I was just thinking about it. Tildes' current icon looks like a /r/wallstreetbets graph, haha. I think we could use a nice mascot that's based on a cute animal of some sort. :)

Would love to hear our community's thoughts on this, thank you! :)

Hey everyone,
I’ve been messing with complex nested if/then statements in Excel for many, many years, and recently dabbled in VBA. I’ve decided it’s time to learn Swift for Apple. Mainly for kicks, but also the fun of creating an app if I find a need.

For those of you that know these things, what’s your biggest suggestion for learning? Most useful tips? Things to watch out for? Etc.

Thanks!

Keeping it rolling with our weekly post series bringing ~music ten of the best new Drum & Bass + Jungle tunes from across the globe.

You can find the songs shared on this Spotify playlist. Follow it for new stuff, now updated every Sunday. Have no clue what Drum & Bass is? Start here!

_ - BEGIN TRANSMISSION - _

NEW MUSIC

.:...:..:::..::::..

Bensley & Justin Hawkes - Don’t be Scared [UKF]

[Spotify] | [Apple Music] | [More]

High energy and melodic, this summer time scorcher from Bensley & Justin Hawkes has been burning up sets since the start of the season. Propellant and uplifting, the buzzy bassline and bouncing vocal play perfectly off each other for a feel good fusion of these two producer styles.

Tantrum Desire - Rhythm [Technique]

[Spotify] | [Apple Music] | [More]

The boss is back! Tantrum Desire’s well known for his jump-up anthems, but ‘Rhythm” sees this veteran producer step it up with an anthemic prime-time roller on Technique. Featuring a classic vocal slice of big room cheese taken from Corona’s eponymous “Rhythm of the Night” plus some pounding drum work and squelching synths, this one will drive a dance floor mad.

Rockwell - Comfy [Obsolete Medium]

[Spotify] | [Apple Music] | [More]

Like bugs in the brain, this highly infectious cut from Rockwell will burrow into your playlists and never want to leave. The title track of his latest EP is a technical exercise in precise sonic engineering and percussion.

Giant22 - We Go [Obsolete Medium]

[Spotify] | [Apple Music] | [More]

Bright, bouncy and ready to rock for any summer party, Giant22’s “We Go” plays tight drum work and a little ‘chopped and screwed’ flavour vocal against echoey, off-kilter synths that create a swinging, swaggering cut that’s good to go in any fan or DJ’s playlist.

Matec - Adrift [All172Things]

[Spotify] | [Apple Music] | [More]

Hard. As. Hell. This cut from the mysterious Matec brings to mind Black Sun Empire and Prolix at their most pulse-pounding. Unrelenting synths and razor sharp drum programming drive this one through its 4 minute run time with unrelenting energy and a dystopian atmosphere throughout.

A.Way - Closer [Neksus]

[Spotify] | [More]

With a finger on the sound of ‘now’, A.Way’s “Closer” makes its mark in the same arena next-gen producers like Imanu, Caracal Project and [Borders] play. Epic vocals, soaring synths and stuttering, digitally frenetic vocals ride clattering, swaggering drums that bounce between full on roller and half time swing.

Disrupta ft. Eden - Do You Believe [DNB All Stars]

[Spotify] | [Apple Music] | [More]

Like a beach front sunrise, Edens anthemic vocals soar over this certified summer anthem from the unstoppable DNB All Stars camp. With an unapologetic cheese factor you can’t deny, this one brings back memories of the best High Contrast and Hospital Records epics. After “Shine like the sun”, Disrupta has proven they’re on quite a roll in the past year. .

SUUNE ft. Young Gho$t - Signal VIP [In The Lab Recordings]

[Spotify] | [Apple Music] | [More]

Down low, deep and dirty, the vocals of Young Ghost keep white-hot producer SUUNE’s latest firmly in the depths of the darkest warehouse raves. Bouncing with energy and confidence, be sure to keep this one ready for the right moment.

Hieroglyphics & Feux - Belief [Critical]

[Spotify] | [Apple Music] | [More]

From his newest full-length album on Critical “I’ll Wait, I guess”, Hieroglyphics brings the drama with a smooth, sombre cut that’s already wining over atmospheric and intelligent DNB fans far and wide. Pair those bubbling bass-lines with with a soulful vocal like this, and you’ve got a recipe for success.

KOAN Sound - Ascension [Shoshin]

[Spotify] | [Apple Music] | [More]

Something from far orbit, former Dubstep stalwarts KOAN Sound are back with a cinematic, soaring epic that’s forward thinking beyond any dancefloor. Fusing world music flavours, soundtrack style orchestration and touches of classic jungle breaks, this one’s bound to stay a favourite for years to come. Simply beautiful.

NEW MIXES TO CHECK OUT

.:...:..:::..::::..

Subtle Radio - 10/06/23 - Delta 9 Recordings w/ Flipz

[SoundCloud]

Italy’s Delta9 get things moving with a guest spot on Subtle Radio, and online community broadcaster. Deep cuts and some tougher stuff get rinsed out while host Flipz keeps things lively on the mic. A great intro to the labels sound and a fun listen for your weekend afternoons.

VISION RADIO - S03E24 - Hosted by Dave Columbo Jenkins & Martijn

[YouTube] | [SoundCloud]

Noisia, although “retired” from the DNB scene, continue the essential VISION radio series, which has always proven to be a great place to find the latest from their own label and other fresh new music from the scene’s best… this week they premiere ‘Hide Sun’ by Machinedrum & Holly plus new music by SMG, Censored The Audio, Klippee, Thys, Molokai and more.

HCKRS - Repack Radio June 2023

[YouTube] | [SoundCloud] | [MixCloud]

Warning: Shameless self promotion! Had to plug my own latest mix: a snapshot of some current, classic and unreleased stuff that embodies the “my sound” of DNB. An hour long blend of big room stuff like Dimension, ShockOne and The Prototypes with some deeper cuts from Amoss, Polyrom and other fresh tunes…and some new stuff from yours truly. I think it slaps pretty hard, so I’m adding it. Enjoy!

_ - END TRANSMISSION - _

♥ DNB? Join In! Heard something you like? Share it below? Been to show? Let us know! We want ~music.dnb to be a place for fans and newcomers to share our love of the scene in a positive space.

If you’ve read this far, thanks! Stay tuned, I’ll be back next week with another 10 #DNB / #Jungle tunes you can’t miss. Feel free to throw me a DM with love / hate / questions.

Hello everyone! A few days ago I mentioned I was working on a new WebExtension for Tildes.

Since the tidal wave of users has flooded the Spectrian plains of Tildes, I came up with this idea for having interactive guided tours of the interface to explain how Tildes works and why certain things are the way they are. Well, a basic version with two (count 'em, two!) tours is here! An introduction tour as an example of what to expect and some extra info. And a homepage tour going over everything you can find there.

Firefox users, you can install Tildes Shepherd today! Chromium-based browser users, you will have to wait a while or switch to Firefox, sorry. ;)

As you will see in the introduction tour after installing the extension, if you have any questions or feedback, you can message @Community or comment in this topic. It's very likely I made some mistakes in what's already there so even if it's just a typo, let me know!

As far as other tours goes, I have some planned and am open to anyone creating their own. Even if you have no programming knowledge whatsoever, if you can come up with a tour by taking screenshots and drawing over it in your favorite image editor I'd be more than happy to turn that into code for you. The most time-consuming part of creating tours so far has been finding out all the information and then condensing it into something readable, the coding aspect has been pretty easy.

If you're new to Tildes and like what you see, please consider donating! A fundraiser was started by @talklittle and a number of goals have already been reached, with 2 more goals remaining at 500 donors. So if you want that to happen, donate! Thank you! <3

This is an appreciation post for Luke Vibert, Aphex Twin's best friend, classmate, and roommate, aka Wagon Christ, Amen Andrews, Kerrier District... etc.

To put it simply, I'd account a good little chunk of Aphex Twin's style to Luke. I had a chat with Luke at one of his shows, and he claimed that Aphex Twin would have never released his stuff at all if he weren't strongly encouraged. Thanks Luke!

This track is the best evidence I have for my claim. It's from 1990, and is an amalgamation of Breakbeat, Dub, Acid, and Ambient.. kind of unheard of for the time, and the quintessential Aphex sound. Those ambient pads sound familiar? The bells? The breaks? I found it on Luke's discogs page. This was definitely shown to Aphex Twin. I've got a prize for whoever can find an earlier and similarly styled track.

This alone is fairly significant I'd say.. I don't mean to discredit Aphex Twin. Even giants are on the shoulders' of giants.

Luke's individual accomplishments are insane though. It's a shame he doesn't get much credit.

Reading this dude's comments referencing break samples that have rarely been sampled, and detailing old underground raves when people used to trade physical records of independent Jungle tracks.. He lives and bleeds electronic music. He's 50, and grew up through the Electro/Hip Hop late 80s scene, and rode through the Jungle, Hardcore, House scenes and more. I really don't think there's anyone else who was so centered to what electronic music became.

His pseudonyms are all case studies on electronic music..

This is a phenomenal case study on UK Garage, titled UK Garave. A liiittle dry for me, but his code switching is nuts. He gets it lol.

This is a study in Jungle, under the pseudonym Amen Andrews. Time warping, snare rolls.. the hallmarks, and spot on.

This is Disco House... Listen to the versatility in sampling, production techniques, and drum patterns--very distinct.

This is Acid Electro.. a blend that's not easy to pull off. Futuristic and clean.

I could go on--his breadth is ridiculous.

Would love to chat about icons. Someone else do a little write-up on electronic music history and @ me!

There was quite a bit of interest in last week's thread and I'm happy to say that I'm finally done with this project!

It has taken about a month and a half, it's full coverage 100 stitches in diameter - 18 cm using 14 count aida - and thankfully fit perfectly into my grandmother's hoop! The pattern is by Sarah Baumann (NeedleMinderLair on Etsy)

Anyway, here's The Kawaii Wave off Kanagawa!

I was typing a comment in a gaming thread and I wanted to say something that may have been a spoiler. As I was looking through the formatting doc, I noticed it had a ton of different things you could do, but I couldn’t find a way to hide something behind a spoiler—I was wondering if there was a way to add a “spoiler” text feature.

Essentially this , but block out the word or phrase (I just wanted a reason to use one of the formatting options, honestly).

Thanks!

Some of the things I'm concerned about are browsing across unconnected instances - will I need twenty accounts to follow all of the groups? What is the likelihoood of an instance dissapearing? How do you gauge the culture of an instance? Is the https://redditmigration.com/ actually being populated by real admins of those subreddits? Are there any gotchas from joining an instance that I should be aware of? Thanks!

So, I'm using Arch i3wm. I have multiple copies of my /home/username (I am the sole user), and I have a "Spare" drive with media, games, and other goodies, some of which are also stored on partitions on the m.2 in question, but they have backups.

And the reason I ask this question is because while I've had my m.2 fail at the end of '21 (I didn't even know that was a thing, but it barely lasted a year, and things are acting shoddy now... though the original failed without a warning), I just bought a second m.2 for my games. I guess I could swap most of the whole thing over, but I know the boot partition is easier just rebuilt from scratch... which I had to do last week.

Ultimately, what's making me suspicious is when I upgraded to the new drive and unplugged all my non-m.2 satas, I also added some memory and a new power supply. But then after the upgrade (Monday of last week, so the 5th), the system wouldn't boot up. I used a usb to troubleshoot and my /boot partition was apparently no gouda. I redid that, and everything was fine... until this week. Then my new Games partition (basically the new drive) failed fsck and it got stuck in a boot loop on Tuesday. I could boot emergency to root, but not skip the fsck and keep the Games disk auto mounted (I know I changed something to randomize fsck on bootup, but that's something I'm still kinda looking into how I managed...), so I just removed it from my fstab and it booted fine. For two times. I just manually mounted the drive, all was great, then my SO sent me a screenshot today while I was at work stating that my / partition (on the older m.2) apparently rebooted because it bypassed my screen lock, and was stating EXT4-fs error, reading directory lblock:0 and whatnot.

So, that's my history on what's going on, and if anyone can offer any advice [mostly] on the backup stuff, though as I said, /home and the important tangible stuff is saved, but if you also have any input on something more than I suspect the drive is failing (since the /boot partition and now the / partition are crapping out), please feel free to share.

(Also, thanks for letting me in. This is what I'd typically post on reddit and probably have to repost 10 times depending on the sub to get the right keywords and tags and yes, I already searched the internet but my search will not match yours... sigh)

Inspired by an old topic from 2021 on here: https://tild.es/uti
How do you think?
Have you ever thought about how you think?

Do you have a voice in your head? Is it your own voice? Do you think in visuals? How strong are the visuals?

Let's have a conversation about it. We all think differently!

As an exercise, if I asked you to sit down and solve a cross word in silence, how would you think it through?

Edit: thanks for all the very interesting and very insightful replies! I've been reading them today and I really appreciate everyone's input.

Posting from glass houses as I'm a relatively new user and a reddit refugee, but I must say that I enjoy the idea of the invite-only forum-style network a lot. When Selig announced the first effects of reddit's API changes, people scrambled to find a new place to post. It's only natural, and I won't lie that I'm missing some fluff and meme communities like 196 and hmmm. Most, as far as I can tell, found Lemmy, some found kbin, some found Tildes. Not many were granted access to Tildes, and I think that's a good thing.

Like Deimos says in the documents, Tildes is not a reddit replacement and it shouldn't be one. It's something different - I see it as a lovely little nostalgia portal into the Web1 days with BBCode forums, modernised to fit a web that continues to enshittify itself. It's a refreshing oasis, and I think the fact that we're very strict about invites is a big testament to that.

In my view, invites serve two purposes. First, if they're a limited resource, users think closely about who to invite - keeping the general quality of participation high. The fact that Tildes has only one real content rule, that being to not be an asshole, and more importantly the fact that this rule works is a testament to that.

The other purpose is maybe not directly apparent. When I first encountered Tildes and I didn't see an easy "request invite" or "waitlist" button, it deterred me to join. Thank god I didn't, because this is a great little community, but for some people that's enough to turn them off. But, I don't see this as a bad thing either - if you want to join Tildes, you have to put effort in. You have to send an application to Deimos, or you need to find and befriend an existing member through other channels.

This is a barrier, a source of friction, sure - but it's also a great "defense mechanism" against the hordes of potentially bad users - be that assholes, be that lurkers, be that those users that leave after leaving a single comment and finding that Tildes isn't for them.

Which brings me to my point - Deimos has stated that this is an invite-only alpha. Eventually, the invite system will be removed, and considering the influx of new users along with the need to make the site more accessible fast, it might happen sooner than we think. I think we should keep Tildes invite-only for longer than we "need" to. Not because I don't want new users, far from it - but I think the small village vibes is what makes Tildes special. I'd like to preserve that island of nostalgia.

Calling all Deadheads on Tildes!

I've listened to the Grateful Dead sporadically throughout the years but never really took a deep dive. The incredible goldmine that is https://archive.org/details/GratefulDead is just waiting, mysterious and silently beckoning... but I have no map of the landscape so the question is, where to begin?

What are your favorite recordings?

Edit: Thank you all for your suggestions. I'm so eager to listen them all through!

Hey I would love some new recommendations. I love all kinds of music without words, weather that be classical, ambient, postrock, whatever. (I also love music that has lyrics too :) But sometimes I just enjoy listening to instrumental tracks).

Are there any favorites you'd be willing to share? Right now I am listening to Brian Eno. Thanks in advance.

I have a very close friend that has been in the deepest troughs of depression for the past couple of years. They live about an hour away, so though my wife and I try to physically show up to support them whenever we can, that's much less often than we'd like. Their support network is thin, and day-to-day basically consists of only their partner, with whom they live, and who is visibly fraying at the seams.

This person (I'll just call them John for the sake of readability) is currently on medication for their depression and OCD (I'm nearly certain it's Lexapro, can't remember for sure) and has on and off therapy, though they often find themselves at odds with their therapists' perspectives. Some of this is because it feels like the profession has been flooded with folks who lack experience with patients with severe chronic mental illness, and some of this is (I suspect) John's illness distorting their thinking, leading to frustration and anger in the moment that doesn't make sense in retrospect.

John had a particularly bad day yesterday, and after I spent some time with them, we started talking about how they felt like they needed considerably more support than they were able to get in their current situation. Unfortunately, the only option he was aware of was "group homes", which seems like a pretty broad term and I don't know much about what they look like (or how successful they are at helping people like John).

I'm trying to get a sense of the spectrum of options available for people like John who are suffering from severe chronic mental illness. On the one end, there's what we're doing now; regular psychiatry and counseling, and on the other end, I guess, is involuntary in-patient behavioral health/medicine clinics. Being involuntarily committed to such programs has been a source of trauma for them in the past, so I'd like to avoid anything even close to that end of the spectrum, if possible. I know that there are, for example, 90-day rehabilitation centers for folks with substance use disorders (I have a family member that found a lot of success at one of these), but do similar programs exist for folks non-substance-related mental illness? Does anyone have personal experience with any of these programs?

Thanks in advance to anyone who takes a moment to read and share their thoughts; I know this is a really challenging topic.

I’m looking for new things to read, having more time on my hands as I work on some things in my personal life.

No rules, I just want to challenge the way that I think. Anything goes.

Edit: wow, I didn't expect such an incredible response, thank you everyone! I will try my best to grab as many of these that sound up my street as possible, and I will reply properly with my thoughts. Bare with me! <3

Reddit refugee here, I've been posting my book reviews on /r/Fantasy for years and figured some of you all would be interested in a best of list. My full list of all book reviews can be found here, but most of the links are broken right now because the Fantasy subreddit is still private. Still, perhaps the titles, authors and keywords are helpful.

What I enjoy

A brief list of things I care about in books, to help you jugde whether your taste overlaps:

• a good balance of romance and plot, where there is prominent romance but never feels like the story is just about that
• quality prose and dialogue
• believable relationship development, including romantic tension and explicit payoff for it
• high stakes drama, be it interpersonal, warfare, duels, court politics or heists
• LBGTQ+ main characters and queer romance

Note that these aren't the only qualities of the books listed below, just generally what I look for. I'll also gladly take recommendations for fantasy books that fit these criteria if you have any!

Books

Kushiel's Legacy by Jacqueline Carey

A divinely blessed masochistic courtesan and spy uncovers conspiracies against the crown of fantasy France. This series is probably my absolute favorite for how it combines intrigue, romance, kink and action, all with excellent prose and characterization. It has deliciously horny worldbuilding and ends up telling an epic fantasy story with an incredibly unique protagonist.

Silver Under Nightfall by Rin Chupeco

A recent addition to my absolute favorites. The author described the book as "vampire couple finds himbo in the trash and takes him in". If you're not sold on that, imagine a vibe like Netflix Castlevania and The Witcher - vampire hunter who's highly competent but looked down upon, vampire science, undead threat, dark gothic kind of setting, sprinkled with some "who's the real monster actually?" philosophy.

A Dowry of Blood by S.T. Gibson

A Dowry of Blood is about healing from abusive relationships through murder. It's also walks an excellent line between being sexy and horrible. It tells the story of Dracula's "brides", and the beautifully messed up relationship the four of them have.

Note: this one can't be described as having a "romantic subplot", since that implies some sort of happy ending. You know, because of the murder. (that's not a spoiler, it's revealed on page one)

A Charm of Magpies by KJ Charles

A disgraced nobleman returns to England years after escaping his father and finds himself and his family estate haunted. He hires a magician - who happens to bear his family a grudge. The Magpie series is fast paced, highly entertaining, well written, and plays with some delicious power dynamics between its initially hostile and soon reluctantly mutually attracted main characters.

Folk of the Air by Holly Black

The only YA series on this list, Folk of the Air holds a special place in my heart for its delicious fairy court politicking and for not pulling its punches. The titular Cruel Prince is a wonderfully hateable love interest, and even though I feel a few years too old to properly enjoy this series, the stabby and vicious dynamics between the two leads is just wonderful.

Nightrunner by Lynn Flewelling

A young man gets innocently imprisoned and receives unexpected help from his cellmate: a spy, rogue, thief and nobleman. The latter offers him a way out and an apprenticeship, which leads to well... spying and thievery, but also sinister necromantic plots against the throne. The highlight of this series is the ongoing relationship development between its leads. Book 1-2 are fantastic, book 4-5 are really weird, but the whole series remains a favorite despite some strange choices.

Rook & Rose by M.a. Carrick

A skilled con artist, a masked vigilante that challenges aristocrats to duels, and a dashing crime lord turned nobleman. The Rook & Rose series shines in its rich worldbuilding and prose, but especially in its handling of its main characters' multiple secrets, cons and identities. And especially shines when those schemes start crumbling down and some of the secrets become unveiled.

If the third book in the trilogy sticks the landing later this year, this series will firmly establish itself among my all time favorites.

The Stariel Quartet by AJ Lancaster

Years after leaving her family, a young woman returns home for her father's funeral and soon needs to deal with a magical estate that has a mind of its own, and discover that there may be more magic in the world around her than she's realized. The Stariel series is cozy and home-y in many ways, but doesn't shy away from tension either, and I find myself still in love with the main characters even long after finishing the series. I also really enjoyed the spinoff, A Rake of His Own recently!

Harrow Faire by Kathryn Ann Kingsley

Most of the books on here are fantasy with romance, while this one sits more firmly in the capital R Romance genre. But it is dark romance ("villain gets the girl"), and features an absolutely unhinged love interest, a lot of murder, and an evil circus. The series isn't without flaws (some of the side characters get a bit too much page for
how flat they are, and the pacing is a tiny bit uneven in parts), but I blasted through all five (short) books in a week because I had so much fun with it.

The Last Binding by Freya Marske

This series takes place in an early 20th century England where a secret magical society exists in parallel to the world 'as we know it'. There's even a bit of magical British bureaucracy that reminded me of aspects of the Harry Potter books, though the series have little in common otherwise.
Every book in this trilogy follows the same overarching plot, but features a different pairing of main characters and romantic leads. It's queer, fun and fast-paced, though sometimes a bit on the fluffy and romancey side for my taste.

That's just a brief selection of favorites, I highly recommend heading over to the reddit post (I should back that up at some point with Reddit's future being a bit shaky rn) to find more titles.

Thank you for reading! There's lots more to say on each of theses books of course, but I didn't want this to get way too long.
Let me know if you found this interesting, if you have similar books you'd recommend to me, or just share if you also enjoyed any of these books. This is my first post on Tildes and I'm happy to meet new fellow readers :)

I’ve been here three days. I’ve only just begun to scratch the surface of what makes this place tick, and have only had a glimpse of the culture encouraged here - and I love what I’ve seen thus far.

Thanks to @deimos I now have five invites to share. Sure, they’ll be tracked if I’m being irresponsible by sharing them with nutcase randos, or if I put them up for sale on eBay (obviously I won’t!).

But I love this place so much already that I’m going to be super selective in my distribution.

I love that responsibility! As a newbie I get to be adulting, and it’s SO welcoming!

This might be a strange topic, and I'm not sure if others can relate, or if I am 100% strange here. Feel free to remove(?) this if it's not relevant.. This is just something I'd love to learn the experiences of others about and get some ideas, as I imagine everyone is so different.

So, I have a very annoying problem: I don't experience emotions very strongly (e.g. while some folks get moved by films or art, or maybe get worked up with joy or frustration in life, I seem to be far more emotionally neutral, even in very extreme situations.) This can be very useful (emotions can be misleading and lead to poor decisions), but also problematic and limiting (emotions can feel nice, help with creativity, it's a good way to express love to people, etc).

Occasionally, I do feel little bits of emotion, but they tend to go away very quickly. I really wish I felt more, but I don't know how.

I'm curious about the emotional experiences of others. Do you get naturally emotional? Could you cry from watching a movie? For those like myself who have underwhelming emotions - what does make you feel emotional? Do you have any tips or tricks for feeling more emotional, or, hanging on to emotions when you do get them? Has anyone ever been able to "overcome" this issue of not feeling emotions?

Thanks for any insight.

EDIT: If this is not the correct group for such a topic, please do let me know, and I will remove it.

I'm getting on a 5 hour flight later today. I've got my Android phone (S22 Ultra) and cheap Android tablet (Lenovo P11 G2) with me. What are some of your favourite games you'd recommend to pass the time?

Because I'll be on a plane they'll have to playable without an internet connection. I also don't have any controllers with me, so would prefer games with decent touch controls. I'm open to any genre, but I particularly like RPGs. Thank you in advance!

I read "Legends and Lattes" recently and liked the premise of the entire book. Does anyone know any other books that have a laid back and chill adventure story with little to no violence, gore, and stuff like that?

Thanks in advance.

I have some disabilities that mean that I am limited to deliberative games where you proceed at your own pace. I am looking for games you enjoy or have enjoyed. Could be strategy or building or story based or other, but nothing relying on physical reflexes or reaction times. Thank in advance.

Many years ago I used to record a variety of music on an old Macbook and a dodgy copy of Logic Pro with various Native Instruments VSTs.

I had so much fun playing the drums badly on my midi pads, tightening them up in Logic, and then doing random stuff with the beat editor (changing velocity curves for specific notes like hi-hats, adding in random hits) to make it sound less rigid. Then maybe I'd record my acoustic guitar with my crappy mic, throw some reverb on it, add some vocals. Man, it was a blast!

It's been over a decade since I did that, and now I'd like to get back into that world again and produce some of my own backing music for my YouTube and TikTok videos, but I honestly don't know where to start.

I guess the big difference now is that I'm on Windows, and there is no Logic Pro here. The Ableton and Maschine layouts don't really make sense to me (I think these are more loop driven?). Reaper seems quite spartan compared to how I remember Logic (I know this is probably not actually the case, but the discoverability is not great imo).

If anyone has any suggestions about where I should start - I'm mostly looking for something that has the same layout as Logic did 10+ years ago (or at least, something that would feel similar and intuitive)- a big timeline where I can drag stuff around and try different arrangements, a piano editor I can break out at the bottom, a drum editor I can break out, set the note length and just drag my left-clicked mouse across to have a million hi-hat hits and then play around with deleting different hits until I get the right vibe, the draw the velocity across all of them easily.

The gear I have right now:

• Maschine MK3
• Some M-Audio super mini midi keyboard
• An old-school Metric Halo ULN-2 (this thing STILL costs a thousand bucks?!)
• A few Shure mics and a Wave 3 USB mic

Thanks in advance!

I'm a knitter, cross stitcher, and general nerd. I can't actually create at the moment due to probable carpal tunnel, but I would love to see my fellow fiber artists of any and all genders speak up.

As for me, it's more about the process than the product! I love Grandmother's Favorite dishcloths as a mindless knitting stim, or cross stitching on a project until my hands hurt.

ETA: I'm not trying to ignore everyone. I'm really excited with the responses I'm getting. I'm just fighting some serious pain this morning. I'll try to reply to folks as soon as I can think!

ETA2: This got bigger than I had hoped! I don't think I can catch up and reply to everyone, but I do appreciate reading everyone's experiences! Thanks for humoring me today.

I am mostly a TTRPG player, but lately I have been becoming a bit curious on wargaming.

I usually play TTRPGs because it allows a lot more freedom when compared to video games. However, I can't really see that much in wargaming that you can't get in video games. Is the appeal primarily a social one?

I am not bashing wargaming or saying that it's a bad hobby. I am just curious as to what the main draw is.
Thank you for any answers :)

@Deimos can tell us how many bans we've had so far on Tildes. Last count I knew was in the 50s months back, and some of those were the same person - out of 13,000 users. I'm sure it's rising right now, I'm also pretty sure it's still under a hundred, and I don't actually care if it's 1500. (Edit: It was four new bans, omg so nazi.)

If you take the time to learn something about social forums, you'll discover that 1% of the users cause 90% of the problems. Tildes will ban that 1% aggressively. Act like an asshole, attack someone, and you will find the door. You do not however have to tiptoe around like there are landmines here - nobody is going to ban you unless you start attacking other users or trolling all the time. You are in fact allowed to swear here, just not at people. Take a lesson from Louis Black - rants are best when aimed at inanimate objects. :)

Have you ever been to a nice big social party? Did you act like an asshole there? Did the bouncer throw you off the balcony? Probably not. That's because you didn't punch people in the face, piss all over the kitchen floor, or set the living room rug on fire while you were there (I hope). Try pretending that this is a real world party and adjust your behaviors accordingly. It is really not that difficult. Extend people here the same courtesy at a minimum that you would for a real world social gathering - maybe even go as far as you would for a black tie affair. The rest of us would appreciate it, I promise.

I'm sure by now most of you know about /r/redditalternatives. It's an old subreddit that has been collecting links to anything and everything even remotely like a social site for years that came out of the 2015 blackouts. Most of their favorites are long dead, and most of the ones they love now will be dead in a few years. They've been telling us we would be dead in two months for the last five years - which tells you how much their average user knows about social software. They are not exactly well read on the topic.

They are a useful link archive, and also a place for people to whine about the bans they've earned from other websites, or to shill for their own websites. Plenty of astrotrurfing for lemmy and squabbles going on there. Some of you folks are over there right now trying to sell them on Tildes, or worrying about the complaining about the bans.

I'd advise you not to waste your time commenting in that place. They do not want us there shilling, and you will never convince a redditor of anything due to the mindfuckery that place has inflicted on its users for decades. Let them be. Everyone who gets banned here (or on most other sites) posts a thread about it over there, and always has - this is tradition now. Laugh at it, like I always do. It's Shawshank all over again - everyone in there is innocent, lawyer fucked them.

Tildes was linked in the /r/videos post, which was #1 on reddit and why Deimos has an inbox taller than mount everest today. The 'secret' is out now. You do not need to go into forum warrior mode and try to defend Tildes. That's what your instincts are telling you to do, because 'tribes' are a thing, but it's not the right course of action. I guarantee you will have a better day if you just go for a ten minute walk, right now, rather than posting on reddit.

Frankly, bettervanilla's big collection here is the only useful thing to show up in that place in years, so good on them for giving that place a purpose again.

If you do want to help out, then use your invites. It's better if you pick, rather than just emails and invite threads. You do realize if Deimos tops everyone up to 5 codes, that's almost 100k new invites available and almost 20k people who can send them out, five at a time. This place is already past the point where it can die from the evaporative cooling effect, which did in fact have us on ice for a while there, but that's over now.

Look for conversations not where people are looking for alternatives, but where people are talking about real forums, pining for the old days of the internet, deep discussions, and complaining about cat posts and low effort content. Those are the people who will thank you for telling them about Tildes. Let's not be the same spamming, astroturfing jerks that every other website has become.

Edit: I take it back, this is also a remarkable post about the fediverse's moderation problems and I wish that place had more discussions of that nature. Also, Deimos says he banned 4 people in the last week, out of thousands of new users. Clearly, we're being unreasonable. :P

I'm going to set up my first home server with an Intel NUC, but I can't decide what OS to use. Ubuntu seems popular but I like Pop!_OS and am not sure if that would be a good option. Then there's TrueNas and Unraid, but as a newbie, what's the best choice?

I'm also just curious what everyone else is using :)

Edit: Thank you for your great responses!

In my infinite wisdom I posted this to r/myog yesterday, just before the blackout started. I'm going to repost it here as a way to gauge how well it fits in on Tildes – this type of post is pretty central to the r/myog community and I am hoping some of us can migrate here.
 

Goldilocks Pack

 
    In April of 2021, lo these many years ago, Reddit user savvlo posted in the r/myog Swap Thread that he was placing a wholesale order for Ecopak Ultra EPL200 and was wondering if anyone wanted a few yards. I had heard of this material and was eager to get my hands on some; none of the major UL pack manufacturers had started offering it yet and the only way to have an Ultra backpack was to build it yourself. I had the skills (4 or 5 packs already under my belt) and I aimed to be one of the first.
 
    Well, so much for that. I fell out of love with MYOG for a year or so, and by then the project seemed so insurmountable that I didn't even know where to start. I did plenty of designing and redesigning (because that's the fun part) but the truth was that I just didn't really need another backpack, so there was no motivation to start a project that would consume dozens of hours. And then finally, this spring, my trusty old Hyperlite started showing its 4000+ miles and gave me the kick I needed to actually make this damn thing.
 
    You can guess from the title that this pack fills a hole in my lineup – for years my two pack options were my 40L Windrider and my 27L summer pack, and most often I found myself wishing I had an in-between option in the 33L range. The MLD Burn fits right in that pocket and after seeing one in action on a high route trip with a friend I knew that was going to be my model. The overall dimensions of my pack match the Burn exactly; the main modifications I've made are to the pockets, straps, and components. The comments in the Imgur album go over the specifics.
 

*this is just my best guess, I don't have a good way to measure volume
 

Thoughts

    I'm from the Midwest and I hate tooting my own horn so you'll know I speak truth when I say that this is, undoubtedly, my finest work. Other than a few trivial mistakes everything pretty much fell together perfectly. This is not normally the case with my projects and naturally it makes me quite nervous.

    The one thing I can't get over is this fabric! I can't believe this stuff only weighs in at 3.5 osy. It feels so much tougher than the Hybrid DCF I'm used to working with; it's so hard to cut through even with my sharp sewing scissors. Only time will tell if this pack really is as tough as it feels, but my hopes are sky high. Thanks for reading and looking at my pictures!

https://postimg.cc/phNYcrTJ

Just deleted my Reddit account. I was a Digg addict, and thereafter way to absorbed in Reddit for my own good.

Wanted to thank Christian for a brilliant app (if he ever was to see this: you poured your soul into that thing. Thank you for all you did). I’ve now deleted the app on all devices and am moving on!

Am looking forward to a fresh change.

I really like the feel of this place. Low key, easy to navigate and not crowded. And the civil conversations just blow my mind!

PS: sincerely appreciate the invite link!

I'm following the New York Times' liveblog and list of winners; I'll try to update this post.

• Best Play: “Leopoldstadt”

“Leopoldstadt,” a wrenching drama that explores the destructive toll of antisemitism by following a family of Viennese Jews through the first half of the 20th century, won the Tony Award for best play on Sunday night.

The play is by Tom Stoppard, an 85-year-old British playwright who is widely regarded as among the greatest living dramatists, and who had already won the best play Tony Award more times than any other writer. This is his 19th production on Broadway since his debut in 1967, and his fifth Tony for best play, following “Rosencrantz and Guildenstern Are Dead,” “Travesties,” “The Real Thing” and “The Coast of Utopia.”

“Leopoldstadt” is an unusually personal work for Stoppard, prompted by his late-in-life reckoning with his Jewish roots, and the realization that many of his relatives were killed in the Holocaust. Stoppard was not yet 2 years old when his own family fled what was then Czechoslovakia, where he was born, to escape the Nazi invasion; he was raised in Britain and has said he only fully came to understand his family’s Jewish heritage when he was much older.

“Leopoldstadt,” directed by Patrick Marber, was first staged in London, where it opened in 2020, shortly before the coronavirus pandemic forced the shutdown of theaters, and then resumed performances in the West End after theaters reopened in 2021. That production won the Olivier Award for best new play in 2020.

The Broadway production began previews Sept. 14 and opened Oct. 2 at the Longacre Theater. The run is scheduled to end on July 2.

The play, named for a historically Jewish section of Vienna, begins in 1899 in the living room of an affluent and assimilated Austrian Jewish family and continues until 1955, after much of the family has perished; some members of the family had mistakenly thought that their integration into Viennese society would somehow protect them.

The show is quite large for a Broadway play, with a cast of 38, including several children. It was capitalized for up to $8.75 million, according to a filing with the Securities and Exchange Commission.

The lead producer is Sonia Friedman, a prolific British producer who has notched an impressive set of wins on Broadway: She was also a lead producer of the best play Tony winners in 2020 (“The Inheritance,” which was granted the award at a pandemic-delayed ceremony in 2021), 2019 (“The Ferryman”) and 2018 (“Harry Potter and the Cursed Child”).

• Best Musical: “Kimberly Akimbo”

“Kimberly Akimbo,” a small-scale, big-hearted show about a teenage girl coping with a life-shortening genetic condition and a comically dysfunctional family, won the coveted Tony Award for best musical Sunday night.

The musical is the smallest, and lowest-grossing, of the five nominees in the category, but it was also by far the best reviewed, with virtually unanimous acclaim from critics. (Nodding to the show’s anagram-loving subplot, New York Times critic Jesse Green presciently suggested one of his own last fall: “sublime cast = best musical.”)

The show, set in 1999 in Bergen County, N.J., stars the 63-year-old Victoria Clark as Kimberly, a 15-going-on-16-year-old girl who has a rare condition that makes her age prematurely. Kimberly’s home life is a mess — dad’s a drunk, mom’s a hypochondriac, and aunt is a gleeful grifter — and her school life is complicated by her medical condition. But she befriends an anagram-obsessed classmate and learns to find joy where she can.

“Kimberly Akimbo,” which opened at the Booth Theater in November, was written by the playwright David Lindsay-Abaire and the composer Jeanine Tesori, based on a play Lindsay-Abaire had written in 2003. The musical, directed by Jessica Stone, began its life with an Off Broadway production at the nonprofit Atlantic Theater Company in the fall of 2021.

The musical, with just nine characters, was capitalized for up to $7 million, according to a filing with the Securities and Exchange Commission; that’s a low budget for a musical on Broadway these days, when a growing number of shows are costing more than $20 million to stage. The lead producer is David Stone, who, as a lead producer of “Wicked,” is one of Broadway’s most successful figures; this is the first time he has won a Tony Award for best musical.

• Best Revival of a Play: "Topdog/Underdog"

A new production of “Topdog/Underdog,” Suzan-Lori Parks’s tour de force about two Black brothers weighted down by history and circumstance, won the Tony Award for best play revival Sunday night.

The play, first staged at the Public Theater in 2001, was already a widely hailed masterpiece: In 2002 it won the Pulitzer Prize for Drama, making Parks the first African American woman awarded that prize, and in 2018 a panel of New York Times critics declared it the best American play of the previous quarter century.

The new production, which ran from September 2022 through January 2023 at the John Golden Theater, was directed by Kenny Leon. It starred Corey Hawkins and Yahya Abdul-Mateen II as the two brothers, ominously named Lincoln and Booth.

In the play, Lincoln works in whiteface as a Lincoln impersonator at an arcade, while Booth makes ends meet by shoplifting. They share a one-room apartment, a fondness for three-card monte, and a set of familial and societal burdens from which they cannot escape. “‘Topdog/Underdog’ is both a vivid, present-tense family portrait and an endlessly reverberating allegory,” the New York Times critic Ben Brantley wrote in 2018.

• Best Revival of a Musical: "Parade"

“Parade,” a musical based on the early 20th century lynching of a Jewish businessman in Georgia, won the Tony Award for best musical revival Sunday night.

The prize cements a remarkable rebirth for the show, which was not successful when it first opened on Broadway in 1998, but which is shaping up to be a hit this time, thanks to strong word-of-mouth and the popularity of its leading man, Ben Platt. It was one of several shows this season about antisemitism, as the number of reported incidents has been rising.

The success of “Parade” is also a significant milestone for the musical’s composer, Jason Robert Brown, who is widely admired within the theater community but whose Broadway productions have struggled commercially. Brown wrote the music and lyrics for “Parade,” and the book is by Alfred Uhry; both men won Tony Awards for their work on the show in 1999.

... Audible groans here as Jason Robert Brown, the composer behind “Parade,” gets cut off at the microphone. He started to say something about Mary Phagan, the girl whose murder in Georgia set the Leo Frank trial in motion.

• Best Leading Actor in a Play: Sean Hayes, “Good Night, Oscar”, as Oscar Levant

Sean Hayes, who portrays the witty but troubled pianist Oscar Levant in “Good Night, Oscar,” won the Tony for best lead actor in play.

Best known for his long-running role as Jack McFarland in the television series “Will & Grace,” Hayes received critical praise for his drastic transformation in this stage production, adopting the hunched posture, irritable scowl and anxious twitching of Levant, who channeled his neuroticism into crowd-pleasing radio and television banter.

Hayes, 52, has also brought one of his lesser known talents to the stage for this performance: classical piano, which he started studying at age 5.

Telling the story of one night in 1958 when Levant finagled his way out of psychiatric hospital to be interviewed on Jack Paar’s “Tonight Show,” the play focuses on the pianist’s idiosyncrasies, compulsions and struggles with opioid addiction as surrounding characters try desperately to manage him.

This is Hayes’s first Tony Award. He was previously nominated for his Broadway debut in the 2010 revival of “Promises, Promises,” a musical adaptation of the Billy Wilder film “The Apartment.”

• Best Leading Actress in a Play: Jodie Comer, "Prima Facie", as Tessa Ensler

The leading actress in a play category this year was a face-off of extremes: Jodie Comer, who delivers a physically and emotionally exhausting performance in Suzie Miller’s one-woman legal thriller “Prima Facie,” versus Jessica Chastain, who scarcely stirs from her chair during the entirety of “A Doll’s House.”

In the end, it was Comer who triumphed, for her tour-de-force solo turn as a lawyer who defends men accused of sexual assault. Jesse Green, the chief theater critic for The New York Times, described it as “a performance of tremendous skill and improbable stamina.”

It was a remarkable win for the 30-year-old English actress, who is best known for playing the assassin Villanelle on the television show “Killing Eve.” She not only took home her first Tony Award on her first try; she won it for her first performance on a professional stage — ever.

“It kind of felt unattainable,” she told The Times in April of the prospect of doing theater.

• Best Leading Actor in a Musical: J. Harrison Ghee, "Some Like It Hot", as Jerry/Daphne

J. Harrison Ghee, whose portrayal of a gender-questioning musician fleeing the mob in “Some Like It Hot” has charmed critics and audiences, won a Tony Award for best leading actor in a musical Sunday night, becoming the first out nonbinary actor to win that award.

Ghee’s victory came shortly after Alex Newell, who is also nonbinary, won a Tony Award for best featured actor in a musical, becoming the first out nonbinary performer to win a Tony.

The Tony Awards, like the Oscars, have only gendered categories for performers, and Ghee and Newell agreed to be considered eligible for awards as actors. (Another nonbinary performer this season, Justin David Sullivan of “& Juliet,” opted not to be considered for awards rather than compete in a gendered category.)

Asked in a recent interview with The New York Times about having been nominated in a gendered category, Ghee said: “Wherever I am, I will show up as who I am. Someone’s compartmentalization of me doesn’t limit me in any way.

“I hope for the industry we can remove the gender of it,” they added, “because we are creators and we should free ourselves beyond so many labels and let the work speak for itself.”

At least two performers who later came out as nonbinary have previously won Tony Awards as best featured actress in a musical: Sara Ramirez, who won in 2005 for “Spamalot,” and Karen Olivo (also known as K O), who won in 2009 for a revival of “West Side Story.” Also: Last year, the Tony Award for best score went to Toby Marlow and Lucy Moss for “Six,” and Marlow is nonbinary.

Ghee’s depiction of a main character in “Some Like It Hot” reflects the way views on gender have evolved since 1959, when the Billy Wilder film it was based on was released. In the movie Jack Lemmon plays a musician named Jerry who dresses as a woman named Daphne to flee the mob; in the musical Ghee plays the same character, but Jerry’s path to becoming Daphne becomes one of self-discovery, not disguise.

The performance earned critical praise. Jesse Green, The Times’s chief theater critic, wrote that Ghee “carefully traces Jerry’s transformation into Daphne, and then the merging of the two identities into a third that takes us into territory that’s far more complex than jokey drag.”

Ghee, 33, worked as a drag performer before finding success in musical theater, with key roles on Broadway in “Kinky Boots” and “Mrs. Doubtfire” before “Some Like It Hot.”

• Best Leading Actress in a Musical: Victoria Clark, “Kimberly Akimbo”, as Kimberly Levaco

Victoria Clark won the Tony for best leading actress in a musical on Sunday night for her role in “Kimberly Akimbo,” in which she plays a teenager with a rare disease that causes her to age rapidly.

As unusual as Clark’s role has been as a sexagenarian playing a gawky teenager with a fatal diagnosis, critics pointed to the pedestrian subtlety with which she imbued her performance.

“So remote is she from the bellowing divadom of those tourist-bait extravaganzas that I’m tempted to call what she does not singing at all, but acting on pitch,” wrote Jesse Green in his review of the musical for The Times.

This is Clark’s second award in the category: In 2005, she won for “The Light in the Piazza,” a musical in which she played an American tourist traveling with her daughter — a performance that Ben Brantley of The Times praised as a rare reflection of a “real human being” in an American mainstream musical.

A veteran stage actress, Clark, 63, has performed on Broadway since the 1980s, earning Tony nominations for featured roles in “Sister Act,” “Rodgers and Hammerstein’s Cinderella” and “Gigi.”

• Best Featured Actor in a Play: Brandon Uranowitz, “Leopoldstadt”, as Ludwig Jakobovicz and Nathan Fischbein

Brandon Uranowitz, a four-time Tony nominee, won his first Tony Award on Sunday for performing a pair of featured roles in the critically acclaimed play “Leopoldstadt.”

The play, by Tom Stoppard, follows an Austrian Jewish family — the Merzes — from 1899 to 1955. In the early days, the bourgeois family is comfortable and complacent, shown enjoying time together at holiday gatherings and family functions. But eventually the Nazis arrive, and their lives are upended and destroyed.

“My impostor syndrome is on fire,” he said in accepting the award.

“Thank you, Tom Stoppard, for writing a play about Jewish identity and antisemitism and the false promise of assimilation with the nuances and the complexities and the contradictions that they deserve,” he added. “My ancestors, many of whom did not make it out of Poland, also thank you.”

• Best Featured Actor in a Musical: Alex Newell, "Shucked", as Lulu

Alex Newell, a “Glee” alumnus who is bringing down the house nightly with a barn-burning number in “Shucked,” won the Tony Award for best featured actor in a musical Sunday night, becoming the first out nonbinary actor to win a Tony for performance.

Newell, who identifies both as nonbinary and gender fluid, plays a fiercely self-reliant whiskey distiller in “Shucked,” which is a country-scored, pun-rich musical comedy about a small farming community whose corn crop begins mysteriously dying.

“The standing ovation isn’t jarring as much as the consistency of it,” Newell told The New York Times last month. “I’m beside myself a lot of the time because I’m like, ‘Y’all are really still standing up.’”

Newell agreed to be considered in the gendered actor category, explaining, “I look at the word ‘actor’ as one, my vocation, and two, genderless. We don’t say plumbess for plumber. We don’t say janitoress for janitor. We say plumber, we say janitor. That’s how I look at the word, and that’s how I chose my category.”

• Best Featured Actress in a Play: Miriam Silverman, “The Sign in Sidney Brustein’s Window”, as Mavis Parodus Bryson

Miriam Silverman, the only acting nominee from “The Sign in Sidney Brustein’s Window,” has been with this production since its Chicago debut. “I’m always more drawn to complicated, tricky, flawed characters,” she told the Times. “And not trying to make them likable, per se, but just trying to be inside of them in all of their humanity.”

Alice Ghostley won a Tony for the same role when the play debuted in 1964.

• Best Featured Actress in a Musical: Bonnie Milligan, “Kimberly Akimbo”, as Aunt Debra

On Sunday night, Milligan, 39, took home her first Tony Award for best featured actress in a musical, for her scene-stealing performance as Debra, Kimberly’s scheming aunt.

It was the first Tony nomination for Milligan, known for her vocal range and vocal belting, who made her Broadway debut in 2018 in “Head Over Heels,” a musical that combined a Renaissance pastoral romance with the music of the Go-Go’s.

• Best Direction of a Play, Patrick Marber, “Leopoldstadt”

Patrick Marber won his first Tony on Sunday for his direction of the harrowing, critically acclaimed Tom Stoppard play, “Leopoldstadt.”

Marber, who was previously nominated for directing a 2018 revival of Stoppard’s “Travesties” has also written plays and worked as a stand-up comedian.

“I’m thrilled to win this,” he said, calling Stoppard one of his heroes.

• Best Direction of a Musical: Michael Arden, “Parade”

“‘Parade’ tells the story of a life that was cut short at the hands of the belief that one group of people is more or less valuable than another and that they might be more deserving of justice,” he said in accepting his award. “This is a belief that is the core of antisemitism, of white supremacy, of homophobia, of transphobia and intolerance of any kind. We must come together. We must battle this. It is so, so important, or else we are doomed to repeat the horrors of our history.”

Arden went on to recall how he had been called a homophobic slur — “the F-word,” he said — many times as a child. And he drew raucous cheers as he reclaimed the slur, making clear that he was now one with a Tony. “Keep raising your voices,” he said.

One of the production’s most talked-about features is Platt’s wordless presence onstage during the entire 15-minute intermission. Arden recently told Michael Paulson that he “wanted to challenge the audience, when they’re getting their cocktail or texting their friends or talking about what they’re having for dinner, to look back and see Ben onstage, and to get a sense that while the world was turning, this man was sitting in a prison cell.”

• Best Book of a Musical: David Lindsay-Abaire, "Kimberly Akimbo"

A tough category this year, with fine work addressing daunting needs. David West Read somehow made a jukebox musical (“& Juliet”) witty. Robert Horn (“Shucked”) came up with more corn puns than anyone thought possible. Matthew López and Amber Ruffin revamped a classic farce (“Some Like It Hot”) as a contemporary exploration of race and gender. But David Lindsay-Abaire may have had the hardest job of all: turning his own play “Kimberly Akimbo” gently, cleverly, ruthlessly into a great musical.

• Best Original Score: Jeanine Tesori (music) and David Lindsay-Abaire (lyrics), “Kimberly Akimbo”
• Best Choreography: Casey Nicholaw, “Some Like It Hot”

Casey Nicholaw won the Tony for best choreography for “Some Like It Hot,” a boisterous Prohibition-era musical with tapping, swing dancing and intricate staging.

Nicholaw, who also directed the production, has been nominated in the category six times before, but this is his first win. In 2011, he shared the Tony for best direction of a musical with Trey Parker for “The Book of Mormon.”

• Best Orchestrations: Charlie Rosen and Bryan Carter, “Some Like It Hot”

Broadway World: In their visit to the press room, recently annointed Tony winners, Some Like It Hot orchestrators, Charlie Rosen and Bryan Carter discussed the timely and important subject of the need for Broadway-sized orchestras for Broadway shows.

Bryan said, "Having an 18-piece orchestra is a luxury. We're hoping that the show inspires new companies to use large orchestras because orchestras really are the heartbeat of musical theatre."

In discussing the challenges of bringing their larger-than-life orchestrations to life, Charlie shared, "The challenge of this show, in particular, was that I hold Marc Shaiman and Scott Wittman in such high regard. They're such legends, I really thought twice, three times, four times, about every single note that I wrote on the page. I really wanted to do their score justice because they're so incredible and so prolific," Charlie added.

• Best Scenic Design of a Play: Tim Hatley and Andrzej Goulding, “Life of Pi”

NYTG: The Broadway transfer gave the cast and creative team the opportunity to make changes. "We were able to make some positive adjustments to the story based on the feedback from the West End," said director Max Webster, noting the first act was tightened.

The move also gave the designers the opportunity to expand the design elements of the show. “It is always good to get the opportunity to work on a show for a second (or third, or fourth...) time,” said scenic and costume designer Tim Hatley. “In my experience designing for theatre and film over the past 30 years, I have never walked away from a production thinking I have managed to get it all right.”

Most importantly, the design teams needed to adjust the scope and scale of the scenic design to fit the Gerald Schoenfeld Theatre in New York, which is wider and shallower than Wyndham’s. “This has, of course, had a knock-on effect, and video and lighting have had to adapt their designs to work with the new dimensions,” Hatley said.

For his part, video designer Andrzej Goulding (co-nominated with Hatley in the scenic design category) upgraded the show’s simulations. He also worked with lighting designer Tim Lutkin to recolor some scenes for the Broadway run and blend his projections, which naturally light the set, with Lutkin's lighting of the actors. The designers also had to adjust certain visual elements to accommodate different sight lines.

“The heart of the design is the ability to transition seamlessly from the hospital into Pi’s story, which is, for the most part, at sea,” said Hatley. The split-second transitions, which happen in full view of the audience, are integral to the narrative. “This was my challenge as the designer of the show, and I am pleased to have pulled it off.”

• Best Scenic Design of a Musical: Beowulf Boritt, “New York, New York”
• Best Costume Design of a Play: Brigitte Reiffenstuel, “Leopoldstadt”
• Best Costume Design of a Musical: Gregg Barnes, “Some Like It Hot”
• Best Sound Design of a Play: Carolyn Downing, “Life of Pi”
• Best Sound Design of a Musical: Nevin Steinberg, “Sweeney Todd: The Demon Barber of Fleet Street”
• Best Lighting Design of a Play: Tim Lutkin, “Life of Pi”
• Best Lighting Design of a Musical: Natasha Katz, “Sweeney Todd: The Demon Barber of Fleet Street”
• Special Tony Award for Lifetime Achievement: Joel Grey and John Kander

The actor and director Joel Grey, 91, will be honored for Lifetime Achievement at the Tony Awards this evening for his “everlasting impact” to the theater, said Heather Hitchens, president and chief executive of the American Theater Wing.

• Isabelle Stevenson Award: Jerry Mitchell

Parade: When Jerry Mitchell moved to New York City in 1980 to dance in his first Broadway show, Brigadoon, he'd inadvertently walked into one of the worst tragedies of American history. By 1985, he'd lost his first friend to AIDS. By 1990, he'd lost four more. As a gay dancer and choreographer performing in New York, he lived in the epicenter of the AIDS epidemic and felt helpless as his friends and colleagues died.

That helplessness turned into action in the early '90s, after Mitchell was cast in The Will Rogers Follies, in which he was "dancing every night...practically naked" in a tribute to the Ziegfeld Follies. "I was really in great shape," he told me over coffee on a warm May afternoon in a park only a few blocks from Broadway. "I looked hot, and people were noticing...and so a friend of mine said, you should go dance at the Splash Bar on 17th St., which was this famous gay bar, and raise money for our fundraiser." The fundraiser in question was for Broadway Cares/Equity Fights AIDS, an organization founded in the theater community to fight back against the disease that ravaged their friends and loved ones.

"A light bulb went off over my head. I called seven friends who were in Broadway shows who also, I knew, had great bodies, and I put together a strip show, a burlesque show on the bar. We made $8,000." And that was the birth of Broadway Bares.

While Broadway Bares my have started as an eight-man strip show in a gay bar, its Chelsea nightclub days are long behind it. In total, the dancing/body-celebrating fundraiser has earned more than $22.5 million for Broadway Cares/Equity Fights AIDS, with the burlesque dancers raking in nearly $1.9 million last year alone. The charity provides lifesaving medications, health care, nutritious meals, counseling and emergency financial assistance to those in need due to HIV/AIDS and other illnesses.

• Regional Theater Tony Award: Pasadena Playhouse

LA Times: Pasadena Playhouse will receive the 2023 Regional Theatre Tony Award, becoming only the second Los Angeles institution to earn the honor and continuing its triumphant streak after years of turbulence.

The prize, which includes a $25,000 grant sponsored by City National Bank, will be presented at the 76th Tony Awards on June 11 in New York.

The Mark Taper Forum, in 1977, was the first L.A. theater to receive the Regional Theatre Tony. Other Southern California recipients include the Old Globe in 1984, South Coast Repertory in 1988 and La Jolla Playhouse in 1993.

The award marks an astonishing turnaround for Pasadena Playhouse, which was on the verge of shutting down in 2010, when it laid off most of its staff, canceled the remainder of its season and filed for Chapter 11 bankruptcy protection. Rescued by the generosity of donors, the theater was back on shaky ground when producing artistic director Danny Feldman was appointed to succeed long-term artistic director Sheldon Epps in 2016.

• Tony Award for Excellence in Theater Education: Jason Zembuch Young

Jason Zembuch Young is the artistic director of the public South Plantation High School in Plantation, Fla. He stages full-length musicals and a full-length plays in both voice and American Sign Language.

Now, his efforts are being rewarded with a special Tony Award, granted each year in partnership with Carnegie Mellon University to a U.S. educator who has “demonstrated monumental impact on the lives of students and who embodies the highest standards of the profession.”

• Tony Honors for Excellence in the Theater: Lisa Dawn Cave, Victoria Bailey and Robert Fried

Broadway will have an unusually busy summer

There usually tends to be a lull in new Broadway shows between the Tony Awards eligibility deadline in late April and the start of the school year. But this season is shaping up to be different, with seven openings between Memorial Day and Labor Day.

The first, a horror play called “Grey House” starring Laurie Metcalf, has already opened. Jesse Green had mixed feelings about it, describing it in his review as “so expertly assembled from spare parts by the playwright Levi Holloway and the director Joe Mantello that you may not notice, between the jump scares and the shivery pauses, how little it has on its mind.”

Up next is “Once Upon a One More Time,” about the feminist awakening of fairy tale princesses set to the music of Britney Spears. That show will be followed by two other big musicals: “Here Lies Love,” about Imelda Marcos, a former first lady of the Philippines, with a score by David Byrne and Fatboy Slim; and “Back to the Future,” adapted from the hit film.

Broadway’s summer openings will also feature a comedian, Alex Edelman, performing his acclaimed solo show, “Just for Us,” as well as two comedic plays, “The Cottage,” which is a contemporary version of an old-school farce, and “The Shark Is Broken,” which is about the backstage chaos that challenged the making of “Jaws.”

Hi Everyone!

First post on Tildes. I'm excited to have been invited to give it a shot!

I was wondering if anyone here is using Unreal Engine 5 for any project their working on? It could be game design, virtual production, architecture, automotive or you name it!

I'm currently testing out numerous areas of Unreal Engine 5 for virtual production.

Thanks!!

Yesterday someone on /r/lgbt posted this picture of themself at a pride event, and several people in the thread commented on OP's self harm scars - one asking them to please and thank you spoiler tag the image and post a trigger warning as they found the sight of OP's self harm scars triggering.

As someone who has very similar scars as OP I said fuck that, I disagree. I found it offensive that the sight of someone else's scars somehow grants you the right and allows you to tell them to cover up or hide themself because they find it triggering. To ask to have trigger warnings and spoiler tags added is unfair, in my opinion - the commenter then replied that it's not that hard to do. But for me it's obviously not about the effort it takes to do it, it's about the fundamental principle of asking someone to cover up or hide their body that I take issue with.

OP said elsewhere that they have struggled with mental health in the past but moved on, and clearly they are now at the point that they feel comfortable or don't mind that other people can see their scars. And I certainly feel like they should be allowed to wear whatever they like. I think that showing scars like this is 1) brave, 2) helps reduce stigma surrounding self harm, and 3) should be entirely that person's prerogative - their body, their choice.

So I am curious what you all think about this?

Is it fair to expect or ask someone to tag their picture like this, to hide their scars, to cover up, etc.?

How do I launch an egg directory?
I found a package that I want to use. It's a windows desktop widget. I downloaded the source from Git and unzipped. Installed Python 3.11 in powershell. Executed py setup.py --install from inside the unzipped package directory.
Python reports it installed into C:\users\user\appdata\local\programs\python\python311\lib\site-packages[package].egg.
What do I do to launch the package? I've tried py [package]. The .egg inside that directory appears to be a directory. I tried simply ps: [package]. Nothing seems to launch it.
Kindly help.

Edit: I've since learned my efforts are moot because the widget I was trying to install requires dependencies that are no longer available, and also .egg is a deprecated (and perhaps poorly implemented) way to use python. Thanks to everyone for their help

First off, hello, I'm new here, and I hope this is an okay place to ask...what podcasts are you all into?

Here's some of my favorites:

Dispatches from Myrtle Beach:
Link from Good Mythical Morning has a conversation with his father. It's a strange mix of funny, heartwarming, raunchy, and endearing.

The Newest Olympian:
Mike Shubert from the Potterless podcasts reads the Percy Jackson books (I tried reading along with the podcast because I'd never read them, but couldn't put the books down, so I'm ahead of the podcast now). It's a funny podcast regardless if you've read the books.

RadioLab and the new season of RadioLab's More Perfect podcast
If you've never listened to radio lab, just pick any episode. They're interesting and weird and you'll learn stuff. They're just good. The new hosts are still finding their way, but it's still good, so maybe start with some of the older episodes.

Judge John Hodgman

• He settles stupid disputes between people...e.g., "Is a hotdog a sandwich" (No.)

Song Exploder

• Even if I've never heard of the song I listen. It's about how songs are made, and it's super interesting.

99% Invisible

• it's about recognizing all the fascinating things in the world around us that we pass by every day without noticing. Always read the plaque.

Oh No, Ross and Carrie

• they do non-sciencey things and then discuss from a science perspective. (E.g., joining a religion, going to flat earth meetings, visiting psychics, getting holistic medical treatments, etc)

This American Life
just interesting stories about people and things in life?

The Memory Palace
super cool podcast...usually pretty short that takes things from history and tells the story in just a unique and interesting way.

Science Friday
deep dive into science news for the week

Behind the Bastards
all about the worst people in history.

Sawbones: A Marital Tour of Misguided Medicine
Hilarious podcast about medical history

The Adventure Zone
The McElroy family plays dnd and other role play games

The Moth
people tell personal stories to crowds of people.

The Daily
New York Times's podcast

Wait Wait Don't Tell Me
news comedy gameshow

60-Second Science
as described

Good Job Brain
pub trivia podcast

A Hotdog is a Sandwich (but it's not)
Good Mythical Kitchen's Josh and Nicole debate food things

Dead Pilots Society:
really interesting. They take scripts from failed TV pilots and hire actors to do table reads of the script. Every other week is an interview with the script's writers too, so you can listen to those if interested or just the table reads if not.

Brainstuff:
just interesting tidbits. Short podcasts.

I'd love to hear your recommendations!

Edit: Thank you all for all the recommendations! I'm still reading all the posts and adding them to my list to give them a shot!

I’d really appreciate suggestions for any action-packed anime series you might be able to share.

I “play” Zwift indoors for exercise when I don’t have time to ride my bicycle outside. While Zwift is a huge improvement over nothing, I still find myself watching the clock more than the screen. To help keep my mind busy and pass the time, I’ve been watching anime while riding indoors for the last several years. The more intense the anime, the better!

I think the early Attack on Titan seasons are the most emblematic of what I’m looking for, though I’ve been enraptured by other less likely shows, such as Psycho-Pass and Dr. Stone.

Chainsaw Man, Blue Lock, Shield Hero, Sword Art Online, Parasyte , the first season of Vinland Saga, Shokugeki, and many others have helped me get through countless hours of riding in the past, and I could really use a few new series going forward.

Thanks in advance!

Edit: cleaned up some phrasing

Edit 2: It's really hard to come up with an exhaustive list, but as folks jog my memory (or when my own addled brain decides to be useful) I'll add other series I've seen so far as well.

• Yowamushi Pedal
  • Because: of course
• Lastman
  • A rare French anime, and I really enjoyed it
• Fireforce
• Neon Genesis Evangelion
• One Punch Man
• Kill La Kill
• Gurren Lagann
• Jojo's Bizarre Adventure
  • Watched a few episodes but struggled to get into it
• Eighty-Six
• My Hero Academia
• Demon Slayer
  • Watched through the train movie and discontinued when they turned said movie into the next season
• Mob Psycho 100
  • Watched a few episodes but struggled to get into it
• Hunter X Hunter
• Cowboy Bebop
• RWBY
  • Struggling with the current season
• Tokyo Ghoul
  • Struggling with season 3
• Sabikoi Bisco
  • Made it to episode 10 and fell out of it, can't remember why
• Ranking of Kings
  • Made it to episode 8 but never got into it
• Welcome to Demon School Iruma-kun
  • Made it to episode 11 before dropping it
• To Your Eternity
  • Made it a handful of episodes in but never got into it
• Berserk
  • Watched the first season, need to get back to the second
• Black Clover
  • Amusing enough, managed to watch 143 episodes lol
• MEGALOBOX
• FLCL
• Naruto
• That Time I Got Reincarnated as a Slime
• Tower of God
• Aoashi
• Black Summoner
• DNA2
• Death Parade
• Erased
  • This one hit me in the feels
• Fate/Stay Night: Unlimited Blade Works
• Fullmetal Alchemist Brotherhood
• The Greatest Demon Lord is reborn as a Typical Nobody
• Gundam Build Divers
• Kaiji
• Noblesse
• Over Drive
• Overlord
• The Promised Neverland
• Puella Magi Madoka Magica
• Shinobi no Ittoki
• So I'm a Spider, So What?
• The World's Finest Assassin Gets Reincarnated in Another World as an Aristocrat
• takt op.Destiny
• RE:Zero

One of the communities on reddit that I greatly benefited from was /r/migraine. It was helpful to have a space to talk about common symptoms, experiences, and the various treatment options out there. Wondering if anyone here also experiences migraines & might be interested in a support-ish type discussion thread? I'll post a bit about my personal experience in a separate comment.

(Also -- this is my first post here, so please feel free to let me know if I've tagged this incorrectly or made some other newbie mistake. Thanks!!)

With the death of third party apps, I'm gone. Way over 90% of my interactions are on RIF Is Fun, and I don't see myself changing over. (Ironically, I'm typing this on my laptop, but this is definitely the exception.)

The u/spez "AMA" (quotes because it was anything but an AMA) yesterday made clear that there was no vision, no plan, no grand strategy, no genius behind the scenes trying to make a bad situation better. There is next-quarterism, venture vulture capital destruction, and a fundamental misunderstanding of where Reddit gets its value. Without the users, the mods, and the developers who make this insane place work, it will never turn a profit.

Who wants to advertise on a website when there is random nsfw spam? Or where there is rampant racism without folks to clean it up? Or where nobody goes because there is no content? Developers, mods, and users provide (in order) the methods of interaction that then get applied to lead to the economic driver of the company. In the "AMA," the most damning comment in my mind was "we’ll continue to be profit-driven until profits arrive". You can't cut costs out of a budget hole when most of the work done comes from free labor, and when the content that drives eyeballs to the site is free too.

Reddit is cutting the legs off of the 1% and <0.1% of users by seeking short-sighted profits off the backs of third-party developers. Reddit is gaslighting and libelling and doing a pretty shit job of it, because we all can see what's done and said here...And it is just going to accelerate the decline of the site.

I'm not going to be deleting, because I have unreasonable hope that things can change for the better, I'll just not coming on nearly as much. I'll probably sleep or something with the extra time. Or maybe I'll read books on my phone, or develop a new strange addiction.

Here lies Reddit, a hive of scum and villainy to rival Mos Eisley. It was home. So long, and thanks for all the fish.

Happy Friday everyone! I'm making a post to see if anyone wants to beta test my Tildes.net iOS app Backtick.

Background

I've been wanting to create a Reddit app for quite a while, and just when I got started, the API change chaos happened. Thankfully, I remembered signing up for Tildes.net a few years ago and decided to pivot to make an app for this site instead! The app is still a work in progress, but I believe releasing early and getting as many eyes on it during development results in a better end product (and it's more fun for me 😊).

Features

Here are the current features of Backtick:

• Light mode/dark mode
• Login to Tildes.net (suports 2FA)
• Front page feed with sorting support
• View, vote, and comment on posts
• Reply and vote on comments
• Collapse comments
• View notifications
• Full markdown rendering
• Text-to-speech for posts and comments

Here is a video demo of the app in its current state (updated for v1.8.1): https://youtube.com/shorts/iukQJyJbtw8?feature=share

I know there missing features, but as I mentioned before, I would love to get as many people in as early as possible to help shape Backtick's future.

Testing

If you're interested in testing the app as I continue to work on it during my free time you will need:

• An iOS 16 device
• TestFlight (Apple's testing app)

You can access the beta here: https://testflight.apple.com/join/gNH18NE9. If you have any issues please DM me your Apple ID email and I will send you an invite manually.

Thanks, everyone! Have a great weekend.
- Ash

Edit:
Getting some great feedback! I'll be tracking bugs and potential features here if anyone is curious: https://chatter-brick-3d3.notion.site/Backtick-Tracker-888150b641ae4c0ab39dc0345783bc50?pvs=4

Edit2:
I created the Discord server to help facilitate better collaboration with those who wish to be more involved. It will be a place for discussion around potential features, bugs, and general chat. I will still be taking in feedback via TestFlight and Tildes.net, so it's perfectly fine if you don't want to join.
Join here: https://discord.gg/aah7nkfpBY

The 16th season of It's Always Sunny in Philadelphia started airing last night and is now available for streaming on Hulu too! What did y'all think about the new episodes?

Please make sure to provide warnings for any spoilers you may post! If you want to hide your spoilers, please follow the formatting tips at https://docs.tildes.net/instructions/text-formatting#expandable-sections to hide them under expandable sections. Thank you!

The Reddit company is screwing up and upsetting a lot of their "power users" and mods. A lot of people are fed up with Reddit, and are possibly ready to move on to a new platform.

Is Tildes that platform? I've lurked here for most of Tildes' life, and from that, my impression is that Tildes does not especially want to replace Reddit. A lot of people here like the small, intimate atmosphere. I've even noticed a bit of derision toward Reddit's lowbrow appeal.

The reason I ask is because there are communities on Reddit that I don't want to see die. /r/Permaculture and /r/composting are some of my favorite places. I've gotten to know quite a few people who also frequent those places and I've come to enjoy the tone of conversations there.

But this seems like an important question for Tildes to answer not just for my sake. Reddit is full of niche communities like this. If they have to go somewhere suddenly (and I realize that this is a big "if"), where do they go? I know that they technically can't come here suddenly--slowing growth is one of Tildes' features. But if Reddit's niche communities decided to move here, would you welcome them? I'm interested in what you, personally, think, as well as how you think Tildes as a whole would handle this.

P.S. I'm also sorta asking for permission to invite /r/Permaculture and /r/composting over here. I like this website, but I'm just a lurker, and don't feel like I'm part of the Tildes community. It feels super presumptuous to invite my friends over here without asking. But I think the wider question is more important. Do you, and does Tildes, want Reddit's 'refugee' niche interest communities?

Edit: Thank you all for the excellent responses! I don't have time now to respond individually, but I really appreciate the thought so many of you have put into your replies. This will help a lot in considering how to proceed over on Reddit.

Hey everyone!

I love a good horror/thriller type movie and tend to binge on them every few months. I am however behind on releases over the last year or so :<

I'd love to get some recommendations from the wider community to add to my list of must sees!

Thank you in advance!!

Hey all, I think we're getting a lot of new people over the past and next couple days thanks to Reddit's latest ideas of how to manage a social media website.

First of all, welcome! Tildes caught your eye probably partly because of its community / friendliness and we'd all like to keep it this way.

Recommended reading:

• All the documentation is on docs.tildes.net. Most of it is current.
• The philosophy page especially will answer some of your immediate questions
• Since you're here and like the site, think about donating :)

Some personal words: Tildes is not Reddit. But, at least if you're anything like me, it can replace Reddit as your own online social/discussion outlet.

Tildes aims to:

• Grow slowly, not exponentially.
• Elevate the discussion, not lower the bar
• Offer an alternative, not be the new Reddit

I am in Scotland for a little vacation with a friend, and am looking for recs! We are mainly in Edinburgh, but have a car and are open to just about anything! I don't really mess with touristy stuff, but am willing to try if you think its worthwhile! Also will be here for the rest of the week! We are planning on going to the gardens for sure, but other than that don't really have a whole lot planned. I would like to go to Galloway at night and see the milky way though. I love the scenery so I don't mind a short drive. Thanks :)

What areas of human activity are currently experiencing a time of great advancement or a remarkable surge in quality?

This is a call for positivity, if possible please refrain from irony or backhanded pessimism such as "We are in the golden age of assholes" or something.

Thanks ;)

So instead of just posting a link to the opening weekend of Guardians of the Galaxy Vol 3 (which is looking to open in the low 110s) I thought I'd just make a post talking about the recent box office of super-hero movies and the fatigue going on with general audiences.

Let's rewind to the far distant past of December 2021. Spider-Man: No Way Home just opened to over 200 million dollars. It re-invigorates movie going among the general public. Grosses at the box office afterwards are vastly higher. Spider-Man makes nearly two billion dollars at the box office. The next super-hero movie to come out is Batman, which does pretty well considering it's the first entry in a rebooted series.

Then, the summer movie season kicks off with Doctor Strange in the Multiverse of Madness. Seemingly, the movie is heading towards a 200+ opening weekend (much like Spider-Man). The film was sold as a follow-up to No Way Home, but in reality it had little to nothing to do with that movie. General audiences caught on, and were overall mixed on the film, so the opening weekend landed under 200 million. The film ultimately went on to gross over 900 million at the box office, but with terrible legs.

The next film after that was Thor: Love and Thunder. Again, the film garners a mixed reception with both critics and audiences. It ultimately grosses less than it's predecessor Thor: Ragnarok (although L&T did not open in China or Russia). It did okay all things considered, but it was another poorly received entry in the franchise.

Black Panther: Wakanda Forever comes out in November with much better reception. Although it still ended up dropping 500 million worldwide from it's predecessor (300 domestic). Again, considering this was dealing with the loss of it's star, it did okay all things considered. Still, it was a disappointment compared to what it was expected to make and the critical reception was weaker than anticipated.

Then the big dumpster fire happens. Ant-Man and the Wasp: Quantumania is released. It gets the MCU's second rotten score on RT, and gets the worst audience reception of the series since Eternals. The film manages to get the highest opening of the Ant-Man franchise, but with terrible reception it also gets the worst legs of the MCU. It ends up with the lowest gross of the Ant-Man movies despite opening higher than both of them.

The GA got burned from a constant flood of mediocre product (and we're not even talking about all the TV shows).

Guardians of the Galaxy Vol 3, despite much better reception than most recent MCU films, is ending up with a lower opening than it's predecessor, and will most likely end up with a lower gross than the first film. This is referred to as "paying for the sins of the father."

This will be the lowest May opener since The Amazing Spider-Man 2 opened in 2014 (not counting 2020 or 2021).

Super-hero movies will still be around, and some of them might make a lot of money, but it's clear the utter dominance it had at the box office for the past 10 years is over. Which is kind of insane to think about how quickly this all came crumbling down (only 1.5 years!). But it goes to show there's a limit to how many mediocre/bad movies the GA can handle in a franchise.

And this isn't even counting how poorly both Shazam and Black Adam did for DC.

It seems like Quantumania might have been the "Heaven's Gate" for the MCU, it was the straw that broke the camels back.

So what will happen with super-hero movies? Probably a return to the pre-Avengers normal. Mainline superheroes (like Batman and Spider-Man) will remain lucrative. But lesser known superheroes are now riskier bets, and if those lesser known heroes are in a bad movie, there's no saving it. Logically, budgets for these movies should get lower to accommodate the lower grosses bound to happen from now on. And there needs to be actual effort put into the film in order to make it a good film first and foremost.

Unfortunately for the MCU, many of the movies slated for 2024 were greenlit before they could change direction (like Captain America: New World Order which went into production a few months ago). The budgets for these films are probably going to be really high like they've all been (200M+) and the grosses will get even lower as these movies were not given proper re-writes to right the ship.

As for DC, it puts a lot of pressure on Gunn to make Superman a good movie. And not just a good super-hero movie, but a good movie. Like how Batman Begins was just a good movie.

Hollywood is now looking towards video game movies as the next big thing, thanks to the massive success of Mario, so these movies are going to have to build themselves back up.

In honor of Tildes' 5th birthday, presenting a preview of this app I've been working on, called:

Three Cheers for Tildes

It's not ready for an alpha release yet, but have some proof it's not vaporware:

Pre-alpha app preview: https://www.youtube.com/shorts/dZ5cDZFrpUw

Q: What devices will be supported?

Android 6.0 and newer. iOS 12.4 and newer (includes iPhone 5s and iPad Air).

Q: Who is this app for?

Mainly for people who are a great fit for Tildes culture, but have found it hard to keep up, without an app.

Maybe they visited once or twice, liked what they saw, but quickly bounced off because they're more accustomed to apps than websites. They could simply have forgotten about Tildes, without that dedicated icon on their homescreen.

Maybe the lack of an app signaled to some that the site was not worth taking seriously yet.

Or maybe they had been active for a while, and over the years gradually got tired of waiting 5-10 seconds to cold-start a web browser on their phone.

I know Tildes regulars don't particularly need an app. Those who've stuck around have clearly been perfectly fine using the website for the past 5 years, after all. Tildes does have an excellent mobile site already! That said, I'd be thrilled if the regulars tried and ended up enjoying the app, but at the same time, I'm not planning to put in massive effort to change minds and habits that don't need to be changed.

Q: I'm new to Tildes. Is Tildes the Next Big Thing? Is it going to replace <mainstream social network>?

Almost certainly not, and that's more than okay! It was never designed or intended to compete head-to-head with any major social networks. Tildes is its own community with its own way of doing things. We could use some new users in 2023 to keep things fresh, in my opinion. But the goal has never been growth at the expense of quality. I believe most of us want to keep the cozy, and manageable, community feel.

Please read the Tildes Docs if you're interested in the philosophy and policies of the site.

Q: What does the app do differently than the mobile site?

Currently: It follows native UI design patterns. It comes with a homescreen icon. It loads faster than a full web browser engine.

Planned: Easier to submit stories by hitting Share from other apps. Notifications. Content and user filtering features.

Q: Will your app have ads?

No. As long as Tildes itself is ad-free, Three Cheers will remain ad-free.

Q: Will you monetize the app some other way?

I might ask for donations, with options to send money to myself or Tildes or both.

I didn't build this app as a moneymaker per se. It's been a fantastic way for me to brush up on new (to me) technologies, and I wanted to support the Tildes community at the same time. Also to be really honest, my competitive side was fired up being the first person to release a native mobile app for Tildes.

Q: Why is the app closed source?

I don't want to open this can of tildo-shaped worms, but know I have to; <details>-ed for length:

On the other hand, if anybody is inspired to prove me wrong and build an open-source app, by all means, go for it! It would be exciting to see an ecosystem of apps maintained by different developers.

Q: Will you release an open-source SDK at least?

Maybe. I'd be up for collaborating on this. It would largely depend on whether the site admin is confident enough to tackle the increased spam and abuse that may result following a public SDK release.

Thanks for reading! I'll post another topic in ~tildes when an alpha version is ready.