I've been going through some old videos I used to watch and stumbled back on this video essay by J.T Sexkik on the idea of Waifus and how it has taken on several ironic but also non-ironic dimensions.

I've always kind of enjoyed the more jokey aspect of the whole Waifu thing. In large part because I'm fairly insecure and protect myself by being obnoxious about my like of anime as a way of pre-empting judgemental remarks or inquiries. After all, I figured and still sometimes do, if you present the worst possible version of yourself then the only way to go from there is up, right? I'm starting to kind of come around on that, but I still occasionally joke about it.

Was wondering what other anime fans on Tildes views on it were

In France, we all need two identity documents to vote, a voter's card and a national identity card (or passport). It is not at all controversial, even at the far left of the political spectrum. In America, people say it's voter suppression.

The interest thread got a fair amount of... interest, so I'll be moving forward with this rewatch.

Black Mirror is available to watch on Netflix, this link should take you to it.

A thread will be posted every 3 days; this should be enough time for people to watch the episodes, and hopefully won't spam ~tv too much. The first thread will be posted on Friday, and the full schedule is below, let me know if there's anything wrong.

An additional idea I had was for us to rate the episodes. In each thread, I'll post a comment where you can reply with a number from 1-5. I'll then average these numbers to get a collective rating. At the end, we can have a list of our collective favourite and least favourite, episodes.

I'm excited to discuss these episodes, see you on Friday!

New release today, Erra's Neon.

Apple Music
Spotify
YouTube

Currently the number one metal album on iTunes' chart, Erra's Neon is the latest release from the underground metalcore act. While they've attracted a cult following, Erra rarely gets headlining tours. Neon is their newest attempt at reaching the next step.

My personal opinion is that this is the perfection of the sound the band switched to with their last release, Drift. Just as atmospheric, with little less of the chug-chug-chug of most metalcore outfits, Erra may have finally found out how to make what some call "progressive metalcore" a bit more accessible. I personally enjoy how present the bass is in the mix. Metal and hardcore both seem to forget about the instrument and put it low in the mix as an after thought. The clean vocals have always been reminiscent of post-hardcore's darling Anthony Green, and Neon is no different.

It's a little bit of a shame that we have to wait until track three to really hear some of the noodling guitar solos they are known for. In a genre more punctuated by breakdowns, Erra is a breath of fresh air when it comes to lead guitar work. But when it does happen, it is up to the standard they've put out for themselves. They seemed to have moved even further away from the djent sound of their earlier work here. I don't mind that, even if I do like djenty sounds, as I think this crisper sound is better overall for Erra. While the uncleans do hit like a truck on first listen, they stay in a mid-range throughout most of the album and it would have been nice to see them go low, as JT has been known to do live.

Overall, I gotta say this is one my favorite albums of the year so far. Every song slaps a bit, gets the head bopping along at the very least.

Why?

Quick story: I was in an elevator with a coworker I didn't really know and he told me a story of when he asked a stranger in a restaurant if she were pregnant. She was not! And he said he was so embarrassed that he had to leave.

I didn't get a chance to ask him, so I'm asking you fellow tilderinos - why ask this question at all? Especially to a stranger? What motivates this question? Is it really asking why someone looks fat?

Have you been on the receiving end of this question? (If you're a women older than 25, I'm going to guess yes). What are your stories?

Edit: The rewatch announcement and schedule can be found here.

I think Black Mirror is an important show tackling a lot of tough, and often overlooked subjects with technology, and I think that there should be an audience for it on Tildes.

With that said, is there any interest in doing a rewatch and discussion on it? A discussion thread for each episode would be posted every few days, I’m thinking every 3, to give people enough time to watch the (sometimes quite long) episodes, as well as to not spam ~tv with too many threads.

I think this could be fun and start some good discussion, but there would have to be a good amount of people participating. If you’re interested, please leave a vote/comment with any feedback. Thanks!

Something you see frequently on Reddit are subreddits that have developed their own slang, jokes and references. That's part of the reason why Reddit feels like a collection of communities more than one website divided into sections, which is what Tildes look like right now.
The question is, do we want that sort of stuff here?

Urgh, this is not amazing cricket so far. There's been some good play in parts but overall it feels fairly scrappy from both sides. How many catches have the English slips dropped so far? (mind you, the Indians dropped a few this afternoon too)

My cricket coach at school was a delightfully gnarly old Yorkshire dude who would repeatedly drill into us "catches win matches lads, catches win matches" before making us do more catching drills.

I feel like I've been defending Cooke's performance for too many years now, I can't believe we don't have someone else who can open the batting reliably. He doesn't need to hit out, just stay in. On the plus side, Sam Curran seems to be finding his feet. He's only 20 but I feel like he could go far. He might have saved this match for England today.

OK, so I started writing this post while watching the highlights, just as England's second innings finished and now, just a few minutes later India are down five wickets, 84 needed to win, and England's bowling attack are on fire. It's all got very interesting all of a sudden.

Non-cricket fans - the Test format is the one you guys generally seem to particularly baffling/frustrating. It's a five day match where nothing can happen for hours on end, and the game can end with no winner.

After seeing some interest in philosophical discussion threads in this group last night, here's one for all of you.

Ever since I watched the movie Arrival and saw this quote, I've had this set of questions about humans and how our minds and our perception of reality is influenced by language. I'm going to throw some of those questions out below as a discussion starter and see where we end up. Sorry they're a bit general, feel free to restate any of them to be more specific or more interesting to you.

How does language limit us? Is our inability to really understand and explain concepts such as quantum reality, existence past an event horizon, or a scenario without spacetime (e.g. prior to the big bang) a product of the limitations of language or is it a fundamental limitation of humanity? Can language evolve to be able to capture such concepts? If language does evolve, how will it affect our perception of reality?

Not sure if anyone will remember by now, but a few months ago I made a philosophical discussion thread in ~talk since a group like ~humanities didn't exist yet. I was super excited by all of the great discussion that I was able to join in, and now that we have ~humanities (thanks @Deimos!), I'm wondering how people would feel about some threads for more general discussion of various questions as opposed to the mostly link-based discussion that's gone on here so far.

Would anyone else be interested in that sort of thing? I'd be more than happy to start a few threads up over the next few days if people are interested.

I'm doubling down here folks :) My prior post was called-out for being click-baity and rightfully so. The title was especially poor. I'll try to do better moving forward.

I'm starting a discussion here because my hope is that we can talk about the ideas within the article, rather than the article itself.

Here was the original post for those interested: https://tildes.net/~humanities/3y1/mark_cuban_says_the_ability_to_think_creatively_will_be_critical_in_10_years_and_elon_musk_agrees

I posted the article because at it's core are several interesting observations/propositions from two billionaires, Mark Cuban and Elon Musk, that presumably know a lot about business, and in Musk's case, a lot about STEM, and have a history of making winning bets on the future.

The article supposes that:

• Many (most?) STEM jobs will become automated
• This will happen very quickly; more quickly than we anticipate
• Creative skills will soon become more highly valued than STEM skills

There was a time when parents told their kids to "become a lawyer or a doctor" but after enough time we end up with too many people going into the same profession and there is more competition for those jobs as the market becomes flooded. I know anecdotally that's happened for lawyers (not sure about doctors).

I can see this happening with STEM as well.

Should parents encourage kids to pursue STEM but pair this with equal study in the humanities? Is STEM the next target of automation? Will creative skills be more highly valued? Will engineers find themselves in the bread line?

For me personally I'm excited because I really like what they've done with the MCU. It's not perfect but I think they've done a fine job so far and would prefer them to have a go at the X-Men (and FF) franchise. As a long time fan the movies have been hit and miss with the Fox X-Men for me so far. For example:

Love:

First Class
X2
Logan

Like:

DOFP
X1
The Wolverine

Don't care for whatsoever:

Wolverine Origins
X3
Apocalypse

So really Fox did okay with the rights but not as good as they could have. The Fantastic Four specifically movies are laughable. Hell the Roger Corman flick was better than it's successors. I didn't even bother with the most recent as you could tell it was slap dashed together.

So what do you guys think?

My favorite genre right now is probably the slice of life genre. i've recently finished 3-Gatsu no Lion, and i gotta say for an anime about shougi it hit me hard i may or may not have teared up on a few occasions... my favorite from the genre though is probably Clannad: After Story, now this one really made me cry, they break the floodgates and keep rescheduling repairs. so i have to recommend those two if you're looking for great slice of life anime.

Choose three words to describe the kind of community you want here, and explain why you chose those words.

Diverse

More points of view makes for a more in depth, nuanced conversation that brings viewpoints I may not have considered before. I have plenty of experience as a native woman in Canada, but that isn't the only viewpoint. Much as it pains me to admit, I don't know everything and sometimes I miss layers of conversations that others can point out to me. Those viewpoints are the ones I need to read if I want to continue growing as a person.

Welcoming

I want a community that isn't full of gatekeepers, who don't arbitrarily decide who should or should not belong before they've even had a chance to contribute. I want to see people given a chance to show who they can be on a new platform, and how they can make this a better place. The last thing we need is to chase away people who might otherwise make valid contributions to the community by being dicks.

Interesting

More threads, more topics for discussion, more traffic in general. I want to see dozens of threads I can contribute to or at least read on a daily basis, whatever that topic may be. A new book series, a hobby, a viewpoint on politics. But we're not going to get there without a diverse, welcoming group to keep new people engaged.

Hi all,

I've been thinking about this for a couple days, and since there's another discussion about the alt-right/racism/offensive attitudes, I figured it was a good time to hopefully initiate the discussion even though I myself don't have much to contribute to it.

What I'm asking for is ideas to foster inclusiveness on Tildes. I personally haven't noticed much on Reddit that's bad, but then again, I'm a young (well, sorta) white dude. What I have noticed is that, as a man, I am the "default" gender on Reddit. People are always calling me "man" on there, even when I have not given any clues about my gender.

As for my race, I haven't noticed anything making my whiteness the "default"--people call me "man" all the time, but they don't call me "honky man," after all--but I unfortunately might not notice that. Anyway, I should stop blabbing, because I unfortunately don't have much to add to this discussion.

My question is, though--and I hope other people agree that it's an important topic to discuss--what can Tildes do to encourage inclusiveness? What can Tildes do to make everyone feel welcome, regardless of their sex/gender, sexual orientation, race, religion, and identity in general? If I were a woman and someone called me, "man," I expect that I would feel less welcome.

Edit: I should clarify that I'm looking for systematic ideas for what to do: if Tildes were as big as Reddit, what policies or structures could be implemented to remind people or encourage them to be more open to everyone? Is there anything that's even possible?

I posted this recently during a discussion on reddit on thread locking and wanted to post it here for discussion as well.

There's no room in a decent society for those who advocate for "race realism", deny the holocaust, or believe women are all mindless whores who can't think for themselves. If that's your (general you) idea of a useful contribution, create your own sub and be as hateful as you want, but I have no obligation to provide a platform for hatred on a sub that's dedicated to, for example, gifs of puppies and kittens.

Tildes is intended to be a place for insightful, high quality discussion. Can people who advocate for topics like race realism be part of that conversation?

Note: I am not necessarily suggesting that such topics be banned from tildes, I'd just like to hear opinions on this topic.

Edit: I posted this same topic, lightly revised, on /r/theoryofreddit to see the difference in responses. It's been enlightening.

I hesitate to even use the term "childfree" for this post, as the reputation the community has gathered on reddit isn't the greatest. For good reason tbh - there's a reason I don't post on that sub.

I knew from a very young age that I wasn't cut out for kids. I didn't want to play "house", hated baby dolls (especially the gross ones that "peed" so you could change the diaper), babysitting was done only under duress, and the noise that came from being around a crowd of kids made me crazy. I grew up with dozens of cousins, of which I was one of the oldest girls, so "taking care of the young ones" was kind of an expectation. But while the other cousins in my age range were happy to do so, I was off in a corner with a book, avoiding the entire thing.

As I got older and started dating, the conversations about weddings and having kids were the last thing on my mind. I went off to university, got a job, moved out on my own, and just didn't really think twice about it to be honest. I guess I always assumed it'd happen one day, and the urge to settle down would kick in, but it never did.

Now as I'm past the ever so major gate of 30 (that crucial age where everyone says you'll change your mind), nothing's changed. I have a large circle of friends who feel the same way (none of us have or want children) and we're enjoying our lives in a way I didn't think was possible. We enjoy our dinners with each other, traveling on weekends to spontaneous destinations, last minute concerts, festivals, and many other events that keep us busy and engaged. The thought of giving it up and settling down just doesn't hold any appeal.

The accusations of selfishness, shallowness, leading an unfulfilled life are all just water off a duck's back. If I'm selfish, it hurts no one but myself. If I'm shallow, well, I'm not shallow so that's not an issue. My life is my own, and it's exactly how I want it - full of friends, spontaneity, and peace and quiet when I want it.

There was a story posted to Hacker News, The Return of the Super-Elite from Jacobin magazine. It was on the front page for a little bit of time. I refreshed and it was on the 2nd page.

5 hours later and it's down to #113, page 4. It has 88 points. The second youngest submission on page 4 is 16 hours old. On page 3, the youngest item is 6 hours old, and has only 7 points. So this article is newer, has a respectable amount of points but within 5 hours has been relegated to page 4, whereas an item that has fewer points and is 1 hour older is sitting on page 3.

edit: the rank keeps dropping, when I first wrote this post it was at #111, then #112, and when I submitted it was at #113, I just refreshed and it's at #114. Other submissions near the range of points and hours are ranking on page 1. On page 5 all items are from 1, 2 or 3 days ago.

I've noticed that any pro-unionization talk seems to disappear much more quickly than other stories.

So let's get our tinfoil hats on and ask is Hacker News suppressing leftist articles or suppressing articles of a certain type altogether?

Or maybe it's just a conspiracy of a bad algorithm for determining where submissions rank?

Personally, I hope it takes over Reddit’s role of being primarily for discussion and a place to congregate interesting content, staying away from the more mainstream-y aspects, like the redesign. What do you expect/hope for?

So far, I haven’t seen too much moderation aside from bans, etc. dealt out by the admins (unless I’m wrong here and a moderation system is currently in place, please correct me if I’m wrong), but how will this work once Tildes is fully released to the public? Will people who show interest in a certain community be reached out to and asked?

I've been consuming the darkness that is wartime histories from the past three or four centuries and I feel like I've encountered a lot of people who had what they believed to be justifiable reasons to launch wars against other powers. There are people who thought they had divine right to a particular position of power and so would launch a war to assert that god-given right. There are people who believed in a citizen's right to have some (any) say in how their tax money gets used in government and so would fight wars over that. People would fight wars to, as John Cleese once said, "Keep China British." Many wars are started to save the honor of a country/nation. Some are started in what is claimed to be self-defense and later turns out to have been a political play instigated to end what has been a political thorn in their sides.

In all this time, I've struggled to really justify many of these wars, but some of that comes with the knowledge of what other wars have cost in terms of human carnage and suffering. For some societies in some periods, the military is one of the few vehicles to social mobility (and I think tend to think social mobility is grease that keeps a society functioning). Often these conflicts come down to one man's penis and the inability to swallow their pride to find a workable solution unless at the end of a bayonet. These conflicts also come with the winning powers taking the opportunity to rid themselves of political threats and exacting new harms on the defeated powers (which comes back around again the next time people see each other in a conflict).

So help keep me from embracing a totally pacifistic approach to war. When is a war justifiable? When it is not only morally acceptable but a moral imperative to go to war? Please point to examples throughout history where these situations have happened, if you can (though if you're prepared to admit that there has been no justifiable war that you're aware of, I suppose that's fine if bitter).

(Obligatory disclaimer: Yes, I know the difference between a "theory" and a "hypothesis". I'm using the colloquial usage of the term. I'm not submitting a formal paper here.)

I figured a post like this now and then might be a little fun. I wanted to discuss a little theory of mine about the Mario universe. As the title suggests, the short version is that Mario is a dictator.

This theory hinges on one important point: There are inconsistencies within the stories that are told about Mario's adventures that suggest that his exploits are fabricated.

Let's begin with the most central theme in Mario's adventures: The repeated kidnappings of Peach. Consider for a moment that in every kidnapping event, Peach has had less-than-stellar security detail--typically none at all--despite the number of kidnapping events that have occurred over the years. If arguably the most high-profile member of a kingdom is being kidnapped on a regular basis, you would expect their security detail to be significantly greater than it's consistently shown to be, so why is it always so lax? The three most logical explanations are either a) the security detail is actually much tighter than is shown and Bowser is just that much stronger, b) the security detail is thinned out before every kidnapping event due to a coordination between Bowser and an insider in the mushroom kingdom, or c) there are no kidnappings at all and they're merely being portrayed as such.

We can eliminate option (a) fairly easily: Are we really expected to believe that an ordinary plumber can single-handedly take out an entire kingdom that an entire other kingdom was unable to stand against while their princess was captured? This plumber has no military training whatsoever, and we're expected to believe that he can stand against an entire army by himself? Unlikely.

That leaves us with two logical explanations: Either the kidnappings are coordinated on the inside, or the kidnappings are completely fabricated. Deciding which of the two is the most likely requires further considerations.

With that in mind, you may be wondering if there's any support for either of those accusations, so let's first discuss Bowser himself. Specifically, let's discuss his physical traits. He's a scary-looking dude, no doubt. But Bowser is clearly not a creature that evolved for aggressive behavior. If we examine his build from an evolutionary perspective, we can see that he has a large and bulky shell; his claw strikes are powerful, but slow; his fire generally lacks range or (in the case of earlier Mario games where range was better) sustained use, and its speed is generally terrible; and he can't move quickly at all, except in short bursts. All of these traits suggest a creature that isn't built for aggressive, offensive action, but for self-defense. A creature like Bowser is unlikely to attack another kingdom at all, unless he's acting in self-defense or given some other form of incentive.

Now, between the remaining two options, we again have either an inside job or a fabrication. Without deciding yet which it is, let's at least consider this: If it really is an inside job, there are only two ways in which someone could stand to benefit:

1. Mario would stand to benefit due to receiving and perpetuating his status as a hero, so he would have to have some kind of way to incentivize Bowser to coordinate with him, otherwise Bowser wouldn't have any need to work with him. If Mario really is a plumber, however, then there is absolutely no way he would have the wealth or political leverage for Bowser to benefit in that relationship. It's possible that he was a plumber at first, but ended up becoming a puppet to Bowser, but in no situation does Mario remain a plumber if we're to assume that he's continually coordinating with Bowser, otherwise he would have no way to deal with the increased security detail.
2. Peach isn't actually being kidnapped, but is attempting to escape the kingdom with Bowser's help. If Mario is actually an independent dictator rather than a puppet, then it would stand to reason that prior royalty would want to escape in order to avoid harm. In this case, it's easy for a coordinated escape with another kingdom to be portrayed as a kidnapping.

So, to quickly recap, we have inconsistencies in the security detail, in the antagonist, and in the protagonist. These already suggest that the stories of Mario's exploits may not be at all what they're portrayed as.

With the above in mind, let's take a look at one more damning detail about Mario himself: The mushroom peoples are said to have transformed into bricks, yet Mario has no qualms with destroying them throughout his adventures.

With everything above in mind, we can see the following narrative fall into place:

1. The mushroom people were never turned into bricks. It's a false story used as a dehumanization tactic in order to justify Mario's murder of innocent people. It's pretty easy to justify killing your own people, after all, if you convince people that a brick wall was erected and had to be destroyed so you could save the princess, so the loss of those transformed people was necessary.
2. Mario isn't really a plumber. It's possible that he was at one point, but he definitely can't be anymore.
3. Mario's exploits are either staged, or he's continually re-kidnapping a fleeing princess seeking refuge in another kingdom and the kidnapping is being portrayed as a rescue.

Now, a final important point: Over time, we've seen the narrative shift in Bowser's reasons for kidnapping Peach. The most recent case was an attempted marriage in Odyssey. It stands to reason that, as a dictator, Mario has to continue controlling the narrative as news leaks out regarding foreign events, e.g. a marriage between a "kidnapped" princess and a foreign ruler. The continuous stream of foreign news and gossip could install doubt about your prior narratives--"Why is our princess marrying someone from another kingdom? Was she even really kidnapped or did she run away?"--and force you to adopt a new one--"The princess is being forced into an unwanted marriage by her kidnapper!". This is a far different narrative than those cases where Bowser was said to want to destroy the mushroom kingdom.

We can therefore establish that Mario's image is absolutely essential. Any crack in his portrayal as a hero could cause the mushroom people to revolt, so he needs to assert control in any way possible. Thus, he will create any narrative necessary to paint himself as a hero and to make himself more relatable, and to make his adversaries as monstrous as possible. It's also particularly unlikely that he's Bowser's puppet, otherwise we wouldn't expect Bowser to allow himself to be thwarted so frequently, something that would make him appear weak to his own people and threaten his place. It's far more likely that Mario is acting independently and losing his grip on his narrative.

So the story that seems to have the least inconsistent narrative is as follows:
Mario is a dictator who wants to appeal to the working class by being viewed as a plumber, so the citizens of the Mushroom kingdom will think "he's a true blue collar worker, he's one of us!". Peach isn't actually being kidnapped, but is attempting to flee from Mario's dictatorship and seek refuge in the Koopa Kingdom. Mario continually assaults the Koopa Kingdom in order to re-kidnap Peach. In the process, he ends up murdering countless sympathizers who try to aid in her escape, or even uses the opportunity to destroy his opposition in a way that's easy to brush off. During all of this, he continually pumps out propaganda about Peach being kidnapped when she's really seeking asylum and about his heroic rescues when he's really taking his own army with him, paints Bowser as a villain, and dehumanizes his victims and normalizes their murder. In addition, because of his clear readiness to dehumanize his own people, it's likely that Bowser and the rest of the Koopa Kingdom are also being dehumanized and portrayed as monsters in order to justify the slaughtering of countless foreign people and to help instill fear and anger among the mushroom people. Peach and Bowser have also likely fallen in love and attempted to marry, but Mario continues to lay siege on Koopa Kingdom in order to kidnap Peach, and Mario's propaganda network paints this marriage as a forced one between an unwilling Mushroom Kingdom princess and a terrifying and ruthless Bowser.

In short: Mario is dictator using a propaganda network in order to paint himself favorably while painting his adversaries as monsters or objects in order to justify mass murder and prevent a fleeing princess from seeking asylum in a foreign kingdom.

What are your thoughts? Have I made any critical errors? Is there more evidence that I missed that supports this theory? Do you have an alternative theory you'd like to share?

(If you notice any typos or repeated sections, please let me know. This took a while to write up, so it's possible that I missed something.)

I've read the books up until Cibola Burn, so my impression comes from comparing my experience watching the story to reading it as told in print.

Season 3 was incredibly rushed through and little of any character's motivations or thought are clarified as they still make more or less the same decisions. Two noteworthy characters (Pa, Bull) combined into one character (Drummer) whose actress only does one vocal and facial expression, which I happen to mirror every time she gets air time.

Show Ashford, an arguably much more sensible and intelligent man than Book Ashford, is unreasonably suddenly deemed necessary to reflect Book Ashford without any clear change in motivation.

So many things are done weirdly on the show that didn't need be done. Those are a few examples off the top of my head. What do you think?

No, not the PC classes in your game - the classes that describe the people you play the game with.

Mister Fantastic: Every single number on this player's character sheet has been optimized beyond comprehension to be at least 20% higher than you thought was possible, and it's all legal. Reading one of his sheets will teach you about traits, feats, and rules you never knew existed. Often mumbles cryptic, one-word answers while barely paying attention that end ongoing rules discussions leaving the other players with blank faces. His characters are nearly invincible except for one small key weakness (AC 26 at level 1, but with a CMD of 5). This player can typically one-shot the BBEG and reverse the party's fortunes in a single round. If he's charmed or dominated it will result in a TPK unless dealt with instantly.

The Veteran: A quiet fellow wearing a T-Shirt that says, "Don't tell me about your character: just play." He's never flashy, and seems to do very little, content to let everyone else play and have fun. Always prepared for any situation when no one else is. More likely to aid other players than act directly. He'll only involve himself when everyone else is making a mess out of things, and when he does wake up, his ability to deal with any given situation leaves Mister Fantastic green with envy. Has been known to kill BBEGs via roleplaying. Has the ability to summon natural 20s on demand but rarely uses it. The GM often consults with him on rules issues.

Negative Diplomacy: No matter the class or the character's abilities, whenever this player opens their mouth to talk to someone who isn't in the party, you know the group is going to be in combat to the death in less than three rounds. The GM is uniquely powerless to prevent this from happening. His superpower is always knowing the worst possible in-character thing to say.

Milla Vanilla: Every character this person plays is the exact same thing - even when playing different classes. For whatever reason, this player cannot mentally step into the shoes of their character, and ends up on endless repeat. Often not noticeable until one has played multiple games with this person and notices that their ninja assassin is remarkably similar in temperament to their paladin.

The Conspiracy Theorist: This player is convinced that every single thing that happens is part of some grand tapestry and he is on a mission to figure it out. Often obsesses over small details, makes bizarre (sometimes nonsensical) connections between events, places, and facts. Your worst fear is that he's giving the GM ideas. It's confirmed when some of his wilder predictions come to pass later in the game.

Aaron Justicebringer: The kind of perma-lawful good holy crusader who walks into a tavern and announces, "Greetings! I am Aaron Justicebringer. You may flee if you wish." He's on a mission to smite evil. Since he's always got detect evil running, he finds quite a lot of it and smites often, without concern for trivialities like local customs, ettiquette, roleplaying, and plot. This player always plays crusader types.

Kaboom: Kaboom likes loves lives to set things on fire. Often a wizard or sorcerer, and the kind of fellow who can reduce six enemies to ash in a single round (even if those were six fire elementals). Flaming spells, flaming daggers, flaming hair, and one can track him across Golarion just by following the smoke. Unfortunately, that's all he's good for. Kaboom is a blunt instrument, best kept wrapped in asbestos until the party finds a target he can be aimed at in a location that hasn't got too much potential for collateral damage. This player comes in non-fire flavors too.

Sleepy Pete: Sleepy Pete has a wife, six kids, and a stressful day job. By the time he makes it to the session, he's been clinically dead for two hours already. He'll be asleep within an hour of starting, even faster if food or alcohol is involved. Sleepy Pete is also prone to missing sessions with little forewarning. You're not even sure what his character or personality is because you've been given almost no opportunity to observe him in a conscious state.

Brandon The Builder: A player who in all other ways is relatively normal, Brandon must never be given downtime in any way, shape, or form. With a full set of item crafting feats and flawless mastery of the downtime rules, Brandon will not only rule the entire kingdom in less than six months, he'll find a way to provide every single party member with a Headband of Mental Superiority, Belt of Physical Perfection, two +5 Tomes or Manuals of their choice, and a well staffed keep while doing it.

Broken Billy: This player has no comprehension of the mathematical progression of the games he plays. Instead, he jumps at the first thing he finds that sounds cool. This leaves him with a hodgepodge of abilities that quickly become useless as the game progresses, leaving poor Billy more and more frustrated as the game goes on. Broken Billy steadfastly ignores all advice and all warnings given to him by the GM and more experienced players. Prone to having five first level classes on his fifth level character.

The Novice Namer: Never good at coming up with names, this player has given birth to many legendary heroes: Bob the Barbarian, Robert the Ranger, and who could forget Sheldon the Sorcerer.

The Knife Hoarder: For whatever reason, this player insists on having at least 2 knives on his belt and 4 hidden on his person. He'll never actually use these knives, but as they'd say "just in case."

The 1-Leaf-Clover: This person's dice are trying to kill him. Oh he might roll a natural 20 to get a cheap room at the inn or tell if an item is masterwork (its not), but the second he's in combat, the most you can expect is a 12 or 13.

The iGenie: Only looks away from his laptop when his name is said three times.

The Bookworm: If not taking an action, is found face first in a book looking for a rare never before seen rule that will get him out of the in-game situation. There has got to be rule specifically for negotiating with a different race to reduce the price of a toll. There just has to be!

Secretly Evil: This player almost always plays a Wizard/Sorcerer and takes a Necromantic path. They'll write a sizable and traumatic back-story. Then in game they'll never do or say anything evil in front of the group(in or out of character). In fact, they'll do very little in general. Instead they wait until everyone is gone and tell the DM what evil things they actually did while "no one was looking".

You should try FATAL: Makes all their characters and every encounter somehow revolve around sex.

Spellsaver: Spellcaster that never casts their spells because they think the next fight is going to be harder.

The Lore Keeper: This player may not be the most talkative person at the table, but that's possibly because they're too busy writing down every even happening in the game. Conversations, shared loot, timelines, and character sketches -- this player is devoted to the story, and keeps track of all of it.

What are we missing?

(Some inspiration from this old reddit thread.)

This is a hard topic for me personally, so please be gentle. I am at my core an institutionalist and an incrementalist, so I tend to want to both value and improve institutions through incremental (bit-by-bit) change.

A common concern and criticism of people who are impatient with incremental changes is that there would be tons of unintended consequences. While that concern resonates with me, it clearly doesn't seem to resonate with much of anyone else right now.

So in this I feel alone, frankly, and a lot of the reason for that loneliness is because incrementalism seems to have been firmly rebuked by both left and right wing political groups around the world. Help me understand what's happening. Where is incrementalism failing for you? Do you see any role for bit-by-bit change?

The scope of this thread could expand to the high heavens, so please understand how widely varied the examples might be that we each might bring to this discussion.

Just got in a huge argument with my aunts and uncles who are engineers (I am as well) who don't believe climate change is real. Or as my chemical engineering aunt and my emissions engineering aunt put it "I don't believe carbon dioxide is a pollutant"

What are your guys family gathering stories?

I've recently played really good game of Secret Hitler, so I wanted to let you know about it. If you don't know Secret Hitler, it's great game and I'll briefly describe it below. You can play it online, for free, without ads at secrethitler.io (opensource). You can as well buy it, or even just download pdf, print it and play with paper cards!

Secret Hitler summary

Game for 5-10 players, tabletop. Players are divided to Fascists and Liberals. One of fascists is Hitler. Fascists knows who is who, but Liberals don't know anything. There is chancellor and president, players vote them and they elect laws (president receives 3 laws, 1 discards, 2 passes to chancellor, which discards 1 law and the other one passed). Fascists win, as 6 F laws passed or Hitler was elected as chancellor with 3 or more F laws. Liberals win, if 5 L laws passed or Hitler was killed. If you want to know more, watch some gameplay at YouTube, it's really interesting game about lying to people and manipulating them. And if you will be interested in the game, we might play it together online :-)

I was a Fascist. Right on the first turn as president, I got 3 Fascists laws and I selected Hitler as chancellor - I had to because of order and it would be suspicious not to do so. So I passed him the laws and he of course had to pass Fascist law. But then, he peaked (because 3rd F law passed) at top three cards and lied about it (said FFL, was FLL). Because of this, everyone, after few turns which revealed he lied, started suspecting him. When the liberals had 4 laws passed, I tried as hard as I could to defend Hitler - he just missclicked (no, he would told us!), you know it. After about 10 minute discussion, my propose was rejected, someone else elected as Chancellor and Liberals won the game.

Leave your own stories in comments and be sure to tell, if you would like to play this with other people here, it's wonderful game. And if you would like to, I have other stories - for example when we (IRL) played Secret Hitler to 3 AM, and at the last but one turn, everyone went extremely suspicious and we played one turn almost hour and half (I don't lie about this, I started to measure it after 20 minutes of discussion).

Decided to drop down here and quickly ask what is Tildes' policy on piracy. Namely, should we be openly discussing, linking, directing users towards pirated content? Is it something that's strictly forbidden?

Apologies if I'm missing something, but if there isn't a statement on this already then what do you guys think the policy should be?

In my opinion, part of what makes places like /r/music so mind-numbingly boring is that outside of news, there's just individual tracks and question threads that beg for individual tracks.

There's some value in this and if that's the way you consume music, then cool. But as someone who primarily listens to albums, I rarely want to discover music like this. Like maybe if I'm looking into a new genre, it's cool to get an introductory song to get what it's all about, but beyond that it's kinda a haze.

So others who value any kind of music listening outside of singles + loose tracks, what do you think we can do to shape this community into something that includes us a little more? Discussions on DJ sets? Album reviews? Games like the survivors done on artist-specific subreddits? I don't think this is something that just naturally gets fixed through the hierarchy system or something, like many of the other problems with /r/music. What can we do?

I was looking over some of my charts of albums recently and I thought this might be a cool idea.

If you don't know what a chart is, basically you can go here and put together a chart of up to 100 of your favorite albums to show people a quick look at your taste or whatever. I've seen people use this as favorite albums, albums that mean a lot to them but aren't necessarily their favorite, people putting custom pictures and making a list of their favorite artists, people making a chart of albums with a "theme" (food on the cover, albums about break-ups, albums of certain genres, etc.), the possibility is whatever you feel like putting together a bunch of albums/artists/anything else you can think of together to show to other people interested in them. I thought it might be a cool idea to see what other ~music users enjoy listening to.

You can also use this to show your rateyourmusic account if you have one, your last.fm, your sputnikmusic, anything pertaining to music that would be cool to look at.

What have you been listening to this week? You don't need to do a 6000 word review if you don't want to, but please write something!

Feel free to give recs or dicuss anything about each others' listening habits.

You can make a chart if you use last.fm:

http://www.tapmusic.net/lastfm/

I always had a little problem with Laura Charles in this 1985 cult classic.

At the beginning of the movie, Laura's manager is begging her to play a tape. He tells her a man named Eddie Arcadian will hurt him if he doesn't get it played. He is literally terrified and begging. You can see he is terrified.

Laura actually says to him, "My life isn't filled with all that...... Drama." That's how she says it, she pauses before the word drama. Think about how dismissive that is. He is scared for his life and tells her as much, and she just says something that dismissive. Then she berates him like it is his fault he is in the situation. And the kicker is, she says her life isn't filled with all "of that drama" for two reasons. She liked the idea of it. The idea of thinking she was this person with no drama. And because she didn't care because it didn't affect her.

So the movie goes on. Now Laura is in danger of Eddie. It was all because Eddie wanted the tape played. There wasn't any "drama" in her life that caused it. But does she stop and realize that? Nope. Does she for one second think, "Gee maybe it wasn't my manager's fault he was in this situation. I wonder if he is okay?" Nope. She suddenly cares because it affects her.

And then everything in the end works out for her of course. And we never know if Eddie killed the manager or what happened to him. Laura never even looked for him to even just apologize, let alone make sure he wasn't dead.

What are your thoughts?

This place seems a bit sparse so lets have some comics talk.

Now Im no hard core Batman fan so Im looking at this from a casual lens but it seems to me that Bruce Wayne has the potential to do SO MUCH for Gotham with his billions but doesnt because he wants to run around at night reliving his revenge fantasy over and over.

Yeah he donates to charities and dedicates an orphans home every now and then but with his economic wingspan you'd think he could dump money into the city to improve it in all aspects.

Thoughts?

TLDR: Bruce Wayne is gotham's biggest villain. Change my mind.

Since it doesn't look like @basicbaconbitch is around (or they just intended it to be a one-time thing), I guess I'll post this!

What have you been reading? What do you think of it? No need to do a big review if you don't feel like it, but I think we'd all love to hear your thoughts! Recs or discussion of each others' reading habits is encouraged!

--

Quick question: Do we want regular threads like these? Personally I think ~books is lacking a place to just drop in and talk about something that isn't news or a specific discussion topic, but maybe I'm alone on that.

I'm sure some of you might have this as a hobby or more of a profession.

I'm pretty new to it as I haven't really done much at all yet, and I'm looking to create a sheath for a knife. Are there any good videos to watch before diving into it, or any articles that come to mind?

Think of this as a place to discuss this topic as I didn't see one posted yet. Any input will be helpful!

Westworld Season 2 is in full swing and I love it so far, but would you live in Westworld if you could? A world with no consequences other than its own societal pressures seems pretty enticing...

Aaargh! In a recent post, (Who has quit Reddit etc. to go all-in on Tildes?), the subject of content came up. Just six days ago there was this post

https://tildes.net/~tildes/25n/it_needs_to_become_clearer_what_tildes_is_about_and_how_it_differs_from_reddit_im_part_of_the

and several discussed tildes as leaning toward discussion versus content. If we want to be one or the other , different or similar to Reddit, ok. But personally I came over to Tildes hoping it could eventually replace Reddit minus all the ads and for profit aspects that are plaguing so many social networking sites.

I get it. We want Tildes to be different. But I'm very interested in content. And content based discussion. My favorite subreddit /books, is based very healthily on both. And I happen to think that Tildes is going to need content to broaden its base. That broadening is a strength of Reddit I'd like to see emulated.

I've been hesitant to post and yes cross-post content from Reddit, but now that some people are seeing that content is needed, I'm getting on that bandwagon. I'll do my best to post good quality news, books, science, offbeat, the occasional humor, and you can moderate it away if you want. I want people to want to come here.

So I'll see you in content posts, discussions and even contribute to meta-talk at times, it's necessary for internal communication. But it's time to get to work.

We're at roughly 7 days since the last weekly thread, so here's another! Imo we should have more regular threads like these, if anyone has ideas then drop them here! Personally I like the idea of doing "listening clubs," where we choose an album for the week, all listen to it, and have a regular discussion thread for every week. If there's any interest, I would love to run a hip hop focused one, though I could definitely do a lot of other genres if the desire was there. Anyway, drop a comment if anything like that sounds appealing to you!

Shamelessly copying my own prompt for this one:

--

What have you been listening to this week? You don't need to do a 6000 word review if you don't want to, but please write something!

Feel free to give recs or dicuss anything about each others' listening habits.

You can make a chart if you use last.fm:

http://www.tapmusic.net/lastfm/