From CBS: New details, trailer from "Star Trek: Discovery" Season 2

From Gizmodo: In The First Trailer For Star Trek: Discovery Season 2, The USS Enterprise Boldly Arrives

As someone outside the USA, the videos in those articles didn't work for me, but this one from Netflix UK & Ireland does work for me: Star Trek: Discovery | Season 2 Trailer [HD]

I've read the books up until Cibola Burn, so my impression comes from comparing my experience watching the story to reading it as told in print.

Season 3 was incredibly rushed through and little of any character's motivations or thought are clarified as they still make more or less the same decisions. Two noteworthy characters (Pa, Bull) combined into one character (Drummer) whose actress only does one vocal and facial expression, which I happen to mirror every time she gets air time.

Show Ashford, an arguably much more sensible and intelligent man than Book Ashford, is unreasonably suddenly deemed necessary to reflect Book Ashford without any clear change in motivation.

So many things are done weirdly on the show that didn't need be done. Those are a few examples off the top of my head. What do you think?

Just finished watching Westworld S02 Finale, and while it creates more questions than it answers I found the whole experience exhilarating. It's been an amazing ride all the way from S01E01 and to the post-credits scene in the finale. I'm glad they left room for another season (or 2, or more who knows) because an AI story shouldn't end when all the fun is just beginning.

There are a ton of things and references to explore and I'd love to hear what all of you have to say while waiting for that Alt+Shift+X video to drop to clear everything up.

Westworld Season 2 is in full swing and I love it so far, but would you live in Westworld if you could? A world with no consequences other than its own societal pressures seems pretty enticing...

Solo is not doing so hot in the theaters right now, despite the good reviews. Here's hoping that positive word-of-mouth can save it. But what I've noticed online is a huge amount of people placing most of the blame on the divisiveness of The Last Jedi. While I never claimed that the Last Jedi was a perfect movie and it definitely has some serious flaws, I feel like the hate train for that movie is hugely overblown online compared to what actual people out in the real world think. So I figured I'd check in here and see what the general opinions are on The Last Jedi.

EDIT: shit, anyway I can fix that title?

Dune was not well-reviewed when it premiered, with Roger Ebert calling it the worst movie of the year, though it has since become a cult classic. I recently read the book and had never seen the movie, so I decided to check it out.

I understand the criticism; parts of it feel rushed, and there are many little things from the book that are incorporated into the movie but aren't fleshed out very well. However, having read the book, and therefore being able to piece together the things that were glossed over in the movie, I thought it was pretty great.

The costume design, spaceships, sets, and sand worms were all executed well, though they are obviously dated by today's standards. Those things all contribute to the overall mood of the movie, which I thought matched the book nicely.

They took some liberties with the villain, the Baron Harkonnen, who they gave a skin condition and the ability to float around, which aren't present in the book (or at least were a small enough part that I don't remember them), and I thought were a little too over-the-top.

Overall, I rate the movie 8/10, but I don't expect it would hold up that well if you haven't read the book.

                                                              Book Plot: Spoilers

The book opens by introducing the gunslinger, Roland Deschain, who is on a journey to find the Man in Black. As he ventures across the desert with his mule, he meets a farmer who goes by the name of Brown with his crow, Zoltan. The gunslinger begins to tell of the time he spent in the town of Tull. When Roland first comes to Tull, he missed the Man in Black possibly by a week. It is later revealed to Roland by the barmaid, Alice, that during his stay the Man in Black brought a dead weed eater by the name of Nort back to life. Roland makes Sylvia reveal to him that she is pregnant with the Man in Black's child (more importantly the child of the Crimson King). Roland uses his gun and rips the unborn monstrosity out of Sylvia. Outraged, Sylvia convinces the entire town of Tull that Roland is the spawn of the devil. Roland guns down the entire town of Tull: men, women, children, and even his lover, Alice. The story refocuses on Roland at the dwelling of Brown. Roland goes to sleep and wakes up to Brown telling him that his mule died of heat exhaustion and wonders if he can eat it. Roland leaves on foot to continue his pursuit of the Man in Black.

As his journey continues, Roland happens upon a way station and sees someone there in the distance. Roland believes this to be the Man in Black, but finds out it is a young boy by the name of Jake Chambers. Roland is near death when he arrives at the way station and Jake brings him jerky and water from an atomic slug water pump. Jake tells Roland that the Man in Black passed by a few days before. The way Jake talks reveals that he is not from Roland's world. Roland asks Jake about where he came from, but Jake cannot remember anything. Roland proceeds to hypnotize Jake and learn about where he came from.

Jake reveals to Roland that he is from New York and was on his way to school when a man dressed like a priest snuck up on him and pushed him into the street. Roland believes this man to be the Man in Black. Jake is then hit by a car and dies, but not before the priest approaches him and blesses him.

As they prepare to leave, Roland goes down to the cellar and encounters a demon speaking to him from a hole in the wall. After their palaver, Roland reaches into the hole and pulls out a jawbone. They then depart from the way station, and eventually make their way out of the desert into somewhat more welcoming lands. Roland awakes in the middle of the night to find Jake gone. Roland tracks down Jake and finds him about to be taken by the Oracle of the mountains. Roland uses the jawbone to lure the Oracle away from Jake. He then gives Jake the jawbone to concentrate on while he is gone and couples with the oracle himself in order to learn of his fate and path to the Dark Tower. Once Roland returns, Jake discards the jawbone. Come morning, they continue their trek to the mountains.

Along the trek Roland tells Jake a bit about his past. He tells of Hax, the cook, who was hanged for being an aid to the enemy. Hax was to poison the town of Farson/Taunton. Roland and his friend Cuthbert overhear the plot and alert their fathers of the traitor. Hax is hanged and the boys are allowed to watch with permission from their fathers.

Roland also reveals how he became a gunslinger at the age of 14. As he is walking home, his father's advisor Marten Broadcloak calls Roland to see his mother, Gabrielle, in Marten's bed covering her shame. Angry, Roland charges off to challenge Cort so he may receive his guns. He defeats Cort with the use of his hawk, David.

Roland and Jake soon come to the mountains and enter a series of tunnels under the mountains riding on a mine cart. On their journey, they are attacked by a group of Slow Mutants. Roland battles the Slow Mutants and they move along without the mine cart. They eventually come upon the exit from the tunnels. Jake trips and is left dangling from the tracks. As Roland tries to help him, the Man in Black appears and tells Roland that if he saves the boy then he will never catch him. Roland decides to let Jake fall; Jake knows this and spouts, "Go then. There are other worlds than these." Jake then falls to his death as Roland goes to talk with the Man in Black.

They meet in a golgotha and palaver. The Man in Black reads Roland's fate from Tarot cards. Roland's fate includes The Sailor, The Prisoner, The Lady of Shadows, death, life (which the Man in Black burns), and the Tower at the center of everything. The Man in Black tells Roland he is only a pawn for Roland's true enemy who now controls the Tower itself. The Man in Black tries to convince Roland to give up on his quest by creating a representation of the universe and showing him how insignificant he is. Roland refuses and is forced into sleep. When he awakens, ten years have passed and there is a skeleton next to him, which he believes to be the Man in Black. Roland departs from the Golgotha and sits at the edge of the Western Sea contemplating the next step in his quest for the Dark Tower.

At some unspecified date in the near future, an unknown agent causes the Moon to shatter into seven pieces. As the remnants of the Moon begin to collide with one another, astronomer and science popularizer "Doc" Dubois Harris calculates that the number of collisions will increase exponentially. A large number of moon fragments will begin entering Earth's atmosphere, forming a "white sky" and blanketing the earth within two years with what he calls a "Hard Rain" of bolides; this will cause the atmosphere to heat to incandescence and oceans to boil away, destroying the biosphere and rendering Earth uninhabitable for thousands of years. It is decided to evacuate as many people and resources as possible to a "Cloud Ark" in orbit, including a "swarm" of "arklet" habitats that will be able to avoid the debris from the moon—both to attempt to preserve the human race and to give the remaining doomed inhabitants of Earth something to hope for, to prevent civil disorder from breaking out on Earth before its surface is destroyed. Each nation on Earth is invited to choose by lot a small number of young people to become eligible to join the Cloud Ark.

The Cloud Ark is to be based around the International Space Station (ISS), currently commanded by American astronaut Ivy Xiao. The ISS is already bolted onto an iron Arjuna asteroid called Amalthea, which provides some protection against moon debris. Robots are used to excavate Amalthea to provide more protection in a project run by mining and robotics engineer Dinah MacQuarie. Technicians and specialists, including Doc Dubois, are sent to the ISS in advance of the Hard Rain to prepare it to become the headquarters of the Cloud Ark.

The plan is that the Cloud Ark must be self-sufficient for 5,000 years and capable of repopulating Earth once it is habitable again. A Human Genetic Archive is sent to the Cloud Ark, with the intention that it will be used to rebuild the human population. Approximately 1,500 people are launched into space in the two years before the Hard Rain begins.

Suspecting that some architects of the Cloud Ark are interested only in pacifying Earth's inhabitants with false hope (rather than creating an environment that will actually survive in the long term), a billionaire named Sean Probst realizes that the Cloud Ark will need a ready supply of water in order to provide propellant for the space station and to prevent it from eventually falling into the earth's atmosphere. He embarks on a two-year expedition to extract ice from a comet nicknamed Greg's Skeleton, using a nuclear reactor to provide power to bring it back towards Earth.

The Hard Rain begins approximately two years after the destruction of the moon as predicted; human civilization as well as nearly all life on Earth is obliterated, although some try to take shelter underground (such as Dinah's father) or in the deep ocean (such as Ivy's fiancé). Markus Leuker, appointed leader of the Cloud Ark, declares all nations of Earth to be dissolved, and imposes martial law under the Cloud Ark Constitution. Despite a worldwide agreement that members of government will not be launched into space, the President of the United States, Julia Bliss Flaherty, manages to get herself sent to the Cloud Ark at the last minute. Shortly afterwards the main cache of the physical Human Genetic Archive attached to the ISS is ruined by the thrusters of an arklet passing too closely, leaving only samples that had been distributed amongst the arks.

There is disagreement on the Cloud Ark about the best way to organize its society and avoid the debris of the moon. Some "Arkies" favor converting the Cloud Ark into a decentralized swarm of small space vessels at a higher orbit out of range of debris, rather than maintaining the central authority of the ISS. Doc Dubois wants to shelter in the "Cleft", a crevasse on the now-exposed iron core of the moon. Others want to go to Mars. Julia Flaherty starts to acquire a coterie of followers and encourages the proponents of the decentralized swarm plan.

Sean Probst's expedition has succeeded, and he has brought a comet into an orbit that will soon pass by Earth. His radio has failed and he has built a replacement by hand, and is able to communicate with Dinah MacQuarie by Morse code. However, he and his party die of radiation sickness caused by fallout from their nuclear reactor long before the expedition is complete. Markus Leuker and Dinah travel to the comet with a small crew to take control of it and bring it back to the Cloud Ark, in order to provide sufficient propellant to reach the Cleft on the moon's core. Just before Dinah returns with the ice as the sole survivor of the mission, Julia Flaherty persuades the majority of the population to abandon the ISS and move to higher orbit in a decentralized swarm, and sends a preliminary expedition to Mars. In the course of their sudden, unauthorized departure the ISS sustains catastrophic damage to many sections. The surviving portions of the Human Genetic Archive are carried along with them, but due to the Arkies' ignorance, these surviving portions are discarded or ignored. Only the digital version of the Human Genetic Archive survives aboard the ISS. The ISS and remaining third of the cloud ark combine through reshaping the ice into a support structure, and is rechristened Endurance.

During the three years that it takes for Endurance to reach the Cleft, the majority of its population die of various causes (cancer caused by cosmic radiation, suicide, bolide strikes, etc.); by the time they are within range of the Cleft, only about 30 survivors remain. Julia Bliss Flaherty's Swarm splits into two factions, who fight; Flaherty's faction is defeated. Running out of food, the Swarm resorts to cannibalism, and by the end of three years only 11 survive, including Flaherty and the leader of the opposing faction, Aïda. Aïda requests to reunite the remnant of the Swarm with the Cloud Ark before it reaches the Cleft, but secretly plans a battle for control of Endurance; as a result of that battle the population is diminished even further.

By the time Endurance reaches the relative safety of the Cleft, there are only eight surviving Homo sapiens in space, all of whom are women. One, the sociologist Luisa, has reached menopause, and the remaining seven (Dinah, Ivy, Aïda, Tekla, Camila, Moira, and Julia) come to be known as the Seven Eves. The Human Genetic Archive has been destroyed, but they have sufficient resources to use the surviving genetics laboratory to rebuild the human race by parthenogenesis. They agree that each of the Seven Eves gets to choose how her offspring will be genetically modified or enhanced. Aïda predicts that, hundreds of years from now, this project shall result in seven new races.

The narrative jumps to 5,000 years later. There are now three billion humans living in a ring around the Earth, and they have indeed formed into seven races, each one descended from and named after the Seven Eves who survived the events of Part 2. These races have quite distinct characteristics, including "Moirans" who can undergo "epigenetic shifts", radically changing their bodies in response to new environments. The iron core of the moon has mostly been used to build space habitats, but the Cleft itself has been turned into "Cradle", an exclusive piece of real estate attached to a tether that occasionally "docks" with Earth.

Humanity has divided mostly along racial lines into two states, Red and Blue, which are engaged in a form of Cold War characterized by cultural isolation, espionage and border skirmishes, mediated by treaty agreements more honored in the breach than the observance.

The orbiting races, the Spacers, terraform Earth by crashing ice comets into it to replenish the oceans, and seed the planet with genetically created organisms based upon re-sequenced DNA data saved from the escape to orbit. Once a breathable atmosphere is recreated, and sufficient plant and animal species have been reseeded, some members of the orbiting races ("Sooners") resettle the planet, in violation of treaty agreements.

A "Seven", a group of seven people with one member from each race, is recruited by "Doc" Hu Noah, to investigate mysterious people who have been sighted on Earth. As the story unfolds, they discover that some humans did indeed survive the Hard Rain on the planet by living in deep mines ("Diggers"), while others survived in ocean trenches using submarines ("Pingers"). Although these survivors have also evolved socially and biologically to form two additional races, the survival of root stock humanity separate from the Seven Eves causes turmoil in Spacer high politics. Ground conflict eventually occurs because each of the orbiting camps (Red and Blue) wishes to establish a preferential or exclusive relationship with the Earthbound races: the Diggers, although descendants of Dinah's family, interpret the Blue state's presence on their territory as an act of aggression and develop an alliance with Red, prompting Blue to seek out an alliance with the Pingers on the strength of Ivy's connection with one of their founders. Matters are further complicated because the Diggers claim all of the Earth's land surface as their own, and initially hold the Spacers in disdain (despite their high technology) for having fled the planet eons ago.

In an epilogue it is revealed that a separate, secret underwater ark had been created concurrently with the cloud ark, leading to the development of the Pingers, based on analysis of the "selfies" Ivy's fiance had sent her, using diagrams and sketches in the background as clues. Ty invites the surviving Seven (along with Sonar and Deep, representatives of the Diggers and the Pingers, respectively) back to apartments at his bar in the Cleft with the intent of forming the first "Nine".

At some unspecified date in the near future, an unknown agent causes the Moon to shatter into seven pieces. As the remnants of the Moon begin to collide with one another, astronomer and science popularizer "Doc" Dubois Harris calculates that the number of collisions will increase exponentially. A large number of moon fragments will begin entering Earth's atmosphere, forming a "white sky" and blanketing the earth within two years with what he calls a "Hard Rain" of bolides; this will cause the atmosphere to heat to incandescence and oceans to boil away, destroying the biosphere and rendering Earth uninhabitable for thousands of years. It is decided to evacuate as many people and resources as possible to a "Cloud Ark" in orbit, including a "swarm" of "arklet" habitats that will be able to avoid the debris from the moon—both to attempt to preserve the human race and to give the remaining doomed inhabitants of Earth something to hope for, to prevent civil disorder from breaking out on Earth before its surface is destroyed. Each nation on Earth is invited to choose by lot a small number of young people to become eligible to join the Cloud Ark.

The Cloud Ark is to be based around the International Space Station (ISS), currently commanded by American astronaut Ivy Xiao. The ISS is already bolted onto an iron Arjuna asteroid called Amalthea, which provides some protection against moon debris. Robots are used to excavate Amalthea to provide more protection in a project run by mining and robotics engineer Dinah MacQuarie. Technicians and specialists, including Doc Dubois, are sent to the ISS in advance of the Hard Rain to prepare it to become the headquarters of the Cloud Ark.

The plan is that the Cloud Ark must be self-sufficient for 5,000 years and capable of repopulating Earth once it is habitable again. A Human Genetic Archive is sent to the Cloud Ark, with the intention that it will be used to rebuild the human population. Approximately 1,500 people are launched into space in the two years before the Hard Rain begins.

Suspecting that some architects of the Cloud Ark are interested only in pacifying Earth's inhabitants with false hope (rather than creating an environment that will actually survive in the long term), a billionaire named Sean Probst realizes that the Cloud Ark will need a ready supply of water in order to provide propellant for the space station and to prevent it from eventually falling into the earth's atmosphere. He embarks on a two-year expedition to extract ice from a comet nicknamed Greg's Skeleton, using a nuclear reactor to provide power to bring it back towards Earth.

The Hard Rain begins approximately two years after the destruction of the moon as predicted; human civilization as well as nearly all life on Earth is obliterated, although some try to take shelter underground (such as Dinah's father) or in the deep ocean (such as Ivy's fiancé). Markus Leuker, appointed leader of the Cloud Ark, declares all nations of Earth to be dissolved, and imposes martial law under the Cloud Ark Constitution. Despite a worldwide agreement that members of government will not be launched into space, the President of the United States, Julia Bliss Flaherty, manages to get herself sent to the Cloud Ark at the last minute. Shortly afterwards the main cache of the physical Human Genetic Archive attached to the ISS is ruined by the thrusters of an arklet passing too closely, leaving only samples that had been distributed amongst the arks.

There is disagreement on the Cloud Ark about the best way to organize its society and avoid the debris of the moon. Some "Arkies" favor converting the Cloud Ark into a decentralized swarm of small space vessels at a higher orbit out of range of debris, rather than maintaining the central authority of the ISS. Doc Dubois wants to shelter in the "Cleft", a crevasse on the now-exposed iron core of the moon. Others want to go to Mars. Julia Flaherty starts to acquire a coterie of followers and encourages the proponents of the decentralized swarm plan.

Sean Probst's expedition has succeeded, and he has brought a comet into an orbit that will soon pass by Earth. His radio has failed and he has built a replacement by hand, and is able to communicate with Dinah MacQuarie by Morse code. However, he and his party die of radiation sickness caused by fallout from their nuclear reactor long before the expedition is complete. Markus Leuker and Dinah travel to the comet with a small crew to take control of it and bring it back to the Cloud Ark, in order to provide sufficient propellant to reach the Cleft on the moon's core. Just before Dinah returns with the ice as the sole survivor of the mission, Julia Flaherty persuades the majority of the population to abandon the ISS and move to higher orbit in a decentralized swarm, and sends a preliminary expedition to Mars. In the course of their sudden, unauthorized departure the ISS sustains catastrophic damage to many sections. The surviving portions of the Human Genetic Archive are carried along with them, but due to the Arkies' ignorance, these surviving portions are discarded or ignored. Only the digital version of the Human Genetic Archive survives aboard the ISS. The ISS and remaining third of the cloud ark combine through reshaping the ice into a support structure, and is rechristened Endurance.

During the three years that it takes for Endurance to reach the Cleft, the majority of its population die of various causes (cancer caused by cosmic radiation, suicide, bolide strikes, etc.); by the time they are within range of the Cleft, only about 30 survivors remain. Julia Bliss Flaherty's Swarm splits into two factions, who fight; Flaherty's faction is defeated. Running out of food, the Swarm resorts to cannibalism, and by the end of three years only 11 survive, including Flaherty and the leader of the opposing faction, Aïda. Aïda requests to reunite the remnant of the Swarm with the Cloud Ark before it reaches the Cleft, but secretly plans a battle for control of Endurance; as a result of that battle the population is diminished even further.

By the time Endurance reaches the relative safety of the Cleft, there are only eight surviving Homo sapiens in space, all of whom are women. One, the sociologist Luisa, has reached menopause, and the remaining seven (Dinah, Ivy, Aïda, Tekla, Camila, Moira, and Julia) come to be known as the Seven Eves. The Human Genetic Archive has been destroyed, but they have sufficient resources to use the surviving genetics laboratory to rebuild the human race by parthenogenesis. They agree that each of the Seven Eves gets to choose how her offspring will be genetically modified or enhanced. Aïda predicts that, hundreds of years from now, this project shall result in seven new races.

The narrative jumps to 5,000 years later. There are now three billion humans living in a ring around the Earth, and they have indeed formed into seven races, each one descended from and named after the Seven Eves who survived the events of Part 2. These races have quite distinct characteristics, including "Moirans" who can undergo "epigenetic shifts", radically changing their bodies in response to new environments. The iron core of the moon has mostly been used to build space habitats, but the Cleft itself has been turned into "Cradle", an exclusive piece of real estate attached to a tether that occasionally "docks" with Earth.

Humanity has divided mostly along racial lines into two states, Red and Blue, which are engaged in a form of Cold War characterized by cultural isolation, espionage and border skirmishes, mediated by treaty agreements more honored in the breach than the observance.

The orbiting races, the Spacers, terraform Earth by crashing ice comets into it to replenish the oceans, and seed the planet with genetically created organisms based upon re-sequenced DNA data saved from the escape to orbit. Once a breathable atmosphere is recreated, and sufficient plant and animal species have been reseeded, some members of the orbiting races ("Sooners") resettle the planet, in violation of treaty agreements.

A "Seven", a group of seven people with one member from each race, is recruited by "Doc" Hu Noah, to investigate mysterious people who have been sighted on Earth. As the story unfolds, they discover that some humans did indeed survive the Hard Rain on the planet by living in deep mines ("Diggers"), while others survived in ocean trenches using submarines ("Pingers"). Although these survivors have also evolved socially and biologically to form two additional races, the survival of root stock humanity separate from the Seven Eves causes turmoil in Spacer high politics. Ground conflict eventually occurs because each of the orbiting camps (Red and Blue) wishes to establish a preferential or exclusive relationship with the Earthbound races: the Diggers, although descendants of Dinah's family, interpret the Blue state's presence on their territory as an act of aggression and develop an alliance with Red, prompting Blue to seek out an alliance with the Pingers on the strength of Ivy's connection with one of their founders. Matters are further complicated because the Diggers claim all of the Earth's land surface as their own, and initially hold the Spacers in disdain (despite their high technology) for having fled the planet eons ago.

In an epilogue it is revealed that a separate, secret underwater ark had been created concurrently with the cloud ark, leading to the development of the Pingers, based on analysis of the "selfies" Ivy's fiance had sent her, using diagrams and sketches in the background as clues. Ty invites the surviving Seven (along with Sonar and Deep, representatives of the Diggers and the Pingers, respectively) back to apartments at his bar in the Cleft with the intent of forming the first "Nine".

Author's note: I posted this a couple days ago in @Kat's WIP thread, but I felt it was a little too tough of an ask to put there. This is probably going to take a more serious time commitment to review than the average submission, so I want to make sure everyone knows what they're getting into (such as through that nifty word count that will appear in the thread title). To that end, let me lay out some context so you're more grounded as to what this is, where I came from, and how serious I am about it.

For starters, I wrote this as part of a complete manuscript (about 63k words total) over a couple months late last year on a challenge from a friend. Liking the direction it was going, I then spent much of the early part of this year fixing and tweaking and revising because it turned out I liked it so much I decided to plan out three more independent stories set after this one.

So what is this? This is a first-person science fiction story of a test subject within an ongoing science experiment. It is set in not-too-distant future, 60-80 years give or take--I didn't want to be too specific for World Building Reasons. The nature of that experiment is unknown to the subject. I need to work on my blurbs.

What type of feedback am I looking for? Any you're comfortable giving, and I've got a very thick skin (many calluses from toxic league of legends players, I'd joke if it weren't true). This is the fourth-or-so draft and I could use fresh eyes on the little things. I also highly value emotional feedback, like what something is making you feel, whether you found something upsetting or funny or confusing. This is an unreliable narrator, so there should bit of each. Endgame-wise, I am probably going to look to publish this somewhere somehow, but I want to make sure that I'm not barking up the wrong tree before putting too much more energy into this.

If this isn't a great format for this sort of work (and I get it. This text is twelve pages on a good day), I am open to suggestions on how it might be easier to consume and respond. I've used my markdown wizardry to mimic the format of my word doc, which I'm not planning on uploading directly. So please forgive weird formatting things like inconsistent italics. I tried to catch them all, but it's like playing a game of whack a mole over here.

Editor's note: The following text came to us within encrypted song files in specific order. We were also provided an executable file that decrypted the text so that we could publish it. The relationship between these songs and the narrative is often not clear. To allow readers the opportunity to judge any potential relationship for themselves, we have titled each bit of text with the correct song file it was encrypted within. The order was preserved.

Prologue

"Yesterday”.FLAC

I'm not breathing. I'm dead. Is this hell? Heaven? I’m in a white room with Adam and Eve in white robes as the gatekeepers. Why is the room tilted? It’s not a hospital; it’s far too dirty. Will I recognize anyone? Am I dressed for heaven? The grime makes me think maybe this hell. That’s the breaks then, huh. But why would demons be in lab coats? And what are those tops? Is that a scarf? Indoors?

Oh shit, they're staring at me.

Hi. Am I dead? Did I say that? Can I speak? I can’t breathe.

They looked at each other. Did I say anything? Maybe I'm not dead. But I'm not breathing. I’m not just not breathing, but I can’t breathe. I don't feel like I can move. Why can’t I breathe?

Holy shit, I don't have any legs. My arms aren't mine. They're someone else's. Some hairy darker bastard too. Oh fuck, oh fuck, oh fuck. What the fuck is happening?

You're not dead, but you did die. That has all the clarity of a Taoist monk. I think the woman said it. She stepped forward a little bit and tilted her head to the side with some mouth flapping to match the words. Did I really hear it? How can I not be dead? Whatever happened in America froze you. Like, we talking cryogenics frozen? Disney movie Frozen? The Iceman cometh frozen? Even frozen people should be able to breathe, right? They needed to replace my arms? What was wrong with my old arms if I was frozen to death? You’re in a new body. Those arms are yours now.

Yeah, the woman has to have said some of that. She started leaning in during the mouth-flapping like she was talking to a child. Now she’s straight as a country boy at church. I’m going to have to track her specifically. This is tedious.

Asian woman. If you can hear this: sorry, I’m new here.

“My name is Nadia, not ‘Asian woman.’ Can you tell us your name?” She glanced back to the man before looking back at me, with her hands clasped like she was pleading. Do I need to be pleaded with? She put her hands back to her sides. Where am I?

“You’re in Istanbul.” That’s not Nadia. Her mouth didn’t flap. I think it’s a voice, and I think it’s the man’s, but I couldn’t see him flap. Nadia was blocking the view. I think she’s like two feet away or something. Just out of arm's reach, but close enough that I can’t see the man anymore. Now she’s backed away. Why does she do that? The timing is weird.

So I'm in Istanbul. My legs are gone. My arms are fake and way super hairy. I'm not breathing, but I'm not dead, though I did die. I felt my eyes roll. I guess you two did something to me then.

“Well,” This is the other voice. Now that Nadia has backed away I can see the man’s mouth flapping, but he’s barely doing anything else. Not even a simple hand-gesture. I thought he was just wallpaper. Breathing wallpaper. Or is it mine? Maybe mine is the mouth that’s flapping.

“The frozen you died, but your brain was intact and incredibly well-preserved by whatever happened. We transferred the data that your brain contained into an android unit we designed for this purpose, and here you are." Yep, not mine. It’s got to be the dude, especially because he did a weird, body-length bobblehead bounce the entire time that voice was happening. Wait--

“You designed an android not to have any legs?” I heard that one. That’s me. Okay, I'm getting better at this. That explains the breathing, I think. It at least explains the arms. I'm not dead, but I'm also not alive. This is fun. I'm having fun. “So what did you do to me and how the fuck did I get to Istanbul?”

Whatever script these two had, I'm sure I've deviated from it. They're spending a lot more time looking at each other in silence than mouth-flapping. Okay. Fake-breath. What didn't I notice? The recorder is a little black thing on a little spot at the bottom of the mirror. Oh, I'm laid on this weird chair thing that has me positioned to look across the room. That’s why everything at an angle, I guess. Well, let’s just get off of that. I can just lean against this wall. It’s drywall, but that’s fine so long as I’m not throwing myself at it. I’ll have to lean because my ass is rounded with holes where legs should be. If I imagined legs there, I’d probably look like I have a nice ass.

The room looks like a room you use to interrogate someone mixed with a kid’s idea of wall-design. The wall behind me and to my left are drywall, looks like. The opposite wall with the door and the wall to my right with a mirror are concrete. Not even brick, like just solid concrete. I didn’t even realize that was still code. If this is a hospital, I’m reporting a lot of code violations. This place looks like a pigsty, one that not even the hired help cleans up. Though, that might just be those concrete walls. I’m especially complaining about the lack of legs.

"We felt it was a safety risk to give you legs." Safety risk? Safety for whom? I can’t breathe. Who is this guy anyway? "I'm Mehmet."

"Wait, how did you hear that? Have I been saying everything?" I'd rather have a little privacy at some points, you know?

"Well, you haven't exactly been silent." Huh. That's going to be a problem.

"You should be able to create a subroutine for the thoughts you want to save without speaking." Nadia to the rescue, but how would I do--oh, I see. That's new.

Let's restart this, then.

"Mr. Roboto".FLAC

Goooooooooood morning, subconscious! WELCOME TO THE FUTURE! Cue audience applause and cheers. I'm your host, Mr. Android! As you know, we’ve been off the air for a while. There’s a lot to catch up on. That’s why we’re bringing in two special guests to help reintroduce us to the anxiety of life: Mehmet and Nadia! We got a great show for you tonight, so stay tuned because you have no choice anyway.

Before the break, Mehmet, you were saying that you felt it was a safety risk to give us legs?

"That's right, Mr. Android. The design team and I thought that if you had legs, you'd be likely to use them.”

You’re damn right. Cue audience laughter. What’s wrong with using legs?

“If you had that mobility, we don’t know what you’d use it for. You could do anything a normal person could do, even walk right on out of this building.”

I presume you wouldn’t like it if I walked out right now. What if I just wanted a coffee from our proud sponsor: BB's Coffee™?

"First, don’t drink coffee. Don’t drink anything. That mouth wasn’t designed for drinking."

We’ll see about that. Cue audience laughter.

“Second, we need you not to walk out because we’re trying to monitor you to make sure you’re safe, as well as try to figure out what happened around your death.”

We'll have to come back to that, Mehmet. First, tell us a little bit about yourself.

"Sure. I was born and raised here in Turkey, but my grandparents were studying tornadoes in Oklahoma when everything went down."

Your grandparents? How long ago are we talking about here?

“It’s been a bit more than a half-century.”

Alright, what is ‘everything’ and how did it impact your grandma?

"Well, whatever happened to kill you. No one is really sure what caused the incident to happen. The best we could make of it at the time is that there was a large eruption near America's capital, and after that almost the entire east coast was some form of an infected mess. People who didn't die immediately had their immune systems too compromised to handle any other serious illness. That killed most of them within a few years." A moment of silence fell on the stage.

How bad was the devastation?

"Most of the coast was gone. Flights were stopped by the US almost immediately, so people in those areas were stranded. One flight got out to Montreal and it wiped out nearly a quarter of the city’s population. Cities along in the infected area lost an average of 75% of their population within a couple weeks.”

How far did it get?

“Atlanta was the northernmost city along the coast to weather the outbreak. A well-timed storm system kept the illness from spreading further west than it did. The mountains usually marked the furthest west it got. People who flew from those areas in the moments before the quarantine were tracked down and quarantined forcibly.”

Did anyone come to help?

“Sure, if a vulture helps a corpse.” Cue audience laughter. Audience might not laugh. “No one dared try to go near the infected areas, but Mexico declared a relief effort. That really was an attempt to annex most of the west and Great Plains under what it considered its historic claim to the land. The locals did not see things the same way. It turned into a classic occupation situation. They were resisted.”

So Texas is the new Palestine? Or would Crimea be a better analogy? What did your grandparents do?

“It was something like that. My grandparents just wanted to keep studying meteorology. There really wasn't a place in the United States safe enough to do that anymore. They applied for refugee status in Turkey and moved here. From there, they had a typical immigrant story. They earned enough money to start a restaurant and set their children up with a good education to be successful in Turkish society." Cue audience awe and applause.

Fascinating stuff. Nadia, it's your turn. Tell us a little about yourself.

"Well, I'm from Saudi Arabia. My parents were in California until about a decade before I was born. My mother was German-American, from Oregon. My dad was second generation Chinese-American, Californian born.”

California was impacted by the incident?

“Indirectly. After the incident, California tried to maintain some semblance of normalcy, but there were too many other nations that wanted to claim California for it to keep that dream alive for long. Russia, Canada, Japan, China, and Mexico each fought the other and the Californian government as they tried to claim it for their own.”

So they were the prettiest gal at the ball. Cue audience laughter. How did they deal with that sort of peer pressure?

“California had to start a mandatory draft program to keep up with the military needs of the new environment. Every citizen was theoretically part of the military’s reserves. After a few decades of near constant skirmishing at sea and especially in the north where most of the invading forces fought, California was out of resources and friends and collapsed after a military coup. Turns out if you can’t pay the active service personnel, you can’t keep a country.”

Intense. How do your parents fit into that?

“My parents saw the writing on the wall and applied for visas to work and live in Saudi Arabia a few years before the government collapsed. Saudi Arabia’s requirement for immigrants were twofold: it has to be a family and the man has to be educated, so here I am." Cue audience applause.

That's wild. Turkey and Saudi Arabia are refuges for the educated for more than two generations. How much more than a half century are we even talking here? I feel like a Twinkie from a time capsule. Cue audience laughter.

“It’s been about 60 years.”

You heard right, subconscious. We've been dead and 'incredibly well-preserved' for about 60 years. Everyone you knew is probably dead. Everything you know doesn’t matter. Your parents are statistically 99.99% certain to be dead even if they did survive and were outside the zone impacted. You're a man out of time. Are you even really a man anymore? Oh well, at least you don't have to put up with that breathing nonsense anymore, right? That sure was a drag*.*

Tune in next time for an interview with Toto. What is the matter with Kansas? Find out what Dorothy's breath smelled like as we ask Toto about his upcoming tell-all biography: Help, I'm A Dog And My Owner Takes Me On Tornado Rides.

"Clint Eastwood".FLAC

Oh good. There's a way to combine these tracking subroutines with living in the present. Now I don’t have to live in mortal fear of every errant thought becoming vocalized.

"Thanks, Nadia. That was very helpful." I’m a bit surprised about how my voice sounds. It’s tinny and higher pitched than my voice. Almost nasally too, but that doesn’t make any sense. There’s no nasal cavity for this voice to work through, right? There is no booming echo that I’m used to feeling when I talk. I have a strange confidence that I hear my words exactly as they sound, with no perspectival shift involved as the one saying them. No sense in telling them about that. I don’t even know for sure what we’ve been talking about.

I can tell that they've started to ease up. Nadia’s doing less of that leaning-to-the-children thing and Mehmet’s shoulders aren’t as far back as it’s humanly possible to bend them. He almost looks relaxed now. The bobblehead days might be behind us. Still, I think their increased comfort is more because I was off in that other subroutine most of that time. It feels like coming out of a blackout. Damn I'm going to miss alcohol.

"You're welcome, but a lot has happened in 60 years that we should get you caught up on." Oh, we've moved on. I thought I was just making all that up. I guess not. Weird. She’s hovering near the recorder like she turned it on recently. Or maybe turned it off? That wouldn’t make any sense though.

"You know what, Nadia. I think that's a lot to soak in. Unless there are more subroutines that help me process stuff like world events or that give me some newspaper articles or stuff from the past 60 years or something, I think I'm okay moving on from that for now. It's more interesting to me to talk about why you've revived me and what it is you're hoping to get here."

"Are you sure? I made a presentation for you outlining the biggest trends and current ongoing conflicts around the world." This woman is a nerd. I like it, but damn. Calm down. I hope she didn’t make any spreadsheets. For her sake.

Speaking of calming down, I should probably take a moment myself. Let’s see. The room isn’t nearly as white as I thought. I should have been either dead or in a hospital. This place doesn’t make sense. These people don’t make any sense. They’re not in any lab uniforms I’ve seen. They look rather like they’re about to go clubbing.

Nadia is average height. She looks like she's in her late twenties or early thirties. Her look matches a mix of her parents’ heritage: half Chinese-American and half German-American. I wonder what part of China. Brown hair, brown eyes, olive skin. Now that I think about it, I’m not actually sure what about her face strikes me as especially Asian. Maybe high cheek bones are what do it. Small noses really don’t mean much to me. It’s just a holistic thing, I guess. She could easily be mistaken for just about any ethnicity. She’s wearing jeans and no burka, so hurray for Saudi progressivism. I bet she might even be allowed to drive! She’s wearing a traditional white lab coat, but it’s open and I can see a black flowy thing that is tucked into the front of the jeans. She is joyously well-prepared to talk about shit that’s in her wheelhouse. Then again, I do seem to be these people's lab rat and I know these two are just the ambassadors of a much larger team of scientists. Preparing for this moment is probably their job.

Mehmet is probably in his thirties or forties. I can never tell age with men. Once you're over 26, you could be as old as 45 before I notice. He's maybe about six feet tall or six one--although this is Istanbul, so height is probably in centimeters here. What even would that be in centimeters, 181 cm? Anyway, he’s also wearing the open, white lab coat. Under it is a blue and gray checkered button down shirt with his jeans, and this tiny yellow argyle scarf. It isn’t long enough to protect your neck from winter, so it’s weird. Boots are yellowish. He's got sandy brown hair and ocean blue eyes. They look radioactive. They have to be fake. Eyes aren’t that blue. He also doesn’t have much of a tan. For a Turkish boy that’s awkward as fuck, but I guess his grandparents are from Oklahoma so maybe he's just a traditional, melanin-challenged, white American type. He didn't say anything about his other set of grandparents, but that's not related to what they want from me. Maybe Germans. Turks and Germans always had a close relationship going. Probably best to assume that Germans are part of an experiment like this anyway. They’re always getting into shady shit. Viva la Nuremberg.

"I'm sure, Nadia. But we can go over your presentation later. Or maybe there's some way for me to watch it on my own time, or something. I don't know. You designed this thing." I hope there isn't. Call me old fashioned, but I don't like people messing with my thoughts.

"Oh there is. Yeah, I'll upload it later." Great. Thanks, Nadia.

"To your question about purpose, we revived you because we don't know what happened 60 years ago,” Mehmet, as usual and fitting the German thesis, is stiff and blunt with his delivery. He doesn’t make hand gestures as he talks, which I never realized someone could accomplish. He barely moves. Makes me wonder who’s the real robot here, you know? “It was an important historical moment. We want to understand what happened to put it into a broader context of how the world changed since the fall of Imperial Era America." I'll let that label slide. Too many things to focus on to let a naming convention derail things.

"So you're hoping I can fill you in on the details."

"Exactly, at least what you know," he says.

"It would be a lot easier to put things into context if I had some idea of what context to put them into. Aren’t there like relevant stories or movies or something you can show me? Or anything that makes me feel a little less like a lab rat?" Mehmet winced, and Nadia glanced at him again. It’s especially noticeable because Nadia is almost always closer to me than Mehmet, so she has to turn around to look at him. Something makes them uncomfortable about me. Am I deemed unnatural? Is this entire experiment sacrilegious? Wouldn't be the first time for either. I goddamn hope there are some ethical qualms here.

While I was searching for an answer for their perpetual discomfort, Nadia chimed in. "We have a list of topics that we agreed as a team to discuss. I hope you'd understand if we took your suggestion to the team before agreeing to it? If we give you too much context we might skew your presentation. It’s just something we’d need to carefully plan out with the team."

"Sure, of course. Makes sense to me." Why are you even asking me though? I don’t have any power in this exchange, physical or emotional. Hell, you've even made sure I can't run at you. Oh shit, they’re about to leave.

“Hey, before you head out, is there a way I can be positioned so I can see that mirror over there? I’d like to see myself. I don’t even know if I make facial expressions.”

Nadia responded much faster than either of them have been up until now, “Oh you make facial expressions alright.” Fuck. She’s chuckling under her breath too. What have I been doing? If there were any blood in this husk, it’d all be in my cheeks right now. I used to cosplay as a tomato when I’d get the least bit worked up. I have that feeling right now.

Mehmet moved in closer to the table I’m on for the first time. Unlike Nadia, who often looks to him, he doesn’t look to her before grabbing a side of the table. He looks to her after though, and gives her a nod. I can’t tell if that’s workplace hierarchy or respect or just a man in the workplace or what. "Yeah. We can move you. Could you get away from that wall?" Without responding, I slid away from the wall as he suggested. Made sense if they were moving the table with me on it.

“Hang tight,” Nadia said, but she didn’t need to. I had already grabbed onto the edges of the table. Mehmet and Nadia lifted the table a couple inches and walked it slowly to the wall that was to my left. I’m not under any illusions about what this mirror is. It’s a one-way with a team watching on the other side. There’s no way it isn’t. The wall the mirror sits in looks like they broke through it just to put the mirror in; it’s got all sorts of chips and cracks like somebody actually chiseled the hole out. The important thing here is that I can see myself now.

They certainly had an eye for detail. My face has a bigger, more squished nose than I'm used to. It’s all olive, which of course I imagined from the arms, but to see it brings a new depth to this place. Is this actually me now? The dark brown eyes are new, though they are probably contacts anyway. I bet they look red when the light catches them. That’ll be a test for later. They should be light-brown things that would look yellow in the light. They’re not. I can’t believe I miss them assuring me I’m going to be blind by the time I’m 50. Eyebrows are just as thick--like caterpillars resting on a face. They didn't bother with hair on the top, but that's understandable. Hair is hard and they put all their hair energies in the arms and eyebrows. For some reason they put on a light stubble all along my jawline. Why would they want to show I could grow a beard? That was never true before. I'm not really crushed it still isn't true now. They replaced all my freckles with a simple mole just under my left eye. They thought to put on a mole? Can androids even get skin cancer? It looks like real skin, except it doesn't play as much. They must have made me to look like the most stereotypically handsome, bald man in society, with a mole to make it all seem real. I'm okay with that. This body looks good. I’d date me. Now let's see those pearly whites. Holy shit, nevermind. This mouth is fucked. The teeth are perfect, but everything within it is this wiry abomination that probably didn't get enough design time.

I realize now that I'm too busy gawking to think much about how this all must look to the people behind the mirror. Of course, this was after sticking my wire cage pretending to be a tongue out at them. Nadia and Mehmet are near the door now, watching me look at myself.

I put on my best smile for them. Got to show a good game face, right? "Thanks. I was just dying to marvel at my own newfound good looks." Both Nadia and Mehmet smiled back, but it was Mehmet’s reaction I was after. It wasn’t a very big one, but it’s good enough for me. Hopefully that means he can react to a bad pun, but he could have just been smiling because I smiled. That’s a thing with meatbags. Though that smile didn’t move up an inch. It was one of those horizontal smiles that you give when you just want to be polite. This guy must have taken a martial arts class in self-expression because he does not react more than he has to.

I want to ask them what the endgame here is. If they're just going to turn me off again after bringing me back from the dead to have a good chat, then that's kind of a bad thing for me. If they're planning on keeping me around, it's not clear what use I can be outside of this experiment. Maybe they want to have proof that they can bring people back from the dead and put them into androids? A new technology that gives people (who can afford it, or are deemed worth it) immortality and further leads to the singularity and domination of all humanity by robot people. It doesn't seem like there's any way out of this mess that can be good for me. God damn I need legs.

They’re still here, watching and waiting. I might as well voice some of my appreciation for this body. "I have some hairy arms here. Oh, and I feel these washboard abs. I'm guessing that design choice was you, Nadia?" I felt myself wink. We're back. Breathing crisis resolved. “Were there some legs in the works for this project too? Are they a hairy match for these arms?" And what are the hair trends in porn these days? Is everyone hairy? I can’t ask them that. Incidentally, and unrelated: this mirror shows that this body can, in fact, blush. Not as red as I’m used to, but the cheeks do change color slightly. How did they do that?

"The legs were in development because we didn't make the final risk assessments until after the base android design was tested and showed that the legs performed far better than expectations." Dang, Mehmet. That sort of response really goes beyond what I'd think the team would want you to say. I hope you don't get iced for that. I'm starting to like your blunt, no nonsense style.

"Cool.” I nodded to make it seem like I was deeply offended. “Are there any questions you wanted to get into right away or did you want to talk with your team before moving forward?"

"I … ” Nadia held that like she was interjecting on a conversation she wasn’t in. “I think it's probably best if we talk to the team first and give you some time to get adjusted. I'll also add that video to a list you can access internally while you wait. You already have access to some music, both contemporary hits for you and more modern tunes. There are also some other things that we put together." Nadia smiled gently as though she had done me some great service, but I’d prefer to find my own way thank you. They can’t know what I like or don’t like. They don’t know me. What happened to the internet? Can't I just access that or would that be way too much of a security risk? Fuck. They're gone.

Well, might as well get a better look at this thing resembling a tongue.

                                             How to Live Safely in a Science Fictional Universe

Charles Yu's debut novel, How to Life Safely in a Science Fictional Universe, could be described as a story about contemporary family life disguised as science fiction. It concerns a young man who has spent most of the past decade in a small time machine in his job as a time machine repairman. He makes calls on people who have rented time machines for recreational purposes but have become stuck in time and must be rescued by him. As the novel progresses, it is revealed that this man's name is the same as that of the author, Charles Yu. The protagonist is a lonely and rather sad fellow, who spends much of his non-working hours drifting along in his capsule, thinking about his past and his parents, especially his father who disappeared long ago. Accompanied only by his dog and a computer that has the pixilated face of a female and a cartoon-like voice, Charles hopes to one day locate his father in some alternate universe to which he apparently has traveled in a time machine. Charles's parents, a few clients, and several street performers are the only other humans that he encounters during the course of the story. He makes one trip to a city in Minor Universe 31, a residential and entertainment world made mostly from a science fiction "substrate," where the company for which he works is headquartered. His objective is to have maintenance work done on his time machine and when he goes to pick it up, he encounters his future self. Panicking, he draws his service revolver and shoots his future self in the stomach, just as his future self is attempting to tell him that the key is the book. He has no idea what this means as he stumbles into his time machine and races away. On the capsule's console, he finds a manual-type book that has the same title as the novel.

With the help of his computer, he realizes that he must read the book and make amendments and additions to it as he goes along. At some point in the future, he must give the completed book to his past self, who then will shoot him and begin the rewriting process again in an endless cycle. Charles realizes he has become stuck in a time loop. By the rules of time travel, if he changes anything that happens during this loop, he risks entering an alternate universe from which he might not emerge. Under the circumstances, escaping the time loop appears to be extremely difficult. He may be doomed to spend the rest of his life in the time machine, writing the book, giving it to himself, shooting himself, and starting the cycle again. The book is a manual about time travel, but it also offers advice on how such a traveler should live within or use time wisely. The main use of Charles's time is in thinking about his father and mother, but he begins visiting periods in his past in his time machine, watching his younger self interact with his parents. Eventually, he discovers that the book given to him by his future self is literally the key, because it holds a key that unlocks a box that his mother gave him, inside of which his father left clues to where he went in time. This inspires Charles to realize that he can break out of his time loop through the power of his mind and memory. He does so and rescues his father from the past time in which he is stuck. As the novel ends, it looks as if the family has a chance to regain normalcy and move forward with a better understanding of how to cope with the difficulties of life by facing the problems of the past with courage and honesty.

                       Praise

“Glittering layers of gorgeous and playful meta-science-fiction. . . . Like [Douglas] Adams, Yu is very funny, usually proportional to the wildness of his inventions, but Yu’s sound and fury conceal (and construct) this novel’s dense, tragic, all-too-human heart. . . . Yu is a superhero of rendering human consciousness and emotion in the language of engineering and science. . . . A complex, brainy, genre-hopping joyride of a story, far more than the sum of its component parts, and smart and tragic enough to engage all regions of the brain and body.”
—The New York Times Book Review

“Compulsively rereadable. . . . Hilarious. . . . Yu has a crisp, intermittently lyrical prose style, one that’s comfortable with both math and sadness, moving seamlessly from delirious metafiction to the straight-faced prose of instruction-manual entries. . . . [The book itself] is like Steve Jobs’ ultimate hardware fetish, a dreamlike amalgam of functionality and predetermination.”
—Los Angeles Times

“Douglas Adams and Philip K. Dick are touchstones, but Yu’s sense of humor and narrative splashes of color–especially when dealing with a pretty solitary life and the bittersweet search for his father, a time travel pioneer who disappeared–set him apart within the narrative spaces of his own horizontal design. . . . A clever little story that will be looped in your head for days. No doubt it will be made into a movie, but let’s hope that doesn’t take away the heart.”
—Austin Chronicle

“If How to Live Safely in a Science Fictional Universe contented itself with exploring that classic chestnut of speculative fiction, the time paradox, it would likely make for an enjoyable sci-fi yarn. But Yu’s novel is a good deal more ambitious, and ultimately more satisfying, than that. It’s about time travel and cosmology, yes, but it’s also about language and narrative — the more we learn about Minor Universe 31, the more it resembles the story space of the novel we’re reading, which is full of diagrams, footnotes, pages left intentionally (and meaningfully) blank and brief chapters from the owner’s manual of our narrator’s time machine. . . . . Yu grafts the laws of theoretical physics onto the yearnings of the human heart so thoroughly and deftly that the book’s technical language and mathematical proofs take on a sense of urgency.”
—NPR

“How to Live Safely is a book likely to generate a lot of discussion, within science fiction and outside, infuriating some readers while delighting many others.”
—San Francisco Chronicle

“An extraordinary work. . . . I read the entire book in one gulp.”
—Chris Wallace, GQ

“A great Calvino-esque thrill ride of a book.”
—The Stranger

“Science and metaphor get nice and cozy in Charles Yu’s How to Live Safely in a Science Fictional Universe. The novel joins the likes of Gary Shteyngart’s Super Sad True Love Story and Jillian Weise’s The Colony, fiction that borrows the tropes of sci-fi to tell high-tech self-actualization narratives.”
—Portland Mercury

“A brainy reverie of sexbots, rayguns, time travel and Buddhist zombie mothers. . . . Packed with deft emotional insight.”
—The Economist

“A funny, funny book, and it’s a good thing, too; because at its heart it’s a book about loneliness, regret, and the all-too-human desire to change the past.”
—Tor.com

“A keenly perceptive satire. . . . Yu’s novel is also a meditation on the essentials of human life at its innermost point.. . . Campy allusions to the original Star Wars trilogy, a cityscape worthy of the director’s cut of Blade Runner and a semi-coherent vocabulary of techno-jargon cement these disparate elements into a brilliant send-up of science fiction. . . . Perhaps it would be better to think of the instructional units of How to Live Safely in a Science Fictional Universe in terms of the chapters of social commentary which John Steinbeck placed into the plot structure of The Grapes of Wrath.”
—California Literary Review

“How to Live Safely in a Science Fictional Universe is the rare book I pick up to read the first several pages, then decide to drop everything and finish at once. Emotionally resonant, funny, and as clever as any book I have read all year, this debut novel heralds the arrival of a talented young writer unafraid to take chances.”
—largehearted boy

“A wild and inventive first novel . . . has been compared to the novels of Kurt Vonnegut Jr. and Jonathan Lethem, and the fact that such comparisons are not out of line says everything necessary about Yu’s talent and future.”
—Portland Oregonian

“Bends the rules of time and literary convention.”
—Seattle Weekly

“Getting stuck with Yu in his time loop is like watching an episode of Doctor Who as written by the young Philip Roth. Even when recalling his most painful childhood moments, Yu makes fun of himself or pulls you into a silly description of fake physics experiments. In this way, he delivers one of the most clear-eyed descriptions of consciousness I’ve seen in literature: It’s full of self-mockery and self-deception, and yet somehow manages to keep its hands on the wheel, driving us forward into an unknowable future. How to Live Safely in a Science Fictional Universe is intellectually demanding, but also emotionally rich and funny. . . . It’s clearly the work of a scifi geek who knows how to twist pop culture tropes into melancholy meditations on the nature of consciousness.”
—io9

“Funny [and] moving. . . . Charles Yu’s first novel is getting ready for lift-off, and it more than surpasses expectations which couldn’t be any higher after he was given the 5 Under 35 Award . . . How to Live Safely in a Science Fiction Universe is one of the trippiest and most thoughtful novels I’ve read all year, one that begs for a single sit-down experience even if you’re left with a major head rush after the fact for having gulped down so many ideas in a solitary swoop. . . . Yu’s literary pyrotechnics come in a marvelously entertaining and accessible package, featuring a reluctant, time machine-operating hero on a continual quest to discover what really happened to his missing father, a mysterious book possibly answering all, and a computer with the most idiosyncratic personality since HAL or Deep Thought. . . . Like the work of Richard Powers . . . How to Live Safely in a Science Fictional Universe fuses the scientific and the emotional in ways that bring about something new.”
—Sarah Weinman, The Daily Beast

“One of the best novels of 2010. . . . It is a wonderfully stunning, brilliant work of science fiction that goes to the heart of self-realization, happiness and connections. . . . Yu has accomplished something remarkable in this book, blending science fiction universes with his own, alternative self’s life, in a way, breaking past the bonds of the page and bringing the reader right into the action. . . . Simply, this is one of the absolute best time travel stories . . . even compared to works such as The Time Machine by H.G. Wells or the Doctor Who television series.”
—SF Signal

“Within a few pages I was hooked. . . . There are times when he starts off a paragraph about chronodiegetics that just sounds like pseudo-scientific gibberish meant to fill in some space. And then you realize that what he’s saying actually makes sense, that he’s actually figured out something really fascinating about the way time works, about the way fiction works, and the “Aha!” switch in your brain gets flipped. That happened more than once for me. There are so many sections here and there that I found myself wanting to share with somebody: Here—read this paragraph! Look at this sentence! Ok, now check this out!”
—GeekDad, Wired.com

“In this debut novel, Charles Yu continues his ambitious exploration of the fantastic with a whimsical yet sincere tribute to old-school science fiction and quantum physics. . . . A fascinating, philosophical and disorienting thriller about life and the context that gives it meaning.”
—Kirkus, starred review

“With Star Wars allusions, glimpses of a future world, and journeys to the past, as well as hilarious and poignant explanations of “chronodiegetics,” or the “theory of the nature and function of time within a narrative space,” Yu, winner of the National Book Foundation’s 5 under 35 Award, constructs a clever, fluently metaphorical tale. A funny, brain-teasing, and wise take on archetypal father-and-son issues, the mysteries of time and memory, emotional inertia, and one sweet but bumbling misfit’s attempts to escape a legacy of sadness and isolation.”
—Booklist

“This book is cool as hell. If I could go back in time and read it earlier, I would.”
—Colson Whitehead, author of Sag Harbor

“Charles Yu is a tremendously clever writer, and How to Live Safely in a Science Fictional Universe is marvelously written, sweetly geeky, good clean time-bending fun.”
—Audrey Niffenegger, author of Her Fearful Symmetry and The Time Traveler’s Wife

“Funny, touching, and weirdly beautiful. This book is awesome.”
—Nick Harkaway, author of The Gone-Away World

“How to Live Safely in a Science Fictional Universe is that rare thing—a truly original novel. Charles Yu has built a strange, beautiful, intricate machine, with a pulse that carries as much blood as it does electricity.”
—Kevin Brockmeier, author of The View from the Seventh Layer and The Brief History of the Dead

“Poignant, hilarious, and electrically original. Bends time, mind, and genre.”
—David Eagleman, author of Sum

And holy crap this is well made. I hear it gets better in the later seasons, too! It makes me upset that we don't have more science fiction television of this quality, but also glad that I finally found this show. Hopefully I can get caught up quickly and join in with the rest of the world for the season finale. How do you all feel about The Expanse and other contemporary science fiction television?

Sleeping Giants is a science fiction novel by Sylvain Neuvel in which an unknown interviewer and scientist Rose Franklin attempt to decipher the alien origins and purpose of a giant robotic weapon. Told by way of case files – transcripts, diary entries, and other documents – the novel spans the course of four years, beginning with a prologue set when Rose is 11 years old.

When the novel begins, Rose takes out the bike she has received for her birthday, only to fall into a massive hole near Deadwood, South Dakota, in which is a giant hand. Seventeen years later, Rose now spearheads the effort to determine what the hand is, and to crack the code of the symbols featured on it. At the same time, two American pilots, Kara Resnik and Ryan Mitchell, testing Syrian airspace for radiation, return over Turkey when another body part appears beneath them, activated by the radiation they trail. Because of this, Kara and Ryan are tasked to be a part of Rose’s team. A French-Canadian linguist, Vincent Couture, is brought on board to help decipher the symbols. Scouring the globe, the team completes the robot.

The team is watched over, protected by, and instigated by an unknown interviewer (to whom the files belong and who appears in most of the files speaking to the members of the team). The interviewer has immense power that spans presidential administrations, and indeed he only has two equals: the sitting president and an unidentified subject whom he meets in Washington D.C. The unidentified subject turns out to be the descendant of alien soldiers who came to Earth as the most far-flung colony of their alien empire, to guard it against the threat of invasion using giant war machines. When the danger had passed, they left one robot behind in pieces so that when humanity advanced enough technologically, it could operate the robot on its own and prove worthy of alien contact – or destruction. The ability to master the atom for war is the sign of humanity’s advancement, and progress by the 2010s has allowed the robot to be found, reassembled, and activated, for it uses radioactive material as fuel. The aliens are now watching to see what becomes of the robot they left behind.

Kara and Ryan become pilots for the robot, but they are unable to make much progress because the robot only responds to Kara. When Vincent attempts to operate the robot, he is successful, meaning he and Kara are both descendants of the aliens – the only ones who can operate alien machinery because of their genetics. As a result, Greek geneticist Alyssa Papantoniou is brought on board to study Vincent and Kara. But a testing accident on the robot destroys part of Denver International Airport, kills hundreds (seemingly including Rose), and exposes the top secret project to the world. The United States then goes public with the truth about the robot, and sinks it in the Puerto Rico Trench so no country may harness its destructive power. Secretly, the interviewer oversees a consortium of nations other than America which buy into a project to recover the robot.

The new secret project is overseen by Alyssa. But when the project is exposed because of Alyssa’s incompetence, the United States must intervene – now holding the moral high ground – to take custody of the robot – with everything happening at the workings of the interviewer. The United States then gifts the robot to the UN to form the Earth Defense Corps, a multinational effort to prepare for potential alien invasion. As the novel ends, in an epilogue, Rose wakes up on the side of a road in Ireland, with no memory of the project and no memory of the past four years – though she does remember everything before.

So, i just rewatched the prequel trilogy and had soem thoughts, far removed from my first watching, and also after the new films, The Clone Wars, Rebels etc.

It comes down to this. If you don't buy the Anakin arc, it doesn't matter how good or bad the rest is, it all fails. And for many of us, we don't buy it, for several reasons.

• There is really NO foreshadowing in The Phantom Menace (TPM) that Anakin will turn bad. He's the blonde, ever helpful, committed to others all American good kid. Missing out on putting something in here was insane. Also, relying on the acting talents of a kid this young is rarely going to work out. I think the only thing they tried to do was show he had 'attachments' to peopel which was incompatible with Jedi-ism, but this wasn't greatly effective. It always seemed to clash with the emphasis on connections between peopel Obi-wan talks about in ANH.

• I don't find the relationship between Padme and Anakin believable. I mean, I don't think anyone does. Remember this is basically THE lever for his shift to the dark side. An awful script and terrible acting aside, I don't see how it was ever going to be believable. He had a boyish crush, she is interested in youngsters? There is no development fo their relationship to speak of, he's sold from minute 1 and she doesn't seem to have any journey to falling for him. Maybe he radiates a midichlorian pheromone? I don't see what we are supposed to think drove the relationship, even had the script, acting and direction been on point. And there were so many better ways to do it. Make them the same (ish) age when they met? Then you'd have a teenage crush as an ember they both carried that reignites later. There are many other ways, but it almost seems like they didn't try any of them.

• Anakin's dark side is tied to teenage against not to character traits. He's as emo as Kylo Ren would be later. The greatest danger to the galaxy is teenage hormones and the rage that comes from intractable acne. Again its exacerbated by the acting/dialogue/direction but still. His darkness is all driven by protecting people, but very selectively some people over others. And the other part is his entitlement, that he deserves more, which is really not compatible with the character in TPM. Also, he is selective what barriers he maintains. He never goes back for his mum but he is happy to get jiggy with Padme. If protection of those he loves is his main driver, why didn't this happen in any way between TPM and AotC.

• Anakin's seduction by Palpatine is silly. Its related to the point above. I guess if you don't buy the internal driver for his change, the external one makes little sense either. He preys on the weaknesses he exhibits, but the shift to him believing patent untruths is too abrupt. We aren't shown enough for it to be believable. Had we seen Palpatine messing with the minds fo others more directly, that might have helped, but we didn't get that. Again there were so many other ways to do this. If he'd fooled Anakin into inadvertently doing soemthign really bad, he coudl have then revealed himself and basically said that if Anakin fessed up then it would also hurt those he loved. But no its 'i have a vague idea of maybe stopping an unknown future threat to your weirdly inappropriate wife, pls go kill soem kids, m'kay?'. All we get is some iffy bad dreams, but again with no previous intriduction of Anakin as prophetic, thats not very convincing. Had that, say, been established earlier, it might have worked better. .

• Anakin's change to Darth Vader (suit and all) is too quick. I think they wanted to show the entombing of Anakin, and i get that, but they jumped right to the last stage. Had they shown essentially the v0.5 beta of the suit it might have been much better. Think the hilarious home made spiderman costume in the Toby Mcguire versions, ot the MNk1 iron man suit. It would have given us Vader but left for a sense of time between RotS and ANH.

• [ Added, forgot this before] - Anakin seems nothing like OT Darth Vader. The mannerisms, tone, style and feeling fo the two are hugely different. If you watch the end of RotS then the start of ANH, you get this right away. Again had you had the feeling the metamorphosis took longer it might have worked, but with the presto chango Vader makeover, its more jarring

So there are a gazillion other issues with the films. Some narrative, some continuity, many script, some racial, mostly all summed up as 'George Lucas made ANH accidentally, and peaked at that'. I will list a few in a comment below that occurred to me on this rewatch, but the core is this. The Original Trilogy is the Story of Luke. The prequels are the Story of Anakin. Had this worked better, i think we'd have been able to overlook the rest muuuuch more easily. There were missed opportunities all over the place. Maybe when they reboot the prequels :-D soem of this can be fixed up.

I'm a big fan of Peter Watts (Blindsight, Echopraxia) and Greg Egan (Schild's Ladder, Diaspora) and always looking for more to read. That said I find myself a little bit difficult sometimes as I'm not really a fan of massive scope stuff like operas or anything too dated. Granted I really haven't given either of the latter much of a chance as I think I just prefer tight, focused stories with a small cast of characters.

I recently started The Quantum Thief and am liking certain aspects of it but you're really thrown into a blizzard with that one.

Have any of you seen Solo? Possible spoilers if not.

Personally, I loved it. After having been dissapointed by The Last Jedi, Solo was refreshing, in my opinion it felt like a classic Star Wars film. I loved all the characters, including Ehrenreich's potrayal of Han which I fully bought.

Also the humour, compared to The Last Jedi, was far better. Whilst there weren't many laugh out loud moments, I was grinning throughout. And I far preferred it to the eye rolling cheesy jokes of TLJ.

And as someone who has watched the Clone Wars and Rebels series, I loved the reveal of that certain character.

Of course there were some cons, but they were relatively minor, in my opinion. The opening was a bit rough, and I got a bit confused at the end with the constant changing sides. And to be honest, I didn't really care for Marauders.

What did you guys think?

No spoilers here (since I'm not sure there is a mechanic for hiding them yet), but that was a fun episode last night.

Between this and Legion, there are some legit-strange visuals on tv nowadays. And it's not like they're strange in a horror or shocking way. They're just weird. I'm into it.