Rubber mallet (white head preferred, non-marking)
• 6 inch Needlenose Pliers
• 8 inch Slip Joint Pliers
• 8 inch Crescent/adjustable wrench
• 10 inch Slip groove (large jaw) pliers
• Box cutter (optionally folding) + set of replacement blades
• Hacksaw + spare blades
• Scissors
• 25' Tape Measure
• Set of precision (small) screwdrivers
• #1 and #2 Phillips head screwdrivers
• Small and large straight blade screwdrivers
• Multi screwdriver with torx/phillips/straight blade heads
• half-round file (h/t @patience_limited)
• a metal putty knife or a 5-in-1 combination paint scraper (h/t @patience_limited)
• roll of twine
• roll of blue masking tape
• roll of Gorilla tape
• roll of black electrical tape
• super glue
• small bottle of wood glue
• 2" paint brush
• torpedo level
• small flashlight
• a strong neodynium magnet - to use as a stud finder and for many other things (h/t @the_man)
• 9v batteries
• AA batteries
• AAA batteries
• 50 1" #6 wood screws (zinc/steel, not brass)
• 50 2" #8 wood screws (zinc/steel, not brass)
• small box of 1.5" finishing nails
• light and heavy duty drywall anchors
• course and fine foam sanding blocks (h/t @patience_limited)
• 5 gallon bucket
• safety glasses
• N95 masks
• leather work gloves
• foam ear plus (h/t @the_man)

Bonus list (things that are more expensive or nice-to-have upgrades):

• a stud finder - the cheap ones are worthless, buy a good one or not at all (h/t @DeaconBlue)
• a battery powered drill + bit set (h/t @patience_limited)
• a set of metric and imperial allen keys (h/t @sublime_aenima)
• a basic socket set with a mix of metric and imperial sockets (h/t @auk)

The philosophy of this list:

A good starter set should include tools and supplies someone will be glad they had that they didn't know they needed. Even if they aren't "handy", a handier friend might use them (and they learn something in the process). It doesn't include very specialized things like demolition, electrical, or plumbing tools. If you're going to undertake projects in those areas, you should know a little about what you're doing, and you'll be able to buy the right tools for the specific project. As as electrical engineer, I particularly don't include a multimeter because I don't want to encourage someone to mess around with electricity if they don't understand how it might hurt them.

This list specifically does not suggest brands (except where the brand is the thing, like Gorilla tape). Opinions on what brand is best vary widely, but my general suggestion is this. Don't break the bank buying high end tools for someone who may never use them. A $2 hammer is going to be fine for someone who uses it once a year. If they are using them often enough to want something better, they can buy something better (or you can buy it for them).

I subscribe to a YouTube channel called Motorcoach World, which is run by a guy who iworks for a charter company as both a Director of Operations as well as a driver. He's super passionate about busses and has a lot of videos talking about their history and operations.

He's currently trying to do a cross-country trip on a double-decker all-electric bus. The intro video is here, and he's doing most of his daily updates via live stream here.

I've been loosely following along since it's interesting. He's had a lot of issues with charging. Everything from chargers being unaccessible due to use, being down for maintenance/not working, being de-rated to slower speeds, etc. Obviously his issues will be much worse than typical cars due to the needs for a specific charger type and power rating, but I imagine that electric trucks would run into similar issues?

Anyway, thought it was an interesting. He left California about a week ago and as of yesterday, he's made it to Texas.

Here's a list of cookery books that are frequently recommended in various forums when people ask for good cookery books.

These are not in any kind of order. Please add any books that I've missed! I'm sure there are lots of great books that I haven't heard of. I wanted to link to a bookshop, but I got stuck with that so I used Wordery, unless they didn't have it in which case I link to Amazon. Some of these books have hardback and soft-cover versions, or newer editions, so go careful with the links because I just link to any version of the book. I have done no research at all into the authors or illustrators here, so if I've included people who are toxic arseholes please do let me know and I'll fix it. (This post is episode 2 of "DanBC goes down a rabbit hole and dumps the results onto Tildes").

Salt, Fat, Acid, Heat: Mastering the Elements of Good Cooking - Samin Nosrat and Wendy MacNaughton.

A review from Kitchn: 8 cooks on why "Salt, Fat, Acid, Heat" is such a special, unlikely, hit

A lot of people love this book. Beginners say it gave them a bit more confidence, and good home cooks say it helped elevate their cooking by giving them usable information.

How to Cook Everything - Mark Bittman.

A review from Kitchn

How to Cook Everything - the basics - Mark Bittman. A review from ShelfAwareness.

A lot of people don't know how to cook, and have never cooked anything. Mark Bittman's books are often recommended to this group of people. And the books are excellent sources of information, and so they're useful to lots of people. They're very clear and easy to use.

Essentials of Classic Italian Cooking - Marcella Hazan.

A VERY SHORT, almost bullet point, review from FiveBooks And a longer review from LitHub

She wrote two books in the 1970s, and these were combined and updated in the 1990s for this book. These books are widely credited as introducing people outside Italy to "authentic" Italian cooking. LitHub review has already said everything that I'd want to say about this, but better than I could.

On Food and Cooking: The science and lore of the kitchen - Harold McGee.

A Kitchn review

This is a heavy duty book about the science of food. It's often described as the best single reference book for the science of food and cooking.

Food Lab: Better home cooking through science - J. Kenji López-Alt.

A review from Chemistry World

Surely everyone knows J. Kenji. He's really approachable. He give you science, but it's actionable and achievable.

In Bibi's Kitchen: The Recipes and Stories of Grandmothers from the Eight African Countries that Touch the Indian Ocean - Hawa Hassan, Julia Turshen.

A mini-review from Kitchn. So, I'm cheating here because I haven't seen this recommended by anyone but I wanted more books that are not Euro-US focussed. This book focuses on food from Eritrea, Somalia, Kenya, Tanzania, Mozambique, South Africa, Madagascar, and Comoros

Each chapter starts with a short geo-political intro. You'll be familiar if you've ever read the CIA World Factbook. It then has a short interview with a grandmother, and then it gives some recipes.

Sauces: Classical and Contemporary Sauce Making - Wordery link - James Peterson.

A review from MostlyFood

"Don’t be put off by the size of this book. It’s true that it’s as big as a small piece of furniture but it’s as big as that for a good reason. There isn’t any padding in Sauces. It’s cover-to-cover solid information that will be welcomed by anyone wanting to perfect sauce-making. Nothing seems to be omitted or overlooked. Every imaginable sauce is described, including Asian Sauces which have been added since the publication of the first edition."

Lots of people like that "no padding" feature.

How to Eat: The pleasures and principles of good food - Nigella Lawson.

A review by Food 52

"Thinking back on the lifespan of this formative book, I can’t help but feel that it’s to the recipes in it, and of course to Lawson herself, that I owe much of my confidence in the kitchen today."

Lots of people just want to cook tasty food and they're not bothered by The Science. Lawson's books are excellent if you want great home cooking.

The Professional Chef - The Culinary Institute of America

There are lots of versions of this book. The current version will be expensive. The older version are usually very similar and will be much cheaper.

Home cooks often get into weird habits and that's fine - it's your kitchen, do what works for you. But if you want to get better in the kitchen by improving your techniques and skills this is the book for you.

I love microtonal music. Ever since discovering the concept about 6 years ago, I’ve become deeply fascinated by alternate tuning systems and have sought out and listened to microtonal music wherever I can. Most people I’ve talked to are not familiar with microtonal music, or have had a bad experience with it, so I wanted to make a post that explains what it is, and how one might appreciate and eventually acquire a taste for it, along with providing a variety of examples to choose from. All discussion related to microtonal music welcome!

What is microtonal music?

In short, microtonal music is any music that contains notes or intervals not found in the standard Western tuning system. Of course, this invites the question: what is the standard Western tuning system? If you are a musician, you are probably intimately familiar with it: the division of the octave into 12 equally-spaced steps, to which we typically give letter names like C or E flat (etc.). Most people come to unconsciously use these notes as the baseline for determining whether a note or interval is in tune or out of tune.

However, there is nothing intrinsically ‘correct’ about the Western tuning system. In fact, by some standards, it can be quite out of tune. If you listen carefully, you may even notice that our major thirds are ‘wobbly’ - the notes come close to a 5:4 ratio of frequencies, but the interval is about 14 cents too wide, which causes a subtle wobbly sound. We find these slightly ‘off’ intervals acceptable in part due to sheer familiarity. But it turns out, you can familiarize yourself with almost any interval!

There are a great many ways to design a tuning system that produces notes and intervals which are different from what we’re used to. Some of these might be more ‘in tune’, others less so. And there are even those that are in tune with respect to ratios that don’t even exist in the Western tuning system. As a result of these unfamiliar features, microtonal music may give the uninitiated listener the general impression of being ‘out of tune’. But if you give it a chance, it may surprise you - the only way to develop the familiarity that governs taste, after all, is to keep listening.

I think it also helps to know a bit about different tuning systems, to ‘see what’s going on under the hood’, so to speak. This conceptual familiarity may eventually support a degree of aesthetic familiarity.

Tuning Systems

Equal Division Tunings

Where the Western tuning system chose 12 steps, we can also divide the octave into some other number of equally spaced steps. These tunings are often referred to ‘EDOs’ (Equal Division of the Octave) - e.g., the Western tuning system could also be called 12-EDO.

Globally, perhaps the most common EDO (other than our very familiar 12-EDO) is 24-EDO, which is used by many musical traditions in the Arab world, such as Turkish, North African, Persian, or Arab itself. Conceptually, 24-EDO is interesting because it ‘contains’ all the notes of 12-EDO, plus 12 new notes exactly in between the other 12. As a result, it can be used to play all the intervals we are familiar with, and music which strongly relies on this feature is definitely on the more accessible end.

I tend to refer to 24-EDO music as simply being ‘quarter-tonal’ (the 12 semitones of 12-EDO being divisible into 24 quarter-tones). This distinction is useful since in many cultures, quarter-tonal tunings are not precisely 24-EDO, but some slightly sharp or flat variation of the general 24 notes per octave structure. It can be hard to distinguish the two, so ‘quarter-tonal’ is probably most accurate.

You could divide the octave equally into any number of notes, though - I’ve seen as low as 5 and as high as 500. Each has a unique sound depending on what intervals the division produces. Some EDOs, such as 19-EDO, 31-EDO, and 53-EDO produce very similar intervals to what we have in 12-EDO. Played with some restraint, they can be difficult to distinguish from 12-EDO, though they also have the option to play unfamiliar notes as well.

Other EDOs, such as 17-EDO, 22-EDO, and 27-EDO sound quite different from 12-EDO, producing lots of unfamiliar intervals while ‘missing’ ones you’d expect to hear in 12-EDO. And finally, there are of course EDOs such as 10-EDO, 13-EDO, 23-EDO (and many more) that produce few truly ‘good’ sounding intervals. Nevertheless, this doesn’t stop people from trying to extract something decent-sounding from them!

Just Intonation

In short, just intonation is the practice of tuning different intervals to exact ratios of frequencies. Instead of trying to accommodate or work around ‘out of tune’ notes you might find in EDOs, why not just make every note perfectly in tune, after all? The result of this is notes that harmonize perfectly with each other, even if these harmonies are at first unfamiliar to the untrained ear. Often, just intonation produces intervals or whole chords that have a very clear, resonant quality.

The downside of this, though, is that since the notes do not equally divide an octave, you cannot simply transpose scales and chords to a new key. You may have made everything in tune with respect to, say, B flat, but it may turn out that with respect to D, the ratios are far more complicated and their sound commensurately dissonant. To compensate for this shortcoming, a lot of just intonation music tends to play in only one key, or perhaps a few related keys. Certain genres of music, such as drone music, or modal examples of rock and folk, better lend themselves to this technique.

There are many possible tunings within the broad category of just intonation. Usually a musician selects, say, 9 different notes that form specific frequency ratios with each other, and limit themselves to that. So describing specific just intonation tunings often comes down to a list of ratios, which can be hard to interpret without experience in microtonal music.

Free Intonation

Enough of ratios and equal divisions - maybe you just have a particular sound in mind, and you’ll know it when you hear it. This practice of tuning notes semi-arbitrarily, is known as free intonation. The notes chosen may simply sound good to the musician playing them, and at times they may even come close to the just intonation ratios. At other times, they may be chosen because they are out of tune. Maybe the ‘beating’ quality of out of tune notes provides a desirable texture, or maybe a certain ugliness itself is desired.

Free intonation per se is somewhat less common than the other two categories of microtonality. However, some musical traditions are actually more similar to free intonation than anything else, the difference being that instead of the ‘ad hoc’ quality of free intonation, the specific tunings are passed down from generation to generation.

Examples of cultures that use non-just, non-EDO tuning (for lack of a better name) include Indonesian gamelan music, Georgian liturgical music, and lots of different types of African and Asian music, just to name a few. If you needed proof of the notion that microtones are, in principle, capable of becoming familiar, even ‘normal’, these long-lasting traditions of unsystematically tonal music should suffice.

Examples

After listening to a lot of microtonal music, some good, some bad, some very bad, I have amassed quite a collection. Below I have listed what I feel to be prime introductory examples of microtonal music in a variety of genres. A lot of it is very approachable to people unfamiliar with microtones, and I hope you can find something you enjoy among the albums listed.

Of course ‘microtonal music’ is such a broad category I can’t hope to be even close to exhaustive. In many cases I am summing up a huge subcategory (such as Turkish psych rock or Arab dance music) with one or two representative examples.

For any other fans of microtonal music out there, please post your favorite albums or tracks! I’m sure there is some great stuff I’ve missed, and I would love to expand my collection further.

Rock

Altın Gün - On
YouTube / Bandcamp
Altın Gün - Aşk
YouTube / Bandcamp
A lot of Turkish folk music uses a tuning similar to the quarter-tonal tuning used in the rest of the Arab world, and a lot of modern Turkish rock music (especially starting in the 70’s and 80’s) features these same tunings. I think Altın Gün is probably the best example of the ‘Turkish Psychedelic Folk’ style from the past decade or so. Some songs on these albums, in part or in whole, focus more on the normal Western tunings. But pay attention to the vocal parts and the baglama (similar to a guitar) and you’ll hear lots of quarter-tonal inflections. These two albums are a very accessible introduction to quarter-tonal tunings, in my opinion.

Balungan - Kudu Bisa Kudu
YouTube / Bandcamp
This album is a juxtaposition of Javanese gamelan music (explained in detail at the very bottom of this list) with RIO-style avant-rock (featuring the drummer of French band Etron Fou Leloublon) that uses the more typical 12-EDO. Bombastic and strange without being too inaccessible.

Brendan Byrnes - Neutral Paradise
YouTube playlist / Bandcamp
Brendan Byrnes - 2227
YouTube / Bandcamp
Brendan Byrnes has some excellent microtonal rock music which generally uses a lot of electronic elements as well (synthesizers, digital effects, and occasionally drum machines). Sometimes this recalls synthwave, but genre-wise it’s very much its own thing. He uses a variety of tunings, particularly 22-EDO, but also 27-EDO and just intonation, among others. His guitar work fuses these exotic tunings with fluent, articulate playing that is a joy to hear.

Compro Oro - Simurg
YouTube / Bandcamp
Another great modern example of Turkish psychedelic folk, from a psych / funk / fusion band whose other albums do not use microtones (most of them exploring a more ‘Ethio jazz’-influenced style). As with a lot of music in this style, the microtones often play a more ornamental role, which makes them more accessible to the uninitiated listener.

Feeding Fingers - Do Owe Harm
YouTube playlist / Bandcamp
Some very fresh-sounding post-punk / darkwave that uses quite a diverse selection of exotic tunings (listed on their Bandcamp page). This album has that dour, ‘Joy Divison’ sound, and the use of microtonality alternately lightens the sentimentality or darkens the menace that music in this genre evokes.

Horse Lords - Interventions
YouTube / Bandcamp
Horse Lords - Comradely Objects
YouTube playlist / Bandcamp
Horse Lords are one of the most exciting, interesting microtonal rock bands out there, in my opinion. They primarily use just intonation tuning, and a lot of their tracks even use other compositional elements to point out the mathematical features of this tuning (for instance, using a 3 on 5 on 7 polymeter, with instruments that play the 3rd, 5th, and 7th harmonics of a note). Polymeters and polyrhythms are a regular feature in their music, and along with other cool techniques such as hocketing, change ringing, and repetitive riff structures reminiscent of North African music, they serve as a fascinating, unique vehicle for exploring just intonation. These two albums are probably the best examples, but pretty much everything this band has put out is excellent.

King Gizzard & The Lizard Wizard - Flying Microtonal Banana
YouTube playlist / Bandcamp
King Gizzard & The Lizard Wizard - K.G.
YouTube playlist / Bandcamp
King Gizzard & The Lizard Wizard - L.W.
YouTube / Bandcamp
King Gizzard is probably one of the biggest-name artists on this list, and while only 3 of their albums (out of like 20-something) are exclusively microtonal, they are a great example of heavy psych rock or garage rock that draws a lot from Turkish psychedelic rock. This is some high energy rock music for dropping acid and kicking ass. Flying Microtonal Banana, which marked the point at which I personally got very into microtonal music, is almost entirely based on the microtonal ‘Huseyni’ scale most common to Turkish folk music. The other two albums on this list have more variety, but still employ the characteristic quarter-tone tunings.

The Mercury Tree - Spidermilk
YouTube playlist / Bandcamp
Some very aggressive prog rock using the curious 17-EDO tuning. The sound of this tuning is very different from the standard 12-EDO, which gives this album a dark, otherworldly sense of harmony that fits its angular melody and unconventional rhythms. And yet, the vocal parts are very smooth and natural sounding, which is an interesting contrast. The Mercury Tree have several other albums using this tuning, but I think Spidermilk is their best work.

Secret Chiefs - Book M
YouTube / Bandcamp
Extremely eclectic music (featuring members of the bands Mr. Bungle and Estradasphere) that employs Arabic-style quarter-tones. The band wanders between folk traditionalism, speedy electronica, swanky funk rock, and industrial metal with each subsequent track, but somehow the aesthetic is all of a piece. Some really great musicianship here as well, especially the violin parts (in my opinion). A few of the band’s other albums feature microtones but I think this one is the most cohesive and approachable.

Ventifacts - Ventifacts
Bandcamp
A duo consisting of the frontmen of The Mercury Tree and Jack o’ the Clock, who play rock music which heavily features the hammer dulcimer (of all things). Stylistically, you could call it progressive rock, leaning towards acoustic but still quite intense in places. Some of the songs use quarter-tones, but others use such tunings as 10-EDO or the 17-EDO favored by The Mercury Tree.

Yossi Fine & Ben Aylon - Blue Desert
YouTube / Bandcamp
Israeli hard rock / world rock which uses the standard Arabic quarter-tone tunings. Heavy desert vibes, with simple, approachable riffs and microtonality that is way out in the open, but still very accessible.

Metal

[syzygy] - [escape]
YouTube / Bandcamp
10-EDO is a pretty wild-sounding tuning, and [syzygy] works it beautifully into some stoner doom metal. This EP unrepentantly embraces the out-of-tune feel that this tuning has, but it was surprisingly easy for me to acquire a taste for. It helps that the singer belts out a very strong performance, exactly nailing those hard-to-grasp notes. Not necessarily for beginners, but rewarding if you can get into it.

Agonanist - The Cynicism of Solitude
YouTube / Bandcamp
Atmospheric black metal with extra creepy microtones (I’m pretty sure it’s 17-EDO but I couldn’t find any information about it). The microtonality is a good fit for the genre, where the extra-dissonant parts find themselves buried among blast beats and guttural roars. Yet at times, the tuning provides a melancholic feeling that is softer than you might expect. Really interesting stuff, especially if you’re already into black metal.

Cryptic Ruse - Unfertile
Bandcamp
An impressively heavy sludge metal album featuring the super dissonant 23-EDO tuning. Cryptic Ruse has albums with other tunings, but this one is especially impressive with how well such a strange tuning works. Of course, by any reasonable standard, it’s still extremely bizarre, so tread with caution.

Jute Gyte - Perdurance
YouTube / Bandcamp
Jute Gyte - Mitrealität
YouTube playlist / Bandcamp
If there was such a thing as using quarter-tones for evil, Jute Gyte is it. Absolutely crushingly heavy avant-black metal with hyperspeed blast beats, harsher-than-harsh vocals, and the most dizzying, angular approach to quarter-tones possible. These two albums are a good place to start if you like the sound of pure madness. The liner notes on the Bandcamp page for Perdurance explain a bit of the (really crazy) compositional approach.

Kostnatění - Úpal
YouTube / Bandcamp
Blackened death metal that incorporates microtonality through the usage of fretless guitar. A lot of the microtonal sections seem to roughly follow quarter-tones, but there appears to be some free intonation stuff as well. It’s a surprisingly accessible album, at times seeming to draw a bit from (Slovakian?) folk music. A really catchy release, overall.

Last Sacrament - Enantiodroma
YouTube / Bandcamp
Death metal using the 16-EDO tuning. Interestingly, this tuning preserves the tritones and minor thirds present in 12-EDO, so it’s a good fit for a genre that heavily relies on these intervals in its riff structures. At times it almost just sounds like regular death metal, though there are plenty of places (such as guitar solos) where the microtonality shines through.

Scarcity - Aveilut
YouTube playlist / Bandcamp
Atmospheric black metal using 72-EDO. With high-numbered EDOs like this one, you get so many intervals you can approximate almost anything you want, which allows this album’s droning guitars to be quite consonant - when they want to be. Long song structures allow for very gradual development of harmony, and it’s all underpinned by blast beats and screams like you might expect from the genre.

Victory Over the Sun - Nowherer
YouTube / Bandcamp
Blackened sludge metal using 17-EDO. Really dissonant, not only due to the standard screams and guitar distortion, but also along with sections that are kind of minimalist and not overwhelmingly distorted - rather, just written to be intentionally kooky and compositionally abrasive.

Electronic

Aphex Twin - London 03.06.17 [field day]
YouTube / SoundCloud
Aphex Twin is a pretty big name in electronic music in general, producing stuff in the IDM / drum & bass / acid genres, but a lot of his music is also microtonal. The London 03.06.17 EP is one where pretty much the entire thing uses microtones (I’m not sure of the tuning; it might be free intonation), but you can also find a healthy dose of microtonality on several of his other works, including Syro and Analord.

FASTFAST - New Color Bomb
YouTube playlist / Bandcamp
Bright-sounding funky synthwave which uses a wide variety of tunings. Very accessible, with some really refined-sounding, psychedelic vocals which gives even the most electronic tracks a slightly more organic quality. A lot of the chords are nearly the same as you’d hear in 12-EDO, but the changes between them occur over microtonal intervals. Neat stuff.

Lynyn - Lexicon
YouTube playlist / Bandcamp
Hyperactive drum & bass / IDM music that occasionally incorporates microtones (sometimes quarter-tones, other times more of a free-intonation thing). These harmonic qualities really fit the wonky, glitchy sound of the music, at times playing almost more of a textural role - as a result, it’s a very accessible album if you like the genre.

Omar Souleyman - To Syria, With Love
YouTube playlist / Bandcamp
The music of Omar Souleyman is like something you’d hear at a Syrian wedding party. Quarter-tones are common to most forms of pan-Arabic pop music (a huge category that would of course be hard to effectively summarize), but I’ve found that I keep coming back to this album, among others that Omar has recorded. Incredibly fun dance music (‘dabke’) with a sort of cheesy 90’s techno vibe.

Sevish - Harmony Hacker
YouTube playlist / Bandcamp
Sevish - Morphable
YouTube / Bandcamp
Sevish is a big name among electronic microtonal hobbyists, and for good reason. Bright, uber-synthetic timbres are used on these albums to deploy a wide variety of equal temperament and just intonation tunings. Alien sounding for sure, but the fun, pop drum & bass approach keeps the overall experience pretty approachable. Sevish is probably many an internet-dweller’s introduction to microtones.

Trauma Triad - A North Facing Window
Bandcamp
I feel awkward promoting my own music here, but I do honestly think my album of quarter-tonal IDM / fusion is actually pretty decent and worth a mention. Primarily using electric piano and 808 style bass synthesizer, I tried to explore quarter-tones from a more harmonic and less modal perspective. A more detailed explanation of the harmony is included with the (free!) Bandcamp download of the album, for any deeply interested parties.

Jazz

Amir ElSaffar - Rivers of Sound: The Other Shore
YouTube / Bandcamp
This album explores a combination of contemplative spiritual jazz and quarter-tonal Iraqi folk music. The large ensemble provides a huge diversity of instrumental texture, and long song structures provide a chance to let the microtonal harmonies sink in before proceeding through the sprawling yet gentle improvisation. A must for any jazz lover.

Firas Zreik - Salute
YouTube playlist / Bandcamp
The first half of this album leans towards quarter-tonal Palestinian folk music, while the latter half develops more into actual jazz. The star here is the kanun, an instrument similar to a dulcimer, which Firas absolutely shreds. The mastery of this instrument on both a rhythmic and harmonic level is really impressive. Overall quite accessible and entertaining.

Giorgi Mikadze - Georgian Microjamz
YouTube
The full album doesn’t seem to be available on YouTube or Bandcamp, but one track should at least give you a taste of the truly unusual Georgian folk harmonies. Neither equal temperament nor just intonation (nor even an approximation of either), this is some extremely strange sounding stuff, especially combined with some spacey instrumental timbres. Yet it’s ultimately buffered by a more familiar jazz fusion stylistic approach, complete with virtuosic solos and skittery rhythms.

Land of Kush - Sand Enigma
YouTube / Bandcamp
This album features Arabic quarter-tone styles worked into large ensemble avant-jazz. The addition of multiple vocalists is also rather unique. At times, the music swings like you’d expect, but a lot of the music here is more textural and experimental. There are sections of fiery free jazz, creepy noise-sculptures, and much more.

Mike Battaglia - Sweet Lorraine
YouTube
While I try to focus more on albums than individual songs, this cover song from YouTuber microtonalist Mike Battaglia is particularly fascinating. Using a stride piano style that gradually works in more and more quirks of the 31-EDO tuning, it perfectly toes the line between detuned honky-tonk piano and truly intentional microtonality. Mike has a bunch of other neat microtonal covers on his channel if this provokes your interest.

Ambient / Electroacoustic / Folk / Classical / Etc.

75 Dollar Bill - I Was Real
YouTube / Bandcamp
Incorporating the quarter-tonal aesthetic of North African music, 75 Dollar Bill deeply plumbs the idea of desert folk for this really excellent, wide-ranging album. Many of the tracks are in a sort of meditative near-ambient style that highlights the subtly-amplified guitar. In others, hand percussion and occasionally other instruments (e.g. viola, saxophone) push lightly in the direction of rock. Overall an extremely relaxing album.

Basiani Ensemble - Georgian Polyphony Singing
YouTube
I bet you didn’t think you’d be listening to microtonal Georgian church choir music today, but here you are. As I explained for ‘Georgian Mikrojamz’ above, Georgian folk tunings are quite otherworldly, but here as a solemn purely vocal performance they acquire a strange profundity that is hard to describe. Some of the tracks use typical 12-EDO harmonies, but about half of them have these odd, resonant microtones that probably sound even better in a huge space like a church (I imagine). Start with tracks 2 and 5 if you want just a taste.

Duane Pitre - Omniscient Voices
YouTube / Bandcamp
Ambient electroacoustic music primarily featuring piano. The very slow pace and gentle, quiet sound are very conducive to hearing the details of just intonation tuning, whose exactly tuned ratios produce intense and evocative ringing sounds. A great album for relaxation or meditation, in my opinion.

Guillaume Costeley - Seigneur Dieu ta pitie
YouTube
Guillaume Costeley was a 16th century French composer, and one of the first Western examples of experimentation with microtones - particularly, he used the 19-EDO tuning, which is good at approximating similar intervals to 12-EDO, but gives new options for key changes. This video is a brief composition of his, played on microtonal organ, along with sheet music and a more detailed explanation of how this tuning works. Fascinating stuff.

Julia Reidy - World In World
Bandcamp
On this album, just intonation tunings are played using only almost exclusively clean electric guitar, using heavy reverb, delay, and looping to create some expressive, mystical soundscapes. The almost tactile textures produced are sometimes rather dark, though never sinister. At other times they are bright and expansive, though no less quiet and intimate. Another great relaxation album.

Methods Body - Methods Body
Bandcamp
Electroacoustic avant-rock that uses free intonation to create harmony that is bizarre yet curiously organic-sounding. You can hear the warbling texture of the intentionally out-of-tune intervals in a lot of these tracks, which fits the earthiness of the acoustic instrumentation. A lot of the tracks also have a danceable groove to them reminiscent of some free intonation African music. Methods Body also recently released an album called Plural Not Possessive that is an even more low-key, ambient example of some of these features.

Sound Tracker - Gamelan
YouTube
Indonesian folk music, also called ‘gamelan’ music, uses some very unusual tunings - neither equal temperament nor just intonation, but some idiosyncratic set of intervals cooked up long, long ago. In addition, gamelan ensembles pair up instruments that are tuned slightly differently, so when they play in unison you get a beautiful, ‘shimmering’ texture. Unfortunately, there are not a lot of high quality recordings of purely traditional gamelan music. This is probably the best one I’ve seen, and it also lets you see some of the musicianship involved in actually performing the stuff.

I had often considered an e-bike and whilst I don't consider myself particularly good at cycling I have always enjoyed going on a bike ride.

I live in a mountainous area and I am overweight and late 50's with arthritis and so cycling was becoming harder for me (I resisted an uphill battle). Cycling has always had health benefits both mental and physical but now it was a struggle.

I therefore started to look at the different models that were available. My requirements were for a hobby cyclist and enough range for a few hours ride.

I dont know what it is like elsewhere but blimey they are expensive here in the UK. 1500 - 2000GBP for a base model. So I kept my eyes open for a second hand model and finally picked up an E-MTB for 300GBP which fit none of my criteria.
A Coyote Edge 650 which was sold by a shop called Halfords here in the UK. 36v rear hub driven and a 7 gear rear cog setup

i have only ever ridden hybrids or tourers before but MTB's are an eye opener and if they are as much fun without the electrics then I really did miss out on some fun in the past.

I have now done 500+ miles and it has been nothing but fun. I sometimes only get out for an hour after work but for my head that is usually good enough. I can also get to the top of the mountain and just sit and admire the view then follow the trail back down (and dont tell the wife but I am getting quicker and quicker on that down hill track)

There is no real point to this other than to share my experience as a first time e cyclist

Downsides, it is expensive. The e bike, the helmet and gloves can be quite expensive and the bits that you need just in case, pump, water bottle, spare inner tube, glasses for when the sun is low. Also when the battery starts to go that is a huge expense, in my case we are looking 300 to 400GBP.

On the other side though it has re-opened some routes I haven't done in years, my mental state is a lot better I'm losing weight, and I am having fun. Do you know how many flies you can catch when you are smiling!

Top tips I have found though is that Ali-Express is awesome for tools and parts and that charity shops (Thrift shops in the US) have been excellent for sportswear, I got some good base layers a while ago and the wife brought me home 2 MuddyFox cycling jerseys the other day, one which had a shops label still in.

If you are still contemplating whether to get one, do so and then make the time to ride it. You won't regret it.

p.s. Im not buying Lycra

I saw The Banshees of Inisherin in theaters yesterday and greatly enjoyed myself. I recommend it highly! Starring Colin Farrell and Brendan Gleeson (among others), the film takes place in a remote, pastoral part of Ireland with the Irish Civil War as a backdrop. But it's really about the people living on this island; their relationships, their lifestyle, and their internal conflicts. It's character-driven, personal, intimate, funny, surreal, shocking, troubling, and thought-provoking. The dialogue is fantastic and the narrative dramatic. You could do a lot of interesting thematic analysis about the plot and setting, but I don't want to spoil anything.

If you're the kind of person who likes movie trailers, you can watch the official one on YouTube. However, I think contemporary trailers take away from the natural revelations of a story. It's more interesting to go into this one more or less blind.

The recent post on why men are ignoring help and falling behind made me think of this documentary. Don't know who here might be interested, but it's certainly a lot to think about.

There's a documentary exploring the Mens Rights movement. It's far from perfect, but I think it definitely has some good points. Firstly, I'd recommend watching Cassie Jaye's (the creator of the doc) TEDx Talk about open-mindedness and listening (~15 Mins): https://www.youtube.com/watch?v=3WMuzhQXJoY

Then there's the documentary itself (~2 hours): https://www.youtube.com/watch?v=Q7MkSpJk5tM

Cassie Jaye has posted a lot of the unedited and full interviews to her channel: https://www.youtube.com/playlist?list=PL7HeX2SUI9v84DMIawkSBzLRANIc9RQ7t

Falling Down

Runtime: 1h 53m

Budget: $25m

Tomatometer: 75% 6.8/10 (Audience 88% 4/5)

IMDB Rating: 7.6 / 10 - 188k ratings (Top 1000 7.5/10)

Language: English

Streaming: Vudu , Amazon

Michael Douglas plays Foster, a man with 1950's era mentality who is having a really bad day. He just wants to make it across LA in time for his daughters birthday. The increasing setbacks he faces from modern 1990's society see him increasingly break down into a string of violence episodes. But his violence is guided by his 1950's era set of morals. And in spite of Fosters nerdy 50's appearance, he is surprisingly good at the modern violence thing. Does the movie glorify the violent anti-hero? Not so fast.

Robert Duvell plays Prendergast. A retiring cop on desk duty who is the only who connects the violent dots together. But because he is a retiring desk jockey who is clearly too afraid to take on a real cops job, almost no one listens to him. Almost no one. There is one person on the force who knows Prendergast has a lot more going on than people realize.

This story is an interesting analysis of the male psyche under pressure. Foster reacts with anger and aggression. Predergast bends to the point of being a doormat, and he just lies there and takes it.

What the movie uncovers at the end, is there is a middle ground, that handling life's setbacks sometimes requires patience and grace, and sometimes requires assertiveness and boldness, and that wisdom is knowing what you can and should try to change and what you can and should try to accept.

This movie has always been a favorite of mine, because I love a little bit of the old ultra violence, and I love an unusual ending that makes you rethink about the entire movie with a new perspective.

But what is really interesting, is this movie touches on the 1950's era males ideals and expectations men are still raised with today, and the outrage that arises when that sense of entitlement goes unfulfilled.

Beyond the Infinite Two Minutes

Runtime: 70 minutes.

Budget: $27,000 USD.

Tomatometer: 98% - 8.3 / 10

IMDB Rating: 7.3 / 10 - 2k ratings

Language: Japanese with English subtitles

Streaming: Vudu (Free with Adds) & Amazon (free with Prime)

This is an engaging & novel sci fi, filmed in one location, a Japanese cafe, using what appears to be a single shot for all 70 minutes.

It has comedy, romance, violence, action, and an utterly novel sci fi concept. All in 70 minutes.

It has been two days since I have seen this movie and yet I still have not come to the point where I can talk about it in a way that makes any sense.

The only way I have been able to describe the movie so far is that it’s a roughly two hour long action comedy drama. The name really fits because it is about everything. Success, failure, choice, the nature of meaning, what we owe to each other, why we are here, who we are, and what makes life worth living. It’s also a generational drama, a wuxia film, and a shameless knockoff of ratatouille.

It’s also a movie that I am afraid of spoiling the plot for you in spite of the fact that I am fairly sure that the film is unique enough that you couldn’t possibly “get it” no matter how much I talk about it.

It’s also the first movie in such a long time where the ideas didn’t fly over peoples heads and so much of the audience was stuck after the credits just trying to recover from the experience while wiping the tears from their eyes.

This film is so far out in front of all other choices that I think it’s pretty safe to say it’s going to be my pick for best film of this decade. And you should try to watch it in theaters while you can.

Two nights ago I decided on a whim to watch Jojo Rabbit on Disney+, since I love Taiki Waititi, and I remember hearing good things about it when it was first released a few years ago. But, weirdly, I didn't actually know much about it other than him having directed it.

So imagine my shock, horror, and surprise when I finally started watching it and learned it was a comedy-drama about a Hitler youth!!! I thought it was just about boy scouts or something, similar to Moonrise Kingdom. And I was even more surprised when I almost immediately got over my shock and started enjoying it despite how dark and touchy the subject matter was. It had just the right amount of irreverence for the subject to get me past my initial hesitance, and had enough deeply human, incredibly touching, and painfully poignant moments to get me completely engrossed in it. And by the end I was crying like a baby when he noticed the shoes, and again in the final scenes. (keeping it vague in case others haven't seen it yet)

Several days later and I'm still thinking about it. That's how deeply it affected me. So, needless to say, I highly highly highly recommend watching it, if you haven't seen it yet... especially in light of recent events in Russia and Ukraine, which a lot of the things shown in the movie sadly remind me of.

Has anyone else here seen it? If so, what did you think about it?

p.s. Taika Waititi as Hitler was insanely, darkly hilarious, and the final scene with him was incredibly satisfying. "Fuck off, Hitler!"

I thought I'd take the time to post about a series I've been looking forward to for over a year now.

Hidden is a fantastic crime drama set in Wales, and a third series was announced early last year. The Welsh version, Craith, aired late last year. This week, the bi-lingual version airs on BBC One Wales and BBC Four. In my opinion it's the perfect crime drama: set in the mountains of North Wales, with a great soundtrack and unconventional storyline. Some shows focus only on the investigation and the victim, who probably just admits to the crime at the end. Not so here.

Sian Reese-Willams, who plays DCI Cadi John, explained what the series is about back in 2018:

It’s not a classic detective drama in that it deals with the whodunit and the police catching the bad man. It’s much more of a personal drama. It takes time to delve into the lives of everybody that gets caught up in the crime - the detectives, the victims, the family of the victims and even the bad guy. You’re trying to understand him.

It really plays with the idea of nature versus nature and almost tries to twist you into sympathising against your better judgement; it’s exciting and thought provoking. The characters are really interesting and it covers a lot of human emotion.

Here's another interview ahead of the second series.

Series two picks up around nine months after series one ends. We find Cadi trying to deal with the grief of losing her father, while trying to keep her head in her work.

It’s a difficult time for her - just as one begins to come through the initial shock of losing someone and start to try and deal with it, that’s the time that everyone around you starts to forget and move on. She’s also faced with dealing with the estranged daughter of the victim of the case, and the parallels she sees between the two of them are difficult for her to navigate professionally.

The first two series are on iPlayer now, and if you speak Welsh (or like subtitles) the third series is already on S4C Clic under the title Craith. Hidden is on BBC One Wales this Wednesday at 9pm, and BBC Four this Saturday at the same time.

It's fairly rare to get the opportunity to get to watch a Japanese animated movie in theaters in the US, and earlier today I watched Belle in IMAX.

It's honestly really hard to talk about the film in it's entirety. It's a really deeply layered film, and even with how extensive the previews for this film have been they don't really do a very good job of describing what the film is about. Even after saying that I don't really want to explain it because I think that it's best to just jump in and enjoy it - and frankly I'm not sure I could explain it very well without spoiling it. That being said, because it's so layered and there's so much content it talks about it can be hard to grasp the deeper meanings. I saw this movie with my husband and I can tell you that he definitely didn't get it. After reading a handful of reviews it looks like a number of critics didn't get it either. The good news is that you don't have to be a film major to enjoy it; it's still going to be plenty enjoyable even if you miss those meanings. It helps that the production on this film is utterly fantastic, and the sound design and music are particularly fantastic.

From an academic perspective this film literally pulls off every trick in the animation and filmmaking books. It uses traditional style 2D animation, it's got 3D animation, some scenes use a mixture of the two. It has computer-generated tweening at times, and in other times the 2D drawings are morphed to animate them and create the illusion of life. The director Mamoru Hosoda has a pretty long track record at this point and this film has aspects that show off his signature aesthetics and unique techniques that he has developed over the years. And he does so to a great effect; I found myself being strongly emotionally affected by several of it's scenes. Of those highly affecting scenes, not all of them evoked tears; there were also plenty of times where I found myself almost laughing because the scenes were full of positivity.

While it's tempting to consider this a retelling of Beauty and Beast from the previews, the film is so much more than that. Even the most basic understanding you could take from this film would not support that position. In fact the "beast" of this story is not even a romantic interest.

The thing that endears me personally to this movie so much is that there are two dramatic scenes that are handled so realistically and naturally it felt like I was reliving portions of my own life. There is a scene early on where the main character tries to sing quietly to herself when she's all by her lonesome but is so overcome with emotions that she not only can't hold a single note, the act makes her throw up. And in the last act there is a scene where a boy is suffering from emotional abuse from his father and is completely unable to trust people who are trying to help him. He's been too hurt by people who promised to help but eventually left him in the same situation, allowing more abuse to happen.

There are many reasons that I would recommend watching this movie, but I wanted to recommend this movie to this community in particular because I think that some of the messages this movie was made to tell will resonate with the people here. The film is a struggle to answer the question "why should we help other people?" The film also has a lot to say about how we treat each other over the internet, as you may have already surmised.

I watched Val tonight. Its mostly old footage that Val filmed himself. He was quick to have a video camera and seemed to carry it with him everywhere.

If you're unaware, Val Kilmer lost his voice during his treatment for throat cancer. He can still speak, but with difficulty.

Anyway, even if you're a mild fan of Kilmer's work, this is worth a watch. I much prefer this format for documentaries to the talking heads we get with other documentaries like Velvet Underground (2021)

Val is from Amazon Studios and A24.

I'm not really into most of the Olympic sports, but I started watching the 3x3... and I love it. The pace is pretty good. I wish this were more common.

Anyway, if you see it in the listings or you can stream it, give a game a shot.

I recently started an excellent series on Wondrium that is a PBS documentary from 1988: Joseph Campbell's The Power of Myth and I figured this series would be of interest to the Tildes crowd. In this series, Joseph Campbell sits down for a discussion with Bill Moyers discussing the way mythology has influenced our lives from the day-to-day to religion, and how these common motifs present themselves throughout our history and culture. In addition, there is a lot of examples and comparisons of these tropes within the Star Wars original trilogy that is discussed.

It is a very eye-opening and thought-provoking series that I would really love to have a discussion about if others here find it interesting as well.

Transcripts of the individual episodes can be found on this site:

https://billmoyers.com/content/ep-1-joseph-campbell-and-the-power-of-myth-the-hero%E2%80%99s-adventure-audio/

I personally prefer listening/watching as there are a lot of visual examples that are used during the discussion that helps make the topic more clear.

I want to talk about Person of Interest. A CBS series created by Jonathan Nolan, more famously known for his work on Westworld (and brother of "that" Christopher Nolan, talent runs in the family). This is a spoiler-free post.

Premise: An ex-military badass is hired by a rich ex-usgov genius who built an AI that is plugged into the NSA's spying supernetwork, and can predict crime based on all the datapoints.

Strong similarities with: Westworld, Mr. Robot.

Person of Interest is a series that really took me by surprise. I didn't really care for Season 1, which I left running in the background after it was apparent to me that this was a very run-of-the-mill CBS police procedural. I gave it a chance based on a friend's recommendation, and because IT/sec references were accurate and didn't make me cringe. It also had an interesting premise which was written pre-snowden and raised some interesting philosophical questions on privacy and crime prevention.

Then towards the Season 1 finale, the music got pretty good, the scenes were very action-packed and the series started feeling like it was getting very entertaining. So I kept watching.

Without spoiling: throughout Season 2, the series actually completely shifts genre almost unnoticeably, from "generic police procedural" to "long-arc Westworld-style tech scifi".

I was stunned by how smooth the genre transition was. Of all the series I watched, it's something truly unique to that one, which is one of the reasons I rate it as one of the best TV series in my catalogue. It's also, from what I heard, Nolan's strategy from the get-go in order to get a very unique show greenlit on a "safe" network like CBS.

By the end of the series, Person of Interest had inspired me. Made me extremely interested in AI and data. It affected my work and the way I think about the world. POI really toes the scifi line by taking concepts which are possible, but not there yet and explores the possibilities (again, Westworld); unlike most other Sci-Fi shows which take abstract ideas of what we may want to see in the future, regardless of how possible/reasonable they are.

POI does require some suspension of disbelief. You have to accept the trope of a "supergenius" who can build an AI like this all on his own, for example. I think that's fine, and I found that the show was very rigorous at taking only practical shortcuts with very little fridge logic.

I keep mentioning Westworld and that's no accident. POI predates WW and it feels that WW was a continuation of Nolan's ideas about the implications of AI, in a much higher budget setting. (And as an aside, if you haven't watched Westworld, you should)

Tag spoilers in comments :)

About ten years ago, Sony promised they'd change how we play games. With the launch of the Playstation Vita, they showed us a world in which one could start playing a game at home on your big powerful console, and then you could take it with you in the form of cross-play, where your saves synced via the cloud and you could play the Vita version right where you dropped off. And of course, for games that didn't have a Vita version, there was always the option of streaming your games.

Of course, we know how well that worked out. There were maybe 5 games where you could buy both versions of the game at once, and the majority of the games that supported cross-play required you to buy the same game twice. Streaming is still what everyone's pushing today, but in many places (coughAmericacough) there isn't a good enough connection to stream games with a good experience - especially if it's got twitchy gameplay.

Time has passed and many companies have began to offer a service model for games - subscribe to a program, and you get free access to games. And many of these services have some sort of cross-play component to them, where you get access to multiple platforms, or even with streaming versions, but they all have their downsides.

But it turns out that one company offers a gaming service that actually does offer each of their games in native versions across computers, consoles, and phones, has cross-play support, and doesn't have any of the downsides of streaming, and it's from a company that most people don't associate with gaming - especially when it comes to computer games. I'm speaking, of course, about Apple Arcade.

Sure, it all only works on Apple hardware, and the console part is a bit of a stretch (who actually owns an Apple TV?), but it works remarkably well. And unlike a number of other systems I have tried, it works seamlessly - you can save your game on your mac, launch your game on your iPhone, and instantly be playing your game. And the higher-end games with nice 3D graphics actually do look remarkably better on the big screen.

Of course, the selection of games is much different than any other games service, but I find myself surprised at how many games I legitimately want to play. Sure, there are a lot of 'iPhone' style casual games - right now they just released a bunch of previously released iPhone games cleaned up and stripped of monetization schemes - but I view that as a positive thing - sometimes you just want something simple to pass time with that doesn't need to take space in your brain. But at the same time there are also bigger and more aspiring titles available. There's a new action game from PLATINUMGAMES with an Okami-like artstyle, a brand new RPG from Mistwalker built on top of dioramas, and complex adventure games like Beyond a Steel Sky.

Apple arcade, is, however, missing one notable meta-genre from it's library - Triple-A games. And honestly, I kind of love it for that. The majority of the games companies represented are independent, and that means that many of them are going to be able to offer me new types of gameplay or narratives that you won't get from the big guys. What other service is going to offer experiences like Assemble With Care? And from an ethical point of view, I'd rather reward independent creators who are pushing out these high-quality pieces of work than giant companies who are famous for exploiting their workers.

While Apple Arcade obviously won't be a good choice for everyone since it's limited to Apple hardware, and if you're already in Apple's ecosystem, you probably already know about it (they're surprisingly aggressive at marketing their free trial - which is actually what got me to write this in the first place). I had originally written them off as all casual games, but with the last big release of games it's got some pretty fantastic releases. It's worth trying if you've only got an iPhone, but it's more than worth it if you've got a recent Mac or Apple TV.

I listen to quite a few, from ones related to my industry to ones related to my hobbies, to some just related to history or storytelling. Most of my choices have been at the recommendation of others, so I'm looking to add some to this week's lineup.

Queued up for my upcoming week:

• Citations Needed
• Darknet Diaries
• Reply All
• Rev Left Radio

If you don't know of a good recommendation, what podcasts do you have queued up for this week?

I watched it tonight and it is so much better than it has any right to be. I think they really captured what made the originals good: the humor between Bill and Ted, the way that they genuinely care about each other and the other people they pick up along the way, and the bit of over-the-top-ness in what they play and how they play that appealed to me as a 16-year-old metalhead when I first watched them.

I just finished Andrew Marantz's Anti-Social: Online Extremists, Techno-Utopians, and the Hijacking of the American Conversation, and I think it's a book that would interest a lot of the people on this site. Marantz is a journalist for the New Yorker who embedded himself with alt-right influencers and social media companies. This book is a compilation of all of those stories; part memoir, part retelling, part observation, part commentary.

Despite its title, the book is not a one-dimensional hit piece. I actually strongly dislike the title as I feel it's a bit too barbed for a book that's rooted in extensive, thoughtful contemplation. The author is honest, open-minded, and critical. I hate the word "balanced" for all of the baggage it brings to the table, but it really feels like the best word to use, especially as an antonym for "unbalanced". He deftly handles a lot of different subjects here. He doesn't shy away from giving criticism where its due, but he's also not quick to judge, trying to understand the broader picture first before casting any judgments about it.

I mention it here because I think it has a lot of relevance to Tildes as a site, as well as the type of people that have congregated here. It covers a lot of ground of direct interest to Tildes: the role of social media platforms to police speech and ideology; how the structure of social media creates influence; how bad faith actors can manipulate systems; how noxious ideologies continue to appeal and propagate. I also know that Tildes trends toward the left, and as someone far on that side myself, I appreciated this book for giving me what I feel was a fair and thoughtful window into the lives of certain high-profile people on the right. It's easy to think of them as a monolith, but I was surprised by the differences between all of his various character portraits. Marantz never loses the individual humanity of his subjects, even when some of them are abjectly abhorrent people.

I should mention that the book is very US-centric, as that was where he focused his journalistic efforts. As such, readers outside the US might not appreciate it as much, but I still think a lot of what he shares is relevant no matter where you are located since we all share space together online.

Anticipating their new album that came out today, I've been on something of a Nits trip lately. (It's more pleasant than it sounds, I promise!) Since I think these guys should and could be better known, I thought I'd spread the gospel a little bit.

Throughout their almost five decades of existence, Nits (or The Nits) have been critically acclaimed, yet have never really conquered the charts. There are various likely reasons for this. For one, they exist in that difficult-to-market realm of "art pop" and have continued to reinvent themselves and their sound from album to album. As a Dutch band, they have also never had the backing of a major British or US label, and although the songs are primarily in English, perhaps the singer-lyricist Henk Hofstede's accent has also sounded too non-native for the masses.

If you do know Nits, you most likely know them from their minor 80s hits Nescio (1983) and In The Dutch Mountains (1987). Those two songs capture their 80s style pretty well in terms of their sound and lyrical content, and the videos are also great examples of their visual style.

These two songs came out during what was actually their second distinct musical period. Their first four albums, released between 1978 and 1981, were riding the new wave wagon, a good example of which is the song Tutti Ragazzi (1979). But I would say that it was with 1983's Omsk where Nits really started to display their full potential and began to solidify into a core three-man unit of the aforementioned Hofstede, drummer Rob Kloet, and keyboardist Robert Jan Stips who had produced their earlier albums but now joined the band fully. There have been other members over the years, but these three are the main contributors; Hofstede with his voice and story-like lyrics, Kloet with his wide range of beats and rhythms that cross musical genres, and Stips who brings in a particular depth and space in which the songs can breathe freely.

In addition to the two tracks I mentioned earlier, other songs from their 80s and early 90s output that I would recommend as an introduction include A Touch of Henry Moore (1983), Sketches of Spain (1986), Radio Shoes (1990), and Giant Normal Dwarf (1990).

There has always been an undercurrent of melancholy to Nits's music, but it tends to be balanced with their quirky sense of humour. In the 90s, however, the melancholy started to take over, and Hofstede's lyrics became increasingly focused on the human condition while the music dropped some of its overt playfulness. Some wonderful pieces from this period include Cars & Cars (1992), Mourir Avant Quinze Ans (1994), Three Sisters (1998) and Ivory Boy (2000). This period also witnessed a major change in the lineup, as Stips departed the band in 1996. He joined back seven years later, from which point onwards they have been a three-member band.

While the evolution of their style has been gradual, I would say that by the late 2000s, Nits had moved into their fourth major period. Whereas their influences have always clearly included artists like the Beatles (the band's name is sort of a nod to them), Talking Heads, Leonard Cohen, Paul Simon and Bob Dylan, I feel Nits have more recently toned down some of their earlier experimentation and focused more on the qualities that made their influences such great songwriters. From this latest period, take a listen to The Flowers (2008), Distance (2009), Love Locks (2012) and Flowershop Forget-Me-Not (2017).

This brings us to today's album, Knot, which is something like the group's 25th studio album. Or maybe 26th. Or something else, depending on your definition of a studio album. In any case, as I understand it, this new work was largely parsed together from hours of improvisation, and it does sound like that. The eleven tracks feel like mood pieces, fairly static paintings, captured moments. But I have of course only given the album a handful listens so far, so this is an early impression still. In any case, here's the album opener Ultramarine (2019).

I hope this little write-up will be of interest to some of you and that perhaps the linked music speaks to you on a level that pushes you to dig in deeper. If you use Spotify, the "This Is Nits" playlist is a pretty good next step to take.

If you do take a listen, I'd be curious to hear what you think of the music. Or if you knew Nits before, I'd love to hear what you think my little introduction here missed, misinterpreted or should have emphasised more. And what's your view of the new album?