To set the stage, I've always been a fan of non-nonsense reliable phones. My cellular usage started with a Nokia brick, moved on to a few Motorolo flip phones, then entered the Blackberry world as soon as data service become available in my area. With the demise of RIM, I went o a Moto X, made a misstep in to the Samsung world, then to a Pixel, a Pixel 3XL, and now a Pixel 7 Pro.

I only made the jump to the 7 Pro due to the 3XL starting to show it's age. The charging part wouldn't always connect, the battery would barely make it through the day, and the case was starting to fall apart. Of within three days of removing the case I dropped the phone, cracking the glass back....

The 7 Pro is awful to hold, without a case. I was waiting a week for the Spigen Liquid Air case to show up, and during the time I hated using the phone. The camera bulge felt awkward and sharp, the surfaces were slippery and the phone would slide around. The rounded edges of the screen would produce phantom taps, just all around a bad experience. Now that I've added the case though, it feels a whole lot better.

The user experience has been fairly good, thought not without some annoying bugs. I did the migration from my old Pixel to my new one, and while it did a reasonably job, preserving the launcher layout etc, the app installation process was strange. Google Play tried to install all the apps, but was stalled. I had to tap on each app to manually install them, they were just sitting there "Pending...", whether I was on battery or charger, WiFi or mobile. Once everything installed, and I added my accounts, it was fine, and now apps auto-update.

Notifications are acting a bit funny with Reddit is Fun, although that won't be an issue for much longer :-(. If I get notified of Mod Mail and a Message in RiF, tapping the notification message does nothing. This worked fine on the 3XL. I've also had one spontaneous reboot, and one night where the phone was plugged in, but decided not to charge. Lots of people complained about heat issues, which was a problem for me on the 3XL, but only in extreme cases. After sitting out in full sun with the 7 Pro, I'd say it is about the same, possibly a bit better regarding it's overheating. Many people also reported that the phone would feel warm/hot in their hands for the first few days as it "learned" your behavior. Never experienced that. Battery life and (lack of) heat levels have remained the same.

I had often considered an e-bike and whilst I don't consider myself particularly good at cycling I have always enjoyed going on a bike ride.

I live in a mountainous area and I am overweight and late 50's with arthritis and so cycling was becoming harder for me (I resisted an uphill battle). Cycling has always had health benefits both mental and physical but now it was a struggle.

I therefore started to look at the different models that were available. My requirements were for a hobby cyclist and enough range for a few hours ride.

I dont know what it is like elsewhere but blimey they are expensive here in the UK. 1500 - 2000GBP for a base model. So I kept my eyes open for a second hand model and finally picked up an E-MTB for 300GBP which fit none of my criteria.
A Coyote Edge 650 which was sold by a shop called Halfords here in the UK. 36v rear hub driven and a 7 gear rear cog setup

i have only ever ridden hybrids or tourers before but MTB's are an eye opener and if they are as much fun without the electrics then I really did miss out on some fun in the past.

I have now done 500+ miles and it has been nothing but fun. I sometimes only get out for an hour after work but for my head that is usually good enough. I can also get to the top of the mountain and just sit and admire the view then follow the trail back down (and dont tell the wife but I am getting quicker and quicker on that down hill track)

There is no real point to this other than to share my experience as a first time e cyclist

Downsides, it is expensive. The e bike, the helmet and gloves can be quite expensive and the bits that you need just in case, pump, water bottle, spare inner tube, glasses for when the sun is low. Also when the battery starts to go that is a huge expense, in my case we are looking 300 to 400GBP.

On the other side though it has re-opened some routes I haven't done in years, my mental state is a lot better I'm losing weight, and I am having fun. Do you know how many flies you can catch when you are smiling!

Top tips I have found though is that Ali-Express is awesome for tools and parts and that charity shops (Thrift shops in the US) have been excellent for sportswear, I got some good base layers a while ago and the wife brought me home 2 MuddyFox cycling jerseys the other day, one which had a shops label still in.

If you are still contemplating whether to get one, do so and then make the time to ride it. You won't regret it.

p.s. Im not buying Lycra

I recently felt an itch for a big expansive RPG and decided to play through AC:O for a second time. The game is really big, was a timesink the first time around (like 80 hrs) and is bogged down by a lot of resource sinks and differing systems all trying to get your attention. But I'm a sucker for the Greek Myths and ancient Greece, so this game is perfect for me; so I gave it another go.

So NG+ on AC:O is your typical affair: You begin a new game, but you keep your experience, all your items, and also crucially, all your invested resources. AC:O has an extremely tiring resource sink in the form of the Adrestia, your ship. You can upgrade the hull, the ramming damage, the throwing spears, the arrows, the fire to light your arrows, and the ability of your crew to brace against enemy ranged attacks, the ramming speed, and I think I'm even forgetting a few. Doing this all on your original run is an extreme timesink, as the resources required to get a single one of those things up a level scales incredibly fast. Even worse, the items required to do so are all fairly common (wood, iron, and the like) except for one, which are ancient tablets, of which there is only a set amount in the world, at various locations you need to loot. I went the distance on my first run, and upgraded my ship fully. And it remained upgraded! This means that one vast system in the game is now basically gone. It has made ship combat very easy, but then that never was the highlight of the game anyway, so I don't mind. On top of that, all rewards are scaled up in NG+, meaning that you begin to immediately drown in money and resources, and with the biggest resource sink gone, you can focus on building your equipment exactly the way you want to.

A second one is experience. Now, when AC:O came out the first time, lots of players complained that the amount of experience you gain is abysmal, pointing to the overly convenient ingame shop selling a permanent XP and money boost for like 10 bucks. And I can absolutely see their point. To progress in any form in AC:O in the normal game, you pretty much need to do every "proper" side-quest (as in the ones with a plot, not the automatically generated ones you find on message boards and the like, only the ones marked on the map with the golden exclamation mark), and then the main-quests of an area. If you do that, you'll be just about the minimum level to do the main quests. So for the people who are here for the scenery and a main story, they got fucked hard, or had to pay up again.

Another incredibly annoying thing about vanilla AC:O is that like many open-world games, the world is divided into large regions and islands. Every region had a minimum level recommendation that might as well have been a requirement, as fighting someone just 3 levels above you bordered suicide, as you could die in sometimes 2 hits, and did a fraction of their health in damage even with your most powerful abilities. This means that on your original run, the world is not open at all, but you have to progress in the way that developers want you to. You start in Kephalonia, and can't leave until you unlock the ship. Your first quest leads you to Megaris, but you'll immediately notice that the level requirement for the region is too high. Conveniently, along the way is a different area which actually fits your requirement, so you have to stop there, and do every quest there before you can progress in the main story line.

NG+ fixes that entirely. Completely. Whatever level you are, every region in the game is now set to your level. Which means that you can follow the main quest line along without any problems at all and actually do the fun thing where you travel the open seas to sail to a random island and do the quests there. You know, open-world stuff! I vividly remember on my first play-through how sad I felt that I couldn't actually use my ship to sail around and explore, because the game forced me to do each region in a specific order, and "enjoy" my time there before moving me along at the pace of the main story line. I couldn't even stealth my way through it (in an ASSASSIN'S CREED game) because Odyssey has this really fucked up mechanic where stealth kills stop becoming instant kills if the target is too high of a level above you. Seriously. But NG+ fixes this, because you immediately get access to the crutch ability that the devs implemented to fix this issue and because most enemies you encounter are going to be around your level no matter where you are.

Since now everything is just scaled to your level, the world immediately opens up after you leave the tutorial area and you can do pretty much whatever you want. I didn't hunt down the Cult of Kosmos, a gameplay system where you discover clues about members of a secret dangerous cult hunting your family, have to piece those clues together (or collect enough where the game is just willing to locate them for you), and then go to a place to assassinate the person, which gives you another clue, and so on. Killing all cult members is optional, but does influence the main story-line, as they serve as the main antagonists. I didn't complete this objective on my first play-through, because some of them are specifically level-gated, as in the person you have to kill is just set to have level 59, which is post-endgame content, meaning you either have to commit to a worse ending of the main plot, or stall the final mission, ruining the pacing even more, to go on a world-spanning quest of hunting down every member.

Playing on NG+ has significantly increased my enjoyment of the game, as I feel like I can just go everywhere and do thing as I want to, not as the developers intended to. Do you know how great it is to actually see a place on the horizon and just, I don't know, go there? You know, the main attraction of the open-world genre? And not be greeted by an enemy town guard 10 levels above you decimates you in 2 hits while you'd be whaling against him with your best weapons for a solid 15 minutes before he goes down. It's great. I'd honestly urge it to even new-comers who like RPG or like the setting but don't like the grindy messy bits to just download a full save of the original game and start a new game + on it. The start will be a bit intimating since you'll have all abilities, but you can just reset the skill tree for spare change and re-level the way you want to. The game is better off not having the grinding for better ship parts in the game and you being able to go wherever you want.

It's far from perfect, but I really think it just turns into into a better experience. I'm fine with not really levelling my character, because 1 out of 3 skill trees is entirely useless and the other two only contain a couple of abilities which are any good, so putting your points into prestige skills that just percentage increase your damage or resistance or whatever is honestly good enough. It's not interesting, but the world and characters are plenty interesting enough for me.

Falling Down

Runtime: 1h 53m

Budget: $25m

Tomatometer: 75% 6.8/10 (Audience 88% 4/5)

IMDB Rating: 7.6 / 10 - 188k ratings (Top 1000 7.5/10)

Language: English

Streaming: Vudu , Amazon

Michael Douglas plays Foster, a man with 1950's era mentality who is having a really bad day. He just wants to make it across LA in time for his daughters birthday. The increasing setbacks he faces from modern 1990's society see him increasingly break down into a string of violence episodes. But his violence is guided by his 1950's era set of morals. And in spite of Fosters nerdy 50's appearance, he is surprisingly good at the modern violence thing. Does the movie glorify the violent anti-hero? Not so fast.

Robert Duvell plays Prendergast. A retiring cop on desk duty who is the only who connects the violent dots together. But because he is a retiring desk jockey who is clearly too afraid to take on a real cops job, almost no one listens to him. Almost no one. There is one person on the force who knows Prendergast has a lot more going on than people realize.

This story is an interesting analysis of the male psyche under pressure. Foster reacts with anger and aggression. Predergast bends to the point of being a doormat, and he just lies there and takes it.

What the movie uncovers at the end, is there is a middle ground, that handling life's setbacks sometimes requires patience and grace, and sometimes requires assertiveness and boldness, and that wisdom is knowing what you can and should try to change and what you can and should try to accept.

This movie has always been a favorite of mine, because I love a little bit of the old ultra violence, and I love an unusual ending that makes you rethink about the entire movie with a new perspective.

But what is really interesting, is this movie touches on the 1950's era males ideals and expectations men are still raised with today, and the outrage that arises when that sense of entitlement goes unfulfilled.

I received my Steam Deck on June 6th and have used it literally every day since then. Here are some assorted thoughts that might be of value to people either waiting on theirs or on the fence about ordering:

The Good

• I had no idea until I got it that there's an official Deck test game: Aperture Desk Job. It's essentially a cute test/tutorial for the Deck's controls, set in the Portal universe. Takes about half an hour, but it's a fun onboarding for the device.
• On the past two Saturdays, I have woken up and played Vampire Survivors with one hand while I held my morning coffee in the other. This is the way.
• The control remapping options are absolutely incredible. It is a very robust system. Even simple fixes (like putting A on a back paddle so I can play Vampire Survivors one-handed) can make a world of difference.
• I haven't run many heavy games on it, but I started up Bugsnax, and it was keeping a solid 60 FPS and looked great.
• Emulation on the device is a dream. I haven't done anything past OG PlayStation games yet, but the power of the device, the robust control customization, and the ease of installing emulators (adding Flatpaks in desktop mode) make this absolutely ideal for revisiting older consoles. I've spent probably 80% of my time on the device in PSOne games.
• Battery life is fine, but I don't really use it. I bought a long power cord and spend most of the time with it plugged in on my couch since it has passthrough. I thought the cord sticking out the top of the device would bother me, but it hasn't really been an issue.
• Game selection is increasing steadily (1700+ verified games currently). If you're buying it to play specific games you might be disappointed, as there's still a lot that doesn't work. If you're buying it for games in general though, there is plenty to keep you occupied.
• The grips are MUCH more comfortable for bigger hands than standard Switch joycons. Those would always cramp my hands, but the Deck feels natural and comfortable.
• The middle of the device gets warm to the touch during gameplay, especially on more demanding stuff, but the grips remain cool and you won't feel the heat at all unless you specifically move your hands to the back middle of the device.

The Bad

• The paddles on the back are a little awkward, and I accidentally click them more than I like. In most games they're not mapped to anything so it's fine, but in emulators I use them for save states. I had to set them to respond to long presses only so my accidental clicks didn't mess things up.
• The software is... still getting there. I get navigation issues on store and profile pages frequently, along with frequent UI lag. It's a bit unpolished at the moment.
• Don't know if it's specific to my hardware or a software bug, but sometimes it won't log me in to my Friends list and the only fix is a reboot.
• I wish the control sticks had deeper indents for your thumbs. They're pretty flat, and my thumbs tend to slip off on stick-focused games (most noticeable on my right (aiming) thumb during 20 Minutes Till Dawn).
• Bluetooth headphones have to be manually reconnected in the Settings menu each time. No idea why this is, but it's a bit of an inconvenience.
• Mid-game suspending is still clunky. I don't really do it, as I don't trust that it'll save like it should. It also still counts playtime while suspended but seems to have a rollback feature? I put the device to sleep with a game open that I'd played for 20 minutes and came back to it saying I'd played it for 3 hours. The playtime ended up dropping back down to 20 minutes, but only after I restarted the device.

The Ugly

• There isn't any ugly. I absolutely love this device. Despite my nitpicks above, I think it's nothing short of splendid. I'm more excited about this than I've been about anything in videogaming in a long time.

If anyone has any questions, ask away! Also if any other people here have their Steam Decks and want to chime in with their experiences (@Autoxidation), go for it!

Note: there's a number of disclaimers I feel I want to include regarding "miracle" diets, direct-to-consumer businesses, health benefits/risks of dieting, etc but it'd get too long to put them up here. I'll add a comment with that stuff. Also, no one is paying me to say anything here.

I decided to write about my experiences with different low calorie/diabetic-friendly/keto food options. Let me know if this is at all helpful to you :)

Magic Spoon

This is that unavoidable direct-to-consumer business; you may have been bothered w/dozens of promo codes for their cereal across various podcasts, YouTube videos, and Twitch streams. I have been on a ketogenic diet for a long while (and have had success with it*), and saw that Magic Spoon is low carb and comparably low in calories compared to other sugary cereals.

I bought a variety pack with 4 boxes for ~$40 including shipping w/promo code. $10/box is pricey, but since I used to be a cereal lover, I figured it might be worth having it to scratch the itch. All of these I had with Blue Diamond Almond Breeze Unsweetened Almond Milk (<1g carbs.) I can't really tell a flavor difference between almond milk and low fat milk. Whole milk sells for about $3 in my market where as almond milk is about $4. Note: I am easy to please, I definitely don't have a "refined" palate. Now to the boxes:

Peanut Butter

I think maybe my expectations were off for this. I'm not a sommelier, so I'll describe flavors best I can in common folk language. This is just not good. At all. The taste is peanut-buttery, but has an overwhelming salty flavor. There's also this off-note that tastes like artificial sweetener. Texture-wise really adheres to your teeth. I finished the bowel, only because I didn't have enough time to pour a new one before work. It's been a few weeks, and I still haven't touched the box (aside from a small bowel to write this review.)

Rating: 1/5

Fruity

I had pretty low expectations from the previous box, and some anxiety about having potentially wasted $40 on food I won't eat. The smell when I opened the box was immediately that of fruit loops. I noticed the shape of the cereal was the same as the peanut butter ones. Fortunately, these didn't glue themselves to my teeth in quite the same way that the PB flavor did, but I still used my tongue to dislodge it from a couple of molars at the end. This tasted quite close to fruit loops, but overall is a unique flavor. I quite enjoyed this flavor. This cereal can sit in the bowel for some time before becoming soggy; a good quality since I typically take my time and browse Reddit/HN in the mornings while slowly working on a bowel of cereal before work. Flavor is a half-step down from fruit loops, but a step up in consistency.

Rating: 4/5

Frosty

When I tried this, this was the best keto cereal I've tried. I'd say it's the best cereal I've ever had, but that title still belongs to Reese's Puffs. It's hard to describe the flavor, something like Lucky Charms if you had a high-number of mash-mellows, but far more substantial. It isn't an especially complex flavor; it's just a "frosted" flavor that seems perfectly balanced in both flavor and consistency. Following the trend of other cereals, it doesn't get soggy fast, which I appreciate. Doesn't really get stuck in the teeth.

Rating: 5/5

Chocolate

This will be a short review: not great. It tastes like Cocoa Puffs, if they very obviously had substituted artificial sweetener for sugar. Maybe that's your thing, but I wasn't a huge fan of Cocoa Puffs in the first place. Not offensive, I'll probably finish the box when I run out of other things to eat, but not great.

Rating: 2/5

Conclusion

This scratches that craving for cereal that you miss out on when you go on a low carb diet. If you are on keto, you should note the cereal is relatively high in protein (around 13g per cup) where total fat is only 8g per cup. I'll probably purchase again, but I'll do a custom bundle next time w/fruity, 2 frosty, and maybe a different interesting flavor as a fourth.

I'm a longtime Linux user, and I haven't used Windows in a while aside from just launching games from Steam on my living room computer, but my new work laptop is Microsoft's flagship Surface Pro 4 so I figured it'd be the best experience you can have on a Windows machine.

I got the laptop in yesterday, and here's the summary of my experience:

• I am required by IT to use Chrome. To install Chrome, I had to click through no fewer than three "Are you sure you don't want to use Microsoft's more secure, faster browser?" banners to do so.

• When I plug in my external monitor, by default, the two monitors were mirrored; when I went into display settings, it didn't show the external monitor until I closed and reopened the settings menu.

• I have an Apple Magic Touchpad 2, and I had some issues getting it set up on Ubuntu 20.04 when I initially got it. These problems are now solved on the latest version of Ubuntu, but I was expecting a nice contrast in a good plug-and-play experience on Windows. Instead, I had to install sketchy drivers from some random GitHub page to get it to work properly.

• I've had some minor annoyances with my audio interface (a Zoom R-22) not being set as the default when I want it to be on Ubuntu, and I was really looking forward to getting a smooth video calling experience with my nice mic and interface on Windows. Lo and behold, the R-22 audio input - the whole reason I have it - doesn't work at all, at least in the Zoom video calling app.

• On Ubuntu, I use QV4L2 to configure the framing, zoom, exposure, etc of my camera. It's a bit clunky, and I was looking forward to having a smooth experience with this on the premier business OS. Unfortunately, the camera on this laptop has extremely aggressive aperture priority mode enabled, and there is no first-party app to configure it! The documentation tells me to go to Settings -> Devices -> Camera but there is no such menu item. So, I just look either washed-out or ultra-dark in every video call.

• After running Windows Update and rebooting, I was greeted with a full-screen and quite annoying to exit tutorial for Microsoft Teams - an app I did not install, because my company uses Slack.

This in addition to some setup papercuts, but I think those were probably due to my corporate IT's process rather than Windows itself.

Is this common? Do people who use Windows just... put up with this kind of thing? Or am I having an exceptionally bad experience for some reason?

I thought I'd take the time to post about a series I've been looking forward to for over a year now.

Hidden is a fantastic crime drama set in Wales, and a third series was announced early last year. The Welsh version, Craith, aired late last year. This week, the bi-lingual version airs on BBC One Wales and BBC Four. In my opinion it's the perfect crime drama: set in the mountains of North Wales, with a great soundtrack and unconventional storyline. Some shows focus only on the investigation and the victim, who probably just admits to the crime at the end. Not so here.

Sian Reese-Willams, who plays DCI Cadi John, explained what the series is about back in 2018:

It’s not a classic detective drama in that it deals with the whodunit and the police catching the bad man. It’s much more of a personal drama. It takes time to delve into the lives of everybody that gets caught up in the crime - the detectives, the victims, the family of the victims and even the bad guy. You’re trying to understand him.

It really plays with the idea of nature versus nature and almost tries to twist you into sympathising against your better judgement; it’s exciting and thought provoking. The characters are really interesting and it covers a lot of human emotion.

Here's another interview ahead of the second series.

Series two picks up around nine months after series one ends. We find Cadi trying to deal with the grief of losing her father, while trying to keep her head in her work.

It’s a difficult time for her - just as one begins to come through the initial shock of losing someone and start to try and deal with it, that’s the time that everyone around you starts to forget and move on. She’s also faced with dealing with the estranged daughter of the victim of the case, and the parallels she sees between the two of them are difficult for her to navigate professionally.

The first two series are on iPlayer now, and if you speak Welsh (or like subtitles) the third series is already on S4C Clic under the title Craith. Hidden is on BBC One Wales this Wednesday at 9pm, and BBC Four this Saturday at the same time.

I've seen a few posts about the Framework Laptop on Tildes and since I received mine, I thought I'd do a write up for it.

I've been using the Framework laptop for a few weeks now and it's been great so far. I was originally skeptical but I decided that I would take a shot at it as I've been growing increasingly unhappy with the design decisions that Apple has been making with MacOS.

I ordered the DIY kit, which was nice since I already had an NVMe SSD I could use with it, so I ended up saving about $150. It only took about 20 minutes to get the RAM, SSD and wifi card installed.

Specs:

• Intel i7-1165G7
• 32 GB of RAM
• Intel WiFi 6E card

Total cost: $1,422.03.

Unfortunately my first laptop arrived with a dead display. The Framework support team was pretty helpful and quickly sent out a new one, which works perfectly.

After toying around with Linux Mint and a few other distros, I ended up installing the Windows 11 beta. Getting the drivers installed was easy, since Framework offers a single download that runs one script to install all necessary drivers in unattended mode. Just hit one button and restart - all the drivers are installed. I wish all manufacturers offered something similar.

Overall construction is great. For something as modular as this, it feels extremely solid and well built. While the build quality isn't equal to something like a MacBook, I'd say it's on par with a Dell XPS or similar high end machine.

The screen is nice and bright, with accurate colors. I've always been a fan of 3:2 screens on laptops and moving from a MacBook Pro with a 16-inch 16:9 display to the 13.5-inch 3:2 display on the Framework doesn't feel like losing too much real estate. Having the taller display is great for sites like Tildes, where it can fit almost the same amount of content as a much larger screen.

The keyboard and trackpad are both great. The keys remind me of the older pre-2015 style MacBook keyboards before they switched to the butterfly mechanism. They are bouncy and responsive, with a nice feedback that doesn't feel too harsh like the butterfly keyboards do. The trackpad is pretty good and it uses the Windows Precision drivers, so it supports swiping and pinching if you like that. It does sound a bit louder than my MacBook Pro's trackpad.

The speakers are a bit disappointing. The max loudness is pretty anemic. Even in a normal acoustic environment (A/C running in a house), you have to actively listen to hear. Coming from a MacBook Pro 16-inch, I would say that the speakers are the biggest downgrade.

The main draw of the Framework is the expandability and upgradability.

The Framework modules are a fantastic idea and I love them. While they don't save you from having to carry around adapters, it is really nice to have those adapters slot in to your machine and feel more integrated. I purchased 2 USB-C, 2 full-sized USB, a DisplayPort, and an HDMI adapter. Being able to just slot in a USB A port and swap it for a display out one on the rare occasion that I need it has been great. I love being able to adapt the ports on my laptop to a situation without having to have dongles coming out of the side of my laptop.

The adapters are tiny and easily fit in any backpack or carrying case. I'm really curious to see what new adapters they offer in the future and what crazy niche ones third parties come up with. I'd love to see a cellular modem jammed into one of these things. Or maybe one that can hide a dongle for my wireless keyboard and mouse?

Battery life is...fine. It's an all day machine, but you'll definitely need to charge it every day if you're using it a good deal. The battery is on the smaller side, but it gets me through a normal work day so that's good enough. But when the battery goes bad (as all Lithium-Ion batteries do), it's an easy fix.

In terms of upgradability, getting into the laptop is dead simple. There's five screws on the bottom and then entire top deck (keyboard and trackpad) comes off. Everything is easily accessible and sensibly laid out. It's also all labeled with QR codes that take you to specific guides on how to install/upgrade those components. I think the educational component is great. It really shows people who would have never thought to upgrade their RAM or storage how easy it can be.

That's the big selling point for me. If I decide in a year or two that I need more than 1TB of storage, I can just buy a larger drive and stick it in there. Or if my display dies, I can get a one for a lot less than the cost of replacing the laptop. Or if the keyboard or trackpad dies, then I can easily replace just that component. On my MacBook Pro, replacing the keyboard is an $800+ repair, since it involves replacing the entire top case, which includes the motherboard and other expensive components.

For years we've been hearing from manufacturers that they can't make a laptop thin, light and upgradable. This laptop proves them wrong.

My biggest concern is the long term viability of the company. It's nice that they made an upgradable laptop, but if they aren't around in a year or two to keep selling replacement parts, then it doesn't matter much.

Overall, I'm pretty impressed with the Framework and I plan on keeping it and making it my daily driver.

EDIT: I forgot to mention my absolute favorite feature, one that I've missed ever since Apple went all USB-C on their laptops: It has a light on the side to tell you if it is currently charging or fully charged!

I watched Val tonight. Its mostly old footage that Val filmed himself. He was quick to have a video camera and seemed to carry it with him everywhere.

If you're unaware, Val Kilmer lost his voice during his treatment for throat cancer. He can still speak, but with difficulty.

Anyway, even if you're a mild fan of Kilmer's work, this is worth a watch. I much prefer this format for documentaries to the talking heads we get with other documentaries like Velvet Underground (2021)

Val is from Amazon Studios and A24.

I recently started an excellent series on Wondrium that is a PBS documentary from 1988: Joseph Campbell's The Power of Myth and I figured this series would be of interest to the Tildes crowd. In this series, Joseph Campbell sits down for a discussion with Bill Moyers discussing the way mythology has influenced our lives from the day-to-day to religion, and how these common motifs present themselves throughout our history and culture. In addition, there is a lot of examples and comparisons of these tropes within the Star Wars original trilogy that is discussed.

It is a very eye-opening and thought-provoking series that I would really love to have a discussion about if others here find it interesting as well.

Transcripts of the individual episodes can be found on this site:

https://billmoyers.com/content/ep-1-joseph-campbell-and-the-power-of-myth-the-hero%E2%80%99s-adventure-audio/

I personally prefer listening/watching as there are a lot of visual examples that are used during the discussion that helps make the topic more clear.

I'm primarily a PC gamer with a library slowly approaching 1,000 games on Steam. While I have sometimes bought games through the other storefronts like Blizzard, GOG, Uplay, and EA Origins, I never really invested significant time in them to the point where I don't keep track of what is in those libraries. Suffice to say, I thought that I was so entrenched in Steam that I couldn't possibly play in another storefront for any meaningful amount of time.

This has changed for the past year. I hopped on one of those deals that gave me access to Game Pass since Microsoft added all the Bethesda games and partnered with EA Play. And I gotta say, I'm invested now. Invested so much that I bought a Series X despite having zero interest when the new generation of systems was announced. Game Pass on Xbox is an even better deal than Game Pass on PC. The library is larger and for the games that are Play Anywhere, I can continue my save file on my PC when my living room TV is unavailable.

I really think that Microsoft has a winning strategy with Game Pass this generation and it really surprised me how my attitude to the Xbox ecosystem changed this year. While I think both Sony and Nintendo have great exclusives, the value proposition for me of convenience and a rotating slate of quality games will likely keep me invested and subscribed, moreso than Xbox Gold or PS+ have in the past.

About ten years ago, Sony promised they'd change how we play games. With the launch of the Playstation Vita, they showed us a world in which one could start playing a game at home on your big powerful console, and then you could take it with you in the form of cross-play, where your saves synced via the cloud and you could play the Vita version right where you dropped off. And of course, for games that didn't have a Vita version, there was always the option of streaming your games.

Of course, we know how well that worked out. There were maybe 5 games where you could buy both versions of the game at once, and the majority of the games that supported cross-play required you to buy the same game twice. Streaming is still what everyone's pushing today, but in many places (coughAmericacough) there isn't a good enough connection to stream games with a good experience - especially if it's got twitchy gameplay.

Time has passed and many companies have began to offer a service model for games - subscribe to a program, and you get free access to games. And many of these services have some sort of cross-play component to them, where you get access to multiple platforms, or even with streaming versions, but they all have their downsides.

But it turns out that one company offers a gaming service that actually does offer each of their games in native versions across computers, consoles, and phones, has cross-play support, and doesn't have any of the downsides of streaming, and it's from a company that most people don't associate with gaming - especially when it comes to computer games. I'm speaking, of course, about Apple Arcade.

Sure, it all only works on Apple hardware, and the console part is a bit of a stretch (who actually owns an Apple TV?), but it works remarkably well. And unlike a number of other systems I have tried, it works seamlessly - you can save your game on your mac, launch your game on your iPhone, and instantly be playing your game. And the higher-end games with nice 3D graphics actually do look remarkably better on the big screen.

Of course, the selection of games is much different than any other games service, but I find myself surprised at how many games I legitimately want to play. Sure, there are a lot of 'iPhone' style casual games - right now they just released a bunch of previously released iPhone games cleaned up and stripped of monetization schemes - but I view that as a positive thing - sometimes you just want something simple to pass time with that doesn't need to take space in your brain. But at the same time there are also bigger and more aspiring titles available. There's a new action game from PLATINUMGAMES with an Okami-like artstyle, a brand new RPG from Mistwalker built on top of dioramas, and complex adventure games like Beyond a Steel Sky.

Apple arcade, is, however, missing one notable meta-genre from it's library - Triple-A games. And honestly, I kind of love it for that. The majority of the games companies represented are independent, and that means that many of them are going to be able to offer me new types of gameplay or narratives that you won't get from the big guys. What other service is going to offer experiences like Assemble With Care? And from an ethical point of view, I'd rather reward independent creators who are pushing out these high-quality pieces of work than giant companies who are famous for exploiting their workers.

While Apple Arcade obviously won't be a good choice for everyone since it's limited to Apple hardware, and if you're already in Apple's ecosystem, you probably already know about it (they're surprisingly aggressive at marketing their free trial - which is actually what got me to write this in the first place). I had originally written them off as all casual games, but with the last big release of games it's got some pretty fantastic releases. It's worth trying if you've only got an iPhone, but it's more than worth it if you've got a recent Mac or Apple TV.

The first time I saw beat saber was this gameplay video in 2018 and I immediately fell in love with it. I adored the concept and wanted to play it so badly.

There's a VR arcade close to my place, where I actually played Beat Saber for ~30 mins last year. Lots of fun! And last week, I bought and received an Oculus Quest 2 and finally played it by myself.

First of all, god damn that is a good game. It's perfect at making you feel like you're naturally good at it, too. Or maybe I actually am. With only ~4 hours of played time I'm doing hard or expert on most new songs with faster song mode (+20% song speed). Which has this weird effect of making me feel like that's the natural pacing of the song… super, super weird when they are ones I already know, as now the version I know feels slowed down.

The campaign felt short and a bit too easy, with one exception (1-hand expert $100 bills with max 4 misses… spent 2 days on that. Looks like I'm not the only one having problems with it). Though it's been frustrating in places; I find the whole "you need to make at least x mistakes to win this level" pretty ridiculous. Min/max movement is an interesting mechanic but I'm not fond of the execution.

I have some frustrations with the game. No replays I can save to show off the most awesome combos. Hit detection feels way off on some levels. I haven't tried online mode yet, pretty excited about it.

But god daaaaamn it's an awesome game. I'm finally playing something again! I haven't really played any video games since … shit, almost two years. And the workout you get is fantastic. I am finally getting a handle on my lockdown atrophy.

Ben Brode once said: "Make your games super easy to get into. The longer it takes me to get into your gameplay, the less interested I will be in playing your game. Except for Beat Saber: I will jump through any hoop just to play that."

And that brings me to the Oculus Quest 2. I was a 2020 original Oculus Rift kickstarter backer. I actually tried the first dev kit. A pretty awesome and unique feeling, but all that for shitty resolution, motion sickness and 4 cables hanging off your head.

Well, it's all gone. Integrated audio, fully wireless, good resolution, no cables, no base station, no PC required. And the features just blow my mind. IR cameras to detect objects around you, the guardian mode with its virtual barriers, the pass-through mode which lets you see outside the oculus without removing it (killer feature). Casting support so it's easy to show your gameplay to friends in the same room. Oh and hand detection?! This is some Star Trek shit.

I recall my reactions to touching and playing with the first iPhone: "Wow, this is game-changing." - Such is my reaction to the Oculus Quest 2. VR is now a console that is, frankly, cheaper and less intimidating than owning a playstation-type console or some such (after all, you need a TV for those). It's on the same level as the Nintendo Switch. I know a lot of people who are greatly intimidated by VR and this removes almost everything scary about it.

Incremental progress is weird; sometimes you stop following the various upgrades in a field and suddenly you catch up and it's mind-blowing.

The problem with the Quest 2 is still the lack of true killer games. Right now, I bought a $400 Beat Saber game… though, it's still worth it. Like Ben said: any hoop.

(I also got The Room VR because I'm a sucker for these kinds of games and it came highly recommended)

I watched it tonight and it is so much better than it has any right to be. I think they really captured what made the originals good: the humor between Bill and Ted, the way that they genuinely care about each other and the other people they pick up along the way, and the bit of over-the-top-ness in what they play and how they play that appealed to me as a 16-year-old metalhead when I first watched them.

I watched the streamed version of 'By Jeeves' today. I have thoughts that I want to express.

There’s a saying in show business: “If you have a good strong finish, they'll forgive anything.” (Well, maybe it’s only Rose in ‘Gypsy’ who says that, but it has wider applications.) This show was the opposite of that. I was going along with the badness of the adaptation, the absurdity of the plot, the silliness of the narrative framework, and the falseness of the characters – and then the ending came along and trumped everything else with its awfulness.

For starters, the narrative framework was silly. Bertie Wooster is due to give a banjo recital at a local hall, but the banjo goes missing, so his valet Jeeves convinces Bertie to entertain the audience with a reminiscence. But rather than commit wholeheartedly to the story, Bertie and Jeeves keep popping out of it with references to bad props and lighting and music. At the times when the plot went along as normal, it was quite an enjoyable play, for what it was. Then Jeeves would appear with a car built from a sofa and some cardboard boxes, or a ladder going to nowhere, or a pig mask (more about that later), and destroy the mood. I wish the writer Alan Ayckbourn had committed to the plot, rather than framing it in this way. It felt silly. It set the wrong tone. P.G. Wodehouse’s Jeeves and Wooster stories are comedies of manners, not farces (although they often contain farcical elements). The comedy is subtle, not broad.

On the matter of tone, I noticed a distinct lack of the 30s slang which gave the original stories their flavour. Bertie spoke generic upper-class English in this play, rather than the lingo of his time and his culture.

With regard to the story, I’m not sure where this plot came from. I don’t pretend to have read all the Jeeves and Wooster stories, but I do have the book that the setting for this play comes from: ‘The Code of the Woosters’. The backdrop of Totleigh Towers and most of the characters in the play come from this novel. But the plot is nothing like the book. It has elements that are reminiscent of Wodehouse’s stories, such as characters pretending to be each other (which was too over-the-top in this play), and Bertie having to steal something to create a diversion, but the plot itself is an invention of Ayckbourn’s (I assume).

The scene near the end of the play with the whole household running around chasing a man in a pig mask, while singing about hunting and implying that they think it’s a real pig, was jarring. The pig mask came from the framing narrative, where Bertie’s trying to give a banjo recital but has to tell a story instead. Jeeves is stage-managing the story-telling, and produces a pig mask that he found in the back of the theatre for Bertie to wear when he acts out breaking into Totleigh Towers and pretending to steal a bag of swag because… who cares. He wears the mask as a prop to tell the story. But, in the story that Bertie is telling, the other people see a man wearing a pig mask, and start talking about a chauvinist pig, a real pig, and hunting wild boar. If the pig mask came from the theatre, then it wasn’t used in the original fake burglary, so the people wouldn’t have seen a man wearing a mask, so they wouldn’t have been singing “It’s a Pig!”

I get the feeling that Alan Ayckbourn didn’t really understand the source material, and wrote his own play, using some names from the original stories.

As evidence of this, Bertie Wooster himself was wrong. He was far too competent and intelligent. Situations kept happening to him, rather than being caused by him. He’s not supposed to be a sensible man surrounded by useless people; he’s supposed to be one of those useless people, but lacking the self-awareness to see himself as such. He’s supposed to be just as useless as his friends Gussie Fink-Nottle and Bingo Little. But he didn’t feel like that in this play. (I also wonder if the actor playing him wasn’t a bit too old for the role. Bertie seems like a man in his mid-20s to early 30s, whereas the actor seemed about a decade older than this.) I may be influenced by the fact that I’ve recently started re-watching the ‘Jeeves and Wooster’ television series: I think Hugh Laurie [actor] and Clive Exton [writer] had a great take on the character of Bertie, while this play missed it entirely.

Other wrong moments in the play include the song “Half a Moment” which was far too romantic and sincere for this play, and the song “It’s a Pig!” which added a tone of absurdity (as mentioned before). And the song “What Have You Got To Say, Jeeves” was totally misjudged. Bertie turns on Jeeves, and accuses him of incompetence. That’s out of character for Bertie; he always knew that Jeeves was the smart one.

Ah, Jeeves. Poor Jeeves. He might be the title character in this play, but it doesn’t do him justice.

For one thing, where are his sartorial judgements? A running joke in the stories is that Bertie wants to wear a particular item of clothing, Jeeves advises against it, and Bertie wears it anyway. After the action is over, and Jeeves saves the day, Bertie stops wearing the item. It’s an indirect way of him acknowledging Jeeves’ intelligence and apologising to Jeeves for not paying attention to his advice. That never got a mention in this play.

Then we get to the ending. The denouement was wrong. So very very wrong.

In the stories, Jeeves is subtle, even Machiavellian, in his manoeuvres. He solves problems by manipulating things and people quietly behind the scenes. He gets a letter delivered to the wrong person. He distracts someone with a new romantic interest. He plays on people’s character weaknesses. In this play, he spins a prop fountain to move Cyrus Budge into Bertie’s position. Not only does he break the fourth wall to implement his solution (in the story that Bertie is acting out, the fountain would have been real and not able to be spun), but that solution is very uncharacteristic of Jeeves.

And that’s just the beginning of the bad ending. Suddenly, all three sets of star-crossed lovers couple up, without any resolution. They just... get together. They literally run across stage into each others' arms.

And then… and then…

… the replacement banjo arrives and the play goes totally off the rails.

I have a feeling that Ayckbourn and Lloyd Webber thought they were creating the proverbial good strong finish, after which audiences would forgive them for butchering the Jeeves and Wooster stories. Instead, they were jumping up and down on the corpse of those stories.

Jeeves gives Bertie a silent banjo and tricks him into thinking it’s playing music that everyone else can hear. Then Jeeves suggests a full chorus accompany Bertie – at which point the entire cast comes on stage wearing costumes from 'The Wizard of Oz'!

This is just further evidence that Alan Ayckbourn and Andrew Lloyd Webber never really understood the nature of the material they were adapting. They put cheap laughs into a play that’s supposed to be a subtle satire on the wastrel upper class of the 1930s. Like I said before, the Jeeves and Wooster stories are a comedy of manners, rather than an open comedy. They’re subtle comedy, rather than broad comedy. You don’t laugh at a Wodehouse story, you smirk knowingly - or, at most, you chuckle quietly. And I don’t think the writers got that at all. They wrote this play to get laughs, rather than smirks.

Also, the use of ‘The Wizard of Oz’ is anachronistic. The Jeeves and Wooster stories are set firmly in the milieu of the 1920s and 1930s. In the framing narrative, everyone in the hall listening to Bertie is dressed in the fashions of the 1930s. However, the ‘Wizard of Oz’ movie wasn’t released until 1939. Yes, the books were published 30-40 years earlier, but the costumes used in this play are from the movie versions of the Oz characters. As the most obvious example, one person comes out dressed as the Wicked Witch of the West, complete with green make-up on her face, but the Wicked Witch did not have green skin in the orginal book: that only came from the movie.

The ending is a shambolic climax to a play that didn’t know where it was going to begin with.

Two minor notes to finish up with:

• Someone needed to tell the actor playing Cyrus Budge how to pronounce his dialogue. It’s “stomach UPset”, not “stomach upSET” (that is, “upset” used as a noun, not an adjective). And “incandescence” might originally have been a French word, but it’s not pronounced in the French style.

• It was a joy to see the actor who plays Paula in ‘Crazy Ex-Girlfriend’ as Honoria Glossop in this. She managed to upstage Bertie in the one scene she had with him, and it was a delight to watch.

MAJOR SPOILER WARNING

What I Did

The game took me around twenty hours to beat, and I stretched that out over the course of about two months. Sometimes I would dive in deep and play non-stop for an hour or two, but most of the time it was me playing it almost piecemeal, for ten or fifteen minutes at a time. Enough to get through one or two panels that I had been stuck on and then stop again.

I would have liked to do longer gaming sessions with it, but I found that I sort of had finite mental resources to apply to the game. I would hit a panel, be thoroughly perplexed, stare at it for 10 minutes while trying different solutions in my head, on paper, and in the game. Nothing would work, so I'd stop the game. The next day I would boot it up and, more often than not, have the solution in a minute or two--sometimes even the first try! I think my brain was working on these in the background.

Something that helped me massively was not letting myself get intimidated by the game. As I would work myself farther and farther down a strand of puzzles, I would instinctively start to feel the pressure that they were getting harder and harder each time. Rather than feed into that feeling, I simply reassured myself that each puzzle was its own thing, and each one had a solution right there, staring me in the face. I just had to find it.

What I Loved

I think the game is gorgeous. Stunning. Beautiful. An absolute joy to look at. It made me realize that we don't often get vibrant color in games that aren't pixel art. I also think the world is beautifully designed. The island is a memorable place with lots to explore.

I also loved the game's ability to teach you its rules wordlessly. The line puzzles aren't just puzzles--they're a language. The whole game felt like some geometric force was trying to communicate with me, but first it had to teach me its alphabet, grammar, and syntax.

Furthermore, I can't tell you how many times I would fight for a solution to a difficult puzzle, feeling it was nearly impossible all the way, only to find the seemingly one right answer. The only way it could possibly work. The next panel? The same damn layout but with an added rule that ruined my prior solution! I loved that the game made me rethink my own thoughts and forced me to see, quite literally, that there is often more than one way to solve a problem.

What I Felt

I was probably 12 to 14 hours into the game when I accidentally stumbled onto the knowledge that there were lines that could be activated outside the panels. I can't remember where I was but holy hell can I remember the feeling. I've got goosebumps right now as I type this from revisiting it in my memory. It was the sublime feeling you get from a great plot twist. There was a sense of revelation, the feeling of frission, and a newfound respect and appreciation for the design that went into the game.

What's sad is that it shouldn't have taken me that long. I saw the circles and lines throughout the environment as I made my way around the island and just assumed that it was a sort of visual motif, or maybe a stylistic flair, much like the game's sort of cartoony, polygonal look. Finding out that I could, in fact, trace them just like every other line I'd been making for the past ten hours was absolutely flooring to me. Experiencing that moment is one of the high points in all of my gaming history. It was the moment the game went from "this is definitely a clever game!" to "FUCK...this game is SO. DAMN. SMART." After that moment I think I spent two hours frantically running around the island hunting environmental lines. Now that I knew what to look for, they were EVERYWHERE. Hiding in plain sight! I was stunned. In absolute awe.

At probably about the 15 hour mark, I found the movie room and had the input for one movie. It was a scene in which a man lights a candle and attempts to walk across a courtyard, and each time the candle goes out, he returns to the beginning. I took this to be a metaphor for the game--specifically that it is about the journey rather than the destination. As such, this was the point that I realized I wasn't going to get some revelatory story at the end of the game, and that making it to the end of the game, while definitely a goal, was not what gave the game meaning.

The sub-takeaway from the film was the idea that the effort is worth it. The man in the film could have just crossed the courtyard and lit the candle at the end. The fact that he didn't showed self-restraint and a committment to the rule. I took this to be a comment on how the game is played. I could have looked up solutions to the puzzles online and just inputted them easily as a way of breezing through the game. While it would get me to where I was going (the end), what was the point? My playthrough was the lit candle route--harder because I was forcing myself to put in the work rather than taking the easy way out.

Oh, and did I mention that the film also had an environmental line at the end you could activate if you went behind the screen while it was running? Genius. This game is SO. DAMN. SMART.

What I Didn't Love

Because I didn't pay attention to detail and made assumptions when I shouldn't have, I didn't realize that I could enter the mountain without all the beacons activated. My gamer mind simply saw OBVIOUS GATED DESTINATION and OBVIOUS DESTINATION GATE KEYS and went "yup, gotta get all of these to unlock the end!" As such, I overplayed my game a bit by doing all of that first. I was all set for entering the mountain to be the ending, especially because the village beacon felt like a "final exam" to the game, incorporating all of the other puzzle types. I kept coming back to it after learning a new symbol/rule and would chip away here and there until I finally got through all of it.

As such, when I got into the mountain and there were even more puzzles I was miffed. My steam had run out. Add to that I'm pretty susceptible to motion sickness in games, so the flashing, scrolling, and color-cycling puzzles were deeply unpleasant for me. I literally had to look away from the screen for the scrolling ones. I solved them on paper and inputted them with the panels in my peripheral vision.

The double-sided room below those was equal parts brilliant and frustrating, though I was impressed as hell with the room with the four sub-puzzles that fed into the larger one on the floor. Unfortunately, I ended the game on quite a low note, as the pillar puzzles at the very end turned my stomach on account of the rotating camera. I was able to power through those only because I knew I was so close to the end.

What I'm Left With

While I didn't love the ending, I, as previously mentioned, don't think it's about that. The game gave me 20 hours of puzzle-solving bliss in a beautiful, rich environment. It gave me legitimate chills when I figured out its secret. It made me think, it made me work, and it made me feel legitimately fulfilled. Good puzzle games make you feel baffled and then they turn around and make you feel brilliant. This one made me feel all sorts of brilliant.

The game has so many legitimately clever moments. I loved the pagoda area where you have to look through branches at the right angle to see the solution. The last puzzle has two pieces of the answer, but a section is missing. After traipsing around, trying every possible visual angle, I look down and find a branch broken off at my feet. The missing piece. Brilliant.

It was filled with little things like these. Little thoughtful twists or nudges. Each puzzle strand was an iterative sequence, and each time you thought you knew where it was headed, they'd push it further. Then further. More and more. Often in ways you wouldn't expect. It's not just that the idea of the game is good but that its execution is so rich and thoughtful that it makes me reverent.

As for post-game stuff (because I know there's a ton I haven't gotten to), I'm taking a break from the game right now, but I might return to it a little later. I kept screenshots of puzzles I didn't solve or environmental elements that I was pretty sure were really activatable but that I couldn't quite figure out (the brown railroad tracks in the white limestoney area, for example).

I have the inputs for a couple more movies that I haven't watched, so I'll probably go back for those. I know there's a challenge area as well, and I'm presumably equipped for it given that I did all of the beacons, but I don't know if I'm up for that. Not just yet, at least.

What You Can Help Me With

For those of you that have gone through the post-game content, do you recommend it? Are there certain things I should focus on? I'm not terribly concerned about spoilers, but if there's something "big" like the environmental line revelation, maybe just give me a hint or point me in the right direction.

I also have a couple of lingering questions. Feel free to answer them unless you feel that it's better if I try to figure it out by myself.

• What do the individual, standalone panels lying around the island do (the gray ones with the triangles)? I've figured out the rule, I just don't know their purpose.

• Does finding all the environmental lines serve any larger purpose?

• Is there story or lore in the game? Does the island or its frozen inhabitants get explained? I activated a few audiologs, but those were mostly philosophical ponderings rather than narrative.

• How on earth do I get that environmental line with the railroad tracks? Of all the ones that I haven't been able to figure out how to get, that one's bothering me the most.

Finally, to anyone who's played the game (which is hopefully anyone who read this), I'd love to hear your experience and thoughts. What was The Witness like for you?

EDIT: Writing the post inspired me to go back into the game instead of sleeping. I watched two other videos I had found inputs for. One was a woman talking about freeing yourself from want, and the other was a man talking about science and knowledge. Interesting stuff.

Then I started exploring and I found an environmental line made by the negative space in the sky when properly bounded by a cloud and wall from the exact right angle. This game is SO. DAMN. SMART.

EDIT 2: Disregard where I said I was going to take a break from the game. I'm diving back in. I want to explore and find these environmental lines. It's so satisfying when you find one.

There was one on a bridge leading from the village towards the foresty area with the orange trees. I could see it from the ground and knew it definitely was one, but I could never quite position myself right to actually trace it. I tried climbing in the castle area since it seemed like I needed to be elevated, but that didn't work. I tried it from the rooftops in the village, and that didn't work. Then I looked: the tower in the middle of the village! I'd forgotten to try from there because once I got to the top of that I headed straight for the mountain. Sure enough, that was the spot.

Also, can we talk about how the sound is so satisfying when you get one? So good.

EDIT 3: The game might be trying to teach me a lesson in freeing myself from want. Now that I'm fired up to dive back into it, it's hard crashing after I start it up. It loads fine and I can walk a few steps, then it locks up my whole system.

I'm running it on Linux through Proton and tried all the different Proton versions assuming that was the culprit (it has crashed before) but the outcome is the same. I might be technologically barred from going further, which I guess is in the spirit of the game's ending and philosophy, right?

EDIT 4: My OS had some graphics library updates for me today, and after installing them I'm back in business--no more crashing! (Sub edit: I spoke too soon. It crashed after about half an hour, but that's way better than what I was getting before). I spent a while traipsing around the island, looking for environmental lines. It's amazing how, in hindsight, so many areas or destinations that I thought were just kind of dead space are actually strategic locations for environmental lines.

A good example is the very beginning of the game. You can get onto the roof of the overhang you first walk out from. At the beginning of the game I got up there, saw some pillows, and just thought it was set dressing in an ultimately useless space. Nope! Not only is there an environmental line you can get from there, but there's an audiolog as well if you're paying attention to detail (which, of course, I wasn't in my first go-around).

I was recently in the market for a cheap used phone. I was looking for an Android device, preferably less than 3 years old, preferably with an unlockable bootloader and rootable, for $200 or less. I was looking at used Pixel 2's when I came across this weird Chinese manufacturer I'd never heard of.

The Umidigi F2 is a bizarre device. I was blown away by the specs, and the seller was only asking $200CAD for it, so I took a chance. I've got to say, so far I'm pretty impressed.

Quick Specs:

• 6.5" IPS LCD, 2340x1080px, bezelless, w/ hole-punch camera, no notch
• 6GB Dual-channel LPDDR4 RAM, 128GB Storage
• Mediatek P70 - ARM Cortex A73/A53 Octo-core 2.0/2.1GHz CPU
• 5 cameras, 32MP front-facing, 48MP rear, 13MP wide-angle, 5MP depth, 5MP macro
• Dual SIM, MicroSD
• 5150mAh battery
• ~40 frequency bands
• 3.5mm headphone jack
• Stock Android 10

At this price I was initially skeptical. There must be something wrong with it, some glaring flaw I wasn't seeing, and/or those specs must be fake. I'm happy to say though, they're real, and the device seems much more solid than I expected.

I've had the thing a little over a week so far, and have only charged it once. On the first charge it lasted 4 days before I charged it, and still had 30% battery remaining after I'd spent a couple hours surfing the web and two hours watching youtube (total screen-on time was ~4.5hrs). After charging it I haven't been using it as much, but it's currently been running 3 days and it has 70% battery remaining. I've used it to listen to the radio for 3 hours this morning. Oh yeah, did I mention? Bizarrely, it has a FM radio tuner for some reason.

So far everything has been smooth, the device performs really well, which is not something I expected from a Mediatek CPU. Rooting it went smoothly, and I've been able to tweak a bunch of settings via the EdXposed framework, as much as you can in Android 10 anyway. I did remove some background bloat, but otherwise the default ROM is very close to vanilla AOSP.

The build quality of the thing is honestly not bad. I've used mid-range Samsung devices that have felt cheaper and more plastic-y than this. I have read some reports of bad touchscreens, but so far I haven't had any problems. There's also a DIY solution to solve that. Unfortunately, if it dies, this is pretty much my only option, since the warranty and support is pretty much nonexistent. At a quarter the price of a brand-name phone with similar specs though, I'm willing to roll those dice.

So, other than warranty, what are the downsides? Well, so far the biggest gripe I have is there is no notification LED on it. So if I go to the washroom and come back I can't just tell at a glance if I've missed a call or text, I actually need to unlock it. Luckily the fingerprint reader and face unlock are both pretty reliable. There is no wireless charging, which I'm more or less okay with. The main reason I'd want that is if the USB port died, but again, this is the sort of phone that if anything is wrong with it you're pretty much meant to throw it out. The speaker is a bit tinny, and unfortunately it's mono. The cameras are bad. The 48MP camera does take 8000x6000 pictures, but they're grainy to the point where even if you resize them down they still look worse than something taken with a good 6MP camera. This seems to be a software problem though. The camera module is apparently made by Samsung, and people have said it's gotten better with every OTA update. As for that, there's been an update this month, but a lot of people are expecting it might be the last update they put out. Umidigi apparently has a bad track record of only providing updates for a few months.

In conclusion, this is objectively a decent phone, and for it's price, it's exceptional. You sacrifice warranty, updates, any kind of support really, but you get some very decent hardware for $200.

Official site: https://www.umidigi.com/page-umidigi_f2_specification.html
Purchasable on amazon for fast shipping, purchase on aliexpress to save $50.

I recently finished reading Edward Abbey's Desert Solitaire, and prior to that I read his novel The Monkey Wrench Gang. I was left feeling quite differently than what I was expecting to feel. I'm an outdoorsman, a conservationist and an activist. I spent a good portion of my time last year on The Colorado Plateau, much of it in the places Edward Abbey has been and discusses frequently in his work. There is a distinct emotional connection I feel to this land, so my mental conflictions are especially notable. I recently wrote a friend a letter, much of it including my thoughts on Abbey thus far, and I felt posting the relevant excerpt here would be a good conversation starter. Let me know what you think!

"I just finished Abbey's Desert Solitaire, while I enjoyed many aspects of the work, it also left me feeling conflicted. I wholeheartedly concur with many (but not all) of his views on conservation. He challenged my views in some positive aspects as well, his disdain for the automobile in national parks, for example. Other views of his I cannot ignore or absolve him of. His views on traditional family values (read: misogyny) are quite apparent in The Monkey Wrench Gang and seep into this work as well. Furthermore, his views on indigenous peoples are outdated, even for his time. His incessant diatribe on the blights that impact Native Americans and other indigenous populations, blaming their own attitudes (victim blaming, if you will), while simultaneously railing against the federal government and The Bureau of Indian Affairs is at best hypocritical (while also patently racist).

Edward Abbey's actions also do not reflect his writing. The man continually rants about the ongoing destruction of this Earth, he blames everybody (The National Park Service, Bureau of Land Management, Forest Service, Bureau of Indian Affairs, the modern consumer, tourists, oil and gas corporations, mining companies, logging businesses and wannabe outdoorsmen) but himself. He went so far as to work for the NPS, while admitting their culpability in their own decimation. During his time there he constantly capitulated to the tourists, the modern consumers in their iron contraptions. Some federal employees I've met have set out to change their respective agencies from within, but what did Abbey do? He left. He saw a problem, railed against it, and left.

So I ask: Why didn't he do more? It has been suggested that Ed had engaged in some less-than-peaceful activities, "eco-terrorism" they call it. I personally don't believe it, I believe that any actions taken were never near the magnitude of the happenings of The Monkey Wrench Gang. Ed's books were his personal fantasies, which while not a guide, a reference point. He prefaces Desert Solitaire, describing it as an elegy. Almost as if he is passing an extinguished torch on to our time. It is frustrating and demoralizing to say the least. While grateful to read his words and as much as I concur with his notions, I disagree with hits actions (or lack thereof). I finish this book left feeling angry."

I just finished Andrew Marantz's Anti-Social: Online Extremists, Techno-Utopians, and the Hijacking of the American Conversation, and I think it's a book that would interest a lot of the people on this site. Marantz is a journalist for the New Yorker who embedded himself with alt-right influencers and social media companies. This book is a compilation of all of those stories; part memoir, part retelling, part observation, part commentary.

Despite its title, the book is not a one-dimensional hit piece. I actually strongly dislike the title as I feel it's a bit too barbed for a book that's rooted in extensive, thoughtful contemplation. The author is honest, open-minded, and critical. I hate the word "balanced" for all of the baggage it brings to the table, but it really feels like the best word to use, especially as an antonym for "unbalanced". He deftly handles a lot of different subjects here. He doesn't shy away from giving criticism where its due, but he's also not quick to judge, trying to understand the broader picture first before casting any judgments about it.

I mention it here because I think it has a lot of relevance to Tildes as a site, as well as the type of people that have congregated here. It covers a lot of ground of direct interest to Tildes: the role of social media platforms to police speech and ideology; how the structure of social media creates influence; how bad faith actors can manipulate systems; how noxious ideologies continue to appeal and propagate. I also know that Tildes trends toward the left, and as someone far on that side myself, I appreciated this book for giving me what I feel was a fair and thoughtful window into the lives of certain high-profile people on the right. It's easy to think of them as a monolith, but I was surprised by the differences between all of his various character portraits. Marantz never loses the individual humanity of his subjects, even when some of them are abjectly abhorrent people.

I should mention that the book is very US-centric, as that was where he focused his journalistic efforts. As such, readers outside the US might not appreciate it as much, but I still think a lot of what he shares is relevant no matter where you are located since we all share space together online.

I have just watched ‘Mary Poppins Returns’, after yesterday watching the original ‘Mary Poppins’ for the first time. I have not, to my knowledge, ever watched ‘Mary Poppins’ in full before now. I’ve caught snippets of it on weekend television, but I’ve never seen it from start to finish. Well, with our new Disney+ streaming subscription, I’ve finally seen ‘Mary Poppins’ for the first time yesterday, and followed it up by watching ‘Mary Poppins Returns’ today.

‘Mary Poppins Returns’ is a sequel in name only. It’s basically a remake of the original. It’s as if the director had a checklist of everything ‘Mary Poppins’ contained, and just checked them off in this sequel:

• Mary Poppins herself. Check.

• A dirty working-class friend with a heart of gold. Check.

• Children who didn’t know how to have fun. Check.

• A father who needed to rediscover his children and his own childish joy. Check.

• A woman who’s working for a progressive cause. Check.

• Bank seen as a negative institution. Check.

• Quirky relative of Mary Poppins who gives the children a different point of view. Check.

• Animated sequence. Check.

Actually, I’m surprised that there is an animated sequence in the sequel, given how much P.L. Travers reportedly hated the animation in the original. (Strangely, I’ve seen ‘Saving Mr Banks’ a couple of times, and even watched a documentary about Ms Travers somewhere along the way.) But I suppose she’s dead now, so her input is limited to just turning in her grave.

It even gets more detailed than that. Individual musical numbers have been mapped from one movie to another:

• Vaudeville-style song & dance number within the animated sequence, with the main characters performing alongside cartoon animals. Check.

• Big dance number featuring the aforementioned working-class friend and his colleagues. Check. The names even have a metaphorical resonance: “Step in Time” becomes “Trip a Little Light Fantastic”.

• Uplifting song at the end of the movie. Check. But instead of being about a child’s toy that flies in the sky (kite), let’s make it about a different child’s toy that flies in the sky (balloon).

It’s a shame that Julie Andrews can’t sing any more. It would have been lov-er-ly (ha!) to see her in the cameo role that Angela Lansbury had. Not that I have anything against Ms Lansbury: far from it! But Dick Van Dyke got a small role, and it would have been nice to see Ms Andrews pop up as well. A little on-screen moment between her and Emily Blunt would have been sweet.

There was one thing that the director left off his checklist, though: singable songs. While everyone knows “Supercalifragilisticexpialidocious” and can sing it at the drop of a hat, noone is going to be singing “A Cover is not the Book”, as fun as it was. “A Spoonful of Sugar” is fun and memorable, while “Can You Imagine That” is fun and forgettable.

This is not to derogate the performances. There were no weak links in this chain. Emily Blunt was spot-on as Mary Poppins. Lin-Manuel Miranda was technically great as Jack the lamplighter (and he certainly did a better Cockney accent than Dick Van Dyke – which admittedly isn’t hard). Miranda lacked a little heart, but is a great singer and dancer. The rest of the cast were also good. Not a sour note among them. They were just let down by a weak script and poor songs.

The new Mary Poppins movie is a watered-down copy of the original – and the original wasn’t the best movie in the world to start with! I love me a good musical. I have a whole shelf full of musicals on disc, along with assorted soundtracks. I can quite happily spend an afternoon with ‘The Wizard of Oz’ or ‘Willy Wonka and the Chocolate Factory’ or the family-friendly ‘My Fair Lady’. But ‘Mary Poppins’ was too bland for me. And its sequel/remake was even blander.

So I bought this laptop mainly for web browsing, document editing, note taking and programming with perhaps light gaming although that's not something I've tried yet. So, really just for school work.

Specifications

Laptop Model : Acer Aspire 3 A315-42
Laptop screen : 1080p IPS (with matte finish?)
CPU : R5 3500U
RAM : 8GB DDR4 (6GB available because of iGPU)
Storage : 256GB SSD NVMe
Wireless : Qualcomm Atheros QCA9377
Wired : Realtek Semiconductor Co., Ltd. RTL8111/8168/8411 (According to lspci)
2x USB 2.0, 1x USB 3.0, 1x HDMI port, Audio jack, 1x RJ45 Ethernet port
Battery : 36.7Wh

Linux compatibility

Everything worked out of the box, gotta modify TLP to not kill the touchpad and webcam. The touchpad seems to have a mind of its own when it comes to being detected, It seems to be a kernel bug, unsure what I'll do about it concretely but rebooting a couple of times makes it work. Nothing to install thanks to AMD's open source mesa drivers. Might need a kernel higher than 5.3 because of general Ryzen 3000 issues but I've not tried, it was already higher than that.

Operating system tested

Basically never touched Windows, directly installed Fedora 31 Silverblue.

My Silverblue configuration is :

● ostree://fedora:fedora/31/x86_64/silverblue
                   Version: 31.20191213.0 (2019-12-13T00:42:11Z)
                BaseCommit: a5829371191d0a3e26d3cced9f075525d2ea73679bd255865fcf320bd2dca22a
              GPGSignature: Valid signature by 7D22D5867F2A4236474BF7B850CB390B3C3359C4
       RemovedBasePackages: gnome-terminal-nautilus gnome-terminal 3.34.2-1.fc31
           LayeredPackages: camorama cheese eog fedora-workstation-repositories gedit gnome-calendar gnome-font-viewer gnome-tweaks hw-probe libratbag-ratbagd lm_sensors nano neofetch
                            powertop radeontop sysprof systemd-swap tilix tlp

Kernel : 5.3.15
Gnome : 3.34.1

Body and Looks

The screen back has metal, I believe it feels quite sturdy. The rest is reasonable feeling plastic. The material used just loves to imprint grease / fingers which kinda sucks - the keys being the exception thankfully. There was also stickers on the inside which well, are somewhat standard but I thought they were pretty obnoxious so I removed them.

Typing experience

It's nothing amazing but it's good enough. I'm not really knowledgeable on keyboards so that's as much as I can say on it, really.

Performance

Everything feels quite snappy but I don't game at all on this machine so I'm not pushing it too much other than while I'm compiling or doing other things. The temperature does go up to 75°C and the fans get a little loud but it's not that bad. It's mostly the bottom getting hot so it's not something you notice too much while typing. It also cold boots quite fast, in about 10-20seconds I want to say but I've not benchmarked that. It's my first computer with an SSD so there's that.

Battery life

I get about 5hours with tlp installed doing web browsing, some programming occasionally, listening to music on the speakers and chatting. Personally I was kind of expecting more from this considering it's an APU but it seems to be what other people are getting on similar setups so It'll do.

Conclusion

Overall, I'm pretty happy with this laptop considering how I bought it for 575$ on sale. I made this review mostly because I wasn't finding much information about this laptop on Linux and well, I don't know, I guess I felt like it. If you have any questions, ask up!

I'm currently re-watching all episodes of Detectorists and it's one of my favourite tv things ever, so I thought maybe Tildes would be interested. Detectorists is a single camera sitcom about two men and their friendship around their metal detecting hobby.

Here's the link to the BBC Four webpage for it: https://www.bbc.co.uk/programmes/b06l51nr

Some review sites -

Rotten Tomatoes 100% (few reviews), 99% audience score: https://www.rottentomatoes.com/tv/detectorists

IMDB 8.6 : https://www.imdb.com/title/tt4082744/

Guardian review (because she writes about it far better than I can): https://www.theguardian.com/tv-and-radio/2017/dec/09/detectorists-rich-portrait-unremarkable-lives-gone-slightly-awry-mackenzie-crook

Detectorists is about nothing and everything. Made with palpable love, it’s about people and their passions; camaraderie and community. As a portrait of male friendship, it is closer to documentary than drama, delving beneath the topsoil of mid-life ennui via the sparsest of exchanges. You won’t find a laughter track, or smart-arse punchlines or an oh-so-subtle veil of irony here; instead of begging for your attention, Detectorists is notable for its avoidance of snark. It’s the drama least likely to culminate in alpha plonkers blowing up cars, taking down baddies or ravishing beautiful women.

Instead, it lingers lovingly over dewdrops on grass, magpies on gateposts, scudding clouds and gently fluttering leaves. Even an alfresco wee takes on a painterly aspect, viewed solely through the steam cloud billowing from behind a sunlit tree. Meanwhile, the camera makes high art out of Lance’s face in closeup, crestfallen as he unearths a scaffolding bracket instead of an Anglo-Saxon nugget, and from Andy’s silent incredulity when a colleague jokes about Richard Attenborough when he means David.

Radio Times review https://www.radiotimes.com/news/tv/2017-12-13/detectorists-series-3-review/

If all British programmes took this much care over their tone, look and overall distinctiveness, the golden age of television would never go away.

Modern comedies are often predicated on cruelty: laughs are hard, clanging or sharp as barbed wire. In its quiet, undemonstrative way, Detectorists has ploughed its own furrow. Buried in its field of fun are evergreen truths about life, and the things we don’t say but should. So if kindness and companionship are unfashionable, I know which side of the hedge I’d rather stand.

Here's the IMDB page for The Souvenir (distributed by A24). https://www.imdb.com/title/tt6920356/

IMDB users give the score as 6.6, and the user reviews are stuffed full of people who hate it. The critic reviews are almost entirely positive though.

Here's the Cherry Picks page for The Souvenir. https://www.thecherrypicks.com/films/souvenir

They use reviews from "female-identifying and non-binary film critics", and as a result the film gets good reviews.

I find the reviews surfaced by Cherry Picks to be more thoughtful, more considered, and more useful to me than those surfaced by IMDB or MetaCritic (even though they all pull critic reviews from many of the same sources).

I've found some great films via Cherry Picks.

Turn of Mind is a mystery. It's for the most part written in journal format. Interestingly it's a journal that sits in the house of a person with Alzheimer's disease.

Jennifer White was an orthopedic surgeon in Chicago. Once brilliant, Dr. White is now in the later stages of the disease and the journal is written in by family members and housekeepers to help her remember who she was and who she is. A fractured portrait emerges of a cold and strong minded woman who has had a full life that she remembers in bits and pieces. Amidst the pages is mention of a neighbor, Amanda, who has been murdered. Slowly things come together for the reader while Dr. White's disease progresses into confusion.

Yet she still has moments of lucidity, remembering the details of her profession, where she was considered one of the best and most respected hand surgeons in the country. Her deterioration is something she's at times very aware of, and it is this that makes the book so powerful.

The narrative often lapses into Jennifer's past memories of both her parents and her children. This adds authenticity to her mental condition but also made me impatient for what seemed to be more important details. As Jennifer is interviewed by police officers and pulled into interaction with her grown son and daughter, we can begin to understand the horror of this disease, especially regarding how hard it is to trust people who may be trying to manipulate the sufferer for their own purposes.

I'd put this near the top of my list for books enjoyed in 2019. It brings to mind The Curious Incident of the Dog in the Night Time by Mark Haddon, narrated by an Aspberger's spectrum person. Turn of Mind is a hard book to read, but it's even harder to put down once you get into it.

Channel 4 describe the programme "Series that captures the work of police, probation, prison, prosecution and parole".

Here's a link to the first episode: https://www.channel4.com/programmes/crime-and-punishment/on-demand/64655-001

Crime and punishment is a documentary series that looks inside prison to tell the stories of the criminal justice system from the viewpoint of those involved.

The first episode spends some time talking about the unjust "Imprisonment for Public Protection"[1] sentences (these are no longer given by the courts but there are thousands of prisoners still imprisoned on them), how they went wrong, and the awful effect they have upon prisoners. It's a difficult watch. It shows how severely the mental health of prisoners is when they're on this type of sentence, including their serious self harm.

Episode two talks about pressure inside prisons and how that results in "riots", about how prisoners use the only power they have available to them.

I like the programme because it avoids judgmentalism. The prisoners are not reduced to the bad guys; the officers are not simplified to the good guys. You hear a little bit about some of the offences committed by the prisoners

Here's a Twitter thread from someone working in the English NHS. She works in forensic services as a psychologist. https://twitter.com/SarahE_Davidson/status/1173707912981700608

I guess Channel 4 On Demand have geo-blocking. I don't know if it's available on other services, or on torrent.

[1] https://en.wikipedia.org/wiki/Imprisonment_for_public_protection

Some of the works of Peckinpah had been on my watch list for months, sitting there in a subfolder of a subfolder. From the choice of Straw Dogs and Cross of Iron, I chose the aforetitled, liking the idea of embarking on a bit of a journey through Mexico with a gritty protagonist as we experience splatterings of violence and negotiate the thoughts of a down and out vagabond making a ran for his riches.

The film left me with mixed feelings. I enjoyed the path of Benny, experiencing how his character is unwavering in his desire to take that last lucky ticket out of debauchery street, but didn't care much for his journey's partner. While I appreciated the dynamic of the relationship, the understanding they both had that they weren't in love with each other, but all they both had, the chemistry and dialogue didn't really resonate with me at parts. I actually was rather glad when this relationship came to its abrupt end as the film entered its final 3rd.

On top of that, there was major issues with the sound which made it difficult to fully immerse myself in the journey at times. I found myself feeling I was watching a caricature of a 70s movie now and again, as opposed to be engrossed in a gritty noir-esque adventure.

But all in all, an enjoyable film which has left an impression. I always appreciate watching unpolished characters navigating circumstances plotted outside their usual courses, then watching how they deal with the inevitable implosion. From what I've read since, the film was one which perhaps accurately portrayed the director's life at the time of filming; dealing with various booze-infused demons. That rawness definitely shows, as does the inevitable imperfections in this movie's execution.

7.5/10

This is a British cookery show. They take a bunch of people who cook for a living but who have basic skills. These people are paired with a chef who has four Michelin stars and eighteen restaurants. They visit different restaurants around Europe to have competitions to cook that restaurant's own food.

Things I enjoy about it: it does a good job of showing that people who have somewhat fucked up lives will always find a place in cheffing. They could have stayed in the UK but they decided to go around Europe.[1] There's a couple of incidents of poor behaviour being corrected (some of the women chefs are ignored and spoken over by some men, the women stand up for themselves and get an apology).

Things I don't like: there's some cheffy bollocks around the pressure and discipline of a brigade; it's still a reality-show competition and that introduces some artificiallity; they send people home each week and I always hate that aspect of programmes.

It's available on Pirate Bay.

Here are some reviews which I think are fair.

https://www.theguardian.com/tv-and-radio/2019/jul/30/the-chefs-brigade-review-a-cookery-challenge-worthy-of-willy-wonka

https://inews.co.uk/culture/television/the-chefs-brigade-bbc2-episode-1-review-jason-atherton/

[1] I can't describe how pathologically awful Brexit has been for the UK. :-(

Mythbusters is back, but in a tweaked format.

Adam Savage fronts with a team of six young people. Jamie, Kari, Tory, and Grant are absent, only appearing in video flashbacks to the previous show.

Mythbusters with kids could have been horrific, but they've managed to make this entertaining and informative. They've increased the amount of STEM stuff. We see people doing a bit of math while planning something out. The kids are smart, and the show allows them to be smart while also being children. Adam is a great fit, being a big kid himself but also filling the role of a pseudo parent and giving friendly advice (often around safety, such as the tag strap used to manoeuvre huge steel plates).

The old show had a some problems. They'd have too many pre-break "what's coming next" and post-break "here's what happened before", and they'd chop up the myths being tested into tiny little bits. They still do that, but not nearly as much.

It's a fun, entertaining watch, and it's safe for families to watch together.

I usually avoid redubs, but I'm rewatching Evangelion's first two episodes on a loop to make an analysis, and I'm using the English version for practical reasons - screenshots without subtitles and following it without looking. And Misato's new voice, by Carrie Keranen, is pretty good! There's a playful melody to it that fits the character very well and contrasts with her more aggressive and introspective moments.

Sadly, I cannot say the same about the other characters. Many of the most important Evangelion lines require a certain mix of apathy and despair that only Grungie-nineties seems able to convey. And Shinji's new voice is just a childish reminder of that (I'm comparing with Japanese and Portuguese. I never saw the first English dub).

Years and Years is a British political near-future soft SF programme. Being British it's one short series - 6 episodes, 1 hour per episode. Mainstream broadcast SF isn't going to push all the boundaries, but this has some neat ideas. The political stuff feels realistic enough to work.

Emma Thompson is always impressive and she does excellent work here as a populist, fascist, politician. Jessica Hynes plays Edith with suitable intensity.

Here are a bunch of links:

https://www.imdb.com/title/tt8694364/?ref_=fn_al_tt_1

[spoilers] https://www.hollywoodreporter.com/review/years-and-years-1220415

[spoilers] https://variety.com/2019/tv/reviews/years-and-years-review-emma-thompson-hbo-1203243714/

[spoilers] https://www.theguardian.com/tv-and-radio/2019/may/14/years-and-years-review-a-glorious-near-future-drama-from-russell-t-davies

I'm interested in a game that you still loved or enjoyed in spite of its significant flaws or issues. "Best" and "worst" are, of course, based on whatever subjective criteria you choose.

• What made the game bad?
• Why did you keep playing it?
• What enjoyment or appreciation did it give you?

I don't have a lot to say yet; I'm on episode 9 so far. That series has been on my watchlist forever, so the moment I saw it pop up on Netflix I jumped on it.

It's as awesome as described. Moreso. It's funny and quirky. Despite watching two 12-year-olds hang out, it doesn't feel like a kids' series at all (the humour is quite adult, similar level as Futurama). It knows when to make fun of itself. It's pushing all my buttons and I'm having a lot of fun watching it.

My biggest laugh so far has been Mabel's "Scout's Honor" shirt. In my head I was waiting for the punchline and loved seeing the delivery.

Solid recommendation so far. And the theme song is so fucking catchy.

We've had a few threads recently criticising the direction of various shows cough Game of Thrones cough and @Amarok suggested a thread celebrating the good stuff on TV instead. Personally, television is by far my favourite means of visual storytelling, a good TV show can go into the kind of depth and complexity that the more time-limited format of movies just can't touch.

A few of my favourite shows then, in no particular order:

House MD - recently rewatched this and it definitely stands the test of time. Sure, there are a few weak episodes here and there but on balance it's solid. Hugh Laurie absolutely nails the role of Sherlock Holmes Greg House and the supporting cast are excellent too. It has one of my all-time favourite endings of all television shows, even knowing what was coming I still ended up a little moist of eye by the end. Also they grade the colour with increasing desaturation throughout season 8, almost to the point of it being monochrome - until the final scene is in glorious, bright colour and I love little touches like that. TV shouldn't just be actors reading lines, there is a whole medium to tell stories with (Game of Thrones also did this kind of thing well).

Detectorists - BBC show about two metal detectorists. Gloriously paced, slow and gentle but insistent in telling it's tale, with really strong characters. Finishes beautifully, at just the right time. A gem of a show, it's very well written and nearly flawless throughout. Mackenzie Crook (writer, director) was offered more seasons but he declined because the show was finished and that takes guts to do but I love that he did. Also features Diana Rigg (Olenna Tyrell) who is never not brilliant.

Buffy The Vampire Slayer - I mean what can you even say about Buffy. Might have been the last show where my friends would meet up for a watch party every week, hanging out for hours discussing it and enjoying herbal cigarettes for the evening. Streaming is great and so convenient but in some ways I do miss TV being an event. There was someone very special about getting everyone together once a week to share in that world, and especially with Buffy because the characters were so close in age to me (I'm slightly younger than Alyson Hannigan and I had such a crush on Willow). Sure, it had it's wobbles (the entire Adam story arc, for example) but also some of the best TV moments of the 90s/early 2000s. Once More With Feeling and Hush are fan favourites for a reason.

Hannibal - Produced by Bryan Fuller, who is always good, but absolutely outdoes himself here, and Mads Mikkelson is terrifying in the titular role. Visually it's stunning, the plot is engaging and deeply disturbing, the characters well drawn and believable (Hannibal particularly so, which is all the more horrifying) and the sound design is absolutely astonishing. I bought a whole new sound system literally just for this show and it was totally worth it. Sound design is one of those things which you only notice when it's particularly bad or particularly good and Hannibal is definitely the latter. It's such a well-rounded piece of television, it uses colour and light and sound and all the tools in the TV maker's box. the ending is a little on the weak side but they got axed early - Bryan Fuller had five seasons planned but they only got three.

I could go on, but I won't because I'll go on for ages! Please add a couple of your favourite shows and maybe we can all find a few new things to watch.

I finally got around to sinking some decent time into it over the last couple of days. I'm addicted. It's fun to go up against so many competitors and watch as people get knocked out of the competition over time. Not to mention, it's frickin' Tetris so of course it's great! I'm really looking forward to the special event that Nintendo's running this weekend. You can earn an old-school Gameboy theme!

Some of you may have heard that the bright minds behind Risk of Rain have made their next effort with the help of an added dimension. Risk of Rain 2 released on Early Access lately, to many peoples' surprise and joy. I played a decent bit of the original, but never managed to get into it. Something about 2D scrollers like that puts me off hard, but I respected the hell out of the awesome art, fantastic music, and neat synergies/shenanigans throughout the game.

Risk of Rain 2, so far, has been an absolute blast and I'm super happy for the devs. They received way more support than they initially expected upon launch, and the buy 1 get 1 gift key strategy did wonders for them. I've been steadily playing this game with friends and after the initial Diablo 2 loot stealing shenanigans, we've all managed to memorize items, learn builds, and work out what survivalists we like. This game is a killer time-killer; I've spent what I thought was 10 minutes in one match only to glance at the timer and read that 70 minutes have passed. This game almost feels like it's a finished product, and the devs aren't even done yet. I'm super psyched for all the new stuff we'll get to see and experiment with.

I'm also curious as to what anyone else thinks. Has anyone played enough to share their opinions? Did anyone not enjoy their time with the game? Please share!

Supernatural is one of those TV shows that had some fantastic early seasons. I really miss them.
As a show I feel it kinda turned way too much into fan service in its later seasons. It stayed decent (good, even), but lost a lot of its quality.
Every season there's a bigger, badder fish and things get more and more absurd. One of the things that kind of annoyed me the most about it is that characters dying has zero impact, as they come back into the show whenever convenient using whatever silly way the writers deem worthy. (That series is the polar opposite of Game of Thrones in that regard…)

Season 5 introduced the Four Horsemen. I remember Death's intro as being possibly the most memorable moment of the entire show. Re-watching them now, the introductions of all four were seriously chilling. Thought I'd share them here.

• War: https://www.youtube.com/watch?v=1I4nFgMuciU
• Famine: https://www.youtube.com/watch?v=sQSnVPzV4_k
• Pestilence: https://www.youtube.com/watch?v=7E2aQKYEsUw&t=33s
• And best of all, Death: https://www.youtube.com/watch?v=5EcsBgxXDqc

I'll recommend Supernatural if you like a good mix of horror-comedy without too much comedy. You may like it if you liked: Psych, Chilling Adventures of Sabrina, Buffy the Vampire Slayer, Angel.

Like many on here I've been moving away from cloud services. I used to think that the open-source-heads that grumbled about loss of control were just out of touch. Just "get-off-my-lawn-types" but now I'm one of them. One of the things that pushed me over the edge was Amazon removing a bunch of tracks I had in my workout mix. Just so not cool.

So I'm done with Amazon but hesitated to stop paying for Prime because I couldn't figure out a good way of getting music onto my old iPhone 5S that didn't involve the absolute steaming pile of garbage that is iTunes sync. Why oh why does ti have to be so hard? And the answer is DRM. It's always DRM. Fuck DRM.

I have mp3s from hundreds of CDs I bought and burned to my computer back in the 90s and early 00s. These have largely sat unused. But not now! Now they are free!

And that is all thanks to the magical open source media player VLC. I've long used it on my laptop and desktops but didn't even know there was a mobile option for iOS. I stumbled across it while struggling to find the default iPhone Music app in Apple's app store. I never found it - I found one that looked like it could be it but it talked about an online store to buy music from so I wasn't sure. Anyways, up popped VLC.

The VLC app is awesome! I can get audio/video to it so, so easily in a variety of ways. I can drag-and-drop across my network, use a number of different kind of online services like dropbox, etc (which is not what I did, but that's cool). In theory, I could sync through iTunes as well, but F that noise!

So now I have 5-10 of my favorite albums, including good music to work out to. And best of all, I have "you are my sunshine" which I was able to download off of Youtube. I play that every night for my daughter and ever since they nerfed the YouTube app to prevent it from playing music while other apps were open, well it's been a pain to just sit an listen to it while she falls asleep each night without doing anything else. But not now! VLC isn't trying to market the shit out of me and lock me into their app. I can put on a song and finally use other apps.

So if you are one of those "get-off-my-lawn" types like me, I invite you to check it out. I don't know if there is an Android version but I sure hope so.

This is all stream of consciousness so forgive my typos and likely poor grammar. I'll clean it up after a I get tired of rocking out to these awesome tunes (maybe...)

I really enjoyed his character in the movie and found his story arc to be way more interesting than the actual movie itself. I think they should remake League of Extraordinary Gentlemen with his Hyde/Jekyll.

Even a follow up film about his character and maybe he tracks down “the mummy” again.

Holy shit. Now that is what I call cinema. Somebody give Jonah Hill an Oscar already. The amount of times I felt a deep connection to his character is reaching uncomfortable. The only thing that felt like “too much” was Snorri, but luckily that didn't last long. Emma Stone was so human in this. Rome Kanda and Justin Theroux have amazing comedic moments.

Fucking 10/10. Absolute recommendation.

Adjustment Day is a parody, at least I hope it is, of a United States dystopia. The concept is rather ambitious, but the author rises to the task. The prime conspiracy theory behind the book is that throughout history, civilization has periodically weeded out young men of 18-24 through war and whatever other means available to keep society from returning to the dark ages. Who does this in the U.S? Why, your government, of course.

In this version of the conspiracy, the young men turn the tables. Most of the book is about what happens after Adjustment Day. I've only read Fight Club and Choke by Palahniuk before this. All I can say is the cynicism and nihilism of those two books seems increased tenfold in Adjustment Day. Do you have a conservative conspiracy theory that you think about from time to time? They're all in here. I'd even bet that the author comes up with some you've never heard before.

In a satire that is as biting as The Sellout, Palahniuk presents several characters who live through the aftermath of the event, including the originator of it. But instead of nobody talking about it, (like in Fight Club) everybody is talking about this new bizarre movement/social-political revolution. As you go down this rabbit hole of irrational rationalization, it's easy to lose sight of what is going on. Scenes and characters are switched at the beginning of random paragraphs, causing me to back up every few pages.

A good example of Palahniuk's treatment of infrastructure is given by a new form of money that comes out of the movement:

Officially, the order called them Talbotts, but everyone knew them as skins. Rumor was the first batches were refined from, somehow crafted from the stretched and bleached skin taken from targeted persons. People seemed to take a hysterical joy from the idea.
Instead of being backed by gold or the full faith of government or some such, this money was backed by death. The suggestion was always that failure to accept the new currency and honor its face value might result in the rejecter being targeted. Never was this stated, not overtly, but the message was always on television and billboards: Please Report Anyone Failing to Honor the Talbott. The bills held their face value for as long as a season, but faded faster in strong light and fastest in sunlight. A faded bill held less value as the markers along the edges became illegible.

Because the money had a shelf life, people had to work all the time. At the top of the hierarchy were the young men who had put their lives on the line during the Adjustment Day revolution. They would get the money from some source and give it away to their workers and people they knew, spending it all as fast as they could.

If that sounds ridiculous, you haven't even scratched the surface of this world. Chief among the topics are racism and prejudice toward everyone you can imagine. All in all I found the book a little tedious. Palahniuk puts the crazy theories in the mouths of people who voice them so convincingly that it becomes surreal. If you're a fan of the author you might like it. But practically every paragraph seems engineered to be offensive in some way, to someone.

Let's just hope Chuck is making all this stuff up.

For anyone who doesn't recognize Patience Phillips, she was Halle Berry's Catwoman in the most terrible superhero film - Catwoman (2004)...that I really enjoyed it. Probably because it wasn't well-received, it's often overlooked when talking about things like "the first female hero on screen" or "the first black hero..." sort of things. And technically, Catwoman's not a superhero.

Spoilers ahead. I'm also going to keep my points to the story and characters themselves. I honestly had no issues with any of the actors.

The good

• The theme and social commentary on make-up, beauty products, self-harm/addiction and image issues woman do face. The added layer of cooperate greed. The idea of what you see in the mirror vs. what others see (and if they're right), alongside what you want to present to the world or to specific people - honestly this movie has probably one of the best takes on "the cost of beauty" that I've seen in a while, and since.
• The scene where Tom thinks he's saving a jumper, but Patience is actually trying to save a cat. This random scene turns out to be a great storytelling scene when brought up again after Tom arrests Patience for murder and she asks him what he first saw the first time they met.
• Laurel is probably the most interesting character in this movie. There's a really well-framed shot of her photos being removed from her company lobby in favour of a younger model. I think it's one of the best scenes in the movie. Laurel is capable, powerful, rich and very accomplished, but somehow her relevance still fades as her beauty does. (I can honestly say I generally can't stand the evil step-mother wrestling with her fading beauty and taking out her bitterness on some young snow white-y girl, but this one worked for me.)
• I loved that Batman wasn't in it (but didn't really like that a love interest still had to be introduced).

The bad

• That she's call Patience Phillips...but honestly this is the warning to divorce this from any Catwoman or female superheros (or anti-heros) you know.
• Patience doesn't earn her "powers" - Selina Kyle (Catwoman in basically all other versions) works obsessively to perfect all her abilities. She's an insanely good cat burglar, not a magic cat.
• Patience doesn't earn or drive her own growth. There is basically no growth as a character. A magic cat ghost could have simply possessed Patience's body and the story would be the same.
• Oversexualization of Catwoman...which I didn't even know could be a thing until this movie. Black leather for a sexy Catwoman - awesome. Whatever the belt thing was - grossly missed the point while trying to copy Pfeiffer's patched up catsuit.
• I'm also not the biggest fan of make-over tropes in general.

The ugly

• The basketball scene - just everything about it.
• The hate that surrounded the movie because Catwoman wasn't blonde (or Michelle Pfeiffer), and that Batman's not in it.
• The physical punch-them-out fight scene between Laurel and Catwoman in the end - just why? This isn't a movie at all about physical strength, and having a "face like marble" isn't a real power. (To be fair, I don't like this showdown in really any superhero movie, with the exception of The Death of Superman.)

The cheesy

• The crazy cat-lady Patience goes too, and her tossing a cat toy at her
• The sushi eating scene
• The in case of date emergency kit her friends gave her.
• Laurel seeing her cracked beauty in the moment of a showdown fight
• The cat scratches on Tom
• Her best friend hooking up with her doctor
• The comparing signatures on the coffee cups
• Her Marvel-like comic book name

Final thoughts

So yeah...I would recommend this movie, and really hope that when they do make another Catwoman film that it might share some themes. Have you seen this movie? Did you hate it? Who's your favourite Catwoman? What would you like to see in a Catwoman movie?

Hello Tildes, one common thread that I've noticed in a lot of the threads I've been browsing under ~hobbies and ~creative is that it seems like a lot of folks are looking for new hobbies and things to get into.

To that end one great hobby I've picked up somewhat recently is playing and collecting board games. To some of you, the term 'board game' likely inspires thoughts of old school board games like you may have played in your youth (Clue, Connect 4, Shoots N Ladders, Monopoly, Stratego) "Modern" board games can certainly still be as simple as some of those, but we are actually in a sort of second golden age for board games right now.

What I mean by the above statement is that quite recently (the last 5 years or so) Tabletop and board games have really become popular again, to the point where if you live in a major city there are most likely several places to buy games, and likely even a couple of places you can go to just hang out and play games that belong to the store. Between that, and the popularity of things like Wil Wheaton's TableTop on Youtube, both major game companies as well as small independent folks are creating more and arguably better games than ever in the past.

Now - to the actual subject of the post title. The games I'll list below vary from things most people have heard of or played (Cards Against Humanity) to somewhat obscure, but they should all be pretty easy to find, and very easy to pick up and get into. I'll try to include as much relevant information for each of them (Price, Number of players, Game type etc) and a brief description of what the game is like to play.

If anyone has any other suggestions to contribute please do - One of the best parts of the hobby is the community aspect and finding new games to play.

Let's start with something popular, but not quite ubiquitous yet -
Cards Against Humanity: (3-Unlimited(?) players, $25 Base game + Expansions, Play time Varies based on player count and house rules, ~1hr is a safe bet, but can be made shorter or longer by adjusting rules)
Cards against humanity is a NSFW card game described as 'a party game for horrible people' on the box, which is pretty accurate. Gameplay consists of one player (The judge) playing a black card from the top of a deck with a sentence on it such as "I drink to forget ______" after which the rest of the players will play a white card with things like "My ex-wife" or "Random Erections" or "A bigger, blacker dick" written on them. Once all of the players have played their white cards, they are shuffled, read aloud, and the "Judge" decides which of the white cards is their favorite, awarding a point to the player that played that white card. This is a great icebreaker game because it pretty much forces everyone to get outside of their comfort zone and get weird with it. There are many expansion packs, which are generally themed, but some are just general. These include more cards to keep things fresh after you've played through the originals too many times. - Note: Not recommended for Family Game Night.

Cthulu Dice (3-Unlimited(?) players, $11, Play time ~5-10 minutes):
Cthulu dice is what is called a "micro-game" it consists of just a single plastic (or metal, if you want to dent your table) die with some symbols on it. It's a variant of the old "put and take" game with a bit of a cthulu twist to it, this kind of game is great because it's simple, portable, can be taught to new players in minutes, and also makes a great drinking game. You can also add house rules or look up other variants to keep things fresh

Next up - Dixit (3-6 Players, $30 base game plus standalone expansions, Play time ~30-45 Minutes):
The gameplay of Dixit is somewhat similar to Cards Against Humanity with one player acting as a judge, but from there things get different and rather interesting. Whereas Cards Against Humanity has cards with absurd, obscure, or obscene sentences or words, Dixit has cards with pictures on them. The pictures are generally bizarre, surreal, and kind of whimsical art (Like these examples: https://i.imgur.com/VHtISAZ.png). The way the game is played is the "Judge" player will select a card from their hand and say a single word or phrase that describes something about the picture on the card (It could be a color, an object in the picture, the way the picture makes you feel, what the picture makes you think of, anything that makes sense really) and then plays the card face down. The other players then try to select a card from their hand that matches the judges phrase as best they can in order to fool the other players into picking their card instead of the judges. Once all players have played their face down cards, they are laid out and all players vote on which card they think is the original one played by the Judge, Points are handed out accordingly. Similar to Cards Against humanity, the expansions for this game are additional packs of cards, often following some loose theme to freshen up the game. Most of the expansions contain enough cards that they could be used to play the game standalone. This is a great game to play with people of any age or maturity, it can be as clean or as dirty as the people playing the game but is just generally always a good time.

For the next few games, the actual mechanics of gameplay can get pretty complex, and so rather than explain what the gameplay is like, I'll just link a relevant episode of TableTop for anyone who is interested enough to check them out.

Red Dragon Inn (2-4 Players, $35 Plus Expansions, Play time ~30-60 Minutes) Unfortunately, no TableTop of this one, I can expand if there's interest:
Red Dragon Inn is a game about what the adventurers from DnD do during their 'long rests' at the inn. It's intended to be a drinking game, with players assuming the roles of characters at the inn ( The base game comes with a Wizard, a Rogue, a Priestess, and Warrior ) and are given decks of cards containing context-sensitive actions and abilities. The goal of the game is to be the last person at the inn that isn't broke or passed out from injury or alcohol. The three main resources tracked are a characters health, sobriety, and coins and various cards can affect each of these in various ways. There's also a gambling mini-game that is a lot of fun. The expansions come in 2 types, main releases which consist of 4 new characters (later ones, 4+ seem not to work as well with the earlier ones, and may do better as standalones) as well as single character decks that aren't included in any of the main releases.

Tokaido(2-5 Players 3+ preferable, $30 + Expansion, Play time ~45-60 Minutes):
Tabletop: https://www.youtube.com/watch?v=pipFRzGYgdk

Tokaido is a bit different than the rest of the games on this list so far in that it isn't explicitly competitive. At its' core, Tokaido is a game about seeing who can have the best vacation. Each player assumes the role of a different traveler (each with their own benefits and abilities) and proceeds on their way, trying to stop at the different available locations in such a way that they end the game with the most points (how points are scored is kinda complex, Watch the TableTop for this) but it tends to be a nice, low stress game as there's few ways to really 'attack' other players. There is currently one expansion out for it which introduces some new mechanics and does a good job of freshening up the game for players who have had it a while.

The Resistance/Avalon/Werewolf/Mafia and similar games (Many players, ~$15, Price varies, Play time ~30 minutes, depending on the variant):
Tabletop: https://www.youtube.com/watch?v=g_QRczGzXqw

The Resistance and similar are games about lying to your friends and trying to convince them that you are somebody that you're not. Or maybe they're games about telling the truth and trying to get people to believe you, that all really depends on the cards you draw. These are some of my favorite party games to play in a big group because it can really show you who among your friends has the best poker face. Games tend to go pretty quick so when a player is eliminated it's generally not a big deal (this can sometimes not be the case if the group is way large). Of the different variants I've played, Avalon is my personal favorite of the different variants due to the interesting mechanics that the additional roles bring to the table in this one.

Finally - Betrayal at the house on the hill (3-6 Players, more is better, $35 plus expansions, Play time ~60+ minutes )
Tabletop (Part 1 of 2): https://www.youtube.com/watch?v=MINNKyE4fjs

Betrayal is my go-to example of how great a modern board game can be. It's a moderately complex game, but don't let that scare you off - after you play it once you'll get it just fine, and setup is relatively quick and easy compared to a lot of the other sort of "DnD Lite" games that exist (Lookin at you here, Arkham Horror!). The game consists of players exploring rooms in a spooky house, building out the map as they go from a stack of game tiles with rooms on them. The rooms will have different effects and trigger different types of events as the players explore through the house collecting items and discovering 'omens'. These 'omens' tie into the whole point of the game implied in the title, the "Betrayal". What this translates to in real terms is that for the first half of the game, all of the player characters are cooperating, trying to help each other get as many useful items and to position themselves in the house in such a way that when one of the other players inevitably fails the 'omen' check and triggers the 'haunt' and begins the second half of the game that the non-betrayers can survive and/or escape. Survive and/or escape what you might ask? That is one of my favorite parts about this game, in the base version there are over 50 different scenarios depending on a bunch of different factors. These scenarios can be everything from demonic possession, ghosts, werewolves, 'the blob' and many other creatures, monsters, and horrific situations and do an absolutely fantastic job of giving the base game a TON of replayability. On top of that, they released an expansion for the first game (Widow's Walk) which introduced even MORE scenarios, as well as new rooms and an entirely new floor to the house, as well as Betrayal at Baldur's Gate, which has similar gameplay but takes place in that universe.

I could really keep going all day, but I think this post has gotten well long enough. Let me know in the comments what games you guys play and love, or if you want to hear about some other kinds of games (There are too many to think about even coming close to touching on all of them: Deck building games, Dice building games, Pandemic-like games, Classics like Catan, Ticket to Ride, Dominion, Milles Borne etc etc etc)

I saw this movie last week, so I thought I'll share some thoughts on it.

First off, spoilers! Be warned.

I start of by saying, I'm not really a romcom fan in general, and wasn't specifically into watching this movie because it was an all Asian cast. I grew up watching Chinese dramas (HK, mainland and from Taiwan), and so many of them are romantic comedies. So, though I love the idea of Hollywood taking on more diverse stories, movies like "Crazy Rich Asians" already exist.

Having said all that, I honestly loved the movie! And I believe one of the major reasons why is the depiction of different Asians, specifically Asian-Americans (or as we're referred to in Chinese, foreign-Chinese or overseas-Chinese).

...unrelated to the movie itself, but a little background if anyone's interested...
I'm a Canadian-born Chinese and grew up when people thought all Chinese people lived in Chinatown. I literally had teachers confirm with my parents that the address I gave was correct and that it was in fact not in Chinatown. I was automatically placed in ESL classes, though English is my first language. So, little bit of an outsider in the country I was born in. When I visit family and friends in Hong Kong though, I'm the white girl. Literally everything I do is a novelty. I can write my own name in Chinese, I recognize famous Chinese songs (like Beatles level famous), or I can order my own breakfast (a bun with coffee).

So back to the movie. In Crazy Rich Asians, in Rachel, I feel they captured this really well. If this movie was less Asian centric, I feel "Asia" would have been overly exotic, instead of gross wealth being exotic. If this movie were made in HK or China, I feel, Rachel would have been portrayed as far more foreign and her "Banana" qualities exaggerated.

I also really appreciated that a lot of jokes, and moments, especially the MaJong scene weren't explained. The jokes were so funny, especially the lucky red colour. I haven't laughed out loud in a theater for a while.

This post is already getting sort of long, so I might do another one on the strong women in the movie, which I believe they were really well done too. Rachel was amazing!

Who else has seen this? What are your thoughts?

Edit: I added a spoiler tag, but guess I really didn't. Still leaving it in, in case comments contain them.

Anyone seen this? I heard about this movie on NPR and decided to check it out. Wow! It's a great, well told story that pulls a lot of discreet threads together. As an aside from the main story of a black cop infiltrating the Ku Klux Klan it also references racist media of yesteryear like Gone With the Wind and Birth of a Nation. There are several moments that wink at Donald Trump's talking points and policies. There was a lot of reaction from the predominantly black crowd I was in, the connection was certainly noticed.

And the end! Wow. Almost had me in tears, really brought me back to a year ago when I saw the Vice News on Charlottesville. I was in a theater in Richmond, VA about an hour from Charlottesville. You could have heard a pin drop right when the movie ended. I've never seen so many people get gut punched like that all at once. The timing of this movie was absolutely well thought out.

while its not the best star wars movie, it isn't the abomination that people make it out to be. its legitimately fun to watch and comfy with all its bad CGI.

Favorite star wars movies in order: IV, V, Solo, VII, I, VIII, VI, Rogue One, III, II

So I picked up Jurassic World: Evolution recently because I loved Jurassic Park: Operation Genesis as a kid and have a "dinosaur park sim"-shaped hole in my heart. I'm enjoying it for what it's worth. I think 60 bucks is a little steep for what it's offering, so I can't recommend you pick it up right now unless you REALLY want a Jurassic Park sim game with potential for future growth.

Anyways, that being said, I am 99% convinced this game is just a reskin of the old one. Everything from the dinosaur animations, to the mission types, to the vehicle controls, to how the general flow of gameplay goes feels almost identical to Operation Genesis. I get that there's only so much you can do when you're making what is essentially the same game with from the same property, but take this from a man who put an ungodly amount of time into OG as a child: it feels 100% the same. Like I think all they did was take OG and give the dinosaurs a very nice new paint job and then give everything else a half-hearted coat of paint.

I don't mind all that much since I can't play OG anymore, but I still found it odd how shockingly similar this games feels to OG. Anyone else notice this? Or am I just crazy/supplanting my memories of the old game onto the new one?

For those unaware, the Bloons TD series consists of tower defense games where you place monkeys along a track to pop balloons. It's called TD and not Tower Defense because a scumbag company decided to trademark the name of an entire genre, but that's beside the point.

Since the series's debut as a flash game over a decade ago, the games have evolved to contain a wealth of strategic complexity. Aside from the towers having different attack rates and ranges, there are different types of damage (e.g. popping, fire, explosion) that make each tower unique. Additionally, the balloons occasionally have resistances to certain types of damage. This forces you to be creative with your tower placement, and opens each game up to an incredible depth and variation. This helps keep the game fresh and exciting, as you try out different strategies.

...Or at least, it would do that if it weren't for the arbitrary roadblocks the game puts in place. Presumably in order to ease new players into the mechanics, you're forced to unlock everything through gameplay. This doesn't just include new towers, tracks, and game modes -- you're forced to unlock every single upgrade for every single tower. You unlock these by using the towers to earn them XP.

In theory this wouldn't be so bad. You could argue that it makes you learn the strengths and weaknesses of the towers before you can upgrade them. But why is that learning forced on me by the game? Why can't I learn at my own pace? I care so much because the game's pace is hellishly slow. You will certainly have to spend time grinding in order to unlock everything.

If that sounds ridiculous, it's because it is. I should not have to grind in my mobile tower defense game. I've been playing for two days now, and I'm still incredibly far from being able to play without restrictions. I'm mentally preparing myself for the long haul on this, but I can easily see this alienating new players, or those who just want to experience all the game has to offer.

It really is ridiculous when my own attempts to win the rounds are foiled because the game won't let me have the upgrade I need.

The other major problem I have with the game are its in-app purchases. Ninja Kiwi, the developer, seems to adhere to the despicable model of charging $5 up-front and also charging for things in-game. The game tempts me every time I look at the menu of which upgrades I've unlocked. "Don't you want to use this tower now, instead of many hours from now? Why not pay $5 to unlock all of its upgrades instantly?"

There are in-app purchases for different amounts of Monkey Money (which let you continue to play a failed game) that range from $2 to $55. Double Cash mode, which in previous games was unlocked through playing, now costs $19.

There are good points to this game. The graphics are 3D, which is quite different than the older games, and they look good. They're not an outstanding visual pleasure, but they also aren't irritating or ugly. The word I'd use is serviceable. I preferred the cartoony graphics of Bloons TD 5, but I can see myself getting used to these.

The music is also adequate. Different tracks may have different music, but the repetition may have you cringing as you grind, grind, grind away for hours at unlocking everything. At 20 tracks, there is certainly enough variety to help alleviate some of the drag, but you also have to remember that the more difficult tracks are likely impossible to beat if you still don't have access to every tower's upgrades.

So there you have it. I give Bloons TD 6 three rubbery balloon-husks out of five while shedding a single disappointed tear, because all the fun is locked away behind hours of grinding.

Or you could pay real money to skip all that and actually have fun. Ninja Kiwi, you've broken my heart.